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Purcell: Dido And Aeneas, Etc / Gardiner, Watkinson, Mosley

Release Date: 10/12/1993 
Label:  Philips   Catalog #: 432114   Spars Code: DDD 
Composer:  Henry Purcell
Performer:  George MosleyCarolyn Watkinson
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque SoloistsMonteverdi Choir
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 7 Mins. 

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This CD is reissued by ArkivMusic.

Notes and Editorial Reviews

Now almost everybody seems to have recorded Dido and Aeneas; and at first glance John Eliot Gardiner—coming to it surprisingly late in his career—seems to have little new to offer. No major dramatic insights, no particular thrills or frills, not the kind of names that would have you rushing to the record stores (apart from his own of course). Perhaps I was just expecting something a little more obvious; but in any case it was only at a second listening that many of its virtues became clear.

Briefly, it is a recording in which everything seems right. His comfortably large string orchestra plays with absolute precision and effortless balance. The Monteverdi Choir are similarly effortless in their ability to sing in a wide
Read more variety of ways—from the joyful music of the first scene, to the improbably fast music in the Witches' scene and to the beautifully judged final swan-song (a passage that so often sounds almost superfluous); this seems incomparably the best choral singing on any of the available Dido recordings. Moreover, the tempos and rhythms all sound absolutely right: notice in particular the fluid way Gardiner treats the trochee/iambus alternations in ''Fear no danger''. My own preference would be for a little more flexibility of metre in some of the dialogues, to help articulate the dramatic action; but Gardiner's relatively literal approach certainly has its own power.

Carolyn Watkinson may not seriously challenge my own favourite Didos (von Otter/Pinnock, Kirkby/Parrott, Murray/Harnoncourt and Troyanos/Mackerras in their astonishingly different ways), but she puts everything beautifully in its place, just as George Mosley shows no weaknesses in the extremely difficult role of Aeneas. But part of the record's great strength is in the way Gardiner has cast his singers: as in no other Dido there is a clear contrast in vocal colour between Dido, Belinda (Ruth Holton) and the Second Lady (Elizabeth Priday) in the first scene, and again between the Sorceress (Teresa Shaw—terrific) and the two Witches (Donna Deam and Shauna Beesley) in the second scene.

Those with a taste for musicological dispute will also relish the accompanying essays: Christian Berger noting the newly proposed earlier dating of Dido and pointing out how appropriate it was to couple the work with the 1683 Ode (beautifully performed, incidentally, with a particularly fine ''Here the deities approve'' from Michael Chance); Curtis Price arguing magisterially and very plausibly against the revised dating; and Sylvie Mamy not accepting the problem.

-- David Fallows, Gramophone [3/1994]
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Works on This Recording

Dido and Aeneas, Z 626 by Henry Purcell
Performer:  George Mosley (Tenor), Carolyn Watkinson (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1689; England 
Language: English 
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1692; England 
Language: English 

Sound Samples

Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here the Deities approve
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Beauty thou scene of love
Dido and Aeneas: Overture
Dido and Aeneas / Act 1: "Shake the cloud from off your brow"
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" - "Fear no danger"
Dido and Aeneas / Act 1: "See, your Royal Guest appears" - "If not for mine"
Dido and Aeneas / Act 1: "To the hills and the vales" - The Triumphing Dance
Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward sisters"
Dido and Aeneas / Act 2: "In our deep vaulted cell" - Echo Dance of the Furies
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"
Dido and Aeneas / Act 2: "Oft she visits"
Dido and Aeneas / Act 2: "Behold, upon my bending spear"
Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance
Dido and Aeneas / Act 3: "See the flags" - Destruction's our delight - The Wit- ches' Dance
Dido and Aeneas / Act 3: "Your counsel all is urged in vain"
Dido and Aeneas / Act 3: "But death, alas!"
Dido and Aeneas / Act 3: "Thy hand, Belinda...When I am laid in earth"
Dido and Aeneas / Act 3: "With drooping wings"

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