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Vivaldi: Stabat Mater / Taylor, Kirkby, Theatre Of Early Music


Release Date: 07/28/2009 
Label:  Bis   Catalog #: 1546   Spars Code: n/a 
Composer:  Antonio VivaldiGiovanni Battista PergolesiJohann Sebastian Bach
Performer:  Daniel TaylorEmma Kirkby
Conductor:  Daniel Taylor
Orchestra/Ensemble:  Theatre of Early Music
Number of Discs: 1 
Recorded in: Multi 
Low Stock: Currently 3 or fewer in stock. Usually ships in 24 hours, unless stock becomes depleted.  

Notes and Editorial Reviews

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

A disc as lovely as this should not be overlooked.

A disc as lovely as this should not be overlooked. Vivaldi’s Stabat Mater has hardly lacked for fine recordings over the years but here we have a performance of real distinction and allure. The Theatre of Early Music is a small band - two violins, a viola, cello and bass, with lute and organ - but its tempo decisions and internal balancing are both exemplary. Articulation is crisp - note the cleanly articulated cello line - and the timbral qualities of the string are auspicious. Rhythms are buoyant, and the expressive qualities of the music are held in fine
Read more balance. To turn to specifics, the Quis est homo is rendered with delicate refinement, a legato melsima of real eloquence. Daniel Taylor evinces no sense of forcing his counter tenor, and no glorying in its very obvious qualities for the sake of it; some other counter tenors should take note. The tempo for the slow Fac ut ardeat is judged to perfection, with its sense of motion ensuring that the textual meaning is perfectly conveyed.  I suppose that Scholl [Harmonia Mundi HMC801571] and Robin Blaze [Hyperion CDA66799] are the two outstanding contenders in this work at the moment. Taylor most closely resembles Blaze in ethos, though I prefer the newcomer’s performance all round. Scholl’s is a more extrovert performance, fine, if you prefer to shy away from the more veiled intimacies that Taylor explores.

Pergolesi’s compact Salve Regina again evinces strongly meditative qualities in this performance, so those seeking more fulsome, or speedier virtues will need to seek elsewhere. It’s difficult to ensure a good balance in the lento movement Ad te suspiramus but Taylor and his forces manage it well. The last work is a curiosity, hyphenated Bach-Pergolesi, as it were. This is a transcription by Bach of Pergolesi’s Stabat Mater and was made some time around 1746-48, a good while after the Italian composer’s early 1736 death.  Bach added extra instrumental lines, added to the bass continuo, and even added movements, rendering the text in a German translation.  Here Taylor is joined by Emma Kirkby and their rapport is obvious, the voices well blended, and as before the reflective sense of the chosen tempi conveys a great deal. It’s a very natural, unforced performance with no extraneous gestures, vocal or instrumental, to distract. Verse 4 - Dich erzürnt - is especially finely conceived but it’s invidious to select highlights. The depth and pathos (try Denn du willst (verses 17-18)) are everywhere apparent.

The purely instrumental Sonata ‘al Santo Sepolcro’ by Vivaldi serves as the disc’s opening item - an Easter movement chosen with acumen and played with tactile excellence by the string players.

With a natural and sympathetic recording and helpful booklet notes this reflective disc brings impressive and sensitive qualities to bear, and should on no account be overlooked.

-- Jonathan Woolf, MusicWeb International


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Works on This Recording

1.
Concerto for Strings in E flat major, RV 130 "Sonata al Santo Sepolcro" by Antonio Vivaldi
Conductor:  Daniel Taylor
Orchestra/Ensemble:  Theatre of Early Music
Period: Baroque 
Written: Venice, Italy 
2.
Salve Regina in F minor by Giovanni Battista Pergolesi
Performer:  Daniel Taylor (Countertenor)
Conductor:  Daniel Taylor
Orchestra/Ensemble:  Theatre of Early Music
Period: Baroque 
Written: 1736; Italy 
3.
Tilge, Höchster, meine Sünden, BWV 1083 by Johann Sebastian Bach
Performer:  Daniel Taylor (Countertenor), Emma Kirkby (Soprano)
Conductor:  Daniel Taylor
Orchestra/Ensemble:  Theatre of Early Music
Period: Baroque 
Written: 1741-1746; Leipzig, Germany 
4.
Stabat Mater in F minor, RV 621 by Antonio Vivaldi
Performer:  Daniel Taylor (Countertenor)
Conductor:  Daniel Taylor
Orchestra/Ensemble:  Theatre of Early Music
Period: Baroque 
Written: Venice, Italy 

Sound Samples

Sonata for 2 Violins and Viola in E flat major, RV 130, "Suonata a 4 al Santo Sepolcro"
Stabat Mater, RV 621: Stabat Mater dolorosa
Stabat Mater, RV 621: Cujus animam gementem
Stabat Mater, RV 621: O quam tristis
Stabat Mater, RV 621: Quis est homo
Stabat Mater, RV 621: Quis non posset
Stabat Mater, RV 621: Pro peccatis suae gentis
Stabat Mater, RV 621: Eja mater, fons amoris
Stabat Mater, RV 621: Fac ut ardeat
Stabat Mater, RV 621: Amen
Salve Regina in C minor: Salve Regina
Salve Regina in C minor: Ad te clamamus
Salve Regina in C minor: Ad te suspiramus
Salve Regina in C minor: Eia ergo advocata
Salve Regina in C minor: Et Jesum, benedictum
Salve Regina in C minor: O clemens, o pia
Tilge, Hochster, meine Sunden, BWV 1083: Tilge, Hochster, meine Sunden (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Ist mein Herz in Missetaten (Soprano)
Tilge, Hochster, meine Sunden, BWV 1083: Missetaten, die mich drucken (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Sieh! ich bin in Sund empfangen (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Sieh, du willst die Wahrheit haben (Soprano)
Tilge, Hochster, meine Sunden, BWV 1083: Wasche mich doch rein von Sunden (Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Offne Lippen, Mund und Seele (Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Denn du willst kein Opfer haben (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Lass dein Zion bluhend dauern (Soprano, Alto)
Tilge, Hochster, meine Sunden, BWV 1083: Amen (Soprano, Alto)

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