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Live At Verbier 2011 - Martin Helmchen

Helmchen / Bach / Liszt / Beethoven
Release Date: 08/28/2012 
Label:  Juxtapositions   Catalog #: 3079808  
Composer:  Johann Sebastian BachFranz LisztLudwig van Beethoven
Performer:  Martin Helmchen
Number of Discs: 1 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

MARTIN HELMCHEN – LIVE AT VERBIER FESTIVAL (20011

Johann Sebastian Bach: Partita No. 1 in B flat major, BWV 825

Franz Liszt:
JS Bach - Weinen, Klagen, Sorgen, Zagen, Praludium, S179/R23
Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 4. Au bord d’une source
Trube Wolken (Nuages gris), S199/R78
Vexilla regis prodeunt, S185/R70

Ludwig van Beethoven: Piano Sonata No. 29 in B flat major, Op. 106, “Hammerklavier”

Martin Helmchen, piano

Recorded live from the 18th edition of the Verbier Festival, 23 July 2011

Picture format: NTSC 16:9
Sound format: PCM Stereo
Region code: 0 (worldwide)
Booklet
Read more notes: English, German, French
Running time: 83 mins No. of DVDs: 1

R E V I E W:
3630430.az_BACH_Partita_1_BWV.html

BACH Partita No. 1, BWV 825. LISZT Prelude after Bach’s Weinen, Klagen, Sorgen, Zagen. Au bord d’une source. Nuages gris. Vexilla Regis prodeunt. BEETHOVEN Piano Sonata No. 29 in Bb , “Hammerklavier” Martin Helmchen (pn) IDEALE AUDIENCE 3079808 (DVD: 83:00)


What a delightfully entertaining musician young Martin Helmchen is! This is an extremely well-rounded pianist, replete with fabulous technique, good taste, and a sense of joy for the music he plays. His Bach is rich and nimble at once, almost operatic in his ability to draw out contrasting theatrical impulses. His dynamic shading, combined with a completely natural sense for the coloristic variety of tonality, makes him something of a throwback. This Bach put me in mind of Wilhelm Kempff, a very high standard, to be sure. Helmchen’s Liszt, in an interesting contrast, is produced with all of these skills, but he resists the temptation to over interpret, choosing sensible tempos and restrained rhythmic control. I found this approach to be highly effective; the music, including some of Liszt’s less-bombastic work for piano, stands on its own strengths, presented with technical skill of the highest order, but no superfluous drama.


It is something of a cliché to say that late Beethoven should be reserved for mature artists, and there are plenty of exceptions to that conceit, but Helmchen probably needs to let the enormous score of the “Hammerklavier” stew for a bit more in his imagination, let alone his very soul. He applies the same tools that make his Bach and Liszt so compelling to this beast, with mixed results. The music is prettified, which is a stylistic misstep. Helmchen seems more interested in avoiding harsh tones than in finding the heart of the music. Beethoven can be brutish, even ugly, in his language. The performer who goes for the spirit of this craggy giant will find that sound naturally in the process. Even in the sprawling slow movement, Helmchen’s tremendous natural attributes lead him down the wrong path; he seems to hear the music in a sensual way, while missing the spiritual vision. He does not rush, yet there is a sense that he wants the music to move along. It is the wrong impulse. The legendary Schnabel sets the standard for the sublimity of Beethoven in this movement, and I was also deeply moved by Garrick Ohlsson’s oceanic view on his recent Bridge release.


Despite my caveats about the Beethoven playing, I enjoyed this DVD immensely, and recommend it highly to any pianophile. The recital is a very nicely recorded and filmed Verbier Festival event from 2011. This is, without a doubt, a major career in the making.


FANFARE: Peter Burwasser
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Works on This Recording

1. Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Martin Helmchen (Piano)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
2. Prelude "Weinen, Klagen..." (JS Bach) for Piano, S 179 by Franz Liszt
Performer:  Martin Helmchen (Piano)
Period: Romantic 
Written: 1859; Weimar, Germany 
3. Années de pèlerinage, première année, S 160 "Suisse": no 4, Au bord d'une source by Franz Liszt
Performer:  Martin Helmchen (Piano)
Period: Romantic 
Written: 1848-1854; Weimar, Germany 
4. Nuages gris for Piano, S 199 by Franz Liszt
Performer:  Martin Helmchen (Piano)
Period: Romantic 
Written: 1881; Rome, Italy 
5. Vexilla regis prodeunt for Piano, S 185 by Franz Liszt
Performer:  Martin Helmchen (Piano)
Period: Romantic 
Written: 1864; Rome, Italy 
6. Sonata for Piano no 29 in B flat major, Op. 106 "Hammerklavier" by Ludwig van Beethoven
Performer:  Martin Helmchen (Piano)
Period: Classical 
Written: 1817-1818; Vienna, Austria 

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