Holiday Shop


WGBH Radio WGBH Radio theclassicalstation.org

Tchaikovsky Edition

Tchaikovsky (Box)
Release Date: 03/25/2014 
Label:  Brilliant Classics   Catalog #: 94650   Spars Code: DDD 
Composer:  Peter Ilyich Tchaikovsky
Performer:  Derek Hammond-StroudJanis KellyNikolai VassilievAlexander Arkhipov,   ... 
Conductor:  Vladimir FedoseyevSir Alexander GibsonYuri SimonovGennadi Rozhdestvensky,   ... 
Orchestra/Ensemble:  Moscow Radio Tchaikovsky Symphony OrchestraLondon Philharmonic OrchestraPhilharmonia Orchestra,   ... 
Number of Discs: 55 
Recorded in:   
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

A comprehensive survey of Tchaikovsky’s output, spanning 55CDs and containing detailed booklet notes.

The set contains recordings from great interpreters, including the London Symphony Orchestra, London Philharmonic Orchestra and Tchaikovsky Symphony Orchestra. The Orchestral Suites are performed by Radio-Sinfonieorchester Stuttgart, lead by Sir Neville Marriner. Michael Ponti plays the Taneyev reconstruction of the third Piano Concerto and the Piano Works, except the Piano Trio, which is performed by The Moscow Trio. Gennady Rozhdestvensky conducts Symphonies 4-6, The Oprichnik and Cherevichki, and Ilya Grubert and Aaron Rosand can be heard in the Violin Concerto.

Most of the Operas are presented in
Read more historical Russian recordings that include the Bolshoi and some of the greatest Russian voices of the 20th century.

Other information:
- The only near complete Edition of Tchaikovsky available! - A high voltage set capturing the inner passion of the Russian soul, from the light-footed ballets to the tormented Pathetique, from a delicate song to the explosions of Overture 1812.
- This edition contains: The complete Symphonies, complete Concertos, complete Ballets, complete Suites, complete Piano Works, complete String Quartets, complete Songs, 8 Operas (sung in Russian, by Russian singers).
- Excellent performances by Russian forces, with legendary names like Gennadi Rozhdestvensky, Vladimir Fedoseyev, Yuri Simonov, Andrei Chistiakov, Moscow Trio and others.
- Great recordings, great artists and superb value for money.

R E V I E W S:

The Symphonies

The Brilliant Classics label again lives up to its name with a bargain box of extraordinary quality and desirability... this is a remarkably comprehensive survey of Tchaikovsky’s symphonic works by four of the greatest living Russian conductors, all born in the 1930s, happily still with us, and directing some of the best British orchestras. While it is perfectly possible to retain a preference for individual recordings, no performance here is less than excellent... Obviously Rozhdestvensky’s readings of the “Big Three” form the core of this collection. He has the advantage of the LSO in finest form and, as with all the recordings here, finest digital sound... Anyone who wants to hear Tchaikovsky’s symphonies and large-scale orchestral works played wholly authentically and recorded in finest sound, need not hesitate.

-- Ralph Moore, MusicWeb International

Incidental music for Hamlet

One of the recurring pleasures of the introduction of the Compact Disc is the unexpected appearance of rare repertoire—here for instance some virtually unknown music of Tchaikovsky—when not all the symphonies are yet available in that format. I praised the original LP set from all points of view—enterprise, first-rate performances (Geoffrey Simon is a splendid Tchaikovskian) and superb recording. The LPs (and tapes) were so good that one could not expect the CDs to be so much better. Yet they are very impressive... It is the Hamlet incidental music that resonates in the memory most strongly—there is some really lovely music here—especially the two entr'actes for strings, which show the composer at his most inspired and they are beautifully played. The recording gives the most natural and delicate effect, enhanced by the background silence, while the wide dynamic range is most effective in the more histrionic passages included here. This is a set not to be missed by any dedicated Tchaikovsky-lover...

-- Gramophone

The Snow Maiden

This is an exuberantly vivid performance and recording which in Chistiakov’s hands makes the most of the variegated delights offered by 20 miniature pen-portraits, songs and atmosphere pieces. It seems that the bill for the premiere production of the play complete with orchestral contribution came to 15000 roubles, ran to only nine evenings and then disappeared. The note reminds us that Tchaikovsky recycled some of the music for his score for Hamlet in 1891 but his ambition was to fashion an opera from this material. Tchaikovsky persisted with operas as a form throughout his career but only struck gold with Onegin. The opera never transpired. That said, we should not disdain this vernally enchanting score with its orchestral essays, its choral-solo dialogues as in the chant-based Carnival Procession and its supernatural aspects. The music is often carefree as in the effervescent and soulful Melodrama and wistfully piping Interlude. The exuberant second song for Lehl (tr.8) rushes but its tongue-twisting does not cause Erassova any trouble. Quite a few of the tracks have a greater impress of Russian nationalism than we might expect given Tchaikovsky’s rejection of the style in favour of a more hyper-personal dramatic approach. Some of the tracks are balletic; others bring out pathos in a way typical of this composer. The occasional concession to bombast can be forgiven in the face of so much charm.

-- Rob Barnett, MusicWeb International

Orchestral Suites

These 1987 Capriccio recordings from Neville Marriner and the Radio-Sinfonieorchester Stuttgart were fetching in their time, and are now even more so, reissued as a set. The English conductor, with his customary skill at drawing bright colors and sharp playing from chamber orchestras, elicits performances of luminous delicacy, tremendous virtuosity, and enormous affection from the Stuttgart players. Rhythms are lightly sprung, phrases are warmly sung, and the tone never descends into condescension or sentimentality.

-- James Leonard, AllMusic.com

Swan Lake

I always react to a two-disc Swan Lake with suspicion because you probably can’t squeeze the whole score onto two discs without making cuts and/or adopting breakneck speeds. Nicolae Moldoveanu’s solution is to make cuts—his tempos may be on the fast side of reasonable at times, but they are always plausible and his cuts are generally discreet ones (my score is based on the 1956 Soviet edition). This is not the Drigo edition; he does almost all of act I and, in act III, adds the Danse russe from Tchaikovsky’s original score (but not his original Black Swan Pas de deux ). Act IV is performed without cuts. In addition to being beautifully played and recorded, this is a “balletic” (it’s danceable) and dramatic performance, one of the very best to squeeze the ballet onto two discs.

-- James Miller, FANFARE

Works for cello and orchestra

Alexander Rudin’s entry [in the Rococo Variations] is warm-toned, and he subtly alternates between legato and detached bowing. His playing has great dynamic variety; at its fullest he approaches Rostropovich’s opulence of sound. Rudin employs a few discreet expressive slides, and his intonation is impeccable. This is a polished and eloquent performance... The next two pieces on the disc are arrangements by Tchaikovsky from earlier works. The elegiac Nocturne is sourced from the six piano pieces op. 19 of 1873, and the Andante cantabile was originally the slow movement from his String Quartet no. 1 in D, op. 11 of 1871. The latter piece originates from a trip that Tchaikovsky paid to his sister’s estate in the Ukraine; while there he heard a workman whistling a folk melody. This movement was encored at the premiere of the String Quartet, and it proved to be one of his most popular compositions. Rudin plays these pieces in a relaxed way which shows off his beautiful legato playing. The Pezzo Capriccioso is a slightly longer piece originally written for cello and piano, which Tchaikovsky later orchestrated. Rudin handles both the pensive opening and the virtuoso middle section with great skill.

-- Guy Aron, MusicWeb International

Queen of Spades (Pique Dame)

...the performance is the thing, and it's an excellent one, featuring fast-paced conducting that sweeps you along, and passionate, full-blooded singing in the Russian style that's all but vanished these days... The Herman (as given here, or Gherman in other transliterations) is Georgi Nelepp, the Bolshoi's leading tenor of the period (and the antithesis of the lighter-voiced, more mellifluous and wayward Ivan Kozlovsky, the other bright light of Soviet opera of that era). Nelepp's singing and characterization is several leagues beyond the Hermans of other available complete Pique Dame recordings... Lisa is Evgenia Smolenskaya, whose big dramatic soprano transcends the girlish Lisa more often heard. Here, she's a strong young lady with a voice to match, so her interactions with Nelepp are less one-sided than we usually get... Alexei Ivanov is a fine Tomsky, though he often exhibits the back-of-the-throat vocal projection that takes some getting used to, also typical of some Russians of that time. The Pauline, Veronica Borisenko, sings a lovely Romance and the great baritone Pavel Lisitsian makes his relatively brief role as Prince Yeletsky a treat for the ears. Even if you have a modern recording of Pique Dame, if you love this opera you should hear this version.

-- Dan Davis, ClassicsToday.com Read less

Works on This Recording

1.
Symphony no 1 in G minor, Op. 13 "Winter daydreams" by Peter Ilyich Tchaikovsky
Conductor:  Vladimir Fedoseyev
Orchestra/Ensemble:  Moscow Radio Tchaikovsky Symphony Orchestra
Period: Romantic 
Written: 1866/1874; Russia 
2.
1812 Overture, Op. 49 by Peter Ilyich Tchaikovsky
Conductor:  Sir Alexander Gibson
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1880; Russia 
3.
Symphony no 2 in C minor, Op. 17 "Little Russian" by Peter Ilyich Tchaikovsky
Conductor:  Yuri Simonov
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: Russia 
4.
Francesca da Rimini, Op. 32 by Peter Ilyich Tchaikovsky
Conductor:  Yuri Simonov
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1876; Russia 
5.
Symphony no 3 in D major, Op. 29 "Polish" by Peter Ilyich Tchaikovsky
Conductor:  Vladimir Fedoseyev
Orchestra/Ensemble:  Moscow Radio Tchaikovsky Symphony Orchestra
Period: Romantic 
Written: 1875; Russia 
6.
Hamlet, Op. 67a by Peter Ilyich Tchaikovsky
Conductor:  Vladimir Fedoseyev
Orchestra/Ensemble:  Moscow Radio Tchaikovsky Symphony Orchestra
Period: Romantic 
Written: 1891; Russia 
7.
Symphony no 4 in F minor, Op. 36 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1877-1878; Russia 
8.
Marche slave, Op. 31 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1876; Russia 
9.
Symphony no 5 in E minor, Op. 64 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1888; Russia 
10.
Capriccio italien, Op. 45 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1880; Russia 
11.
Symphony no 6 in B minor, Op. 74 "Pathétique" by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1893; Russia 
12.
The Storm, Op. 76 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1864; Russia 
13.
Manfred Symphony in B minor, Op. 58 by Peter Ilyich Tchaikovsky
Conductor:  Yuri Simonov
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1885 
14.
Romeo and Juliet Overture by Peter Ilyich Tchaikovsky
Conductor:  Sir Alexander Gibson
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1869/1880; Russia 
15.
Festival Overture on the Danish National Hymn, Op. 15 by Peter Ilyich Tchaikovsky
Conductor:  Geoffrey Simon
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1866; Russia 
16.
Hamlet, Op. 67a by Peter Ilyich Tchaikovsky
Performer:  Derek Hammond-Stroud (Baritone), Janis Kelly (Soprano)
Conductor:  Geoffrey Simon
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1891; Russia 
17.
Snow Maiden, Op. 12 by Peter Ilyich Tchaikovsky
Performer:  Nikolai Vassiliev (Baritone), Alexander Arkhipov (Tenor), Natalia Erasova (Soprano)
Conductor:  Andrey Chistiakov
Orchestra/Ensemble:  Russian State Symphony Orchestra,  Russian State Choir
Period: Romantic 
Written: 1873; Russia 
18.
Suite for Orchestra no 1 in D major, Op. 43 by Peter Ilyich Tchaikovsky
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Stuttgart Radio Symphony Orchestra
Period: Romantic 
Written: 1878-1879; Russia 
19.
Suite for Orchestra no 2 in C major, Op. 53 by Peter Ilyich Tchaikovsky
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Stuttgart Radio Symphony Orchestra
Period: Romantic 
Written: 1883; Russia 
20.
Suite for Orchestra no 3 in G major, Op. 55 by Peter Ilyich Tchaikovsky
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Stuttgart Radio Symphony Orchestra
Period: Romantic 
Written: 1884; Russia 
21.
Suite for Orchestra no 4 in G major, Op. 61 "Mozartiana" by Peter Ilyich Tchaikovsky
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Stuttgart Radio Symphony Orchestra
Period: Romantic 
Written: 1887; Russia 
22.
Swan Lake, Op. 20 by Peter Ilyich Tchaikovsky
Performer:  Clio Gould (Violin)
Conductor:  Nicolae Moldoveanu
Period: Romantic 
Written: 1875-1876; Russia 
Venue:  Cadogan Hall 
Length: 20 Minutes 25 Secs. 
23.
Sleeping Beauty, Op. 66 by Peter Ilyich Tchaikovsky
Performer:  Clio Gould (Violin), Jessica Burroughs (Cello)
Conductor:  Barry Wordsworth
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: Romantic 
Written: 1888-1889; Russia 
Venue:  Cadogan Hall 
Length: 14 Minutes 51 Secs. 
24.
Nutcracker, Op. 71 by Peter Ilyich Tchaikovsky
Conductor:  David Maninov
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: Romantic 
Written: 1891-1892; Russia 
Venue:  Henry Wood Hall 
Length: 82 Minutes 11 Secs. 
25.
Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer:  Derek Han (Piano)
Conductor:  Paul Freeman
Orchestra/Ensemble:  St. Petersburg Philharmonic Orchestra
Period: Romantic 
Written: Russia 
26.
Concerto for Piano no 2 in G major, Op. 44 by Peter Ilyich Tchaikovsky
Performer:  Derek Han (Piano)
Conductor:  Paul Freeman
Orchestra/Ensemble:  St. Petersburg Philharmonic Orchestra
Period: Romantic 
Written: 1879-1880; Russia 
27.
Concert Fantasia for Piano and Orchestra in G major, Op. 56 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Conductor:  Richard Kapp
Orchestra/Ensemble:  Prague Symphony Orchestra
Period: Romantic 
Written: 1884; Russia 
Date of Recording: C1991 
Length: 27 Minutes 59 Secs. 
28.
Concerto for Piano no 3 in E flat major, Op. 75 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Conductor:  Louis de Froment
Orchestra/Ensemble:  Luxembourg Radio/Television Symphony Orchestra
Period: Romantic 
Written: 1893; Russia 
Date of Recording: C1991 
Length: 31 Minutes 34 Secs. 
29.
Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Ilya Grubert (Violin)
Conductor:  Vassili Sinaisky
Orchestra/Ensemble:  Moscow Philharmonic Orchestra
Period: Romantic 
Written: 1878; Russia 
30.
Sérénade mélancolique for Violin and Orchestra in B minor, Op. 26 by Peter Ilyich Tchaikovsky
Performer:  Ilya Grubert (Violin)
Conductor:  Vassili Sinaisky
Orchestra/Ensemble:  Moscow Philharmonic Orchestra
Period: Romantic 
Written: 1875; Russia 
31.
Souvenir d'un lieu cher, Op. 42 by Peter Ilyich Tchaikovsky
Performer:  Ilya Grubert (Violin)
Conductor:  Vassili Sinaisky
Orchestra/Ensemble:  Moscow Philharmonic Orchestra
Period: Romantic 
Written: 1878; Russia 
32.
Valse-Scherzo for Violin and Orchestra in C major, Op. 34 by Peter Ilyich Tchaikovsky
Performer:  Ilya Grubert (Violin)
Conductor:  Vassili Sinaisky
Orchestra/Ensemble:  Moscow Philharmonic Orchestra
Period: Romantic 
Written: 1877; Russia 
33.
Variations for Cello and Orchestra on a Rococo theme, Op. 33 by Peter Ilyich Tchaikovsky
Performer:  Alexander Rudin (Cello)
Conductor:  Nikolai Alexeev
Orchestra/Ensemble:  Musica Viva Instrumental Ensemble
Period: Romantic 
Written: 1876; Russia 
34.
Pezzo capriccioso for Cello and Orchestra in B minor, Op. 62 by Peter Ilyich Tchaikovsky
Performer:  Alexander Rudin (Cello)
Conductor:  Nikolai Alexeev
Orchestra/Ensemble:  Musica Viva Instrumental Ensemble
Period: Romantic 
Written: 1887; Russia 
35.
Morceaux (6) for Piano, Op. 19: no 4, Nocturne in C sharp minor by Peter Ilyich Tchaikovsky
Performer:  Alexander Rudin (Cello)
Conductor:  Nikolai Alexeev
Orchestra/Ensemble:  Musica Viva Instrumental Ensemble
Period: Romantic 
Written: 1873; Russia 
36.
Andante cantabile for Cello and Strings, Op. 11 by Peter Ilyich Tchaikovsky
Performer:  Alexander Rudin (Cello)
Conductor:  Nikolai Alexeev
Orchestra/Ensemble:  Musica Viva Instrumental Ensemble
Period: Romantic 
Written: ?1886-88; Russia 
37.
Serenade for Strings in C major, Op. 48 by Peter Ilyich Tchaikovsky
Conductor:  Nikolai Alexeev
Orchestra/Ensemble:  Musica Viva Instrumental Ensemble
Period: Romantic 
Written: 1880; Russia 
38.
Liturgy of St. John Chrysostom, Op. 41 by Peter Ilyich Tchaikovsky
Conductor:  Evgen Savchuk
Orchestra/Ensemble:  National Choir of Ukraine
Period: Romantic 
Written: 1878; Russia 
39.
Evening by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1881; Russia 
40.
Children's Songs (16), Op. 54: no 14, Autumn by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1883; Russia 
41.
Children's Songs (16), Op. 54: no 16, Child's song by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1881; Russia 
42.
Blessed is he who smiles by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1887; Russia 
43.
The voice of mirth grew silent by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1891; Russia 
44.
Without time, without season by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1891; Russia 
45.
Album pour enfants, Op. 39: no 16, Mélodie antique française by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1878; Russia 
46.
Duets (6), Op. 46: no 6, Dawn by Peter Ilyich Tchaikovsky
Performer:  Tamara Kravtchenko (Piano)
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1880; Russia 
47.
Nature and Love by Peter Ilyich Tchaikovsky
Performer:  Tamara Kravtchenko (Piano)
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1870; Russia 
48.
At bedtime by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1863-1864; Russia 
49.
The golden cloud has slept by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1887; Russia 
50.
A greeting to Anton Rubinstein by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1889; Russia 
51.
The nightingale by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1889; Russia 
52.
'Tis not the cuckoo in the damp pinewood by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: by 1891; Russia 
53.
Night by Peter Ilyich Tchaikovsky
Performer:  Tamara Kravtchenko (Piano)
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: Russia 
54.
Hymn in honour of SS Cyril and Methodius by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1885; Russia 
55.
Children's Songs (16), Op. 54: no 5, Legend by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1883; Russia 
56.
Swan Lake, Op. 20: no 22, Act 3 - Danse napolitaine by Peter Ilyich Tchaikovsky
Conductor:  Victor Popov
Orchestra/Ensemble:  Moscow Choral Academy
Period: Romantic 
Written: 1875-1876; Russia 
57.
Trio for Piano and Strings in A minor, Op. 50 by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow Trio
Period: Romantic 
Written: 1881-1882; Russia 
58.
Quartet for Strings no 1 in D major, Op. 11 by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1871; Russia 
59.
Quartet for Strings no 3 in E flat minor, Op. 30 by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1876; Russia 
60.
Quartet for Strings no 2 in F major, Op. 22 by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1874; Russia 
61.
Andante molto for String Quartet in G major by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1863-1864; Russia 
62.
Allegro vivace for String Quartet in B flat major by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1863-1864; Russia 
63.
Allegretto for String Quartet in E major by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
Period: Romantic 
Written: 1863-1864; Russia 
64.
Adagio and Allegro for String Quartet in B flat major by Peter Ilyich Tchaikovsky
Orchestra/Ensemble:  Moscow String Quartet
65.
Les saisons, Op. 37b by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: Russia 
66.
Morceaux (6) for Piano, Op. 51 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1882; Russia 
67.
Album pour enfants, Op. 39 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1878; Russia 
68.
Sonata for Piano in C sharp minor, Op. 80 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1865; Russia 
69.
Morceaux (18) for Piano, Op. 72 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1893; Russia 
70.
Pieces (2) for Piano, Op. 1 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1863-1867; Russia 
Length: 5 Minutes 0 Secs. 
71.
Souvenir de Hapsal, Op. 2 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: Russia 
Length: 6 Minutes 59 Secs. 
72.
Valse caprice for Piano in D major, Op. 4 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1868; Russia 
Length: 5 Minutes 33 Secs. 
73.
Romance for Piano in F minor, Op. 5 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1868; Russia 
Length: 4 Minutes 50 Secs. 
74.
Capriccio for Piano in G flat major, Op. 8 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: by 1870; Russia 
Length: 3 Minutes 47 Secs. 
75.
Morceaux (3) for Piano, Op. 9 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1870; Russia 
Length: 11 Minutes 4 Secs. 
76.
Morceaux (2) for Piano, Op. 10: no 1, Nocturne by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1871; Russia 
Length: 2 Minutes 34 Secs. 
77.
Morceaux (2) for Piano, Op. 10: no 2, Humoresque by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1871; Russia 
Length: 2 Minutes 22 Secs. 
78.
Dumka for Piano in C minor, Op. 59 "Russian rustic scene" by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1886; Russia 
Length: 7 Minutes 39 Secs. 
79.
Impromptu for Piano in A flat major "Momento lirico" by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: ?1893; Russia 
Length: 2 Minutes 3 Secs. 
80.
Impromptu-Caprice for Piano in G major by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1884; Russia 
Length: 2 Minutes 12 Secs. 
81.
Valse-Scherzo for Piano (no 2) in A major by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: by 1889; Russia 
Length: 1 Minutes 20 Secs. 
82.
Aveu passioni for Piano in E minor by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1890-1891; Russia 
Length: 3 Minutes 1 Secs. 
83.
Valse-Scherzo for Piano in A major, Op. 7 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1870; Russia 
Length: 3 Minutes 37 Secs. 
84.
Morceaux (6) for Piano, Op. 19 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1873; Russia 
Length: 23 Minutes 7 Secs. 
85.
Morceaux (6) for Piano, Op. 21 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1873; Russia 
Length: 19 Minutes 46 Secs. 
86.
Sonata for Piano in G major, Op. 37 "Grande Sonate" by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1878; Russia 
Length: 28 Minutes 38 Secs. 
87.
Morceaux (12) for Piano, Op. 40 by Peter Ilyich Tchaikovsky
Performer:  Michael Ponti (Piano)
Period: Romantic 
Written: 1878; Russia 
Length: 30 Minutes 46 Secs. 
88.
Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Aaron Rosand (Violin)
Conductor:  Louis de Froment
Period: Romantic 
Written: 1878; Russia 
Length: 32 Minutes 38 Secs. 
89.
Songs (6), Op. 16: no 1, Cradle song by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
90.
Songs (6), Op. 16: no 2, Wait by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1872; Russia 
91.
Zemfira's Song by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: circa 1855-1860; Russia 
92.
To forget so soon by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1870; Russia 
93.
Songs (6), Op. 25: no 2, As o'er the burning ashes by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1874-1875; Russia 
94.
Songs (6), Op. 27: no 3, Do not leave me by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1875; Russia 
95.
Songs (6), Op. 28: no 4, He loved me so much by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
96.
Songs (7), Op. 47: no 1, If I had only known by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1880; Russia 
97.
Songs (7), Op. 47: no 2, Softly the spirit flew up to heaven by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1880; Russia 
98.
Songs (7), Op. 47: no 3, Dusk fell on the earth by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1880; Russia 
99.
Songs (7), Op. 47: no 6, Does the day reign? by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1880; Russia 
100.
Songs (7), Op. 47: no 7, Was I not a little blade of grass? by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1880; Russia 
101.
Songs (12), Op. 60: no 6, Frenzied nights by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1886; Russia 
102.
Songs (12), Op. 60: no 7, Gypsy's song by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1886; Russia 
103.
Songs (12), Op. 60: no 12, The mild stars shone for us by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
104.
Take my heart away by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1873; Russia 
105.
Mezza notte by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: circa 1855-1860; Russia 
106.
Children's Songs (16), Op. 54 by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1883; Russia 
107.
Songs (6), Op. 73 by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1893; Russia 
108.
Songs (6), Op. 6: no 3, Both painfully and sweetly by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1869; Russia 
Language: Russian 
109.
My protector, my angel, my friend by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: circa 1855; Russia 
Language: Russian 
110.
Songs (6), Op. 57: no 6, Only thou alone by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1884; Russia 
Language: Russian 
111.
Songs (6), Op. 57: no 3, Do not ask by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1884; Russia 
Language: Russian 
112.
Songs (6), Op. 57: no 5, Death by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1884; Russia 
Language: Russian 
113.
Songs (6), Op. 6: no 6, None but the lonely heart by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1869; Russia 
Language: Russian 
114.
Songs (6), Op. 6: no 5, Why? by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1869; Russia 
Language: Russian 
115.
Songs (6), Op. 63: no 4, The first meeting by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
116.
Songs (6), Op. 6: no 2, Not a word, O my friend by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1869; Russia 
Language: Russian 
117.
Songs (6), Op. 38: no 6, Pimpinella by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1878; Russia 
Language: Italian 
118.
Songs (7), Op. 47: no 4, Sleep, poor friend by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1880; Russia 
Language: Russian 
119.
Songs (6), Op. 63: no 2, I opened the window by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
120.
Songs (6), Op. 63: no 5, The fires in the rooms were already out by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
121.
Songs (6), Op. 63: no 6, O child, beneath thy window by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
122.
Songs (6), Op. 28: no 3, Why did I dream of you? by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
Language: Russian 
123.
Songs (6), Op. 63: no 3, I do not please you? by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
124.
Songs (6), Op. 6: no 1, Do not believe, my friend by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1869; Russia 
Language: Russian 
125.
Songs (6), Op. 28: no 6, The fearful minute by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
Language: Russian 
126.
Songs (6), Op. 57: no 4, Sleep by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1884; Russia 
Language: Russian 
127.
Songs (6), Op. 63: no 1, I did not love you at first by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
Language: Russian 
128.
Songs (6), Op. 57: no 2, On the golden cornfields by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1884; Russia 
Language: Russian 
129.
Songs (6), Op. 25: no 6, As they reiterated, `Fool' by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1874-1875; Russia 
130.
Songs (12), Op. 60: no 1, Last night by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1886; Russia 
131.
Songs (12), Op. 60: no 2, I'll tell you nothing by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1886; Russia 
132.
Songs (12), Op. 60: no 10, Behind the window in the shadow by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1887; Russia 
133.
Songs (12), Op. 60: no 9, Night by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1887; Russia 
134.
Songs (12), Op. 60: no 4, The nightingale by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1886; Russia 
135.
Songs (12), Op. 60: no 5, Simple words by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1886; Russia 
136.
Songs (6), Op. 25: no 4, The canary by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1874-1875; Russia 
137.
Blue eyes of spring by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1873; Russia 
138.
Songs (6), Op. 16: no 5, Thy Radiant Image by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1872; Russia 
139.
Songs (12), Op. 60: no 3, O, if only you knew by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1886; Russia 
140.
Songs (6), Op. 16: no 4, O sing that song by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1872; Russia 
141.
Songs (6), Op. 25: no 1, Reconciliation by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1874-1875; Russia 
142.
Songs (7), Op. 47: no 5, I bless you, forests "Pilgrim's Song" by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
143.
Songs (6), Op. 27: no 4, Evening by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1875; Russia 
144.
Songs (6), Op. 38: no 2, It was in early spring by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1878; Russia 
145.
Songs (6), Op. 38: no 3, Amid the din of the ball by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1878; Russia 
146.
Songs (12), Op. 60: no 11, Exploit by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1887; Russia 
147.
Songs (6), Op. 25: no 3, Mignon's song by Peter Ilyich Tchaikovsky
Performer:  Lubov Orfenova (Piano), Luba Kazarnovskaya (Soprano)
Period: Romantic 
Written: 1874-1875; Russia 
148.
Songs (6), Op. 38: no 1, Don Juan's serenade by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1878; Russia 
149.
Songs (6), Op. 28: no 1, I will never name her by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
150.
Songs (6), Op. 65 by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1888; Russia 
151.
Songs (6), Op. 28: no 5, No response, or word, or greeting by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
152.
Songs (6), Op. 38: no 4, O, if only you could for one moment by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1878; Russia 
153.
Songs (6), Op. 16: no 6, In darkest Hell by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1872; Russia 
154.
Songs (6), Op. 27: no 6, My spoilt darling by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1875; Russia 
155.
Songs (6), Op. 38: no 5, The love of a dead man by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1878; Russia 
156.
Songs (6), Op. 38: no 2, It was in early spring by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
Period: Romantic 
Written: 1878; Russia 
157.
Hamlet, Op. 67a: Song of Grave-Digger by Peter Ilyich Tchaikovsky
Performer:  Luba Kazarnovskaya (Soprano), Lubov Orfenova (Piano)
158.
The oprichnik by Peter Ilyich Tchaikovsky
Performer:  Irina Doljenko (Mezzo Soprano), Dimitri Ulianov (Bass), Vsevolod Grivnov (Tenor),
Cinzia De Mola (Soprano), Vassily Savenko (Bass), Alexandra Durseneva (Alto),
Vladimir Ognovenko (Baritone), Elena Lassoskaya (Soprano)
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  Cagliari Theater Chorus,  Cagliari Theater Orchestra
Period: Romantic 
Written: 1870-1872; Russia 
159.
Eugene Onegin, Op. 24 by Peter Ilyich Tchaikovsky
Performer:  Galina Babitcheva (Mezzo Soprano), Farit Hassainov (Tenor), Olga Obuchova (Alto),
Ludmilla Ladynskaya (Mezzo Soprano), Yelena Zelenskaya (Soprano), Vladimir Vasiliev (Tenor),
Alexander Lebedev (Baritone), Ivan Potritsayev (Bass), Alexei Levitsky (Bass)
Conductor:  Samuel Friedmann
Orchestra/Ensemble:  Novosibirsk State Opera Orchestra,  Novosibirsk State Opera Chorus
Period: Romantic 
Written: 1877-1878; Russia 
Date of Recording: 06/1996 
Language: Russian 
160.
Maid of Orleans by Peter Ilyich Tchaikovsky
Performer:  S. Vodsinsky (), V. Kilchevsky (), A. Marin (),
Ivan Shashkov (Baritone), V. Runovsky (), I. Yashugin (),
Vladimir Ulianov (Tenor), N. Konstantinov (), Sofya P. Preobrajenskaya (Mezzo Soprano),
L. Solomiak (), M. Merzhevskaya (), N. Grishanov (),
O. Kashevarova ()
Conductor:  Boris Khaikin
Orchestra/Ensemble:  Kirov Theater Orchestra,  Kirov Theater Chorus
Period: Romantic 
Written: 1878-1879; Russia 
Date of Recording: 1946 
Venue:  Live  Leningrad, USSR 
Language: Russian 
161.
Iolanta, Op. 69 by Peter Ilyich Tchaikovsky
Performer:  Olga Obuchova (Mezzo Soprano), Vladimir Prudnik (Baritone), Liliya Ustiuzhanina (Mezzo Soprano),
Tatyana Gorbunova (Alto), Andrei Alekseev (Tenor), Ivan Potritsayev (Bass),
Vassily Gorshkov (Tenor), Sergei Nikitin (Baritone), Alexei Levitsky (Bass),
Tatyana Vorozhzova (Soprano)
Conductor:  Alexei Ludmilin
Orchestra/Ensemble:  Novosibirsk State Opera Orchestra,  Novosibirsk State Opera Chorus
Period: Romantic 
Written: 1891; Russia 
Date of Recording: 06/1996 
Language: Russian 
162.
Mazeppa by Peter Ilyich Tchaikovsky
Performer:  Alexei Ivanov (Baritone), Nina Pokrovskaya (Soprano), Vsevolod Tyutyunik (Bass),
Feodor Godovkin (Tenor), V. Davidova (Mezzo Soprano), G. Bolshakov (Tenor),
T. Chermiakov (Tenor), Ivan Petrov (Bass)
Conductor:  Vassily Nebolssin
Orchestra/Ensemble:  Bolshoi Theatre Orchestra,  Bolshoi Theatre Chorus
Period: Romantic 
Written: 1881-1883; Russia 
Date of Recording: 1952 
163.
The slippers by Peter Ilyich Tchaikovsky
Performer:  Valentin Prolat (Tenor), Vladimir Okenko (Tenor), Grigory Osipov (Bass Baritone),
Albert Schagidullin (Bass), Pavel Cernoch (Tenor), Albert Schagidullin (Baritone),
Vladimir Ognovenko (Bass), Valeri Popov (Tenor), Barseg Tumanyan (Bass),
Frantisek Zahradnicek (Bass), Ekaterina Morosova (Soprano), Ludmila Semciuk (Mezzo Soprano),
Fabio Bonavita (Baritone)
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  Cagliari Theater Chorus,  Cagliari Theater Orchestra
Period: Romantic 
Written: 1885; Russia 
Length: 174 Minutes 46 Secs. 
Language: Russian 
164.
The sorceress by Peter Ilyich Tchaikovsky
Performer:  Levon Khachaturov (Baritone), Alexei Koroliov (Bass), Natalia Sokolova (Soprano),
Mikhail Kiselev (Baritone), Georgi Nelepp (Tenor), Mikhail Skazin (Bass),
Piotr Pontryagin (Tenor), Anna Matushina (Mezzo Soprano), Pavel Korbkov (Baritone),
Varvara Gradova (Soprano), Alexander Tikhonov (Baritone), Veronika Borisenko (Mezzo Soprano),
Alexei Usmanov (Tenor), Gennadiy Troirsky (Bass), Serafim Sladkopevtzev (Tenor)
Conductor:  Samuel Samosud
Orchestra/Ensemble:  Moscow Philharmonic Orchestra,  Moscow Radio Symphony Chorus
Period: Romantic 
Written: 1885-1887; Russia 
Length: 225 Minutes 42 Secs. 
Language: Russian 
165.
Queen of Spades, Op. 68 by Peter Ilyich Tchaikovsky
Performer:  Alexei Ivanov (Baritone), Pavel Lisitsian (Baritone), Alexander Peredudov (Tenor),
Vsevolod Tyutyunik (Bass), Eugenia Verbitskaya (Mezzo Soprano), Elena Smolenskaya (Soprano),
Veronika Borisenko (Mezzo Soprano), Elena Korneyeva (Mezzo Soprano), N. Kositzina (Soprano),
V. Shevtsov (Tenor), Vera Firsova (Soprano), Feodor Godovkin (Tenor),
Georgi Nelepp (Tenor), Ivan Skobtsov (Bass)
Conductor:  Alexander Melik-Pashayev
Orchestra/Ensemble:  Bolshoi Theatre Orchestra,  Bolshoi Theatre Chorus
Period: Romantic 
Written: 1890; Russia 
Length: 153 Minutes 56 Secs. 
Language: Russian 

Customer Reviews

Be the first to review this title
Review This Title
Review This Title Share on Facebook




YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Aleady a subscriber? Sign In