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Bach: Cantatas & Arias / Bicket, Watts, The English Concert

Bach,J.s. / Watts / Ecc / Bicket
Release Date: 02/08/2011 
Label:  Harmonia Mundi   Catalog #: 807550  
Composer:  Johann Sebastian Bach
Performer:  Elizabeth Watts
Conductor:  Harry Bicket
Orchestra/Ensemble:  English Concert
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews



BACH Cantatas: No. 199; No. 51 & Harry Bicket (cond); Elizabeth Watts (sop); English Concert (period instruments) HARMONIA MUNDI HMU 807550 (SACD: 65:07 Text and Translation)


& Arias from Cantatas 31, 57, 105, 84


This disc has put me in a brown mood. Elizabeth Watts, like UPS, delivers the goods. And it’s the whole package. The program is all Bach, but was Read more clearly designed to test Watts’s considerable range of talents, interpretively as well as technically. In a word (or five), she passes with flying colors. There are silvery high notes and dusky low ones, rapid passagework and floated sustained tones, plus introspection and exuberance—all delivered with well-justified confidence. Watts is neither reluctant nor embarrassed to use her vibrato. She is at her best in Cantata 199, where her journey from abject self-loathing (“My heart swims in blood”) to joyful acceptance (“How joyful is my heart”) is utterly convincing and natural. The coloratura showpiece, BWV 51, is not quite as successful. The breakneck pace of the first aria is a bit too ambitious, and the Alleluia tends to teeter on the edge of disaster. But Watts never quite stumbles, and ends triumphantly. Of course, in that respect she has plenty of company. Emma Kirkby (on Philips) remains the unrivaled mistress of Cantata 51.


The four arias, well chosen for their variety, are welcome supplements to the two cantatas. Harry Bicket’s accompaniment is sympathetic and supportive. His English Concert needs no introduction, though its members may to listeners who recall its halcyon days under the leadership of Trevor Pinnock. Oboist Katharina Spreckelsen and trumpeter Mark Bennett are outstanding collaborators for Watts. Overall, this is a rewarding disc, well recommended.


FANFARE: George Chien
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Works on This Recording

1. Der Himmel lacht! die Erde jubilieret, BWV 31: no 8, Letzte Stunde, brich herein by Johann Sebastian Bach
Period: Baroque 
Written: 1715; Cöthen, Germany 
2. Selig ist der Mann, der die Anfechtung BWV 57: no 3, Ich wünschte mir den Tod, den Tod by Johann Sebastian Bach
Period: Baroque 
Written: 1725; Leipzig, Germany 
3. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Elizabeth Watts (Soprano)
Conductor:  Harry Bicket
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1714; Cöthen, Germany 
4. Herr, gehe nicht ins Gericht, BWV 105: no 3, Wie zittern und wanken der Sünder gedanken by Johann Sebastian Bach
Period: Baroque 
Written: 1723; Leipzig, Germany 
5. Ich bin ein guter Hirt, BWV 85: Ich bin ein guter Hirt by Johann Sebastian Bach
Period: Baroque 
Written: 1725; Leipzig, Germany 
6. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Elizabeth Watts (Soprano)
Conductor:  Harry Bicket
Orchestra/Ensemble:  English Concert
Written: 1730 

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