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The Best Of Dowland / North, Rickards, Rose Consort Of Viols


Release Date: 06/30/2009 
Label:  Naxos   Catalog #: 8556840   Spars Code: n/a 
Composer:  John Dowland
Performer:  Steven RickardsDorothy LinellNigel NorthJacob Heringman,   ... 
Orchestra/Ensemble:  Rose Consort of Viols
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 3 Mins. 

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Works on This Recording

1. Second Booke of Songes or Ayres: no 2, Flow, my teares by John Dowland
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: 1600; England 
2. A Fancy, P 7 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
3. Solus cum sola, P 10 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
4. Firste Booke of Songes or Ayres: no 17, Come againe, sweet love doth now envite by John Dowland
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: 1597; England 
5. Mr John Langton's Pavan, P 14 by John Dowland
Performer:  Jacob Heringman (Lute)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
6. Doulands Rounde Battele Galyard, P 39 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
7. Say love if ever thou ditst find, D 58 by John Dowland
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: 1603; England 
8. Queene Elizabeth, her Galliard, P 41 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
9. Semper Dowland semper dolens, P 9 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
10. Firste Booke of Songes or Ayres: no 14, All ye whom love or fortune by John Dowland
Performer:  Jacob Heringman (Lute), Catherine King (Mezzo Soprano)
11. King of Denmark, his Galliard, P 40 by John Dowland
Performer:  Jacob Heringman (Lute)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
12. Lady Laiton's Almain, P 48 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
13. The Lord Viscount Lisle, his Galliard, P 38 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
14. In darkness let mee dwell by John Dowland
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: 1610; England 
15. Lachrimae Pavan, P 15 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
16. Second Booke of Songes or Ayres: no 1, I saw my lady weepe by John Dowland
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1600; England 
17. Firste Booke of Songes or Ayres: no 8, Burst forth my teares by John Dowland
Performer:  Jacob Heringman (Lute), Catherine King (Mezzo Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 1597 
18. Farewell fantasia, P 3 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 

Sound Samples

Book of Songs, Book 1: Flow, my tears, fall from your springs: Flow my tears
Fantasia in G minor (P. 7): 7 Fantasies: No. 7. Fantasia in G minor, P. 7
Solus cum sola: P. 10
Come again, sweet love doth now invite: Come again: Sweet love doth now invite
Mr. John Langton's Pavan, P. 14: Mr. John Langton's Pavan
Round Battle Galliard, P. 39
Say, Love, if ever thou didst find: Say Love if ever thou did'st find
The Most Sacred Queen Elizabeth, her Galliard, P. 41
Semper Dowland semper dolens, P. 9
Book of Songs, Book 1: All ye whom love or fortune hath betrayed: All ye whom love or fortune hath betrayed
The King of Denmark's Galiard
Lady Laiton's Almain, P. 48
The Right Honourable the Lord Viscount Lisle, His Galliard: The Right Honourable the Lord Viscount Lisle, his Galliard, P. 91, "Sir Robert Sidney's Galliard"
In darkness let me dwell
Lachrimae Pavan: P. 15
Book of Songs, Book 2: I saw my lady weep: I saw my lady weep
Burst forth, my tears
7 Fantasies (P. 4-3): 7 Fantasies: No. 3. Farewell, P. 3

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