This CD is reissued by ArkivMusic.
Notes and Editorial Reviews
The Italianate string and vocal writing is certainly arresting, and the chorus and band are marvelous - vivacious, virtuosic and genuinely affecting.
The Tempest may or may not be by Purcell – only
Dear pretty Youth definitively is – but the latest research regarding the possibility that some or most of it was written by his pupil John Weldon is as yet inconclusive. The Italianate string and vocal writing is certainly arresting – Corelli never far away – and here the chorus and band are on marvellous form; the articulation is crisp, the dances vivacious and virtuosic and in the final duet and chorus
No stars again shall hurt you genuinely affecting. The Indian Queen also enjoys captivatingly fresh
involvement. As with a number of these performances the men are rather more invigorating and evince a wider range of tone colour than do the women but that’s of relatively small account. The Act II
What flattering noise is this is guffaw inducing, the chorus shine gloriously in
I come to sing and there’s real plangency in
Ye twice ten hundred deities – solo singing and accompaniment equally. I admired the oboe playing in the Act III symphony and the boyish toned Rosemary Hardy’s soprano air
I attempt from love’s sickness to fly. And then most movingly of all there is the final chorus,
While thus we bow, which reminds one of the final scene of Dido and Aeneas in its overwhelmingly stark simplicity. Strongly recommended.
-- Jonathan Woolf, MusicWeb International [reviewing Erato 68281]
Works on This Recording
Tempest, Z 631 "Enchanted Island" by Henry Purcell
Rosemary Hardy (Soprano),
Roderick Earle (Bass),
Carol Hall (Soprano),
David Thomas (Bass),
Jennifer Smith (Soprano),
Stephen Varcoe (Baritone),
John Elwes (Tenor)
John Eliot Gardiner
Written: circa 1695; England
Length: 57 Minutes 29 Secs.
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