WGBH Radio WGBH Radio theclassicalstation.org

Tchaikovsky: Swan Lake / Dutoit, Montreal SO


Release Date: 11/10/1992 
Label:  Decca   Catalog #: 436212   Spars Code: DDD 
Composer:  Peter Ilyich Tchaikovsky
Performer:  Chantal JuilletGuy Fouquet
Conductor:  Charles Dutoit
Orchestra/Ensemble:  Montreal Symphony Orchestra
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 34 Mins. 

In Stock: Usually ships in 24 hours.  
On sale! $39.98
CD:  $29.99
In Stock
MP3: $19.99
What's this?




Notes and Editorial Reviews

This new Decca version of Swan Lake is an absolutely complete recording of Tchaikovsky's original score, but including also the "Russian dance" in Act 3 (No. 20a, which the composer added after the first performance for the dancer, Pelegaya Karpakova) and the "Pas de deux" for Siegfried and Odile another addition (an Introduction, two variations and coda, of which Tchaikovsky orchestrated only the second variation). The "Pas de deux" (No. 5) which has sometimes recently been interpolated into Act 3 is now restored to its right place in Act I. The layout is ideal with Acts 1 and 2 on the first CD and Acts 3 and 4 on the second. This makes nonsense of the cuts which were made when the excellent Lanchbery/EMI set Read more was transferred to a pair of CFP discs, as that performance plays for a minute less! Otherwise Lanchbery's set remains very competitive, somewhat more theatrical in feeling than Dutoit's and equally well played.

The Montreal performance is, however, in every way recommendable. The very opening sets the seal on Dutoit's approach and the aptness of his pacing, with the warm introduction leading through a perfectly managed accelerando to the Allegro giusto, and elsewhere the tempo relationships maintain the structural flow of Tchaikovsky's four carefully conceived sections, almost like the four movements of a ballet-symphony, with a distinct key structure. Yet Dutoit revels in the imaginative orchestral colour and the diversity of the individual sections of the "Pas de deux", "Pas de trois", "Pas de six" and the famous "Danses de cygnes", and it is irritating that these various sections are not individually banded, although each separate number is cued. Here in the famous dance/duet between Siegfried and Odile the Montreal violin soloist (Chantal Juil let) could ideally have sounded more glamorous; her cello companion (Guy Forquet) sounds wonderfully warm by comparison. But she is splendid in the interpolated "Danse russe". Dutoit finds the rhythmic spring throughout, yet is elegant in the lyrical music and the two famous waltzes have attractive panache. It is above all a romantic reading, and rises to the occasion, appropriately reaching its peak in the great final scene, where the Swan theme is giving its frisson-creating transformation at the B major climax. Here the resplen dent Decca recording is wonderfully expansive and throughout the glowing St Eustache acoustic adds much to the beauty of the sound.

Dutoit's approach does not always bring out the passionately Russian impulse to the score in the way of (for instance) Fistoulari's old Decca set (10/74) with the Netherlands Radio orchestra (perhaps that will reappear on CD one day, even though it has the disadvantage of Decca's artificially balanced Phase 4 recording) and at times there is more zest in the Lanchbery set, but I do not want to make too much of this. This new Decca recording is magnificent: it is given state-ofthe-art sound and is very well documented indeed. There is an excellent introduction on the work's history from Noel Goodwin and John Warrack's exemplary synopsis not only relates the narrative to the music, number by number, but tells us about the composer's self-borrowings from his operas Undine and The Voyevoda. I reviewed Michael Tilson Thomas's LSO set very favourably last April, and his lively, polished LSO performance has slightly more temperament than Dutoit's. But that Sony version omits the additional Siegfried/Odile "Pas de deux", and even on performance/recording grounds I would now regard Dutoit as a clear first choice.

-- Gramophone [2/1993]
Read less

Works on This Recording

1.
Swan Lake, Op. 20 by Peter Ilyich Tchaikovsky
Performer:  Chantal Juillet (Violin), Guy Fouquet (Cello)
Conductor:  Charles Dutoit
Orchestra/Ensemble:  Montreal Symphony Orchestra
Period: Romantic 
Written: 1875-1876; Russia 
Date of Recording: 05/1991 
Venue:  St Eustache, Montreal 
Length: 154 Minutes 1 Secs. 

Sound Samples

Swan Lake, Op.20 - Act 1: No.1 Scène (Allegro giusto)
Swan Lake / Act 1: No.2 Valse (Corps de Ballet)
Swan Lake, Op.20 - Act 1: No.3 Scène (Allegro moderato)
Swan Lake, Op.20 - Act 1: No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace)
Swan Lake, Op.20 - Act 1: No.5 Pas de deux: a) Intrada-Valse - b) Andante - c) Valse - d) Coda (Allegro molto vivace)
Swan Lake, Op.20 - Act 1: No.6 Pas d'action (Andantino quasi moderato - Allegro)
Swan Lake, Op.20 - Act 1: No.7 Sujet
Swan Lake, Op.20 - Act 1: No.8 Danse des coupes (Tempo di polacca)
Swan Lake, Op.20 - Act 1: No.9 Finale (Andante)
Swan Lake / Act 2: No.10 Scène (Moderato)
Swan Lake, Op.20 - Act 2: No.11 Scène (Allegro moderato)
Swan Lake, Op.20 - Act 2: No.12 Scène (Allegro)
Swan Lake, Op.20 - Act 2: No.13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d'action (Andante) - f) Valse - g) Coda (Allegro vivace)
Swan Lake, Op.20 - Act 3: No.15 Danse de fançailles (Allegro giusto)
Swan Lake, Op.20 - Act 3: No.16 Danses du corps de ballet et des nains (Moderato assai)
Swan Lake, Op.20 - Act 3: No.17 Scène: Entrée des invités (Fanfares) et la valse (Allegro)
Swan Lake, Op.20 - Act 3: No.18 Scène (Allegro)
Swan Lake, Op.20 - Act 3: No.19 Pas de six: Intrada (Moderato assai) - Variations I/V - Coda
Swan Lake, Op.20 - Act 3: Pas de deux: Introduction (Moderato) - Variations I & II - Coda
Swan Lake / Act 3: No.20 Danse hongroise (Czárdás)
Swan Lake, Op.20 - Act 3: Danse russe (Moderato)
Swan Lake, Op.20 - Act 3: No.21 Danse espagnole (Allegro non troppo. Tempo di bolero)
Swan Lake, Op.20 - Act 3: No.22 Danse napolitaine
Swan Lake, Op.20 - Act 3: No.23 Mazurka
Swan Lake, Op.20 - Act 3: No.24 Scène (Allegro - Valse - Allegro vivo)
Swan Lake, Op.20 - Act 4: No.25 Entr'acte (Moderato)
Swan Lake, Op.20 - Act 4: No.26 Scène (Allegro non troppo)
Swan Lake, Op.20 - Act 4: No.27 Danses des petits cygnes (Moderato)
Swan Lake, Op.20 - Act 4: No.28 Scène (Allegro agitato)
Swan Lake, Op.20 - Act 4: No.29 Scène finale (Andante)

Customer Reviews

Average Customer Review:  2 Customer Reviews )
 A fine Swan Lake February 23, 2013 By Gail M. (Goleta, CA) See All My Reviews "This is a beautiful recording of the Swan Lake ballet music. As far as I know, all the music is here, and it's performed with plenty of enthusiasm and drama in the appropriate places. I would recommend this one." Report Abuse
 My personal favorite! February 4, 2013 By Keith Messersmith (Ashland, PA) See All My Reviews "This happens to be the best recording of Swan Lake I ever heard. Enthusiastically reccomended. 4 stars!" Report Abuse
Review This Title
Review This Title Share on Facebook




YOU MUST BE A SUBSCRIBER TO LISTEN - TRY IT FREE!
Listen to all your favorite classical music for only $20/month.
Sign up for your monthly subscription service and get unlimited access to the most comprehensive digital catalog of classical music in the world - new releases. bestsellers, advanced releases and more.
Aleady a subscriber? Sign In