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Beethoven - Complete Edition

Beethoven / Staatskapelle Dresden / Blomstedt
Release Date: 10/29/2013 
Label:  Brilliant Classics   Catalog #: 94630   Spars Code: DDD 
Composer:  Ludwig van Beethoven
Performer:  Helena DöseMarga SchimlPeter SchreierTheo Adam,   ... 
Conductor:  Herbert BlomstedtDavid ZinmanGérard OskampCarl-August Bünte,   ... 
Orchestra/Ensemble:  Dresden StaatskapelleDresden State Opera ChorusZurich Tonhalle Orchestra,   ... 
Number of Discs: 86 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

It would not be an overstatement to declare that Ludwig van Beethoven stands as one of the most significant figures in Western civilisation: a composer who shaped the course of music history through his mastery of rhythm, melody and harmonic exploration, pushing the boundaries of form and effectively bridging the gap between Classicism and Romanticism -- and yet all the while continuously professing how difficult he found composition. Detailing his complete output -- from his earliest years to his last, by which time he had almost completely lost his hearing -- this 86CD box reveals an extensive palette of styles and mediums, rendered all the more obvious by the box's division into different genres (starting with the symphonies and ending Read more with the large corpus of different national folk songs). A stellar cast of performers completes the tribute: Alfred Brendel, Sir Colin Davis, David Zinman, Herbert Blomstedt, Staatskapelle Dresden and the London Symphony Orchestra are just of the first-class names and ensembles gracing this must-buy, bargain-priced compilation.

A worthy tribute to Beethoven, the genius, the human, whose motto was: "Vom Herzen, möge es wieder zu Herzen gehn!"(From the heart, may it go into the hearts again!).

Featuring:
Symphonies - Piano Concertos - Violin Concerto & Romances - Overtures and other orchestral works - Fidelio - Leonore - Septet - Sextet - String Quintets - String Quartets - String Trios - Violin Sonatas - Cello Sonatas - Chamber music for flute - Music for winds and brass - Piano Quintet - Clarinet Trio - Piano Sonatas & Variations - Songs - Masses

Performers include:
Staatskapelle Dresden, Tonhalle Orchestra Zurich, Staatskapelle Berlin, Berliner Symphoniker, Rochester Philharmonic Orchestra, London Symphony Orchestra, Gewandhausorchester Leipzig, David Zinman, Sir Colin Davis, Herbert Blomstedt, Kurt Masur, Carlo Maria Giulini, Zürich String Quintet, Suske Quartett, Trio Élegiaque, Deutscher Kammerphilharmonie, Otetto Italiano, Jean-Pierre Rampal, Alfred Brendel, Klára Würtz, Yefim Bronfman, Christian Tetzlaff, Peter Schreier, Christine Brewer, Sally Matthews, Theo Adam, Edda Moser

Extra information:
A happy return to the market of the COMPLETE BEETHOVEN EDITION, one of the most successful and iconic Editions by Brilliant Classics, establishing its reputation as the best value-for-money classical budget label!
Many "old friends" grace this new edition: the Complete Symphonies by the Staatskapelle Dresden/Herbert Blomstedt, a golden classic (10/10 on Classicstoday.com), Alfred Brendel's first survey of the Piano Sonatas, but also a warm welcome to several newcomers:
- Piano Concertos: Bronfman/Tonhalle Zurich/Zinman.
- Violin Concerto: Tetzlaff/Tonhalle Zurich/Zinman.
- String Quartets: Suske Quartet.
- Piano Trios: new Recording by the excellent French Trio Elegiaque.
- Violin Sonatas: Kristóf Baráti/Klára Würtz. Spectacular, critically acclaimed new recording.
- Cello Sonatas: Timora Rosler/Klára Würtz, new recording by this successful duo.
- Missa Solemnis: Tomova Sintov/Gewandhaus Orchestra, Kurt Masur.
- Fidelio: London Symphony Orchestra, Sir Colin Davis.
- Mass in C: Elly Ameling, LPO, Giulini.
- New artwork makes this reissue extra attractive.
- The only Complete Edition in the market!

R E V I E W: 3750690.az_BEETHOVEN_Complete_Edition_Various.html

BEETHOVEN Complete Edition Various Artists; Various Orchestras; Various Ensembles BRILLIANT 94630 (86 CDs: 93:00:00)


Let me preface this review with three disclaimers: First, I’m not prepared to state categorically and beyond a shadow of a doubt that this 86-disc boxed set includes every last “WoO,” “Anh,” and “Hess” entry in Beethoven’s catalog, let alone some of the more recently turned-up scribbles and doodles found in the composer’s scrapbooks and diaries. In fact, as of this writing, I can’t even claim to have listened to every single one of these 86 discs, which, as I’m sure the reader can appreciate, would not only be a monumental undertaking, but would delay by a number of issues the timely publication of this review. I can say, though, that a cursory scan of the contents of this set does lend credence to the “complete” declaration; for it appears that even the latest discoveries are present and accounted for.


Second, as you probably guessed, most of the recordings in this collection are not new; they have been compiled for and transferred to these Brilliant Classics CDs from recordings long available on other labels. There are some exceptions, however, which will be noted as we come to them.


Third, readers should be advised that this is a significantly revamped version of the original Complete Beethoven Edition that Brilliant Classics issued in 2007. Among the major changes from the previous edition (not a complete list) are completely different performances of the symphonies, the piano concertos, the piano sonatas, the cello sonatas, the violin sonatas, and the string quartets. Previous performers included Kurt Masur and the Leipzig Gewandhaus, Friedrich Gulda (with Horst Stein and the Vienna Philharmonic in the concertos), Heinrich Schiff and Till Fellner, Arthur Grumiaux and Clara Haskil, and the Tokyo Quartet. So, owners of the previous edition may wish to consider whether to supplant or replace that version with this newer one.


And fourth, I am not going to cover these performances in any detail, and I’m certainly not going to list the full contents of each individual disc. Rather, I’m going to limit this review—more of an overview than a review, really—by narrowing the scope to just the major categories of Beethoven’s output—symphonies, concertos, piano sonatas, string quartets, etc.—and tell you who is performing them, and perhaps just a few words giving a very general description of the performances.


One thing about this collection, which hasn’t always been the case in previous composer intégrales of this sort, and which may be a good thing or bad, depending on your personal preferences, is that performances within specific genres of Beethoven’s works are not split up among various artists, conductors, orchestras, and ensembles; so that we don’t have two or three piano sonatas played by pianist A, another two or three sonatas played by pianist B, and so on. Brilliant Classics has managed to retain the reissue rights for entire cycles.


Thus, all nine symphonies, which occupy discs 1 thru 5, are heard in the late 1970s recordings by Herbert Blomstedt and the Staatskapelle Dresden. These same five CDs, by the way, can also be had by themselves in a separate Brilliant Classics boxed set. They may also still be obtained in a five-disc set on their original label of issue, Berlin Classics. These are perfectly serviceable readings of the symphonies, which aren’t informed, of course, by the most recent scholarly editions or by the latest performance practices, but they’re still respectable and well-recorded.


The five piano concertos follow on discs 6 thru 8 in performances by Yefim Bronfman and the Zurich Tonhalle Orchestra conducted by David Zinman. Filling out disc 8 is Beethoven’s arrangement for piano and orchestra of the Violin Concerto, performed by Shoko Sugitani and the Berlin Symphony led by Gerard Oskamp. The recordings date from 2004–2005, and are also still available singly on their label of issue, Arte Nova. I have to be honest; I’ve always liked Bronfman’s playing, but I’m not a fan of Zinman, who, in my opinion, has managed to take a once fine orchestra, the Zurich Tonhalle, and ruin it with his driven, clipped, often astringent-sounding, ersatz period instrument performances. So, this would not have been my choice for the Beethoven piano concertos, but it’s the one that comes with the set.


Unfortunately, it’s the same choice for both the Violin Concerto on disc 9, with soloist Christian Tetzlaff, and for the Triple Concerto on disc 10, though the soloists in the latter, Bronfman, Gil Shaham, and Truls Mørk, are definitely civilizing factors.


Two discs of overtures—not all of them—are heard in recordings by Stanis?aw Skrowaczewski conducting the Minnesota Orchestra, plus Wellington’s Victory in a performance by Rafael Frühbeck de Burgos and the London Symphony Orchestra. The remaining overtures are saved for later discs, and in the case of the Egmont Overture, for example, are given as part of the full incidental music.


Quite a few discs follow, containing dances, variations, and a major helping of Beethoven’s chamber works for winds, much of his juvenilia, and other miscellany, such as his pieces for mandolin. Many of these works are relatively unfamiliar, without opus numbers, and minor Beethoven at best; though among this group, one also gets the occasional early masterpiece, such as the Quintet, op. 16, and the Septet, op. 20.


Not until we reach disc 24 do we get to the piano trios. These occupy the next five CDs in performances by the Trio Elégiaque. This is one of those instances alluded to earlier in which these 2012 recordings appear to be new and not reissued by Brilliant Classics from another label. I’d not heard these performances or of the Trio Elégiaque previously, and I have to say they are really excellent.


Next up are the cello sonatas, also in brand new recordings by Timora Rossler and Klára Würtz. This field is very competitive, and while the performances are very good, I’m not sure they’re among the best of the many available alternatives.


On discs 31 thru 34, however, come the violin sonatas, and I’m thrilled that Brilliant Classics chose the performances recently transferred from Berlin Classics by Kristóf Baráti and Klára Würtz, which I went gaga over in 36:4. This, in my opinion, is one of the very best sets of the Beethoven violin sonatas ever, and you get them with this set.


Not quite halfway through the box, on disc 37, we come at last to the string quartets; and for this cycle, Brilliant Classics chose the 1970s performances by the Suske Quartet. Regarding this cycle, I have a short story to relate. When CDs first became commercially available in the States, they had already been on the market for a while in Japan; and in those early days, though I was given to understand that it wasn’t 100-percent kosher, a few small, independent record shops were quietly importing those Japanese discs. It was from one of those small, independent retailers that I acquired on seven separate discs the Suske Quartet’s complete Beethoven quartet cycle on the Deutsche Schallplatten label, but pressed exclusively for the Japanese market. Not a single word on those discs was in English, not even on the jewel case spines, so I ended up using a label-maker to make and affix my own identifying strips to the album spines. I still have those discs and wouldn’t want to part with them because the performances are wonderful. Those Deutsche Schallplatten Japanese CDs were eventually transferred to Berlin Classics and thence to Brilliant Classics for this set. As with many of this label’s massive composer surveys, of course, you can obtain just those cycles or groupings of works that interest you in smaller subsets. Thus, this Suske quartet cycle is also available in a seven-disc Brilliant Classics boxed set.


Beginning with disc 46 and continuing for the next 13 discs, we get the 32 piano sonatas, almost all of the variations, bagatelles, rondos, ecossaises, and other miscellaneous pieces for solo piano in the mammoth undertaking by Alfred Brendel. If I’m not mistaken, these are the performances Brendel recorded for those Vox Boxes back in the 1960s. I can think of a number of other pianists I would prefer to hear in some of these works, especially the sonatas, but one could do a lot worse than Brendel as a general guide through Beethoven’s solo piano oeuvre.


Besides, as indicated early on, Brilliant Classics took the approach for this monumental survey of keeping unified cycles intact rather than piecing together performances of like works by different artists. That, I think, was a sensible decision, especially since serious collectors are sure to have other performances of many of these works by favorite artists. The point of this collection, I believe, is not necessarily to present these works in best-ever performances and recordings, but rather to offer an astonishingly comprehensive perspective on the life and work of arguably music history’s greatest composer. Yes, Bach and Mozart both wrote more than Beethoven, but no composer before the 20th century so radically changed the course of music history or redefined the role and relationship of a composer to society as Beethoven did.


Continuing on with disc 62, two complete performances of Beethoven’s only opera are presented, the first version still titled Leonore, and the final revised version, retitled Fidelio. The earlier Leonore is heard in a 1976 production with Herbert Blomstedt leading the Staatskapelle Dresden and a cast of solo singers including Theo Adam, Edda Moser, Karl Ridderbusch, and Helen Donath. This is another transfer long available, once again, on Berlin Classics.


The Fidelio is much newer; it comes from a 2005 live Barbican production under the baton of Colin Davis, leading the London Symphony Orchestra and Chorus, and a cast of solo singers including Christine Brewer and a number of less familiars, whom I suspect are better known to London opera goers than they are to American audiences.


The complete music to Egmont, The Creatures of Prometheus, and the Ruins of Athens occupy discs 67 and 68.


Arias, cantatas, and miscellaneous vocal works follow on discs 69 thru 72, with Christus am Ölberge, the Mass in C, and the Missa solemnis taking up the next three CDs, 73 thru 75. The Missa solemnis is heard in a 1973 recording by Kurt Masur leading the Leipzig Gewandhaus forces and soloists Anna Tomowa-Sintow, Annelies Burmeister, Peter Schreier, and Hermann Christian Polster.


Finally, the last 11 discs, 76 thru 86, are devoted to Beethoven’s output of songs, including all of the individual numbers, the groups or cycles, such as An die ferne Geliebte, the Irish Songs, the Scottish Songs, the Welsh Songs, the Folk Songs, and for good measure, the Canons, Epigrams, and Jokes.


So there you have it, a staggering collection that should keep you busy for quite some time. Again, I would emphasize that only in a few cases does the collection contain performances that are on a par with the very best available. Some date back to a time—the 1960s and 1970s—before scholarly reappraisals of many of Beethoven’s works led to new editions, and before modern practice had caught up with our knowledge of historical traditions. That, of course, shouldn’t disqualify any of these performances or make them undesirable. To the contrary, with the exception of the piano concertos and the Violin Concerto, led by Zinman, which I really don’t care for—and that’s personal and subjective—everything else I managed to listen to struck me as very good to excellent.


As of this writing in early December 2013, ArkivMusic is selling this 86-disc box for $124.99, which works out to approximately $1.45 per disc. The obstacle to purchasing it is not cost, but where to put it once you have. The box is designed to fit on a standard CD shelf, but it will consume eight inches of shelf space. The discs are housed in individual envelopes stored vertically inside the outer hinged box. There are no notes, but the back of the envelopes containing the discs name the artists, and give dates and venues of recordings.


In the case of Beethoven’s well-known choral, vocal, and dramatic works—e.g., the last movement of the Ninth Symphony, the Missa Solemnis, and Fidelio—the sung words are so familiar, or at least easily accessible, that the absence of printed texts is not a major liability. But much of the composer’s song output is not standard fare at all, and it’s here that the texts are missed. Nor does it appear that Brilliant Classics has made the texts available online.


Despite its affordability—it’s practically being given away—I’m not sure I’d recommend this to the general listener, not because of any flawed performances or recordings, but because I’m just not sure how much interest there is in a piece like the one-minute long vocal canon, Ta ta ta, WoO 16, and the multitudes of minutia that fill a number of these discs. Viewed from a distance, Beethoven’s output is like the rings of Saturn, breathtaking in their brilliance and beauty. And yet, when you get up close, you find that here and there among the rings are boulders the size of a house—those are Beethoven’s major works for which he is loved and revered—but most of what makes up the rings are tiny pebbles and lots of debris. This then is for the absolute completist who may find the gravel as rewarding as the nuggets of gold it bears.


FANFARE: Jerry Dubins
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Works on This Recording

1.
Complete Works by Ludwig van Beethoven
2.
Symphony no 1 in C major, Op. 21 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1800; Vienna, Austria 
3.
Symphony no 3 in E flat major, Op. 55 "Eroica" by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1803; Vienna, Austria 
4.
Symphony no 2 in D major, Op. 36 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1801-1802; Vienna, Austria 
5.
Symphony no 4 in B flat major, Op. 60 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1806; Vienna, Austria 
6.
Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1807-1808; Vienna, Austria 
7.
Symphony no 6 in F major, Op. 68 "Pastoral" by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1808; Vienna, Austria 
8.
Symphony no 7 in A major, Op. 92 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1811-1812; Vienna, Austria 
9.
Symphony no 8 in F major, Op. 93 by Ludwig van Beethoven
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1812; Vienna, Austria 
10.
Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven
Performer:  Helena Döse (Soprano), Marga Schiml (Alto), Peter Schreier (Tenor),
Theo Adam (Bass)
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Dresden Staatskapelle,  Dresden State Opera Chorus
Period: Classical 
Written: 1822-1824; Vienna, Austria 
11.
Concerto for Piano no 1 in C major, Op. 15 by Ludwig van Beethoven
Performer:  Yefim Bronfman (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1795; Vienna, Austria 
12.
Concerto for Piano no 2 in B flat major, Op. 19 by Ludwig van Beethoven
Performer:  Yefim Bronfman (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1793/1798; Vienna, Austria 
13.
Concerto for Piano no 3 in C minor, Op. 37 by Ludwig van Beethoven
Performer:  Yefim Bronfman (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1800; Vienna, Austria 
14.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:  Yefim Bronfman (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
15.
Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
Performer:  Yefim Bronfman (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1809; Vienna, Austria 
16.
Concerto for Piano in D major, Op. 61a by Ludwig van Beethoven
Performer:  Shoko Sugitani (Piano)
Conductor:  Gérard Oskamp
Orchestra/Ensemble:  Berlin Symphony Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
17.
Concerto for Violin in D major, Op. 61 by Ludwig van Beethoven
Performer:  Christian Tetzlaff (Violin)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
18.
Romance for Violin and Orchestra no 1 in G major, Op. 40 by Ludwig van Beethoven
Performer:  Christian Tetzlaff (Violin)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1802; Vienna, Austria 
19.
Romance for Violin and Orchestra no 2 in F major, Op. 50 by Ludwig van Beethoven
Performer:  Christian Tetzlaff (Violin)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: ?1798; Vienna, Austria 
20.
Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto" by Ludwig van Beethoven
Performer:  Truls Otterbech Mork (Cello), Yefim Bronfman (Piano), Gil Shaham (Violin)
Conductor:  David Zinman
Orchestra/Ensemble:  Zurich Tonhalle Orchestra
Period: Classical 
Written: 1804; Vienna, Austria 
21.
Concerto for Piano in E flat major, WoO 4 by Ludwig van Beethoven
Performer:  Martin Galling (Piano)
Conductor:  Carl-August Bünte
Orchestra/Ensemble:  Berlin Symphony Orchestra
Period: Classical 
Written: 1784; Bonn, Germany 
22.
Rondo for Piano and Orchestra in B flat major, WoO 6 by Ludwig van Beethoven
Performer:  Walter Klien (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  St. Louis Symphony Orchestra
Period: Classical 
Written: by 1794; Vienna, Austria 
23.
Leonore Overture no 1 in C major, Op. 138 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1807; Vienna, Austria 
24.
Leonore Overture no 2 in C major, Op. 72 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1805; Vienna, Austria 
25.
Leonore Overture no 3 in C major, Op. 72a by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1805-1806; Vienna, Austria 
26.
Fidelio, Op. 72: Overture in E major by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1814; Vienna, Austria 
27.
Leonore Prohaska, WoO 96 by Ludwig van Beethoven
Performer:  Phyllis Bryn-Julson (Soprano)
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra,  Bach Society of Minnesota
Period: Classical 
Written: 1815; Vienna, Austria 
28.
Die Weihe des Hauses, Op. 124 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1822; Vienna, Austria 
29.
Die Weihe des Hauses: Wo sich die Pulse, WoO 98 by Ludwig van Beethoven
Performer:  Phyllis Bryn-Julson (Soprano)
Conductor:  David Laberge
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
30.
Coriolan Overture in C minor, Op. 62 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1807; Vienna, Austria 
31.
Zur Namensfeier Overture, Op. 115 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1814-1815; Vienna, Austria 
32.
Gratulations-Menuet, WoO 3 by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1822; Vienna, Austria 
33.
Tarpeja: Triumphal March in C major, WoO 2a by Ludwig van Beethoven
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra
Period: Classical 
Written: 1813; Vienna, Austria 
34.
Fugue for Organ in D major, WoO 31 by Ludwig van Beethoven
Performer:  Christian Schmitt (Organ)
Period: Classical 
Written: 1783 
35.
Grenadier March for Mechanical Clock, Hess 107 by Ludwig van Beethoven
Performer:  Christian Schmitt (Organ)
Period: Classical 
Written: circa 1798 
36.
Suite for Mechanical Clock, WoO 33: Allegro by Ludwig van Beethoven
Performer:  Christian Schmitt (Organ)
Period: Classical 
Written: circa 1799 
37.
Wellington's Victory, Op. 91 "Battle Symphony" by Ludwig van Beethoven
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1813; Vienna, Austria 
Date of Recording: 1989 
38.
Contradances (12), WoO 14 by Ludwig van Beethoven
Conductor:  Helmut Koch
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Classical 
Written: 1802; Vienna, Austria 
Date of Recording: 08/1969 
Venue:  Studio no 1, SRK, Berlin, Germany 
Length: 10 Minutes 57 Secs. 
39.
Minuets (6) for 2 Violins and Double Bass, WoO 9 by Ludwig van Beethoven
Performer:  Matthias Pfaender (Cello), Klaus Peters (Violin), Karl Suske (Violin)
Orchestra/Ensemble:  Suske Trio
Period: Classical 
Written: 1795; Vienna, Austria 
Date of Recording: 05/1973 
Venue:  Lukas Church, Dresden, Germany 
Length: 13 Minutes 4 Secs. 
40.
Viennese Dances (11), WoO 17 "Mödlinger Tänze" by Ludwig van Beethoven
Conductor:  Helmut Koch
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Classical 
Written: 1819; Vienna, Austria 
Date of Recording: 08/1969 
Venue:  Studio no 1, SRK, Berlin, Germany 
Length: 19 Minutes 3 Secs. 
41.
German Dances (12) for Orchestra, WoO 8 by Ludwig van Beethoven
Conductor:  Helmut Koch
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Classical 
Written: 1795; Vienna, Austria 
Date of Recording: 08/1969 
Venue:  Studio no 1, SRK, Berlin, Germany 
Length: 19 Minutes 37 Secs. 
42.
Ländler (6) for 2 Violins and Double Bass, WoO 15 by Ludwig van Beethoven
Conductor:  Helmut Koch
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 08/1969 
Venue:  Studio no 1, SRK, Berlin, Germany 
Length: 6 Minutes 8 Secs. 
43.
Minuets (12) for Orchestra, WoO 7 by Ludwig van Beethoven
Conductor:  Friedmann Bätzel
Orchestra/Ensemble:  Weimar Staatskapelle Chamber Orchestra
Period: Classical 
Written: 1795; Vienna, Austria 
44.
March for Winds in D major, WoO 24 by Ludwig van Beethoven
Conductor:  Ewald Donhoffer
Orchestra/Ensemble:  Capella Istropolitana
Period: Classical 
Written: 1816; Vienna, Austria 
45.
Minuets (6) for Piano, WoO 10 by Ludwig van Beethoven
Conductor:  Ewald Donhoffer
Orchestra/Ensemble:  Capella Istropolitana
Period: Classical 
Written: ?1795; Vienna, Austria 
46.
German Dances (6) for Violin and Piano, WoO 42 by Ludwig van Beethoven
Performer:  Sachiko Kobayashi (Violin), Michael Wagner (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
47.
Ländler (7) for Piano, WoO 11 by Ludwig van Beethoven
Performer:  Rainer Maria Klaas (Piano)
Period: Classical 
Written: ?1798; Vienna, Austria 
48.
German Dances (12) for Piano, WoO 13 by Ludwig van Beethoven
Performer:  Rainer Maria Klaas (Piano)
Period: Classical 
Written: Vienna, Austria 
49.
Ecossaises (6) for Piano, WoO 83 by Ludwig van Beethoven
Performer:  Rainer Maria Klaas (Piano)
Period: Classical 
Written: Vienna, Austria 
50.
Ecossaise for Piano in G major, WoO 23 by Ludwig van Beethoven
Performer:  Rainer Maria Klaas (Piano)
Period: Classical 
Written: circa 1810; Vienna, Austria 
51.
Sextet for 2 Clarinets, 2 Horns and 2 Bassoons in E flat major, Op. 71 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1796; Vienna, Austria 
52.
Rondino for Wind Octet in E flat major, WoO 25 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1793; Vienna, Austria 
53.
Octet for Winds in E flat major, Op. 103 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: ?1792-93; Vienna, Austria 
54.
Duets (3) for Clarinet and Bassoon, WoO 27 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1810-1815; Vienna, Austria 
55.
Variations for 2 Oboes and English Horn in C major on "La ci darem", WoO 28 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: ?1795; Germany 
56.
Trio for 2 Oboes and English Horn in C major, Op. 87 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1795; Vienna, Austria 
57.
Quintet for Oboe, 3 Horns and Bassoon in E flat major, Hess 19 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: circa 1793; Vienna, Austria 
58.
Polonaise for Wind Band in D major, WoO 21 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1810; Vienna, Austria 
59.
March with Trio in C major, WoO 20 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: by 1823; Vienna, Austria 
60.
March for Winds in F major, WoO 19 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1810; Vienna, Austria 
61.
March for Winds in F major, WoO 18 "für die böhmische Landwehr" by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1809; Vienna, Austria 
62.
March for 2 Clarinets, 2 Bassoons and 2 Horns in B flat major, WoO 29 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1798; Vienna, Austria 
63.
Ecossaise for Wind Band in D major, WoO 22 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: ?1809/10; Vienna, Austria 
64.
Allegro and Minuet for 2 Flutes in G major, WoO 26 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1792 
65.
Adagio for 3 Horns in F minor, Hess 297 by Ludwig van Beethoven
Orchestra/Ensemble:  Ottetto Italiano
Period: Classical 
Written: 1815; Vienna, Austria 
66.
Serenade for Flute and Piano in D major, Op. 41 by Ludwig van Beethoven
Performer:  Jean-Pierre Rampal (Flute), Robert Veyron-Lacroix (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
Length: 22 Minutes 30 Secs. 
67.
National Airs and Variations (6) for Piano and Flute/Violin, Op. 105 by Ludwig van Beethoven
Performer:  Jean-Pierre Rampal (Flute), Robert Veyron-Lacroix (Piano)
Period: Classical 
Written: 1818; Vienna, Austria 
Length: 19 Minutes 0 Secs. 
68.
Allegro and Minuet for 2 Flutes in G major, WoO 26 by Ludwig van Beethoven
Performer:  Jean-Pierre Rampal (Flute), Alain Marion (Flute)
Period: Classical 
Written: 1792 
Length: 5 Minutes 43 Secs. 
69.
Trio for Piano, Flute and Bassoon in G major, WoO 37 by Ludwig van Beethoven
Performer:  Jean-Pierre Rampal (Flute), Paul Hongne (Bassoon), Robert Veyron-Lacroix (Piano)
Period: Classical 
Written: 1786; Bonn, Germany 
Length: 21 Minutes 30 Secs. 
70.
National Airs and Variations (10) for Piano and Flute/Violin, Op. 107 by Ludwig van Beethoven
Performer:  Jean-Pierre Rampal (Flute), Robert Veyron-Lacroix (Piano)
Period: Classical 
Written: 1818; Vienna, Austria 
Length: 42 Minutes 0 Secs. 
71.
Trio for Violin, Viola and Cello no 3 in G major, Op. 9 no 1 by Ludwig van Beethoven
Performer:  Christian Larde (Flute), Alain Marion (Flute), Jean-Pierre Rampal (Flute)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
Length: 10 Minutes 0 Secs. 
72.
Sonata for Flute and Piano in B flat major, WoO Anh 4 by Ludwig van Beethoven
Performer:  Robert Veyron-Lacroix (Piano), Jean-Pierre Rampal (Flute)
Period: Classical 
Length: 21 Minutes 0 Secs. 
73.
Septet in E flat major, Op. 20 by Ludwig van Beethoven
Orchestra/Ensemble:  German Chamber Philharmonic
Period: Classical 
Written: 1800; Vienna, Austria 
74.
Sextet for 2 Horns and Strings in E flat major, Op. 81b by Ludwig van Beethoven
Performer:  Gerhard Meyer (French Horn), Rudolf Horold (French Horn)
Orchestra/Ensemble:  Erben Quartet
Period: Classical 
Written: ?1795; Vienna, Austria 
75.
Quartet for Piano and Strings in E flat major, Op. 16 by Ludwig van Beethoven
Performer:  Klára Würtz (Piano), Martin Van Der Merwe (Horn), Henk De Graaf (Clarinet),
Peter Gaasterland (Bassoon), Hans Meijer (Oboe)
Orchestra/Ensemble:  Members of the Netherlands Wind Ensemble
Period: Classical 
Written: 1796; Vienna, Austria 
Date of Recording: 01/1997 
Venue:  Reformed Church, Rhoon, The Netherlands 
Length: 24 Minutes 13 Secs. 
76.
Trio for Piano, Clarinet/Violin and Cello no 4 in B flat major, Op. 11 by Ludwig van Beethoven
Performer:  Vlad Weverbergh (Clarinet), Vasily Ilisavsky (Piano), Benjamin Glorieux (Cello)
Period: Classical 
Written: 1797; Vienna, Austria 
Length: 17 Minutes 3 Secs. 
77.
Sonata for Horn and Piano in F major, Op. 17 by Ludwig van Beethoven
Performer:  Dezsö Ránki (Piano), Ferenc Tarjáni (French Horn)
Period: Classical 
Written: 1800; Vienna, Austria 
78.
Trio for Piano, Clarinet and Cello in E flat major, Op. 38 by Ludwig van Beethoven
Performer:  Chihiro Saito (Cello), Sachiko Kobayashi (Violin), Michael Wagner (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
79.
Variations (12) for Violin and Piano on "Se vuol ballare", WoO 40 by Ludwig van Beethoven
Performer:  Peter Glatte (Violin), Eva Ander (Piano)
Period: Classical 
Written: 1792-1793; Vienna, Austria 
80.
Serenade for Flute, Violin and Viola in D major, Op. 25 by Ludwig van Beethoven
Performer:  Darrel Barnes (Piano), Jacob Berg (Flute), Max Rabinovitsj (Violin)
Period: Classical 
Written: 1801; Vienna, Austria 
81.
Rondo for Violin and Piano in G major, WoO 41 by Ludwig van Beethoven
Performer:  Michael Wagner (Piano), Sachiko Kobayashi (Violin)
Period: Classical 
Written: 1793-1794; Vienna, Austria 
82.
Trio for Piano and Strings no 12 in E flat major, Hess 48 by Ludwig van Beethoven
Performer:  Chihiro Saito (Cello), Sachiko Kobayashi (Violin), Michael Wagner (Piano)
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
83.
Sonatina for Mandolin and Piano in C minor, WoO 43a by Ludwig van Beethoven
Performer:  Erhard Fietz (Mandolin), Amadeus Webersinke (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
84.
Sonatina for Mandolin and Piano in C major, WoO 44a by Ludwig van Beethoven
Performer:  Erhard Fietz (Mandolin), Amadeus Webersinke (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
85.
Adagio for Piano and Mandolin in E flat major, WoO 43b by Ludwig van Beethoven
Performer:  Erhard Fietz (Mandolin), Amadeus Webersinke (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
86.
Andante and Variations for Mandolin and Piano in D major, WoO 44b by Ludwig van Beethoven
Performer:  Lajos Mayer (Mandolin), Imre Rohmann (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
87.
Quartets (3) for Piano, Violin, Viola and Double Bass, WoO 36 by Ludwig van Beethoven
Performer:  Anthony Goldstone (Piano)
Orchestra/Ensemble:  Cummings String Trio
Period: Classical 
Written: 1785; Bonn, Germany 
88.
Trio for Piano, Clarinet/Violin and Cello no 4 in B flat major, Op. 11 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1797; Vienna, Austria 
89.
Trio for Piano, Clarinet and Cello in E flat major, Op. 38 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1803; Vienna, Austria 
90.
Trio for Piano and Strings no 9 in E flat major, WoO 38 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: ?1791; Bonn, Germany 
91.
Trio for Piano and Strings no 7 in B flat major, Op. 97 "Archduke" by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1810-1811; Vienna, Austria 
92.
Trio for Piano and Strings no 6 in E flat major, Op. 70 no 2 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1808; Vienna, Austria 
93.
Trio for Piano and Strings no 5 in D major, Op. 70 no 1 "Ghost" by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1808; Vienna, Austria 
94.
Trio for Piano and Strings no 3 in C minor, Op. 1 no 3 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1794-1795; Vienna, Austria 
95.
Trio for Piano and Strings no 2 in G major, Op. 1 no 2 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1794-1795; Vienna, Austria 
96.
Trio for Piano and Strings no 12 in E flat major, Hess 48 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
97.
Trio for Piano and Strings no 11 in G major, Op. 121a "Kakadu Variations" by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1803/1816; Vienna, Austria 
98.
Trio for Piano and Strings no 10 in E flat major, Op. 44 "Variations on an Original Theme" by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1792; Bonn, Germany 
99.
Trio for Piano and Strings no 1 in E flat major, Op. 1 no 1 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1794-1795; Vienna, Austria 
100.
Trio for Piano and Strings in E flat major, Op. 63 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1806 
101.
Trio for Piano and Strings in D major, Kinsky-Halm Anh. 3 by Ludwig van Beethoven
Orchestra/Ensemble:  Trio Elegiaque
Period: Classical 
Written: 1799 
102.
Variations (7) for Cello and Piano on Mozart's "Bei Männern", WoO 46 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1801; Vienna, Austria 
103.
Variations (12) for Cello and Piano in G major on a theme by Handel, WoO 45 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
104.
Variations (12) for Cello and Piano in F major on "Ein Mädchen oder Weibchen", Op. 66 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
105.
Sonata for Cello and Piano no 5 in D major, Op. 102 no 2 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1815; Vienna, Austria 
106.
Sonata for Cello and Piano no 4 in C major, Op. 102 no 1 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1815; Vienna, Austria 
107.
Sonata for Cello and Piano no 3 in A major, Op. 69 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1807-1808; Vienna, Austria 
108.
Sonata for Cello and Piano no 2 in G minor, Op. 5 no 2 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
109.
Sonata for Cello and Piano no 1 in F major, Op. 5 no 1 by Ludwig van Beethoven
Performer:  Timora Rosler (Cello), Klára Würtz (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
110.
Sonata for Violin and Piano no 9 in A major, Op. 47 "Kreutzer" by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1802-1803; Vienna, Austria 
111.
Sonata for Violin and Piano no 8 in G major, Op. 30 no 3 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
112.
Sonata for Violin and Piano no 7 in C minor, Op. 30 no 2 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
113.
Sonata for Violin and Piano no 6 in A major, Op. 30 no 1 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
114.
Sonata for Violin and Piano no 5 in F major, Op. 24 "Spring" by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1800-1801; Vienna, Austria 
115.
Sonata for Violin and Piano no 4 in A minor, Op. 23 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1800; Vienna, Austria 
116.
Sonata for Violin and Piano no 3 in E flat major, Op. 12 no 3 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
117.
Sonata for Violin and Piano no 2 in A major, Op. 12 no 2 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
118.
Sonata for Violin and Piano no 10 in G major, Op. 96 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1812; Vienna, Austria 
119.
Sonata for Violin and Piano no 1 in D major, Op. 12 no 1 by Ludwig van Beethoven
Performer:  Kristóf Baráti (Violin), Klára Würtz (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
120.
Trio for Violin, Viola and Cello no 5 in C minor, Op. 9 no 3 by Ludwig van Beethoven
Orchestra/Ensemble:  Zurich String Trio
Period: Classical 
Written: 1797-1798; Vienna, Austria 
121.
Trio for Violin, Viola and Cello no 4 in D major, Op. 9 no 2 by Ludwig van Beethoven
Orchestra/Ensemble:  Zurich String Trio
Period: Classical 
Written: 1797-1798; Vienna, Austria 
122.
Trio for Violin, Viola and Cello no 3 in G major, Op. 9 no 1 by Ludwig van Beethoven
Orchestra/Ensemble:  Zurich String Trio
Period: Classical 
Written: 1797-1798; Vienna, Austria 
123.
Trio for Violin, Viola and Cello no 1 in E flat major, Op. 3 by Ludwig van Beethoven
Orchestra/Ensemble:  Zurich String Trio
Period: Classical 
Written: by 1794 
124.
Serenade for Violin, Viola and Cello in D major, Op. 8 by Ludwig van Beethoven
Orchestra/Ensemble:  Zurich String Trio
Period: Classical 
Written: 1796-1797; Vienna, Austria 
125.
Quartet for Strings no 1 in F major, Op. 18 no 1 by Ludwig van Beethoven
Performer:  Karl Suske (Violin), Klaus Peters (Violin), Karl-Heinz Dommus (Viola),
Matthias Pfaender (Cello)
Orchestra/Ensemble:  Suske String Quartet
Written: 1798/1800 
Date of Recording: 11/1976 
Venue:  Lukaskirche, Dresden, Germany 
Length: 28 Minutes 5 Secs. 
126.
Quartet for Strings no 2 in G major, Op. 18 no 2 by Ludwig van Beethoven
Performer:  Karl Suske (Violin), Klaus Peters (Violin), Karl-Heinz Dommus (Viola),
Matthias Pfaender (Cello)
Orchestra/Ensemble:  Suske String Quartet
Written: 1798/1800 
Date of Recording: 02/1976 
Venue:  Lukaskirche, Dresden, Germany 
Length: 22 Minutes 44 Secs. 
127.
Quartet for Strings no 3 in D major, Op. 18 no 3 by Ludwig van Beethoven
Performer:  Karl Suske (Violin), Klaus Peters (Violin), Karl-Heinz Dommus (Viola),
Matthias Pfaender (Cello)
Orchestra/Ensemble:  Suske String Quartet
Written: 1798/1800 
Date of Recording: 09/1976 
Venue:  Lukaskirche, Dresden, Germany 
Length: 22 Minutes 54 Secs. 
128.
Quartet for Strings no 4 in C minor, Op. 18 no 4 by Ludwig van Beethoven
Performer:  Karl Suske (Violin), Klaus Peters (Violin), Karl-Heinz Dommus (Viola),
Matthias Pfaender (Cello)
Orchestra/Ensemble:  Suske String Quartet
Written: 1798/1800 
Date of Recording: 10/1976 
Venue:  Lukaskirche, Dresden, Germany 
Length: 23 Minutes 33 Secs. 
129.
Quartet for Strings no 5 in A major, Op. 18 no 5 by Ludwig van Beethoven
Performer:  Karl Suske (Violin), Klaus Peters (Violin), Karl-Heinz Dommus (Viola),
Matthias Pfaender (Cello)
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1798/1800 
Date of Recording: 12/1976 
Venue:  Lukaskirche, Dresden, Germany 
Length: 26 Minutes 33 Secs. 
130.
Quartet for Strings no 6 in B flat major, Op. 18 no 6 by Ludwig van Beethoven
Performer:  Matthias Pfaender (Cello), Karl Suske (Violin), Klaus Peters (Violin),
Karl-Heinz Dommus (Viola)
Orchestra/Ensemble:  Suske String Quartet
Written: 1798/1800 
Date of Recording: 05/1977 
Venue:  Lukaskirche, Dresden, Germany 
Length: 25 Minutes 4 Secs. 
131.
Minuet for String Quartet in A flat major, Hess 33 by Ludwig van Beethoven
Performer:  Matthias Pfaender (Cello), Karl Suske (Violin), Klaus Peters (Violin),
Karl-Heinz Dommus (Viola)
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: circa 1790; Vienna, Austria 
Venue:  Lukaskirche, Dresden, Germany 
Length: 2 Minutes 59 Secs. 
132.
Quartet for Strings no 7 in F major, Op. 59 no 1 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Written: 1805-6 
133.
Quartet for Strings no 8 in E minor, Op. 59 no 2 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1805-1806; Vienna, Austria 
134.
Quartet for Strings no 9 in C major, Op. 59 no 3 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Written: 1805/6 
135.
Quartet for Strings no 10 in E flat major, Op. 74 "Harp" by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1809; Vienna, Austria 
136.
Quartet for Strings no 11 in F minor, Op. 95 "Serioso" by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Written: 1810 
137.
Quartet for Strings no 12 in E flat major, Op. 127 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1823-1825; Vienna, Austria 
138.
Quartet for Strings no 13 in B flat major, Op. 130 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1825-1826; Vienna, Austria 
139.
Grosse Fuge for String Quartet in B flat major Op. 133 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1825-1826; Vienna, Austria 
140.
Quartet for Strings no 14 in C sharp minor, Op. 131 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Written: 1826 
141.
Quartet for Strings no 15 in A minor, Op. 132 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1825; Vienna, Austria 
142.
Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Written: 1826 
143.
Quintet for Strings in C major, Op. 29 by Ludwig van Beethoven
Performer:  Zvi Livschitz (Viola), Mátyás Bartha (Violin), Dominick Ostertag (Viola),
Mikael Hakhnazarian (Cello), Boris Livschitz (Violin)
Orchestra/Ensemble:  Zurich String Quintet
Period: Classical 
Written: 1801; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 34 Minutes 15 Secs. 
144.
Quintet for Strings in C minor, Op. 104 by Ludwig van Beethoven
Performer:  Dominick Ostertag (Viola), Mátyás Bartha (Violin), Zvi Livschitz (Viola),
Mikael Hakhnazarian (Cello), Boris Livschitz (Violin)
Orchestra/Ensemble:  Zurich String Quintet
Period: Classical 
Written: 1817; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 31 Minutes 5 Secs. 
145.
Quartet for Strings in F major, Hess 32 by Ludwig van Beethoven
Orchestra/Ensemble:  Suske String Quartet
Period: Classical 
Written: 1799; Vienna, Austria 
146.
Quintet for Strings in E flat major, Op. 4 by Ludwig van Beethoven
Performer:  Boris Livschitz (Violin), Mikael Hakhnazarian (Cello), Dominick Ostertag (Viola),
Zvi Livschitz (Viola), Mátyás Bartha (Violin)
Orchestra/Ensemble:  Zurich String Quintet
Period: Classical 
Written: 1795; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 32 Minutes 32 Secs. 
147.
Fugue for String Quintet in D major Op. 137 by Ludwig van Beethoven
Performer:  Boris Livschitz (Violin), Mátyás Bartha (Violin), Zvi Livschitz (Viola),
Dominick Ostertag (Viola), Mikael Hakhnazarian (Cello)
Orchestra/Ensemble:  Zurich String Quintet
Period: Classical 
Written: 1817; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 1 Minutes 44 Secs. 
148.
Duet for Viola and Cello in E flat major, WoO 32 by Ludwig van Beethoven
Performer:  Zvi Livschitz (Viola), Mikael Hakhnazarian (Cello)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 14 Minutes 10 Secs. 
149.
Ländler (6) for 2 Violins and Double Bass, WoO 15 by Ludwig van Beethoven
Performer:  Mikael Hakhnazarian (Cello), Mátyás Bartha (Violin), Boris Livschitz (Violin),
Viorel Alexandru (Double Bass)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 11/2004 
Venue:  Switzerland 
Length: 4 Minutes 45 Secs. 
150.
Sonata for Piano no 1 in F minor, Op. 2 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1793-1795; Vienna, Austria 
151.
Sonata for Piano no 2 in A major, Op. 2 no 2 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
152.
Sonata for Piano no 3 in C major, Op. 2 no 3 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
153.
Sonata for Piano no 4 in E flat major, Op. 7 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
154.
Sonata for Piano no 5 in C minor, Op. 10 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1795-1797; Vienna, Austria 
155.
Sonata for Piano no 6 in F major, Op. 10 no 2 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
156.
Sonata for Piano no 7 in D major, Op. 10 no 3 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
157.
Sonata for Piano no 8 in C minor, Op. 13 "Pathétique" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
158.
Sonata for Piano no 9 in E major, Op. 14 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1798; Vienna, Austria 
159.
Sonata for Piano no 10 in G major, Op. 14 no 2 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1799; Vienna, Austria 
160.
Sonata for Piano no 11 in B flat major, Op. 22 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1800; Vienna, Austria 
161.
Sonata for Piano no 12 in A flat major, Op. 26 "Funeral March" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1800-1801; Vienna, Austria 
162.
Sonata for Piano no 13 in E flat major, Op. 27 no 1 "Quasi una fantasia" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1800-1801; Vienna, Austria 
163.
Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1801; Vienna, Austria 
164.
Sonata for Piano no 15 in D major, Op. 28 "Pastoral" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1801; Vienna, Austria 
165.
Sonata for Piano no 16 in G major, Op. 31 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1802; Vienna, Austria 
166.
Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1802; Vienna, Austria 
167.
Sonata for Piano no 18 in E flat major, Op. 31 no 3 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1802; Vienna, Austria 
168.
Sonata for Piano no 19 in G minor, Op. 49 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1797; Vienna, Austria 
169.
Sonata for Piano no 20 in G major, Op. 49 no 2 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
170.
Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1803-1804; Vienna, Austria 
171.
Sonata for Piano no 22 in F major, Op. 54 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1804; Vienna, Austria 
172.
Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1804-1805; Vienna, Austria 
173.
Sonata for Piano no 24 in F sharp major, Op. 78 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
174.
Sonata for Piano no 25 in G major, Op. 79 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
175.
Sonata for Piano no 26 in E flat major, Op. 81a "Les Adieux" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1809-1810; Vienna, Austria 
176.
Sonata for Piano no 27 in E minor, Op. 90 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1814; Vienna, Austria 
177.
Sonata for Piano no 28 in A major, Op. 101 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1816; Vienna, Austria 
178.
Sonata for Piano no 29 in B flat major, Op. 106 "Hammerklavier" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1817-1818; Vienna, Austria 
179.
Sonata for Piano no 30 in E major, Op. 109 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1820; Vienna, Austria 
180.
Sonata for Piano no 31 in A flat major, Op. 110 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
181.
Sonata for Piano no 32 in C minor, Op. 111 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
182.
Variations (15) and Fugue for Piano in E flat major, Op. 35 "Eroica" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Written: 1802 
183.
Variations (5) for Piano on "Rule Britannia", WoO 79 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
184.
Variations (7) for Piano in C major on "God Save the King", WoO 78 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1802-1803; Vienna, Austria 
185.
Variations (12) for Piano in A major on a theme of Wranitzky, WoO 71 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
186.
Variations (6) for Piano in F major on an Original Theme, Op. 34 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Written: 1802 
187.
Variations (6) for Piano on an Original Theme in D major, Op. 76 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
188.
Variations (32) for Piano in C minor on an Original Theme, WoO 80 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1806; Vienna, Austria 
189.
Variations (7) for Piano in F major on a theme by Winter, WoO 75 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1799; Vienna, Austria 
190.
Variations (24) for Piano on Righini's "Venni amore", WoO 65 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1790-1791; Bonn, Germany 
191.
Variations (6) for Piano on a duet from "La Molinara", WoO 70 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
192.
Variations (6) for Piano on an Original Theme in D major, Op. 76 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
193.
Variations (13) for Piano in A major on a theme of von Dittersdorf, WoO 66 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1792; Bonn, Germany 
194.
Variations (10) for Piano on Salieri's "La stressa le stessissima", WoO 73 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1799; Vienna, Austria 
195.
Variations (6) for Harp/Piano in F major on a Swiss Song, WoO 64 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: by 1793; Bonn, Germany 
196.
Variations (9) for Piano on an aria from "La molinara", WoO 69 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
197.
Variations (6) for Piano in G major on an Original Theme, WoO 77 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1800; Vienna, Austria 
198.
Variations (8) for Piano in C major on a theme by Grétry, WoO 72 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796; Vienna, Austria 
199.
Rondo for Piano in G major, Op. 51 no 2 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: ?1798; Vienna, Austria 
200.
Allegretto for Piano in C minor, WoO 53 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
201.
Ecossaises (6) for Piano, WoO 83 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: Vienna, Austria 
202.
Bagatelle for Piano in A minor, WoO 59 "Für Elise" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1808; Vienna, Austria 
203.
Variations (33) for Piano on a Waltz by Diabelli in C major, Op. 120 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1819-1823; Vienna, Austria 
204.
Bagatelles (11) for Piano, Op. 119 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1820-1822; Vienna, Austria 
205.
Bagatelles (6) for Piano, Op. 126 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1824; Vienna, Austria 
206.
Sonatas (3) for Piano, WoO 47 by Ludwig van Beethoven
Performer:  Ulrich Staerk (Piano)
Period: Classical 
Written: ?1783; Bonn, Germany 
207.
Rondo a capriccio for Piano in G major, Op. 129 "Rage Over a Lost Penny" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
208.
Rondo for Piano in C major, Op. 51 no 1 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: ?1797; Vienna, Austria 
209.
Bagatelles (7) for Piano, Op. 33 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 1964 
Length: 19 Minutes 32 Secs. 
210.
Andante for Piano in F major, WoO 57 "Andante Favori" by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Romantic 
Written: 1803; Vienna, Austria 
211.
Bagatelle for Piano in B flat major, WoO 60 by Ludwig van Beethoven
Performer:  Alfred Brendel (Piano)
Period: Classical 
Written: 1818; Vienna, Austria 
Date of Recording: 1964 
Length: 1 Minutes 14 Secs. 
212.
Presto for Piano in C minor, WoO 52 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: ?1795; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 3 Minutes 22 Secs. 
213.
Allegretto for Piano in C minor, Hess 69 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: circa 1795-1796; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 2 Minutes 0 Secs. 
214.
Bagatelle for Piano in C major, WoO 54 "Lustig-Traurig" by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: ?1802; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 14 Secs. 
215.
Rondo for Piano in C major, WoO 48 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1783; Bonn, Germany 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 57 Secs. 
216.
Rondo for Piano in A major, WoO 49 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1783; Bonn, Germany 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 55 Secs. 
217.
Sonata for Piano in F major, WoO 50 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: by 1793; Bonn, Germany 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 35 Secs. 
218.
Allemande for Piano in A major, WoO 81 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: circa 1793; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 27 Secs. 
219.
Anglaise for Piano in D major, Hess 61 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: circa 1800; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 0 Minutes 29 Secs. 
220.
Prelude for Piano in F minor, WoO 55 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: by 1805 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 31 Secs. 
221.
Fantasia for Piano in G minor, Op. 77 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 9 Minutes 35 Secs. 
222.
Allegretto for Piano in B minor, WoO 61 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1821; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 2 Minutes 57 Secs. 
223.
Variations (9) for Piano in C minor on a March by Dressler, WoO 63 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1782; Bonn, Germany 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 0 Minutes 59 Secs. 
224.
Preludes (2) through 12 Major Keys for Piano/Organ, Op. 39 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1789; Bonn, Germany 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 7 Minutes 17 Secs. 
225.
Fugue for Piano in C major, Hess 64 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 25 Secs. 
226.
Minuet for Piano in E flat major, WoO 82 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: by 1805; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 3 Minutes 19 Secs. 
227.
Allegretto for Piano in C major, WoO 56 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 22 Secs. 
228.
Variations (12) for Piano on Haibel's "Menuet à la Viganò", WoO 68 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 8 Minutes 5 Secs. 
229.
Waltz for Piano in E flat major, WoO 84 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1824; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 1 Minutes 16 Secs. 
230.
Allegretto quasi andante for Piano in G minor, WoO 61a by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1825; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 0 Minutes 31 Secs. 
231.
Waltz for Piano in D major, WoO 85 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1825; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 0 Minutes 29 Secs. 
232.
Ecossaise for Piano in E flat major, WoO 86 by Ludwig van Beethoven
Performer:  Georg Friedrich Schenck (Piano)
Period: Classical 
Written: 1825; Vienna, Austria 
Venue:  Partikasaal der Robert-Schumann-Hochschu 
Length: 0 Minutes 17 Secs. 
233.
Variations (8) for Piano 4 hands on a theme by Waldstein, WoO 67 by Ludwig van Beethoven
Performer:  Stefan Thomas (Piano), Frank Zabel (Piano)
Period: Classical 
Written: ?1792; Bonn, Germany 
234.
Variations (6) for Piano 4 hands on "Ich denke dein", WoO 74 by Ludwig van Beethoven
Performer:  Stefan Thomas (Piano), Frank Zabel (Piano)
Period: Classical 
Written: 1799/1803; Vienna, Austria 
235.
Sonata for Piano 4 hands in D major, Op. 6 by Ludwig van Beethoven
Performer:  Stefan Thomas (Piano), Frank Zabel (Piano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
236.
Marches (3) for Piano 4 hands, Op. 45 by Ludwig van Beethoven
Performer:  Stefan Thomas (Piano), Frank Zabel (Piano)
Period: Classical 
Written: ?1803; Vienna, Austria 
237.
Grosse Fuge for Piano 4 hands in B flat major, Op. 134 by Ludwig van Beethoven
Performer:  Stefan Thomas (Piano), Frank Zabel (Piano)
Period: Classical 
Written: 1826; Vienna, Austria 
238.
Leonore, Op. 72 by Ludwig van Beethoven
Performer:  Helen Donath (Soprano), Edda Moser (Soprano), Siegfried Lorenz (Baritone),
Gunter Emmerlich (Spoken Vocals), Reiner Goldberg (Tenor), Hermann-Christian Polster (Bass),
Karl Ridderbusch (Bass), Richard Cassilly (Tenor), Theo Adam (Bass),
Eberhard Büchner (Tenor)
Conductor:  Herbert Blomstedt
Orchestra/Ensemble:  Leipzig Radio Chorus,  Dresden Staatskapelle
Period: Classical 
Written: 1805; Vienna, Austria 
Date of Recording: 1976 
Venue:  Lukas Church, Dresden, Germany 
Length: 155 Minutes 39 Secs. 
Language: German 
239.
Fidelio, Op. 72 by Ludwig van Beethoven
Performer:  Kristinn Sigmundsson (Bass), John MacMaster (Tenor), Juha Uusitalo (Bass Baritone),
Sally Matthews (Soprano), Andrew Tortise (Tenor), Andrew Kennedy (Tenor),
Daniel Borowski (Bass), Darren Jeffrey (Bass Baritone), Christine Brewer (Soprano)
Conductor:  Sir Colin Davis
Orchestra/Ensemble:  London Symphony Orchestra,  London Symphony Chorus
Period: Classical 
Written: 1804/1814; Vienna, Austria 
240.
Egmont, Op. 84 by Ludwig van Beethoven
Performer:  Horst Schulze (Spoken Vocals), Elisabeth Breul (Soprano)
Conductor:  Heinz Bongartz
Orchestra/Ensemble:  Berlin Staatskapelle Orchestra
Period: Classical 
Written: 1810; Vienna, Austria 
Date of Recording: 07/1970 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 46 Minutes 37 Secs. 
Language: German 
241.
Creatures of Prometheus, Op. 43 by Ludwig van Beethoven
Conductor:  David Zinman
Orchestra/Ensemble:  Rochester Philharmonic Orchestra
Period: Classical 
Written: 1800-1801; Vienna, Austria 
242.
Ritterballet, WoO 1 by Ludwig van Beethoven
Conductor:  Günther Herbig
Orchestra/Ensemble:  Berlin Staatskapelle Orchestra
Period: Classical 
Written: 1790-1791; Bonn, Germany 
243.
Ruins of Athens, Op. 113 by Ludwig van Beethoven
Performer:  Neumar Starling (Soprano), Vladimir De Kanel (Bass Baritone)
Conductor:  Hans-Hubert Schönzeler
Orchestra/Ensemble:  Berlin Symphony Orchestra,  Berlin Concert Choir
Period: Classical 
Written: 1811; Vienna, Austria 
244.
King Stephan, Op. 117 by Ludwig van Beethoven
Performer:  Neumar Starling (Soprano), Vladimir De Kanel (Bass Baritone)
Conductor:  Hans-Hubert Schönzeler
Orchestra/Ensemble:  Berlin Symphony Orchestra,  Berlin Concert Choir
Period: Classical 
Written: 1811; Vienna, Austria 
245.
Germania, WoO 94 by Ludwig van Beethoven
Performer:  Florian Prey (Baritone)
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Classical 
Written: 1814; Vienna, Austria 
246.
Chor auf die verbündeten Fürsten, WoO 95 by Ludwig van Beethoven
Performer:  Florian Prey (Baritone)
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Classical 
Written: 1814; Vienna, Austria 
247.
Ah, Perfido!, Op. 65 by Ludwig van Beethoven
Performer:  Hanne-Lore Kuhse (Soprano)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1795-1796; Vienna, Austria 
Date of Recording: 08/1971 
Venue:  DEFA Studio, Babelsberg 
Length: 11 Minutes 50 Secs. 
Language: Italian 
248.
Primo amore, WoO 92 by Ludwig van Beethoven
Performer:  Hanne-Lore Kuhse (Soprano)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: circa 1790-1792; Vienna, Austria 
Date of Recording: 08/1971 
Venue:  DEFA Studio, Babelsberg 
Length: 14 Minutes 1 Secs. 
Language: Italian 
249.
No, non turbarti, WoO 92a by Ludwig van Beethoven
Performer:  Hanne-Lore Kuhse (Soprano)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1801-1802; Vienna, Austria 
Date of Recording: 08/1971 
Venue:  DEFA Studio, Babelsberg 
Length: 6 Minutes 13 Secs. 
Language: Italian 
250.
Ne' giorni tuoi felice, WoO 93 by Ludwig van Beethoven
Performer:  Hanne-Lore Kuhse (Soprano), Eberhard Büchner (Tenor)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1802-1803; Vienna, Austria 
Date of Recording: 12/1971 
Venue:  Christ Church, Berlin, Germany 
Length: 7 Minutes 59 Secs. 
Language: Italian 
251.
Tremate, empi, tremate, Op. 116 by Ludwig van Beethoven
Performer:  Siegfried Vogel (Bass), Eberhard Büchner (Tenor), Hanne-Lore Kuhse (Soprano)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: 1802/1814; Vienna, Austria 
Date of Recording: 12/1971 
Venue:  Christ Church, Berlin, Germany 
Length: 8 Minutes 32 Secs. 
Language: Italian 
252.
Prüfung des Küssens, WoO 89 by Ludwig van Beethoven
Performer:  Siegfried Vogel (Bass)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
Date of Recording: 1972 
Venue:  Christ Church, Berlin, Germany 
Length: 5 Minutes 37 Secs. 
Language: German 
253.
Mit Mädeln sich vertragen, WoO 90 by Ludwig van Beethoven
Performer:  Siegfried Vogel (Bass)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
Date of Recording: 1972 
Venue:  Christ Church, Berlin, Germany 
Length: 4 Minutes 8 Secs. 
Language: German 
254.
O welch ein Leben, Woo 91 no 1 by Ludwig van Beethoven
Performer:  Eberhard Büchner (Tenor)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: ?1975-76; Vienna, Austria 
Date of Recording: 1972 
Venue:  Christ Church, Berlin, Germany 
Length: 2 Minutes 34 Secs. 
Language: German 
255.
Soll ein Schuh nicht drücken, WoO 91 no 2 by Ludwig van Beethoven
Performer:  Hanne-Lore Kuhse (Soprano)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Classical 
Written: ?1795-96; Vienna, Austria 
Date of Recording: 1972 
Venue:  Christ Church, Berlin, Germany 
Length: 4 Minutes 28 Secs. 
Language: German 
256.
Cantata on the Accession of Emperor Leopold II, WoO 88 by Ludwig van Beethoven
Performer:  Leonid Savitzky (Bass), Mati Kõrts (Tenor), Teele Joks (Mezzo Soprano),
Fiona Cameron (Soprano)
Conductor:  Tönu Kaljuste
Orchestra/Ensemble:  Estonian Philharmonic Chamber Choir,  Estonian National Symphony Orchestra
Period: Classical 
Written: 1790; Bonn, Germany 
Date of Recording: 11/18/2000 
Venue:  Live  Estonia Concert Hall, Tallinn, Estonia 
Length: 12 Minutes 13 Secs. 
257.
Cantata on the death of Emperor Joseph II, WoO 87 by Ludwig van Beethoven
Performer:  Fiona Cameron (Soprano), Mati Kõrts (Tenor), Teele Joks (Mezzo Soprano),
Leonid Savitzky (Bass)
Conductor:  Tönu Kaljuste
Orchestra/Ensemble:  Estonian Philharmonic Chamber Choir,  Estonian National Symphony Orchestra
Period: Classical 
Written: 1790; Bonn, Germany 
Date of Recording: 11/18/2000 
Venue:  Live  Estonia Concert Hall, Tallinn, Estonia 
Length: 34 Minutes 30 Secs. 
258.
Der glorreiche Augenblick, Op. 136 by Ludwig van Beethoven
Performer:  Robert Gierlach (Baritone), Alla Simoni (Soprano), Francesca Pedaci (Soprano),
Jeremy Ovenden (Tenor)
Conductor:  Diego Fasolis
Orchestra/Ensemble:  Italian Switzerland Radio/TV Orchestra,  Swiss Radio Chorus
Period: Classical 
Written: 1814; Vienna, Austria 
259.
Italian Songs a cappella, WoO 99 by Ludwig van Beethoven
Performer:  Heike Heilmann (Soprano), Daniel Johannsen (Tenor), Anne Bierwirth (Alto),
Manfred Bittner (Bass), Elisabeth Grünert (Soprano)
Period: Classical 
Written: 1801-1802 
260.
Meerestille und glückliche Fahrt, Op. 112 by Ludwig van Beethoven
Performer:  Phyllis Bryn-Julson (Soprano)
Conductor:  Stanislaw Skrowaczewski
Orchestra/Ensemble:  Minnesota Orchestra,  Bach Society of Minnesota
Period: Classical 
Written: 1814-1815; Vienna, Austria 
261.
Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
Performer:  Walter Klien (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  St. Louis Symphony Orchestra,  St. Louis Symphony Chorus
Period: Classical 
Written: 1808; Vienna, Austria 
262.
Elegischer Gesang, Op. 118 by Ludwig van Beethoven
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  St. Louis Symphony Orchestra,  St. Louis Symphony Chorus
Period: Classical 
Written: 1814; Vienna, Austria 
263.
Bundeslied, Op. 122 "In allen guten Stunden" by Ludwig van Beethoven
Performer:  Barbara Emilia Schedel (Soprano), Daniel Schreiber (Tenor), Michael Wagner (Piano),
Kerstin Wagner (Alto)
Period: Classical 
Written: 1823-1824; Vienna, Austria 
264.
Cantata campestre "Un lieto brindisi", WoO 103 by Ludwig van Beethoven
Performer:  Barbara Emilia Schedel (Soprano), Daniel Schreiber (Tenor), Michael Wagner (Piano),
Rainer Tetenberg (Tenor)
Period: Classical 
Written: 1914; Vienna, Austria 
265.
Birthday Cantata for Prince Lobkowitz, WoO 106 by Ludwig van Beethoven
Performer:  Michael Wagner (Piano), Barbara Emilia Schedel (Soprano)
Period: Classical 
Written: 1823; Vienna, Austria 
266.
Kurz ist der Schmerz II, WoO 166 by Ludwig van Beethoven
Performer:  Tobias Altvater (Tenor), Daniel Schreiber (Tenor), Rainer Tetenberg (Tenor)
Period: Classical 
Written: 1815; Vienna, Austria 
267.
Opferlied, Hess 91 "Die Flamme lodert" [1st version] by Ludwig van Beethoven
Performer:  Manfred Bittner (Bass), Anne Bierwirth (Alto), Daniel Johannsen (Tenor),
Elisabeth Grünert (Piano)
Period: Classical 
Written: 1822 
268.
Hochzeitslied, WoO 105 by Ludwig van Beethoven
Performer:  Manfred Bittner (Bass), Anne Bierwirth (Alto), Daniel Johannsen (Tenor),
Elisabeth Grünert (Piano)
Period: Classical 
Written: 1819; Vienna, Austria 
269.
Abschiedsgesang an Wiens Bürger, WoO 121 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey (Baritone)
Period: Classical 
Written: 1796; Vienna, Austria 
270.
Kriegslied der Österreicher, WoO 122 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey (Baritone)
Period: Classical 
Written: 1797; Vienna, Austria 
271.
Opferlied, WoO 126 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey (Baritone)
Period: Classical 
Written: 1794/1802; Vienna, Austria 
272.
Es ist vollbracht, WoO 97 by Ludwig van Beethoven
Performer:  Siegfried Vogel (Bass)
Conductor:  Arthur Apelt
Orchestra/Ensemble:  Berlin Staatskapelle Orchestra
Period: Classical 
Written: 1815; Vienna, Austria 
273.
Opferlied, Op. 121b "Die Flamme lodert" by Ludwig van Beethoven
Performer:  Ingeborg Springer (Mezzo Soprano)
Conductor:  Helmut Koch
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra
Period: Classical 
Written: 1823-1824; Vienna, Austria 
274.
Christus am Ölberge, Op. 85 by Ludwig van Beethoven
Performer:  Reinhold Bartel (Tenor), Liselotte Rebmann (Soprano), August Messthaler (Bass)
Conductor:  Josef Bloser
Orchestra/Ensemble:  Stuttgart Philharmonic Orchestra,  South German Choral Society
Period: Classical 
Written: 1803-1804; Vienna, Austria 
275.
Mass in C major, Op. 86 by Ludwig van Beethoven
Performer:  Theo Altmeyer (Tenor), Dame Janet Baker (Mezzo Soprano), Marius Rintzler (Bass),
Elly Ameling (Soprano)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  New Philharmonia Orchestra,  New Philharmonia Chorus
Period: Classical 
Written: 1807; Vienna, Austria 
276.
Missa solemnis in D major, Op. 123 by Ludwig van Beethoven
Performer:  Annelies Burmeister (Mezzo Soprano), Peter Schreier (Tenor), Anna Tomowa-Sintow (Soprano),
Hermann-Christian Polster (Bass)
Conductor:  Kurt Masur
Orchestra/Ensemble:  Leipzig Gewandhaus Chorus,  Leipzig Gewandhaus Orchestra
Period: Classical 
Written: 1823; Vienna, Austria 
277.
An die ferne Geliebte, Op. 98 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier (Tenor)
Period: Classical 
Written: 1815-1816; Vienna, Austria 
278.
Adelaide, Op. 46 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
279.
Zärtliche Liebe, WoO 123 "Ich liebe dich" by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
280.
Der Kuss, Op. 128 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1822; Vienna, Austria 
281.
Fugue for String Quintet in D major Op. 137 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1817; Vienna, Austria 
282.
Der Jüngling in der Fremde, WoO 138 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
283.
Resignation, WoO 149 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1817; Vienna, Austria 
284.
Andenken, WoO 136 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
285.
Songs (6), Op. 48 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: by 1802; Vienna, Austria 
286.
Songs (8), Op. 52: no 4, Maigesang by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1796; Vienna, Austria 
287.
Songs (8), Op. 52: no 7, Marmotte by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
288.
Songs (6), Op. 75: no 2, Neue Liebe, neues Leben by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
289.
Songs (3), Op. 83: no 1, Wonne der Wehmut by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1810; Vienna, Austria 
290.
Songs (3), Op. 83: no 2, Sehnsucht by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1810; Vienna, Austria 
291.
Songs (3), Op. 83: no 3, Mit einem gemalten Band by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1810; Vienna, Austria 
292.
Egmont, Op. 84: no 5, Freudvoll und leidvoll by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1810; Vienna, Austria 
293.
Das Glück der Freundschaft, Op. 88 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
294.
Songs (2), WoO 118: no 1, Seufzer eines Ungeliebten by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 6 Minutes 15 Secs. 
295.
Der Liebende, WoO 139 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 2 Minutes 14 Secs. 
296.
Ruf vom Berge, WoO 147 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1816; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 1 Minutes 44 Secs. 
297.
An die Hoffnung, Op. 32 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1805; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 5 Minutes 40 Secs. 
298.
An die Hoffnung, Op. 94 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: ?1815; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 8 Minutes 2 Secs. 
299.
An die Geliebte, WoO 140 [1st version] by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
300.
An die Geliebte, WoO 140 [2nd version] by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
301.
Selbstgespräch, WoO 114 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: ?1792; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 3 Minutes 53 Secs. 
302.
Gedenke mein, WoO 130 by Ludwig van Beethoven
Performer:  Peter Schreier (), Walter Olbertz (Piano), Adele Stolte ()
Period: Classical 
Written: ?1805/20; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 1 Minutes 33 Secs. 
303.
Variations (6) for Piano 4 hands on "Ich denke dein", WoO 74 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1799/1803; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 0 Minutes 55 Secs. 
304.
Songs (8), Op. 52: no 6, Die Liebe by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: by 1793; Bonn, Germany 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 1 Minutes 19 Secs. 
305.
Songs (8), Op. 52: no 8, Das Blümchen Wunderhold by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Romantic 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 1 Minutes 54 Secs. 
306.
Schilderung eines Mädchens, WoO 107 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: ?1783; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 0 Minutes 34 Secs. 
307.
An Minna, WoO 115 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: ?1792; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 0 Minutes 45 Secs. 
308.
Die laute Klage, WoO 135 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1815; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 2 Minutes 51 Secs. 
309.
Als die Geliebte sich trennen wollte, WoO 132 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1806; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 2 Minutes 33 Secs. 
310.
Songs (8), Op. 52: no 3, Das Liedchen von der Ruhe by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 2 Minutes 41 Secs. 
311.
Sehnsucht, WoO 146 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier ()
Period: Classical 
Written: 1815-1816; Vienna, Austria 
Date of Recording: 1968-70 
Venue:  Dresden, Studio Lukaskirche 
Length: 2 Minutes 36 Secs. 
312.
Songs (6), Op. 75: no 3, Aus Goethes Faust by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
313.
Songs (8), Op. 52: no 1, Urians Reise um die Welt by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: by 1793; Bonn, Germany 
314.
Trinklied, WoO 109 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1790; Bonn, Germany 
315.
Punschlied, WoO 111 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: circa 1790-1792; Bonn, Germany 
316.
Songs (6), Op. 75: no 6, Der Zufriedene by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1809; Vienna, Austria 
317.
Ariettas (4) and a Duet, Op. 82 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1809; Vienna, Austria 
318.
O care selve, WoO 119 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Gisela Franke (Piano)
Period: Classical 
Written: 1794; Vienna, Austria 
319.
La Partenza, WoO 124 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1795-96; Germany 
320.
In questa tomba oscura, WoO 133 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1807; Vienna, Austria 
321.
La Tiranna, WoO 125 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1798-1799; Vienna, Austria 
322.
Que le temps me dure, WoO 116 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1793; Bonn, Germany 
323.
Plaisir d'aimer, WoO 128 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1798-1799; Germany 
324.
Der Wachtelschlag, WoO 129 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1803; Vienna, Austria 
325.
Das Geheimnis, WoO 145 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1815; Vienna, Austria 
326.
An Laura, WoO 112 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier (Tenor)
Period: Classical 
Written: ?1792; Vienna, Austria 
327.
Abendlied unterm gestirnten Himmel, WoO 150 by Ludwig van Beethoven
Performer:  Walter Olbertz (Piano), Peter Schreier (Tenor)
Period: Classical 
Written: 1820; Vienna, Austria 
328.
Klage, WoO 113 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: ?1790; Vienna, Austria 
329.
Songs (8), Op. 52: no 2, Feuerfarb by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: by 1793; Bonn, Germany 
330.
Elegie auf den Tod eines Pudels, WoO 110 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: by 1793; Vienna, Austria 
331.
So oder so, WoO 148 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1817; Vienna, Austria 
332.
Des Kriegers Abschied, WoO 143 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1814; Vienna, Austria 
333.
Der freie Mann, WoO 117 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1792/1794; Vienna, Austria 
334.
Opferlied, WoO 126 by Ludwig van Beethoven
Performer:  Peter Schreier (Tenor), Walter Olbertz (Piano)
Period: Classical 
Written: 1794/1802; Vienna, Austria 
335.
Der Gesang der Nachtigall, WoO 141 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1813; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 19 Secs. 
336.
Neue Liebe, neues Leben, WoO 127 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1798-1799; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 2 Minutes 45 Secs. 
337.
Songs (2), WoO 118: no 1, Seufzer eines Ungeliebten by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 5 Minutes 48 Secs. 
338.
Der Bardengeist, WoO 142 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1813; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 6 Minutes 2 Secs. 
339.
Der Liebende, WoO 139 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 2 Minutes 57 Secs. 
340.
Merkenstein, WoO 144 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1814; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 0 Secs. 
341.
Man strebt die Flamme zu erhehlen, WoO 120 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: circa 1800-1802; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 4 Secs. 
342.
Songs (8), Op. 52: no 5, Mollys Abschied by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: 1790-1796 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 30 Secs. 
343.
Sehnsucht, WoO 134 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: 1807-1808; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 5 Minutes 37 Secs. 
344.
Songs (6), Op. 75: no 5, An den fernen Geliebten by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: 1809 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 46 Secs. 
345.
Songs (6), Op. 75: no 1, Mignon by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 3 Minutes 40 Secs. 
346.
Songs (6), Op. 75: no 4, Gretels Warnung by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Anna Haase ()
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 1 Minutes 52 Secs. 
347.
Der Mann von Wort, Op. 99 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1816; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 2 Minutes 55 Secs. 
348.
Der edle Mensch sei hülfreich und gut, WoO 151 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1823; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 0 Minutes 47 Secs. 
349.
Traute Henriette, Hess 151 by Ludwig van Beethoven
Performer:  Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: circa 1790–1792 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 0 Minutes 46 Secs. 
350.
Merkenstein, Op. 100 by Ludwig van Beethoven
Performer:  Anna Haase (), Norbert Groh (Piano), Florian Prey ()
Period: Classical 
Written: 1814-1815; Vienna, Austria 
Date of Recording: 02/2007 
Venue:  Tonstudio Rädler, München 
Length: 1 Minutes 56 Secs. 
351.
Schuppanzigh ist ein Lump, WoO 100 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1801; Vienna, Austria 
352.
Esel aller Esel, Hess 277 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1826; Vienna, Austria 
353.
Graf, Graf, Graf, Graf, WoO 101 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1802; Vienna, Austria 
354.
Herr Graff, ich komme zu fragen, Hess 276 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: ?1797; Vienna, Austria 
355.
Bester Herr Graf, Sie sind ein Schaf!, WoO 183 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1823; Vienna, Austria 
356.
Es muss sein!, WoO 196 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1826; Vienna, Austria 
357.
Canon à 2 in G major, Hess 274 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: 1803; Vienna, Austria 
358.
Da ist das Werk, WoO 197 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1826; Vienna, Austria 
359.
Glaube und hoffe, WoO 174 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1819; Vienna, Austria 
360.
Hoffmann, sei ja kein Hofmann, WoO 180 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1820; Vienna, Austria 
361.
Anglaise for Piano in D major, Hess 61 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: circa 1800; Vienna, Austria 
362.
Gesang der Mönche "Rasch tritt der Tod", WoO 104 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1817; Vienna, Austria 
363.
Ich war hier, Doktor, WoO 190 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1825; Vienna, Austria 
364.
Signor Abate, WoO 178 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: circa 1820; Vienna, Austria 
365.
Kurz ist der Schmerz I, WoO 163 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1815; Vienna, Austria 
366.
Hol' euch der Teufel!, WoO 173 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1819; Vienna, Austria 
367.
Gott ist eine feste Burg, WoO 188 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1825; Vienna, Austria 
368.
Sankt Petrus war ein Fels, WoO 175 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1819-1820; Vienna, Austria 
369.
Tugend ist kein leerer Name, canon for 3 voices, WoO 181 no 3 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Romantic 
Written: circa 1820 
370.
Edel sei der Mensch, WoO 185 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1823; Vienna, Austria 
371.
Bester Magistrat, Ihr friert, WoO 177 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: circa 1820; Vienna, Austria 
372.
Kühl, nicht lau, WoO 191 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1825; Vienna, Austria 
373.
Wir irren allesamt, WoO 198 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1826; Vienna, Austria 
374.
Schwenke dich ohne Schwänke!, WoO 187 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1824; Vienna, Austria 
375.
Brauchle, Linke, WoO 167 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: circa 1815; Vienna, Austria 
376.
O Tobias!, WoO 182 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1821; Vienna, Austria 
377.
Gedenket heute an Baden, WoO 181 no 1 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: c1820 
378.
Alles Gute! alles Schöne, WoO 179 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1819; Vienna, Austria 
379.
Glück fehl’ dir vor allem, WoO 171 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1817 
380.
Gehabt euch wohl, WoO 181 no 2 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: c1820 
381.
Freu' dich des Lebens, WoO 195 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1825; Vienna, Austria 
382.
Glück zum neuen Jahr, WoO 165 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1815; Vienna, Austria 
383.
Canon à 2 in A flat major, Hess 275 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: 1803; Vienna, Austria 
384.
Im Arm der Liebe, WoO 159 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: circa 1795; Vienna, Austria 
385.
Ich küsse Sie, WoO 169 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1816; Vienna, Austria 
386.
Laguisco e moro, Hess 229 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1803 
387.
Te solo adoro, WoO 186 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1824 
388.
Ewig dein, WoO 161 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: ?1811; Vienna, Austria 
389.
Freundschaft ist die Quelle, WoO 164 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1814; Vienna, Austria 
390.
Canon à 4, WoO 160 no 2 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: c1795 
391.
Ta ta ta…lieber Mälzel, WoO 162 [doubtful] by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
392.
Ich bitt' dich, schreib' mir die Es-Scala auf, WoO 172 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: circa 1818; Vienna, Austria 
393.
Ars longa, vita brevis, WoO 192 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1825; Vienna, Austria 
394.
Canon à 3, WoO 160 no 1 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: c1795 
395.
Lerne schweigen, WoO 168 no 1 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1815-1816; Vienna, Austria 
396.
Rede, rede, WoO 168 no 2 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1815-1816; Vienna, Austria 
397.
Falstafferl, lass' dich sehen!, WoO 184 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1823; Vienna, Austria 
398.
Duet for 2 Violins in A major, WoO 34 by Ludwig van Beethoven
Orchestra/Ensemble:  Berlin Soloists
Period: Classical 
Written: 1822; Vienna, Austria 
399.
Abschiedsgesang, WoO 102 by Ludwig van Beethoven
Conductor:  Dietrich Knothe
Orchestra/Ensemble:  Berlin Singakademie
Period: Classical 
Written: 1814; Vienna, Austria 
400.
Irish Songs (25), WoO 152 by Ludwig van Beethoven
Performer:  Jörg Hofmann (Violin), Gotthard Popp (Cello), Armin Ude (Tenor),
Renate Krahmer (Soprano), Ingeborg Springer (Mezzo Soprano), Eberhard Büchner (Tenor),
Siegfried Lorenz (Baritone), Volkmar Lehmann (Piano), Dorothee Wohlgemuth (Soprano),
Christine Wehler (Alto), Georg Poplutz (Tenor), Martin Haunhorst (Violin),
Jens Hamann (Bass), Bernhard Schwarz (Cello), Rainer Maria Klaas (Piano)
Orchestra/Ensemble:  Brahms Trio,  Berlin Soloists
Period: Classical 
Written: by 1814; Vienna, Austria 
401.
Irish Songs (20), WoO 153 by Ludwig van Beethoven
Performer:  Jörg Hofmann (Violin), Gotthard Popp (Cello), Armin Ude (Tenor),
Renate Krahmer (Soprano), Ingeborg Springer (Mezzo Soprano), Eberhard Büchner (Tenor),
Siegfried Lorenz (Baritone), Volkmar Lehmann (Piano), Dorothee Wohlgemuth (Soprano),
Christine Wehler (Alto), Georg Poplutz (Tenor), Martin Haunhorst (Violin),
Jens Hamann (Bass), Bernhard Schwarz (Cello), Rainer Maria Klaas (Piano)
Orchestra/Ensemble:  Brahms Trio,  Berlin Soloists
Period: Classical 
Written: by 1816; Vienna, Austria 
402.
Irish Songs (12), WoO 154 by Ludwig van Beethoven
Performer:  Kerstin Wagner (Alto), Barbara Emilia Schedel (Soprano), Daniel Schreiber (Tenor),
Michael Wagner (Piano), Daniel Raschinsky (Baritone), Sachiko Kobayashi (Violin),
Chihiro Saito (Cello)
Period: Classical 
Written: by 1816; Vienna, Austria 
403.
Welsh Songs (26), WoO 155 by Ludwig van Beethoven
Performer:  Zsuzsa Zsizsmann (Violin), Manfred Bittner (Bass), Haakon Schaub (Baritone),
David Hamilton (Tenor), Rebekka Stohr (Mezzo Soprano), Antonia Bourvé (Soprano),
Cornelius Boensch (Cello)
Period: Classical 
Written: by 1817; Vienna, Austria 
404.
Scottish Songs (12), WoO 156 by Ludwig van Beethoven
Performer:  Zsuzsa Zsizsmann (Violin), Antonia Bourvé (Soprano), David Hamilton (Tenor),
Rebekka Stohr (Mezzo Soprano), Haakon Schaub (Baritone), Manfred Bittner (Bass),
Cornelius Boensch (Cello), Michael Clark (Piano)
Period: Classical 
Written: by 1825; Vienna, Austria 
405.
Songs (12) of various nationality, WoO 157 by Ludwig van Beethoven
Performer:  Zsuzsa Zsizsmann (Violin), Antonia Bourvé (Soprano), David Hamilton (Tenor),
Rebekka Stohr (Mezzo Soprano), Haakon Schaub (Baritone), Manfred Bittner (Bass),
Cornelius Boensch (Cello), Michael Clark (Piano)
Period: Classical 
Written: by 1839; Vienna, Austria 
406.
Scottish Songs (25), Op. 108 by Ludwig van Beethoven
Performer:  Kurt Mahn (Oboe), Joachim Bischof (Cello), Eva Ander (Piano),
Günther Leib (Baritone), Eberhard Büchner (Tenor), Ingeborg Springer (Mezzo Soprano),
Renate Krahmer (Soprano), Reinhard Ulbricht (Violin), Werner Pauli (Guitar)
Conductor:  Horst Neumann
Orchestra/Ensemble:  Leipzig Radio Chorus members
Period: Classical 
Written: 1810-1818; Vienna, Austria 
407.
Songs (23) of various nationality, WoO 158a by Ludwig van Beethoven
Performer:  Bernhard Schwarz (Cello), Martin Haunhorst (Violin), Christine Wehler (Alto),
Dorothee Wohlgemuth (Soprano), Werner Pauli (Guitar), Renate Krahmer (Soprano),
Ingeborg Springer (Mezzo Soprano), Eberhard Büchner (Tenor), Günther Leib (Baritone),
Joachim Bischof (Cello), Eva Ander (Piano), Kurt Mahn (Oboe),
Reinhard Ulbricht (Violin), Georg Poplutz (Tenor), Jens Hamann (Bass),
Rainer Maria Klaas (Piano)
Conductor:  Horst Neumann
Orchestra/Ensemble:  Leipzig Radio Chorus members
Period: Classical 
Written: Vienna, Austria 
408.
Songs (6) of various nationality, WoO 158c by Ludwig van Beethoven
Performer:  Bernhard Schwarz (Cello), Georg Poplutz (Tenor), Dorothee Wohlgemuth (Soprano),
Jens Hamann (Bass), Christine Wehler (Alto), Martin Haunhorst (Violin),
Rainer Maria Klaas (Piano)
Period: Classical 
Written: 1810-1820; Vienna, Austria 
409.
Songs (6) of various nationality, WoO 158c by Ludwig van Beethoven
Performer:  Bernhard Schwarz (Cello), Georg Poplutz (Tenor), Dorothee Wohlgemuth (Soprano),
Jens Hamann (Bass), Christine Wehler (Alto), Martin Haunhorst (Violin),
Rainer Maria Klaas (Piano)
Period: Classical 
Written: 1810-1820; Vienna, Austria 

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 Best of B. January 21, 2014 By David J. (Los Angeles, CA) See All My Reviews "Wonderful collection. Love it! Everything one could want from Beethoven in one place. A must!" Report Abuse
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