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Orff: Carmina Burana / Runnicles, Hong, Atlanta So, Et Al


Release Date: 01/22/2002 
Label:  Telarc   Catalog #: 80575   Spars Code: DDD 
Composer:  Carl Orff
Performer:  Hong Hei-KyungStanford OlsenEarle Patriarco
Conductor:  Donald Runnicles
Orchestra/Ensemble:  Atlanta Symphony OrchestraAtlanta Symphony ChorusGwinnettt Young Singers
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 0 Mins. 

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Notes and Editorial Reviews


This lively, lusty, stunningly recorded new Carmina Burana goes right to the top of the heap, sharing pride of place with the celebrated performances of Jochum (DG), Kegel (Berlin Classics), Blomstedt (Decca), and Ozawa (RCA). Everything goes right, and virtually every single piece has something distinctive about it. The two opening numbers of Fortuna Imperatrix Mundi explode swiftly out of the starting gate, setting the stage for excitement that never lets up. Even the segues from one song to the next have been perfectly timed--most impressively in the third part (Cour d'amours), which builds to a huge climax marking the return of O Fortuna.


As with all great performances of
Read more Carmina, the conductor--in this case Donald Runnicles--extracts wonderful dabs of color from Orff's neo-primitive accompaniments. Three examples (of many) stand out: the tubular bell strokes that mark the ends of stanzas in Ecce gratum; the sweetly dissonant oboe counterpoint (specifically marked "espressivo" in the score) to the flutes in Amor volat undique's ritornello; and the forward massed woodwinds in Blanziflor et Helena. It goes without saying that the Robert Shaw-trained Atlanta Symphony Chorus sings with amazing precision and ideal blend, but whereas Shaw's previous recording for Telarc was blandly correct, Runnicles has his singers and players fully involved in realizing the meaning of these colorful texts. Some sections simply have never been done better: specifically, from Part I's deliciously hesitant Round Dance (Reie) to the brilliant brass playing of its last number (Were diu werlt alle min), Part II's Ego sum abbas, and in Part III, a really angry Circa mea pectora followed by the amazingly virtuosic Si puer cum puellula.


Matching the excellence of chorus and orchestra are three terrific singers. Stanford Olsen's roasting swan aptly sounds simultaneously comical and terrified, and he's not afraid to make an ugly noise where his solo requires it. Hei-Kyung Hong sings her two long solos (Amor volat undique and In trutina) exquisitely and affectingly, and Runnicles chooses flowing tempos that allow her to really phrase the melodies and take those very long notes at the ends of both numbers in a single breath. Her stratospheric Dulcissime has just the right sense of abandon, and fantastic diction to boot. Earle Patriarco's light baritone makes him sound almost like a tenor, and his tight vibrato might not be to everyone's taste. It's a curious vocal timbre, all top and bottom. But my, how he lives the words! Omnia sol temperat is an ecstatic reverie; in Ego sum abbas he's obviously plastered; and Dies nox et omnia positively exudes gentle longing--a remarkable performance.


Telarc's recording sets a new standard for this work. Every word of the text comes across clearly but never at the expense of the orchestra. O fortuna features a bass drum that sounds as if the hammer blows from Mahler's Sixth wandered in to help out, and the great crashes on the tam-tam that so many performances shamefully bury in a muddy welter of sound cut right through. Certainly it's an "audiophile" production, but the sonic splendor serves the music at every point, and in so doing sets the seal on a truly splendid achievement. I'm not trading in the Carminas listed above, but I suspect that when I want to hear this work anew, and especially if I want to turn someone else on to it, this will be the version of choice. I wouldn't be surprised if a single listen makes it yours too. [4/7/2002]
--David Hurwitz, ClassicsToday.com Read less

Works on This Recording

1. Carmina burana by Carl Orff
Performer:  Hong Hei-Kyung (Soprano), Stanford Olsen (Tenor), Earle Patriarco (Baritone)
Conductor:  Donald Runnicles
Orchestra/Ensemble:  Atlanta Symphony Orchestra,  Atlanta Symphony Chorus,  Gwinnettt Young Singers
Period: 20th Century 
Written: 1936; Germany 
Date of Recording: 11/2000 
Venue:  Woodruff Arts Center, Atlanta, Georgia 
Length: 59 Minutes 42 Secs. 
Language: Latin 
Notes: This selection also includes German text. 

Sound Samples

Carmina Burana: O Fortuna
Carmina Burana: Fortune plango vulnera
Carmina Burana: Veris leta facies
Carmina Burana: Omnia sol temperat
Carmina Burana: Ecce gratum
Carmina Burana: Tanz
Carmina Burana: Floret silva nobilis
Carmina Burana: Chramer, gip die varwe mir
Carmina Burana: Reie and Songs
Carmina Burana: Were diu werlt alle min
Carmina Burana: Estuans interius
Carmina Burana: Olim lacus colueram
Carmina Burana: Ego sum abbas
Carmina Burana: In taberna Quando Sumus
Carmina Burana: Amor volat undique
Carmina Burana: Dies, nox et omnia
Carmina Burana: Stetit puella
Carmina Burana: Circa mea pectora
Carmina Burana: Si puer cum puellula
Carmina Burana: Veni, veni, venias
Carmina Burana: In trutina
Carmina Burana: Tempus Est Iocundum
Carmina Burana: Dulcissime
Carmina Burana: Ave formosissima
Carmina Burana: O Fortuna

Customer Reviews

Average Customer Review:  1 Customer Review )
 Carmina Burana Review December 27, 2012 By Jonathan Wallach (Scottsdale, AZ) See All My Reviews "incredible recording." Report Abuse
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