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Beethoven: Complete Violin Sonatas Vol 2 / Szeryng, Haebler


Release Date: 01/23/1996 
Label:  Philips Duo Catalog #: 446524   Spars Code: ADD 
Composer:  Ludwig van Beethoven
Performer:  Henryk SzeryngIngrid Haebler
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 10 Mins. 

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Works on This Recording

1.
Sonata for Violin and Piano no 6 in A major, Op. 30 no 1 by Ludwig van Beethoven
Performer:  Henryk Szeryng (Violin), Ingrid Haebler (Piano)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 06/1978 
2.
Sonata for Violin and Piano no 7 in C minor, Op. 30 no 2 by Ludwig van Beethoven
Performer:  Ingrid Haebler (Piano), Henryk Szeryng (Violin)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 08/1979 
3.
Sonata for Violin and Piano no 8 in G major, Op. 30 no 3 by Ludwig van Beethoven
Performer:  Ingrid Haebler (Piano), Henryk Szeryng (Violin)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 06/1978 
4.
Sonata for Violin and Piano no 10 in G major, Op. 96 by Ludwig van Beethoven
Performer:  Ingrid Haebler (Piano), Henryk Szeryng (Violin)
Period: Classical 
Written: 1812; Vienna, Austria 
Date of Recording: 08/1979 
5.
Sonata for Violin and Piano no 9 in A major, Op. 47 "Kreutzer" by Ludwig van Beethoven
Performer:  Henryk Szeryng (Violin), Ingrid Haebler (Piano)
Period: Classical 
Written: 1802-1803; Vienna, Austria 
Date of Recording: 12/1979 

Customer Reviews

Average Customer Review:  1 Customer Review )
 An under-rated recording September 21, 2012 By David Jacobson (Hartsdale, NY) See All My Reviews "Szeryng and Haebler excel in the lyrical sonatas: Opus 30 #1 is particularly beautiful and well-paced: the slow movement is rapt, and the last movement's variations are well-paced, with the right combination of songfulness and tension. Szeryng and Haebeler do well with the drama and wit in the other two sonatas in this opus. The only place where more drive is in order is the final movement of the Kreutzer. This account is more sedate than more recent accounts from Faust/Melnikov and Capucon/Braley. If you like a lyrical approach to these sonatas, this set is definitely worth hearing (and owning)." Report Abuse
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