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Coleridge-taylor, Sowande, Still / Paul Freeman, Et Al


Release Date: 11/21/2000 
Label:  Cedille Records   Catalog #: 55   Spars Code: DDD 
Composer:  Samuel Coleridge-TaylorFela SowandeWilliam Grant Still
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 51 Mins. 

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Notes and Editorial Reviews


Cedille Records intends its African Heritage Symphonic Series as a follow-up to CBS Records' Black Composers Series from the 1970s, and I'm happy to say Volume 1 makes for a strong start. Samuel Coleridge-Taylor (1875-1912), chiefly remembered for his cantata based on Longfellow's Hiawatha, actually was British-born, and his music is understandably more European sounding than that of his African American colleagues, though in some cases you can hear instances of traditionally African harmonic modulations. Thus, the Danse Nègre from the African Suite (1898) sounds sort of like Vaughan-Williams' The Wasps spiced up by Dvorak's Slavonic Dances. Dvorak is a composer who comes to mind again in the
Read more Petite Suite de Concert (1910), where Coleridge-Taylor exhibits the same qualities of tunefulness, rhythmic fluency, and sparkling orchestration as the Czech master.


William Grant Still (1895-1978) greatly admired Coleridge-Taylor, but he also was heavily influenced by the great jazz musicians of his time, in particular W.C. Handy, known as the "Father of the Blues". It's the sound of the blues that opens Still's Symphony No. 1, and to hear it in full symphonic dress immediately calls to mind George Gershwin (both composers knew each other's music). Various forms of jazz and blues permeate the symphony, yet Still constructs his work according to classic symphonic principles, and the result is a highly original, thought-provoking, and ultimately enjoyable creation.


From the African diaspora, we turn to the motherland for the music of Fela Sowande (1906-87). Sowande's Africa Suite (1930) utilizes traditional melodies of his native Nigeria, allowing us to hear the actual modes and rhythms of Africa presented in European orchestral timbres--a hybrid that works thanks to conductor Paul Freeman's rhythmic exactitude and to enthusiastic playing by the Chicago Sinfonietta. Freeman and his band give vibrant performances of the Coleridge-Taylor works as well, and show a far less self-conscious demeanor in the Still Symphony than Neeme Jarvi and the Detroit Symphony Orchestra, playing with much more relaxed authenticity and "cool". Cedille's recording is a model of three-dimensional realism, making this disc both a sonic and musical treasure.
--Victor Carr Jr., ClassicsToday.com Read less

Works on This Recording

1. African Suite: Danse negre by Samuel Coleridge-Taylor
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: Romantic 
Written: 1898; England 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 6 Minutes 14 Secs. 
2. African Suite: no 1, Joyful Day by Fela Sowande
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: 20th Century 
Written: 1955; England 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 2 Minutes 33 Secs. 
3. Symphony no 1 "Afro-American" by William Grant Still
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: 20th Century 
Written: 1930; USA 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 21 Minutes 10 Secs. 
4. African Suite: no 2, Nostalgia by Fela Sowande
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: 20th Century 
Written: 1955; England 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 4 Minutes 14 Secs. 
5. African Suite: no 5, Akinla by Fela Sowande
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: 20th Century 
Written: 1955; England 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 3 Minutes 7 Secs. 
6. Petite Suite de Concert, Op. 77 by Samuel Coleridge-Taylor
Conductor:  Paul Freeman
Orchestra/Ensemble:  Chicago Sinfonietta
Period: Romantic 
Written: 1910; England 
Date of Recording: 05/2000 
Venue:  Lund Auditorium, Dominican Unversity, IL 
Length: 13 Minutes 36 Secs. 

Sound Samples

African Suite, Op. 35: African Suite: IV. Danse Negre
Petite suite de concert, Op. 77: I. La caprice de Nannette
Petite suite de concert, Op. 77: II. Demande et reponse
Petite suite de concert, Op. 77: III. Un sonnet d'amour
Petite suite de concert, Op. 77: IV. La tarantelle fretillante
African Suite: I. Joyful Day: Allegro giocoso
African Suite: II. Nostalgia: Andante
African Suite: V. Akinla: Allegro non troppo
Symphony No. 1, "Afro-American": I. Moderato assai
Symphony No. 1, "Afro-American": Ii. Adagio
Symphony No. 1, "Afro-American": III. Animato
Symphony No. 1, "Afro-American": IV. Lento, con risoluzione

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