Notes and Editorial Reviews
Includes song(s) by various composers. Soloists: Teresa Berganza, Ricardo Requejo, Narciso Yepes.
Includes work(s) by Joaquin Turina. Soloists: Teresa Berganza, Felix Lavilla Munarriz.
Includes song(s) by various composers. Soloists: Teresa Berganza, Ricardo Requejo, Narciso Yepes.
Includes work(s) by Joaquin Turina. Soloists: Teresa Berganza, Felix Lavilla Munarriz. Read less
Works on This Recording
1.
El sombrero de tres picos: Introduction "Afternoon" by Manuel de Falla
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: 20th Century
Written: 1919; Spain
Date of Recording: 10/1976
Venue: Symphony Hall, Boston, MA
Length: 1 Minutes 26 Secs.
2.
El sombrero de tres picos: Miller's Wife "Fandango" by Manuel de Falla
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: 20th Century
Written: 1919; Spain
Date of Recording: 10/1976
Venue: Symphony Hall, Boston, MA
Length: 1 Minutes 18 Secs.
Language: Spanish
3.
El amor brujo: Canción del amor dolorido "Love's Sorrow" by Manuel de Falla
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: 1914-1915; Spain
Date of Recording: 01/1978
Venue: Henry Wood Hall, Southwark, London, UK
Length: 1 Minutes 36 Secs.
Language: Spanish
4.
El amor brujo: Canción de fuego fatuo "Song of the will-o'-the-wisp" by Manuel de Falla
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: 1914-1915; Spain
Date of Recording: 01/1978
Venue: Henry Wood Hall, Southwark, London, UK
Length: 1 Minutes 38 Secs.
Language: Spanish
5.
El amor brujo: Danza del juego del amor by Manuel de Falla
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: 1914-1915; Spain
Date of Recording: 01/1978
Venue: Henry Wood Hall, Southwark, London, UK
Length: 2 Minutes 53 Secs.
Language: Spanish
6.
El amor brujo: Las campanas del amanecer "Bells of Morning" by Manuel de Falla
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: 1914-1915; Spain
Date of Recording: 01/1978
Venue: Henry Wood Hall, Southwark, London, UK
Length: 1 Minutes 27 Secs.
Language: Spanish
7.
La vida breve by Manuel de Falla
Performer:
Ramon Contreras (Baritone),
Manuel Cid (Tenor),
José Carreras (Tenor),
Paloma Pérez Iñigo (Soprano),
Teresa Berganza (Mezzo Soprano),
Alicia Nafé (Mezzo Soprano),
Juan Pons (Baritone),
Manuel Mairena (Baritone)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Opera Chorus
Period: 20th Century
Written: 1904-1905; Spain
Date of Recording: 01/1978
Venue: Henry Wood Hall, Southwark, London, UK
Length: 60 Minutes 19 Secs.
Language: Spanish
Notes: Composition written: Spain (1904 - 1905).
8.
El gato montés: Salú p'a gente güena by Manuel Penella
Performer:
Carlos Chausson (Bass Baritone),
Mabel Perelstein (Alto),
Carlos Alvarez (Bass),
Placido Domingo (Tenor),
Verónica Villarroel (Soprano),
Teresa Berganza (Mezzo Soprano)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Symphony Orchestra,
Escolania de Nuestra Señora del Recuerdo
Period: 20th Century
Written: 1916; Spain
Date of Recording: 12/1991
Venue: Teatro Bulevar, Torrelodones, Madrid
Length: 7 Minutes 28 Secs.
Language: Spanish
9.
Carmen: L'amour est un oiseau rebelle "Habañera" by Georges Bizet
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1873-1874; France
Length: 4 Minutes 24 Secs.
Language: French
Notes: George Watson's College, Edinburgh (08/1977); St. John's Church, London, England (09/1977)
Composition written: France (1873 - 1874).
10.
Carmen: Près des ramparts de Seville "Seguidilla" by Georges Bizet
Performer:
Teresa Berganza (Mezzo Soprano),
Placido Domingo (Tenor)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: 1873-1874; France
Length: 4 Minutes 32 Secs.
Language: French
Notes: George Watson's College, Edinburgh (08/1977); St. John's Church, London, England (09/1977)
Composition written: France (1873 - 1874).
11.
Carmen: Les tringles des sistres tintaient "Gypsy Song" by Georges Bizet
Performer:
Alicia Nafé (Mezzo Soprano),
Yvonne Kenny (Soprano),
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: France
Length: 5 Minutes 9 Secs.
Language: French
Notes: George Watson's College, Edinburgh (08/1977); St. John's Church, London, England (09/1977)
Composition written: France (1873 - 1874).
12.
La clemenza di Tito, K 621: Parto, parto, ma tu ben mio by Wolfgang Amadeus Mozart
Performer:
Joachim Müller (Basset Clarinet),
Teresa Berganza (Mezzo Soprano)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Classical
Date of Recording: 01/1979
Venue: Lukaskirche, Dresden, Germany
Length: 6 Minutes 44 Secs.
Language: Italian
13.
La clemenza di Tito, K 621: Deh, per questo istante solo by Wolfgang Amadeus Mozart
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Classical
Written: 1791; Prague, Czech Republ
Date of Recording: 01/1979
Venue: Lukaskirche, Dresden, Germany
Length: 7 Minutes 20 Secs.
Language: Italian
14.
Madama Butterfly: Scuoti quella fronda "Flower Duet" by Giacomo Puccini
Performer:
Mirella Freni (Soprano),
Teresa Berganza (Mezzo Soprano)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1904; Italy
Date of Recording: 04/1987
Venue: Watford Town Hall, London, England
Length: 4 Minutes 34 Secs.
Language: Italian
15.
Madama Butterfly: Io so che alle sue pene by Giacomo Puccini
Performer:
Teresa Berganza (Mezzo Soprano),
José Carreras (Tenor),
Juan Pons (Baritone)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1904; Italy
Date of Recording: 04/1987
Venue: Watford Town Hall, London, England
Length: 2 Minutes 25 Secs.
Language: Italian
16.
Canciones populares españolas (7) by Manuel de Falla
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: 20th Century
Written: 1914-1915; Spain
Date of Recording: 12/1976
Venue: Herkules-Saal, Munich, Germany
Length: 11 Minutes 57 Secs.
Language: Spanish
17.
Canciónes (13) españolas antiguas by Federico Garcia Lorca
Performer:
Teresa Berganza (Mezzo Soprano),
Narciso Yepes (Guitar)
Period: 20th Century
Written: Spain
Date of Recording: 12/1976
Venue: Herkules-Saal, Munich, Germany
Length: 37 Minutes 14 Secs.
Language: Spanish
18.
Saeta en forma de Salve a la Virgen de la Esperanza, Op. 60 by Joaquin Turina
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: 20th Century
Written: 1930; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 3 Minutes 11 Secs.
Language: Spanish
19.
Canciones negras (5) by Xavier Montsalvatge
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: 20th Century
Written: 1945; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 12 Minutes 0 Secs.
Language: Spanish
20.
Madama Butterfly: Chi sia?...Zitta! Non la destar! by Giacomo Puccini
Performer:
Teresa Berganza (Mezzo Soprano),
José Carreras (Tenor),
Juan Pons (Baritone)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1904; Italy
Date of Recording: 04/1987
Venue: Watford Town Hall, London, England
Length: 3 Minutes 9 Secs.
Language: Italian
21.
Pulcinella: Contento forse vivere by Igor Stravinsky
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: Switzerland
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 3 Secs.
Language: Italian
Notes: Henry Wood Hall, London, England (03/1978 - 05/1978)
Composition written: Switzerland (1919 - 1920).
22.
Pulcinella: no 10, Sento dire no' ncè pace by Igor Stravinsky
Performer:
John Shirley-Quirk (Bass),
Ryland Davies (Tenor),
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Venue: Henry Wood Hall, London, England
Length: 4 Minutes 51 Secs.
Language: Italian
Notes: Henry Wood Hall, London, England (03/1978 - 05/1978)
Composition written: Switzerland (1919 - 1920).
23.
Didone: Lamento di Cassandra by Pier Francesco Cavalli
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 1641; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 5 Minutes 48 Secs.
Language: Italian
Notes: Arranger: Raymond Leppard.
24.
Son ancor pargoletta by Pier Francesco Cavalli
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 1634; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 7 Secs.
Language: Italian
Notes: Arranger: Arne Oddvar Dorumsgaard.
25.
No, no, non si speri by Giacomo Carissimi
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: by 1674; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 3 Minutes 50 Secs.
Language: Italian
Notes: Arranger: Arne Oddvar Dorumsgaard.
26.
Vittoria, vittoria, mio core by Giacomo Carissimi
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Baroque
Written: 17th Century; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 58 Secs.
Language: Italian
Notes: Arranger: Luigi Dallapiccola.
27.
La donna ancora è fedele: Se Florindo è fedele by Alessandro Scarlatti
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 1698; Naples, Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 5 Secs.
Language: Italian
Notes: Arranger: Alessandro Parisotti.
28.
Qual mia colpa, o sventura ... Se delitto è adorarti by Alessandro Scarlatti
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 18th Century; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 3 Minutes 20 Secs.
Language: Italian
Notes: Arranger: Alessandro Parisotti.
29.
Il Flavio: Chi vuole innamorarsi by Alessandro Scarlatti
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Baroque
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 1 Minutes 15 Secs.
Language: Italian
Notes: Arranger: Felix Lavilla Munarriz.
30.
Il Pirro e Demetrio: Rugiadose, odorose by Alessandro Scarlatti
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 1694; Naples, Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 16 Secs.
Language: Italian
Notes: Arranger: Alessandro Parisotti.
31.
Selve amiche by Antonio Caldara
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 32 Secs.
Language: Italian
Notes: Arranger: Luigi Dallapiccola.
32.
La costanza in amor vince l'inganno: Come raggio di sol by Antonio Caldara
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Baroque
Written: by 1711; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 32 Secs.
Language: Italian
Notes: Arranger: Alessandro Parisotti.
33.
L'Atenaide, RV 702: Un certo non so che by Antonio Vivaldi
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Baroque
Written: 1728; Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 59 Secs.
Language: Italian
Notes: Arranger: Alessandro Parisotti.
34.
Piango, gemo, sospiro, RV 675 by Antonio Vivaldi
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Baroque
Written: Venice, Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 5 Minutes 40 Secs.
Language: Italian
Notes: Arranger: Felix Lavilla Munarriz.
35.
Se tu m'ami by Alessandro Parisotti
Performer:
Ricardo Requejo (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Romantic
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 2 Minutes 50 Secs.
Language: Italian
Notes: This composition was originally attributed to Giovanni Battista Pergolesi.
36.
Catone in Utica: Confusa, smarrita by Leonardo Vinci
Performer:
Teresa Berganza (Mezzo Soprano),
Ricardo Requejo (Piano)
Period: Baroque
Written: 1727-1728; Rome, Italy
Date of Recording: 11/1978
Venue: Studio Lankwitz, Berlin, Germany
Length: 3 Minutes 37 Secs.
Language: Italian
Notes: Arranger: Max Spicker.
37.
Cantigas de Santa María: no 10, Rosa de Rosas by Alfons X (El Sabio)
Performer:
Teresa Berganza (Mezzo Soprano)
Period: Medieval
Written: 13th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 44 Secs.
Language: Spanish
38.
De Antequera sale el moro by Miguel de Fuenllana
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: by 1554; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 51 Secs.
Language: Spanish
39.
Dindirindín by Anonymous
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: by 1600; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 1 Minutes 38 Secs.
Language: Spanish
40.
Tres libros de musica en cifras: Triste estava el rey David by Alonso de Mudarra
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 28 Secs.
Language: Spanish
41.
De dònde venis, amore? by Enríquez de Valderrábano
Performer:
Teresa Berganza (Mezzo Soprano),
Narciso Yepes (Guitar)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 1 Minutes 14 Secs.
Language: Spanish
42.
Libro de música de vihuela de mano intitulado El maestro: Toda mi vida hos amé by Luis de Milan
Performer:
Teresa Berganza (Mezzo Soprano),
Narciso Yepes (Guitar)
Period: Renaissance
Written: by 1536; Valencia, Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 4 Minutes 54 Secs.
Language: Spanish
43.
Dinos madre del donsel by Juan de Triana
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: 15th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 20 Secs.
Language: Spanish
44.
Tres libros de musica en cifras: Si me llaman a mi by Alonso de Mudarra
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 16 Secs.
Language: Spanish
45.
Romerico, tu que vienes by Juan del Encina
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 3 Minutes 37 Secs.
Language: Spanish
46.
Vos me matastes by Juan Vasquez
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 5 Secs.
Language: Spanish
Notes: Arranger: Miguel de Fuenllana.
47.
Tres libros de musica en cifras: Claros y frescos rios by Alonso de Mudarra
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: by 1546; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 17 Secs.
Language: Spanish
48.
Tres libros de musica en cifras: Isabel, perdiste la tu faxa by Alonso de Mudarra
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 4 Secs.
Language: Spanish
49.
Con que la lavare? by Luis de Narváez
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: by 1538; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 22 Secs.
Language: Spanish
50.
En la fuente del rosel by Juan Vasquez
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 0 Minutes 57 Secs.
Language: Spanish
Notes: Arranger: Diego Pisador.
51.
Cantigas de Santa María: no 100, Santa María, Strella do dia by Alfons X (El Sabio)
Performer:
Teresa Berganza (Mezzo Soprano)
Period: Medieval
Written: 13th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 2 Minutes 8 Secs.
Language: Spanish
52.
Tonadillas en un estilo antiguo: no 9a, La maja dolorosa I "¡Oh! muerte cruel" by Enrique Granados
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 3 Minutes 5 Secs.
Language: Spanish
53.
Tonadillas en un estilo antiguo: no 9b, La maja dolorosa II "¡Ay! majo de mi vida" by Enrique Granados
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 2 Minutes 3 Secs.
Language: Spanish
54.
Tonadillas en un estilo antiguo: no 9c, La maja dolorosa III "De aquel majo amante" by Enrique Granados
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 3 Minutes 7 Secs.
Language: Spanish
55.
Tonadillas en un estilo antiguo: no 3, El majo discreto by Enrique Granados
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 1 Minutes 28 Secs.
Language: Spanish
56.
Tonadillas en un estilo antiguo: no 7, El tra-la-la y el punteado by Enrique Granados
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 1 Minutes 11 Secs.
Language: Spanish
57.
Tonadillas en un estilo antiguo: no 5, El majo tímido by Enrique Granados
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: Romantic
Written: 1910-1911; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 1 Minutes 0 Secs.
Language: Spanish
58.
Canto a Sevilla, Op. 37: no 5, Fantasma by Joaquin Turina
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: 20th Century
Written: 1927; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 3 Minutes 38 Secs.
Language: Spanish
59.
Poema en forma de canciones, Op. 19: no 3, Cantares by Joaquin Turina
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: 20th Century
Written: 1923; Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 1 Minutes 56 Secs.
Language: Spanish
60.
Canciones castellanas (6): no 3, Llámale con el pañuelo by Jesus Guridi
Performer:
Teresa Berganza (Mezzo Soprano),
Felix Lavilla Munarriz (Piano)
Period: 20th Century
Written: Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 2 Minutes 1 Secs.
Language: Spanish
61.
Canciones castellanas (6): no 4, No quiero tus avellanas by Jesus Guridi
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: 20th Century
Written: Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 3 Minutes 29 Secs.
Language: Spanish
62.
Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: 1816; Italy
Date of Recording: 09/1971
Venue: Watford Town Hall, London, England
Length: 5 Minutes 34 Secs.
Language: Italian
63.
Il barbiere di Siviglia: Dunque io son la fortunata by Gioachino Rossini
Performer:
Hermann Prey (Baritone),
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: 1816; Italy
Date of Recording: 09/1971
Venue: Watford Town Hall, London, England
Length: 4 Minutes 52 Secs.
Language: Italian
64.
Il barbiere di Siviglia: Contro un cor by Gioachino Rossini
Performer:
Luigi Alva (Tenor),
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: 1816; Italy
Date of Recording: 09/1971
Venue: Watford Town Hall, London, England
Length: 4 Minutes 39 Secs.
Language: Italian
65.
La Cenerentola: Nacqui all' affano...Non più mesta by Gioachino Rossini
Performer:
Paolo Montarsolo (Bass),
Margherita Guglielmi (Soprano),
Laura Zannini (Mezzo Soprano),
Ugo Trama (Bass),
Luigi Alva (Tenor),
Renato Capecchi (Baritone),
Teresa Berganza (Mezzo Soprano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra,
Scottish Opera Chorus
Period: Romantic
Written: 1817; Italy
Date of Recording: 09/1971
Venue: George Watson's College, Edinburgh
Length: 7 Minutes 3 Secs.
Language: Italian
66.
Canciones castellanas (6): no 5, Cómo quieres que adivine by Jesus Guridi
Performer:
Felix Lavilla Munarriz (Piano),
Teresa Berganza (Mezzo Soprano)
Period: 20th Century
Written: Spain
Date of Recording: 03/1975
Venue: Herkules-Saal, Munich, Germany
Length: 2 Minutes 31 Secs.
Language: Spanish
67.
Dime, triste coraçón by Francisco de la Torre
Performer:
Narciso Yepes (Guitar),
Teresa Berganza (Mezzo Soprano)
Period: Renaissance
Written: 15th Century; Spain
Date of Recording: 06/1974
Venue: Phonogram Studio, Madrid, Spain
Length: 0 Minutes 51 Secs.
Language: Spanish
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