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Schubert: The Complete Lieder Edition [38-CD Set]

Schubert / Boog / Borchert / Geller / Rieger
Release Date: 11/15/2011 
Label:  Naxos   Catalog #: 8503801  
Composer:  Franz Schubert
Performer:  Christian ElsnerUlrich EisenlohrRoman TrekelMichael Volle,   ... 
Number of Discs: 38 
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Notes and Editorial Reviews



SCHUBERT Complete Lieder Various artists NAXOS 8.503801 (38 CDs: 2423:01)


On several occasions the Hyperion and Naxos labels have gone into toe-to-toe competition for producing major complete series of compositions by composers, with Hyperion usually taking the lead and Naxos following thereafter. Perhaps the most monumental example is the complete piano works of Franz Liszt, which Hyperion has completed on 99 CDs with the indefatigable Leslie Howard, while Naxos is still in the midst of its series with a Read more stable of various pianists. Now, almost a decade after Hyperion completed in its 37-CD traversal of the complete Lieder of Franz Schubert with various celebrated singers and pianist Graham Johnson, Naxos has finished its competing 38-CD set.


In the Hyperion series, each of the following soloists has one recital disc: John Mark Ainsley (who shares the Schwanengesang with Anthony Rolfe Johnson), Thomas Allen, Elly Ameling, Arleen Augér, Janet Baker, Ian Bostridge ( Die Schöne Müllerin ), Christine Brewer, Elizabeth Connell, Brigitte Fassbaender, Matthias Goerne (two discs—a recital CD and Winterreise ), Thomas Hampson, Martyn Hill, Philip Langridge, Marjana Lipov?ek, Felicity Lott, Marie McLaughlin, Edith Mathis, Ann Murray, Lucia Popp, Christoph Prégardien, Margaret Price, Anthony Rolfe Johnson, Christine Schäfer, Peter Schreier, Adrian Thompson, Stephen Varcoe, and Sarah Walker. In the various Schubertiad and ensemble discs, Ainsley is a frequent participant, along with the following supporting singers: Paul Agnew, Lorna Anderson, Juliane Banse, Ashley Catling, Neal Davies, Lynne Dawson, Catherine Denley, Gerald Finley, Michael George, Charles Gibbs, Richard Jackson, Simon Keenlyside, Maarten Koningsberger, Stephan Loges, Jamie MacDougall, Geraldine McGreevy, Christopher Maltman, Daniel Norman, Tom Raskin, Paul Robinson, Patricia Rozario, Michael Schade, Toby Spence, and Catherine Wyn-Rogers.


Whereas most of the individual discs in the Hyperion series have been discussed in these pages, little attention has been given to the Naxos series. The only previous reviews I can find are three by Raymond Beegle, of Christoph Genz in 26:5, Johannes Kalpers in 28:2, and Simone Nold and Marcus Ullmann in 29:3; by Herbert Glass of Genz in 26:5; and by Lynn René Bayley of Sibylla Rubens in 32:1. Whereas Glass and Bayley were both laudatory—Glass placed the Genz CD on his 2003 Want List—Beegle was uniformly negative. Regarding Genz, Nold, and Ullmann he complained of the singers “fussing and fidgeting with vowels and consonants.” As for Kalpers, he praised his “beautiful voice” but then criticized him for shallow breathing and strident tone and damned his performances as ones in which “each living word has been minutely dissected and in the process has lost its life,” resulting in nothing more than “an academic course of correct procedures … a doctoral thesis well read.” As will be seen, my views align more with Glass and Bayley rather than with Beegle.


How does the Naxos series stack up against the stellar Hyperion lineup? Surprisingly well. While few of its singers have the reputations and cachet of the Hyperion lineup, they are with few exceptions quite able and well suited to their assignments. As space requirements preclude a detailed discussion of every individual entry, I will provide a brief comment on each to give an indication of the basic character of that singer’s voice and artistry. Unless specifically indicated otherwise, the singer has no issues regarding breath support, steadiness of vibrato, intonation, or similar technical defects.


First, though, some preliminary notes on the pianists and the overall organization of this set. Ulrich Eisenlohr, who oversaw the entire series for Naxos, is the accompanist in CDs 1–3, 5, 7–10, 14–30, and 33–38, or 31 out of the 38 CDs. The other accompanists are Stefan Laux in CDs 4 and 10; Burkhard Kehring in CDs 6, 12, and 31; Jens Fuhr in CD 13; and Wolfram Rieger in CD 32. Again, unless otherwise noted, the pianists all fulfill their roles ably and with sensitivity. In CDs 19–24, Eisenlohr plays a fortepiano instead of a modern instrument; a brief note following the essay on CD 24 merely states that “this is the appropriate instrument for historically accurate performances of the music of Schubert’s time” and that it “is particularly well suited in timbre to the works of these poets” of these six discs. In my estimation, Naxos missed a golden opportunity in not recording the entire series with fortepiano accompaniment. I am not always fond of fortepiano and tend to prefer a modern piano, but the particular instrument here has such a lovely singing tone, warm resonance, and refined delicacy of action that I was immediately won over to its use for this music and prefer it to the later instruments used on the other discs.


In an introductory essay to the booklet, Eisenlohr writes that the series adopts “the order already intended by Schubert for the complete songs,” grouped according to categories of poets. While the results mostly make sense, some of the consequent groupings are conjectural and a bit arbitrary, and there are some inconsistencies. Johann Mayrhofer is assigned an entire disc to himself, but then has other poems included under “Schubert’s Friends.” Poems by Johann Gottfried von Herder are divided between “Poets of Sensibility” and “ Sturm und Drang Poets,” and poems by Gabriele von Baumberg are likewise divided between “European Poets” and “Austrian Contemporaries.” Omitting listings for the last four discs—one CD of “Rarities, Fragments, and Alternative Versions,” and three CDs of part-songs—and lesser-known poets, the specific order of contents is:


CDs 1–3: Die Schöne Müllerin, Winterreise, and Schwanengesang


CDs 4–6: Johann Wolfgang von Goethe


CDs 7–10: Friedrich Schiller


CDs 11–12 Johann Baptist Mayrhofer


CDs 13–15: “Schubert’s Friends”


CDs 16–18: “European Poets” (includes Ossian [James Macpherson], Walter Scott, William Shakespeare, Alexander Pope, Carlo Goldoni, Pietro Metastasio, Jacopo Vitorelli, Francesco Petrarca, Johann Gottfried von Herder, and Gabriele von Baumberg)


CDs 19–24: “Poets of Sensibility” (includes Friedrich Gottlieb Klopstock, Friedrich von Matthisson, Johann Gottfried von Herder, and Ludwig Theobul Kosegarten)


CD 25: “ Sturm und Drang Poets” (includes Johann Gottfried von Herder and Johann Georg Jacobi)


CD 26: “Various Poets”


CD 27: “North German Poets”


CDs 28–31: “Romantic Poets” (includes Karl Wilhelm Friedrich von Schlegel, August Wilhelm von Schlegel, Friedrich von Hardenberg [Novalis], Theodor Körner, and Friedrich Rückert)


CDs 32–34: “Austrian Contemporaries”


Multiple settings of the same text are usually, though not always, given to the same singer. Thus, among the Goethe songs, the Harfner-Lieder and the Gesänge des Harfners aus Wilhelm Meister are sung as a set by Ulf Bästlein on CD 4, and the Mignon-Lieder and the Gesänge auf Wilhelm Meister by Ruth Ziesak on CD 5.


Now, at last, for the singers themselves. Except for the complete song cycles, I indicate in brackets the number of Lieder performed by that artist.


CD 1: Die Schöne Müllerin. The set gets off to a weak start. Christian Elsner has a significant career in Europe and bids fair to be the successor to Peter Schreier, whose voice his resembles. I have always found the throaty, somewhat constricted sound of that voice type unattractive, and interpretively Elsner is no Schreier, having a limited range of expression. Fortunately there are any number of vastly superior versions of this cycle available separately, so this disc can simply be ignored.


CD 2: Winterreise. This is a major improvement on the preceding disc. Noted baritone Roman Trekel turns in a highly distinguished performance of this cycle, reminiscent of Dietrich Fischer-Dieskau in interpretive approach but with his own distinct touches. If not a first choice for this cycle, given the overwhelming competition, it is a worthy entry that gives much satisfaction.


CD 3: Schwanengesang (plus Auf der Strom and two other songs). Baritone Michael Volle has a darker, more suety voice than does Trekel; he sings well, but is not quite on Trekel’s level either vocally or interpretively. Hornist Sjön Scott is excellent in Auf der Strom.


CD 4: Ulf Bästlein [24 songs] has a light-grained, soft baritone. It is not robust—his soft singing in his lower register is not fully supported—and he uses it cautiously and carefully. He almost never sings above mezzo piano in volume, only reaching a forte for the first time in track 9 and then again in tracks 18–20 and 24. The results are acceptable but interpretively rather limited; tracks 19, 20, and 24 are done extremely well, however.


CD 5: Soprano Ruth Ziesak [23 songs] is unfortunately somewhat past her once considerable prime, with some edginess to her voice and a slight spread at the top (see, for example, track 3). That said, she is still a significant interpreter and this recital is not without value. Christoph Elsner sings two duets with Ziesak and one solo item (tracks 7, 14, and 11); he is no better than in Die Schöne Müllerin , but fortunately has little to do.


CD 6: This disc is the one unmitigated disaster in the set. I do not understand how Raymond Beegle could say that tenor Johannes Kalpers [24 songs] has a “beautiful voice.” Kalpers is a maddeningly poor singer, with a thoroughly ugly voice—shallow, raspy, harsh, and whiny, the kind of voice that gives comprimario singers in provincial opera houses a bad name. He sounds like the intolerably annoying kid brother of a typical David in Wagner’s Die Meistersinger . Most infuriating of all, to add insult to injury he is given to sing two of Schubert’s greatest Lieder, Der Musensohn and Erlkönig!


CD 7: Martin Bruns [10 songs] has a dark, weighty baritone with bass overtones. His powerful voice has attractive features, but he handles it somewhat roughly. He tries too hard, with mannerisms more appropriate to operatic declamation in Wagner than to the more refined and intimate realm of Schubert. This recital is acceptable, not terrible, but could and should have been much better with proper stylistic coaching.


CD 8: With this disc the series finds its sea legs and sets sail for smoother waters. Regina Jakobi [14 songs] is a very fine interpreter. Her mezzo-soprano voice has body, with a dramatic soprano cutting edge in her top notes that she uses effectively to score dramatic points.


CD 9: Tenor Lothar Odinius [8 songs] is a spectacular find; I will go out on a limb and flatly assert that he is a worthy successor to such storied names as Anton Dermota and Fritz Wunderlich. Vocally and interpretively, he is everything that Christoph Elsner and Johannes Kalpers are not. His voice is beautifully produced and vibrant, with a rock-steady, even vibrato, full-bodied lower register, and gleaming, secure top. His excellent diction and magnificent sculpting of vocal lines endow every word with natural but meaningful inflections, utterly free from affectation. Track 3 is absolutely stunning in its range of tonal color, inflection, and expression. A specialist in Baroque and Classical repertoire, he is already ideal for the major tenor roles in Mozart, Fidelio, Der Freischütz, and Genoveva , and in a few years he could possibly take on the lighter Wagnerian roles Erik and David, and ultimately Lohengrin and Walther von Stolzing. Please, Naxos, please—ditch the CDs by Elsner and Kalpers in this set and rerecord them with Odinius!


CD 10: Maya Boog [10 songs] is a fine soprano with a bright, full voice and sensitive artistry, who is an asset to this set.


CD 11: The veteran basso Cornelius Hauptmann [25 songs] is in excellent vocal estate, and wields his suave, soft-grained instrument to lovely effect in another winning entry.


CD 12: Soprano Christiane Iven [15 songs] also has a very fine voice, a shade sweeter and gentler than Boog. This disc affords uncompromised pleasure.


CD 13: Markus Eiche [16 songs] wields a powerful, rich, dark baritone that is almost a bass. He is excellent in every way, including a surprising capacity for soft singing, as shown by his first-rate rendition of An die Musik . This is another major find, and along with the Lothar Odinius CD is one of my favorite entries in this series.


CD 14: Soprano Brigitte Geller [17 songs] has a very light, pleasant, silvery voice, on a par with Christiane Iven, and this disc is of equal merit to that one.


CD 15: Rainer Trost [15 songs] is a very fine tenor. His voice is a shade more robust than that of Odinius, and also a shade less beautiful in timbre. He is a winsome interpreter, and it is gratifying to think that perhaps the longstanding shortage of first-class German tenors is coming to an end.


CD 16: Ruth Ziesak [9 songs] and Roman Trekel [6 songs] share the duties on this disc, including two duets (tracks 2 and 3). Ziesak is in somewhat better voice here than on her previous discs; Trekel is excellent as before. Unfortunately, the piano accompaniment in the famed Ave Maria is surprisingly pedestrian. There is also one typo on the cardboard sleeve; the singer for track 4 (Trekel) is not listed.


CDs 17–18: On these two CDs, soprano Maya Boog [15 songs] and bass-baritone Wolf Matthias Friedrich [16 songs] divide the spoils, includes one duet (CD 17, track 1). Friedrich has a nicely weighted voice of appealing timbre. Boog is a little whitish in tone in her top register, but is otherwise as good as she was before.


CDs 19–20, 23: Soprano Simone Nold [14 songs], soprano Lydia Teuscher [8 songs], tenor Marcus Ullmann [23 songs], and bass Thomas E. Bauer [17 songs] each sing several items on each of these three discs, including two duets for Nold and Ullmann (CD 19, tracks 2 and 8). Given that these three discs are all part of the same subgroup, “Poets of Sensibility,” it is puzzling why they were not segregated into distinct recital discs as was done with other singers in this set. Why, for example, weren’t all of Bauer’s selections—about 35 minutes total—put on a single CD? As for the voices, they are solid but not on a par with the ones on CDs 8–18. Teuscher is the best of the four, with an attractive, bright soprano. Nold has a solid and attractive but not particularly distinctive soprano voice and no clear interpretive profile. Ullmann has a pleasing, light, bright tenor that leans toward the comprimario side. Bauer has a lighter-weight baritone that lacks suaveness, but he marries its somewhat rough timbre to an arresting interpretive profile that immediately draws a listener in and holds his interest.


CDs 21–22: With noted baritone Wolfgang Holzmair [36 songs] and soprano Birgit Steinberger [12 songs], the series returns to an elevated standard of performance. Holzmair is a superlative Lieder interpreter who makes every syllable count; his very light baritone would not stand up to the rigors of an opera house, but in the intimate confines of a recital hall he is capable of exquisite effects. The lesser-known Steinberger is a very fine soprano who does not suffer by juxtaposition with her renowned partner. These two CDs join those of Odinius and Eiche among the high points of this set.


CD 24: I have now had the privilege of reviewing tenor Jan Kobow [23 songs] in several releases, including another disc (of music by Heinrich Schütz) in this issue. His is a fine, medium-weight tenor, allied to a lively interpretive intelligence, as with his recital disc in the complete Carl Loewe Lieder series on cpo (reviewed by me in 34:1). He is a welcome addition to this cycle.


CD 25: Soprano Caroline Melzer [11 songs] and bass Konstantin Wolff [7 songs] take turns on this disc, including one duet (track 1). Melzer is a bit thin-voiced but satisfactory; Wolff’s bass is somewhat reminiscent of Alexander Kipnis in timbre, though not as characterful, and he too is quite acceptable.


CD 26: Ferdinand von Bothmer [9 songs] is a tenor with considerable mettle to his voice; with proper cultivation one can hear a potential Heldentenor in the making. However, while his singing is very exciting, a few of his top notes are already unstable, suggesting an overtaxed voice. Here’s hoping he finds a good vocal coach to fix that before he ruins his voice and loses a promising career.


CD 27: Bass-baritone Hanno Müller-Brachmann [19 songs] also brings Alexander Kipnis to mind, albeit late Kipnis where the voice has become a bit unfocused in tone, though it is still solid and interpretively pleasing.


CD 28: Julia Borchert [20 songs] has a vibrato that is not quite centered, though it is not so far off the mark as to be distressing. Otherwise her soprano is a serviceable instrument and satisfactorily employed.


CD 29: Renowned tenor Markus Schäfer [19 songs] is predictably excellent and requires no particular comment from me. Unsurprisingly, this is one of the finest discs in this set.


CD 30: While not quite a soubrette as Lynn René Bayley opined in her review, soprano Sibylla Rubens does have a soprano of sufficient lightness that I found myself wishing for something a bit weightier in this repertoire. Nevertheless, she is a very capable artist. Nikolaus Friedrich is the excellent clarinetist in Der Hirt auf dem Felsen.


CD 31: As with the discs by Odinius and Eiche, this one is one of the sterling finds in this set. Baritone Florian Boesch [14 songs] is simply a superb interpreter, endowed with a potent, dark, slightly rough-hewn yet carefully modulated voice, with all the power needed for roles such as Don Pizzaro, the Dutchman, Friedrich von Telramund, Alberich, and Klingsor.


CD 32: Christoph Genz [16 songs] has a solid, medium-weight tenor, about halfway between those of Rainer Trost and Ferdinand von Bothmer. He is a capable interpreter, and I have no complaints about him such as Raymond Beegle did in his review.


CD 33: The baritone of Detlef Roth [21 songs] is of medium weight, somewhat dry and lacking in resonance, but stable and solid. The timbre is somewhat fatiguing to listen to for an extended time, but his interpretations are intelligent and well inflected.


CD 34: Mezzo-soprano Daniela Sindram [20 songs] has an acceptable but undistinguished voice, somewhat lacking in sheen, and a similarly unremarkable interpretive profile.


CD 35: This disc contains lesser-known variant editions of several songs, rarities from Schubert’s early youth, songs accompanied by instruments other than or in addition to piano, and song fragments completed by musicologist Reinhard van Hoorickx, totaling 18 items. The singers are soprano Sibylla Rubens and baritone Detlef Roth; the instrumentalists are violinists Reto Kuppel and Peter Riehm, cellist Daniel Grosgurin, and harpist Uta Jungwirth.


CDs 36–38: The set finishes with 46 part-songs for various vocal combinations. The singers are sopranos Sibylla Rubens and Silke Schwarz; altos Regina Jakobi, Hildegard Wiedemann, and Ingeborg Danz; tenors Markus Schäfer and Marcus Ullmann; and basses Thomas E. Bauer, Markus Flaig, and Marcus Schmidl. All of these items are performed quite capably, though I would have preferred a more polished approach than the rather deliberate roughening-up of the vocal delivery at some points in an apparent effort to invoke the informal atmosphere of amateurs singing in a local tavern.


In summary, with the exception of a fine Winterreise , the set gets off to an uneven and somewhat ragged start, but beginning with CD 8 finds its bearings and thereafter is at least satisfactory and sometimes outstanding. Special plaudits go to the discs with Lothar Odinius, Markus Eiche, Wolfgang Holzmair, Florian Boesch, and Markus Schäfer, with those of Regina Jakobi, May Boog, Cornelius Hauptmann, Christiane Iven, Brigitte Geller, Rainer Trost, Jan Kobow, Sibylla Rubens, and Christoph Genz in the next tier of good to very good. The remaining singers are acceptable except for Christoph Elsner and Johannes Kalpers, the former being mediocre and the latter intolerable.


As a point of interest, the most popular Schubert Lieder (those with more than 50 recordings listed in print at ArkivMusic) appear on the following discs. Regrettably, few of them are assigned to the finest artists in this set.


Am Tage Aller Seelen [Litanei auf das Fest Alle Seelen], D 343: CD 25 (Wolf)


An die Musik , D 547: CD 13 (Eiche)


Auf dem Wasser zu singen , D 774: CD 21 (Holzmair)


Der Einsame , D 800: CD 27 (Müller-Brachmann)


Der Hirt auf dem Felsen , D 965: CD 30 (Rubens)


Der Jüngling an der Quelle, D 300: CD24 (Kobow)


Der Musensohn , D 764: CD 6 (Kalpers)


Der Tod und das Mädchen , D 531: CD 21 (Holzmair)


Der Wanderer an den Mond, D 870: CD 32 (Genz)


Die Forelle , D 550: CD 25 (Melzer)


Du bist die Ruh , D 776: CD 28 (Borchert)


Ellens Gesang III: Ave Maria, D 839: CD 16 (Ziesak)


Erlkönig , D 328: CD 6 (Kalpers)


Fischerweise , D 881: CD 15 (Trost)


Frülingsglaube , D 686: CD 28 (Borchert)


Ganymed , D 544: CD 4 (Bästlein)


Gretchen am Spinnrade , D. 118: CD 5 (Ziesak)


Heidenröslein , D 257: CD 4 (Bästlein)


Im Abendrot , D 799: CD 27 (Müller-Brachmann)


Lachen und Weinen , D 777: CD 28 (Borchert)


Nacht und Träume , D 827: CD 14 (Geller)


Rastlose Liebe , D 138: CD 5 (Ziesak)


Ständchen , D 889: CD 17 (Boog)


Wandrers Nachtlied II , D 768: CD 4 (Bästlein)


Packaging of this set has been done with care. Inside a cubic cardboard box, each disc has its own individual cardboard sleeve. A superb 430-page booklet contains complete track lists for all the discs (also printed on each individual cardboard disc sleeve); an introductory essay, Schubert and His Poets by Ulrich Eisenlohr; essays on all the individual Lieder by Ulrich Eisenlohr (CDs 9–10, 14–15, 17–18, 21–22, and 24–38), Karsten Bartels ( Die Schöne Müllerin ), Christine Mitlehner ( Winterreise and Schwangengesang) , Joachim Landkammer (CDs 4–6), Wolfgang Gersthofer (CDs 7–8), Michael Kube (CDs 11–13), Michael Kohlhäufl (CD 13), Matthias Thiemel (CD 16) and Ira Schulze-Arday (CDs 19–20 and 23); notes on the performers; credits with dates and venues of the recordings; and an alphabetical list of the songs. The complete song texts are available online at naxos.com/schubertcompletelieder; I wish that, failing their provision in a printed booklet, Naxos had included these in the set on a CD-ROM instead. I would also have liked a list of the songs in Deutsch catalog number order. However, I have no desire to look a gift horse in the mouth; what Naxos has provided is quite ample indeed.


This brings us back to a comparison with the Hyperion set. In addition to the overall superb quality of its performances, that series was celebrated in its original edition for the superb scholarly essays on the Lieder by pianist Graham Johnson. However, in its 40-CD box reissue of the series (which includes three bonus discs of Lieder by Schubert contemporaries), Hyperion has provided the complete texts in an accompanying 448-page book but dropped those essays. (The song texts can also be purchased from Hyperion separately, should you prefer that to downloading the Naxos online version.) A rumored issuance of them as a separately published book has not come to pass; however, a three-volume study of the Schubert Lieder by Johnson, presumably based on those essays, is due to be published this year by Yale University Press. I have read that at least some of the original essays have appeared online as pdf files, but if so I have not been able to locate them. The Hyperion reissue also suffers from a second disadvantage; the contents of the original discs, carefully selected by Johnson to form integrated recital programs, have been broken up, and all of the songs presented in Deutsch catalog number order. While some folks may prefer that order and the variety of voices it presents, I consider that to be a grievous miscalculation.


A third and final point of consideration is price. The Hyperion set normally sells for at least $250, occasionally discounted by online retailers to about $220. By contrast, the Naxos set lists for about $175, but it is not difficult to find online retailers discounting it down to about $120, which is not only half the price of the Hyperion set but an absolute steal on its own terms. If price is no object for you, then by all means get the Hyperion edition—and consider buying this one, too. For us ordinary mortals of lesser financial means, however, Naxos has stolen a march on the competition with a truly remarkable accomplishment that commends itself as a first choice for anyone devoted to Schubert Lieder. While not flawless, this set is an early finalist for my 2012 Want List.


FANFARE: James A. Altena
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Works on This Recording

1.
Die schöne Müllerin, D 795/Op. 25 by Franz Schubert
Performer:  Christian Elsner (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Bachnang, Germany 
Length: 63 Minutes 35 Secs. 
Language: German 
2.
Winterreise, D 911/Op. 89 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 10/1998 
Venue:  Berlin, Germany 
Length: 75 Minutes 24 Secs. 
Language: German 
3.
Herbst, D 945 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Michael Volle (Baritone)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 01/1999 
Venue:  Bürgerhaus, Backnang, Germany 
Length: 3 Minutes 53 Secs. 
Language: German 
4.
Lebensmut, in B flat major D 937 [fragment] by Franz Schubert
Performer:  Michael Volle (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 01/1999 
Venue:  Bürgerhaus, Backnang, Germany 
Length: 2 Minutes 55 Secs. 
Language: German 
5.
Auf dem Strom, D 943/Op. 119 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sjön Scott (French Horn), Michael Volle (Baritone)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 01/1999 
Venue:  Bürgerhaus, Backnang, Germany 
Length: 8 Minutes 55 Secs. 
Language: German 
6.
Schwanengesang, D 957 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Michael Volle (Baritone)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 01/1999 
Venue:  Bürgerhaus, Backnang, Germany 
Length: 52 Minutes 27 Secs. 
Language: German 
7.
Der Fischer, D 225a by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 37 Secs. 
Language: German 
8.
An den Mond, D 259 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 3 Minutes 8 Secs. 
Language: German 
9.
An den Mond, D 296 by Franz Schubert
Performer:  Stefan Laux (Piano), Ulf Bästlein (Baritone)
Period: Romantic 
Written: circa 1816; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 5 Minutes 6 Secs. 
Language: German 
10.
Meerestille, D 216/Op. 3 no 2 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 11 Secs. 
Language: German 
11.
Geistes-Gruss, D 142 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 33 Secs. 
Language: German 
12.
Der König in Thule, D 367/Op. 5 no 5 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 53 Secs. 
Language: German 
13.
Heidenröslein, D 257/Op. 3 no 3 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 1 Minutes 58 Secs. 
Language: German 
14.
Der Schatzgräber, D 256 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 4 Minutes 7 Secs. 
Language: German 
15.
Der Gott und die Bajadere, D 254 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 5 Minutes 34 Secs. 
Language: German 
16.
Der Rattenfänger, D 255 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 15 Secs. 
Language: German 
17.
Bundeslied, D 258 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 3 Minutes 7 Secs. 
Language: German 
18.
Harfenspieler, D 325 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 14 Secs. 
Language: German 
19.
Gesänge des Harfners no 2, D 480 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1816/1822; Vienna, Austria 
Date of Recording: 4/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 1 Minutes 40 Secs. 
Language: German 
20.
Gesänge des Harfners no 1, D 478 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1816/1822; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 4 Minutes 0 Secs. 
Language: German 
21.
Gesänge des Harfners no 3, D 479 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1816/1822; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 23 Secs. 
Language: German 
22.
Ganymed, D 544/Op. 19 no 3 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 4 Minutes 12 Secs. 
Language: German 
23.
An Schwager Kronos, D 369/Op. 19 no 1 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 37 Secs. 
Language: German 
24.
Grenzen der Menschheit, D 716 by Franz Schubert
Performer:  Stefan Laux (Piano), Ulf Bästlein (Baritone)
Period: Romantic 
Written: 1821; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 7 Minutes 20 Secs. 
Language: German 
25.
Prometheus, D 674 by Franz Schubert
Performer:  Stefan Laux (Piano), Ulf Bästlein (Baritone)
Period: Romantic 
Written: 1819; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 4 Minutes 56 Secs. 
Language: German 
26.
Wandrers Nachtlied, D 224/Op. 4 no 3 by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 1 Minutes 44 Secs. 
Language: German 
27.
Wandrers Nachtlied, D 768/Op. 96 no 3 by Franz Schubert
Performer:  Stefan Laux (Piano), Ulf Bästlein (Baritone)
Period: Romantic 
Written: 1824; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 2 Minutes 33 Secs. 
Language: German 
28.
Mahomets Gesang no 2, D 721 [fragment] by Franz Schubert
Performer:  Ulf Bästlein (Baritone), Stefan Laux (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Date of Recording: 04/1999 
Venue:  Bürgerhaus, Backnang, Germamy 
Length: 1 Minutes 31 Secs. 
Language: German 
29.
Sehnsucht, D 310a by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
30.
Rastlose Liebe, D 138/Op 51 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1815/1821; Vienna, Austria 
Language: German 
31.
Nähe des Geliebten, D 162 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
32.
Die Liebe, D 210 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
33.
Sehnsucht, D 310b by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
34.
Gretchen am Spinnrade, D 118/Op. 2 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
Language: German 
35.
Scenes from Goethe's Faust, D 126 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Christian Elsner (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
Language: German 
36.
Gretchen im Zwinger, D 564 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
37.
Sehnsucht, D 359 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
38.
Sehnsucht, D 481 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
39.
An Mignon, D 161 by Franz Schubert
Performer:  Christian Elsner (Tenor), Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
40.
Gesänge (4) aus Wilhelm Meister, D 877/Op. 62: no 2, Heiss mich nicht reden by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Christian Elsner (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
41.
Gesänge (4) aus Wilhelm Meister, D 877/Op. 62: no 2, Heiss mich nicht reden by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
42.
Gesänge (4) aus Wilhelm Meister, D 877/Op. 62: no 3, So lasst mich scheinen by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
43.
Mignon, D 321 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
44.
Wonne der Wehmut, D 260/Op. 115 no 2 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
45.
Schweizerlied, D 559 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
46.
Die Spinnerin, D 247/Op. 118 no 6 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
47.
Die Liebende schreibt, D 673/Op. 165 no 1 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
48.
Gesänge (4) aus Wilhelm Meister, D 877/Op. 62: no 4, Nur wer die Sehnsucht kennt by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
49.
Suleika no 1, D 720 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1821; Vienna, Austria 
Language: German 
50.
Suleika no 2, D 717/Op. 31 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Language: German 
51.
Mignon no 1, D 726 "Heiss mich nicht reden" by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Language: German 
52.
Mignon no 2, D 727 "So lasst mich scheinen" by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Language: German 
53.
Wer kauft Liebesgötter?, D 261 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
54.
Versunken, D 715 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
55.
Schäfers Klagelied, D 121/Op. 3 no 1 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
56.
Der Erlkönig, D 328 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
57.
Hoffnung, D 295 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: circa 1816; Vienna, Austria 
58.
Auf dem See, D 543 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
59.
Am Flusse, D 160 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
60.
Am Flusse, D 766 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
61.
Johanna Sebus, D 728 [fragment] by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
62.
An die Entfernte, D 765 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
63.
Sehnsucht, D 123 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
64.
Geheimes, D 719/Op. 14 no 2 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
65.
Der Goldschmiedsgesell, D 560 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
66.
Liebhaber in allen Gestalten, D 558 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
67.
Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
68.
Der Sänger, D 149 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
69.
Nachtgesang, D 119 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: 1814; Vienna, Austria 
70.
Erster Verlust, D 226/Op. 5 no 4 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
71.
Trost in Tränen, D 120 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
72.
Jägers Abendlied, D 215 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
73.
Jägers Abendlied, D 368/Op. 3 no 4 by Franz Schubert
Performer:  Johannes Kalpers (Tenor), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
74.
Tischlied, D 234/Op. 118 no 3 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
75.
Wilkommen und Abschied, D 767 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: circa 1822; Vienna, Austria 
76.
Mahomets Gesang no 1, D 549 [fragment] by Franz Schubert
Performer:  Burkhard Kehring (Piano), Johannes Kalpers (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
77.
Punschlied, D 253 by Franz Schubert
Performer:  Martin A. Bruns (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
78.
Der Alpenjäger, D 588/Op. 37 no 2 by Franz Schubert
Performer:  Martin A. Bruns (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1817; Vienna, Austria 
Language: German 
79.
Der Jüngling am Bache, D 638 by Franz Schubert
Performer:  Martin A. Bruns (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
80.
Elysium, D 584 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
81.
Der Flüchtling, D 402 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
82.
Laura am Klavier, D 388 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
83.
Der Kampf, D 594/Op. 110 by Franz Schubert
Performer:  Martin A. Bruns (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
84.
Entzückung an Laura, D 390 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
85.
Dithyrambe, D 801/Op. 60 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
86.
Der Taucher, D 77b (D 111) by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Martin A. Bruns (Baritone)
Period: Romantic 
Written: by 1815; Vienna, Austria 
Language: German 
87.
Hektors Abschied, D 312/Op. 58 no 1 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 4 Minutes 32 Secs. 
Language: German 
88.
Amalia, D 195/Op. 173 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Regina Jakobi (Mezzo Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 2 Minutes 44 Secs. 
Language: German 
89.
Gruppe aus dem Tartarus, D 583/Op. 24 no 1 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 3 Minutes 5 Secs. 
Language: German 
90.
Sehnsucht, D 636/Op. 39 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Regina Jakobi (Mezzo Soprano)
Period: Romantic 
Written: circa 1821; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 4 Minutes 24 Secs. 
Language: German 
91.
Der Pilgrim, D 794/Op. 37 no 1 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 4 Minutes 36 Secs. 
Language: German 
92.
Ritter Toggenburg, D 397 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 7 Minutes 25 Secs. 
Language: German 
93.
An Emma, D 113/Op. 58 no 2 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 2 Minutes 39 Secs. 
Language: German 
94.
Die vier Weltalter, D 391/Op. 111 no 3 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 1 Minutes 54 Secs. 
Language: German 
95.
Sehnsucht, D 52 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 3 Minutes 53 Secs. 
Language: German 
96.
Hoffnung, D 637/Op. 87 no 2 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1819; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 2 Minutes 55 Secs. 
Language: German 
97.
Die Bürgschaft, D 246 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 15 Minutes 24 Secs. 
Language: German 
98.
Des Mädchens Klage no 2, D 191/Op. 58 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Regina Jakobi (Mezzo Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 4 Minutes 14 Secs. 
Language: German 
99.
Das Mädchen aus dem Fremde no 2, D 252 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 2 Minutes 1 Secs. 
Language: German 
100.
Hoffnung no 1, D 251 by Franz Schubert
Performer:  Regina Jakobi (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 10/2000 
Venue:  Bavarian Radio Studios, Munich, Germany 
Length: 2 Minutes 7 Secs. 
Language: German 
101.
Der Jüngling am Bache, D 30 by Franz Schubert
Performer:  Lothar Odinius (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1812; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 36 Secs. 
Language: German 
102.
Der Jüngling am Bache, D 192 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Lothar Odinius (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 0 Secs. 
Language: German 
103.
Der Jüngling am Bache, D 638 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Lothar Odinius (Tenor)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 4 Minutes 50 Secs. 
Language: German 
104.
Das Geheimnis, D 250 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Lothar Odinius (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 3 Secs. 
Language: German 
105.
Das Geheimnis, D 793/Op. 173 no 2 by Franz Schubert
Performer:  Lothar Odinius (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 5 Minutes 32 Secs. 
Language: German 
106.
Leichenfantasie, D 7 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Lothar Odinius (Tenor)
Period: Romantic 
Written: circa 1811; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 18 Minutes 52 Secs. 
Language: German 
107.
Der Graf von Habsburg, D 990 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Lothar Odinius (Tenor)
Period: Romantic 
Written: ?1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 1 Minutes 54 Secs. 
Language: German 
108.
Die Erwartung, D 159 by Franz Schubert
Performer:  Lothar Odinius (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 10 Minutes 28 Secs. 
Language: German 
109.
An den Frühling, D 587 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 2 Minutes 27 Secs. 
Language: German 
110.
Die Götter Griechenlands, D 677 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 4 Minutes 25 Secs. 
Language: German 
111.
Klage der Ceres, D 323 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 16 Minutes 36 Secs. 
Language: German 
112.
An den Frühling, D 283 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 1 Minutes 35 Secs. 
Language: German 
113.
Des Mädchens Klage no 1, D 6 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1811-1812; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 5 Minutes 5 Secs. 
Language: German 
114.
Des Mädchens Klage no 2, D 191/Op. 58 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 26 Secs. 
Language: German 
115.
Des Mädchens Klage no 3, D 389 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 39 Secs. 
Language: German 
116.
Thekla; eine Geisterstimme no 1, D 73 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 3 Minutes 21 Secs. 
Language: German 
117.
Thekla; eine Geisterstimme no 2, D 595/Op. 88 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: circa 1817; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 1 Minutes 42 Secs. 
Language: German 
118.
Thekla; eine Geisterstimme no 2, D 595/Op. 88 no 2 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1817; Vienna, Austria 
Venue:  Studio DRS, Zurich, Switzerland 
Length: 4 Minutes 59 Secs. 
Language: German 
119.
Der Sieg, D 805 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1824; Vienna, Austria 
Language: German 
120.
Nachtviolen, D 752 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Language: German 
121.
Fahrt zum Hades, D 526 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
122.
An die Freunde, D 654 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
123.
Liedesend, D 473 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
124.
Zum Punsche, D 492 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
125.
Über allen Zauber Liebe, D 682 [fragment] by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
126.
Der Alpenjäger, D 524 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
127.
Der Hirt, D 490 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
128.
Rückweg, D 476 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
129.
Trost, D 671 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
130.
Wie Ufru fischt, D 525 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
131.
Auf der Donau, D 553/Op. 21 no 1 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
132.
Der Schiffer, D 536 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
133.
Memnon, D 541/Op. 6 no 1 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
134.
Fragment aus dem Aeschylus, D 450 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
135.
Freiwilliges Versinken, D 700 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: German 
136.
Der entsühnte Orest, D 699 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: German 
137.
Orest auf Tauris, D 548 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
138.
Philoktet, D 540 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
139.
Alte Liebe rostet nie, D 477 by Franz Schubert
Performer:  Cornelius Hauptmann (Bass), Stefan Laux (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
140.
Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert
Performer:  Stefan Laux (Piano), Cornelius Hauptmann (Bass)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
141.
Der Gondelfahrer, D 808 by Franz Schubert
Performer:  Stefan Laux (Piano), Cornelius Hauptmann (Bass)
Period: Romantic 
Written: 1824; Vienna, Austria 
142.
Heliopolis no 1, D 753/Op. 65 no 3 by Franz Schubert
Performer:  Stefan Laux (Piano), Cornelius Hauptmann (Bass)
Period: Romantic 
Written: 1822; Vienna, Austria 
Language: German 
143.
Heliopolis no 2, D 754 by Franz Schubert
Performer:  Stefan Laux (Piano), Cornelius Hauptmann (Bass)
Period: Romantic 
Written: 1822; Vienna, Austria 
Language: German 
144.
Am See, D 124 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
Language: German 
145.
Augenlied, D 297 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: ?1817; Vienna, Austria 
Language: German 
146.
Liane, D 298 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
147.
Abendlied der Fürstin, D 495 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
148.
Sehnsucht, D 516/Op. 8 no 2 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: ?1816; Vienna, Austria 
Language: German 
149.
Schlummerlied, D 527 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
150.
Am Strome, D 539/Op. 8 no 4 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
151.
Uraniens Flucht, D 554 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
152.
Iphigenia, D 573/Op. 98 no 3 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
153.
Atys, D 585 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
154.
Erlafsee, D 586/Op. 8 no 3 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
155.
Beim Winde, D 669 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
156.
Die Sternennächte, D 670/Op. 165 no 2 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Christiane Iven (Mezzo Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
157.
Abendstern, D 806 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1824; Vienna, Austria 
Language: German 
158.
Auflösung, D 807 by Franz Schubert
Performer:  Christiane Iven (Mezzo Soprano), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1824; Vienna, Austria 
Language: German 
159.
Schatzgräbers Begehr, D 761/Op. 23 no 4 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Language: German 
160.
Jägers Liebeslied, D 909/Op. 96 no 2 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
161.
Genügsamkeit, D 143/Op. 109 no 2 by Franz Schubert
Performer:  Jens Fuhr (Piano), Markus Eiche (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
162.
Pax vobiscum, D 551 by Franz Schubert
Performer:  Jens Fuhr (Piano), Markus Eiche (Baritone)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
163.
Schiffers Scheidelied, D 910 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
164.
Pilgerweise, D 789 by Franz Schubert
Performer:  Jens Fuhr (Piano), Markus Eiche (Baritone)
Period: Romantic 
Written: 1823; Vienna, Austria 
Language: German 
165.
Am Bach im Frühlinge, D 361/Op. 109 no 1 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
166.
An die Musik, D 547 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
167.
Der Strom, D 565 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
168.
Grablied, D 218 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
169.
Der Liedler, D 209/Op. 38 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
170.
Ballade, D 134/Op. 126 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: circa 1815; Vienna, Austria 
Language: German 
171.
Der Vater mit dem Kind, D 906 by Franz Schubert
Performer:  Jens Fuhr (Piano), Markus Eiche (Baritone)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
172.
Der Jüngling und der Tod, D 545 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
173.
An die Leier, D 737/Op. 56 no 2 by Franz Schubert
Performer:  Jens Fuhr (Piano), Markus Eiche (Baritone)
Period: Romantic 
Written: 1822-1823; Vienna, Austria 
Language: German 
174.
Der zürnende Barde, D 785 by Franz Schubert
Performer:  Markus Eiche (Baritone), Jens Fuhr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Language: German 
175.
Der Knabe in der Wiege, D 579 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
176.
Vergissmeinnicht, D 792 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: 1823; Vienna, Austria 
177.
Wehmut, D 772/Op. 22 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: circa 1822; Vienna, Austria 
178.
Leiden der Trennung, D 509 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
179.
Nacht und Träume, D 827 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
180.
Auf einen Kirchof, D 151 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
181.
Aus Diego Manazares, D 458 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
182.
Des Fräuleins Liebeslauschen, D 698 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
183.
Im Haine, D 738/Op. 56 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: ?1822-23; Vienna, Austria 
184.
Schwestergruss, D 762 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
185.
Namenstagslied, D 695 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
186.
Trost im Liede, D 546/Op. 101 no 3 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
187.
Todesmusik, D 758/Op. 108 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: 1822; Vienna, Austria 
188.
Viola, D 786/Op. 123 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: 1823; Vienna, Austria 
189.
Widerschein, D 639b (949) by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1819; Vienna, Austria 
190.
Am See, D 746 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Brigitte Geller (Soprano)
Period: Romantic 
Written: 1822; Vienna, Austria 
191.
Lieb Minna, D 222 by Franz Schubert
Performer:  Brigitte Geller (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
192.
Fischerweise, D 881 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Length: 2 Minutes 58 Secs. 
193.
Des Sängers Habe, D 832 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Length: 2 Minutes 53 Secs. 
194.
Totengräber-Weise, D 869 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Length: 5 Minutes 44 Secs. 
195.
Geheimnis, D 491 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Length: 2 Minutes 29 Secs. 
196.
Einsamkeit, D 620 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 17 Minutes 38 Secs. 
197.
Nach einem Gewitter, D 561 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Length: 2 Minutes 23 Secs. 
198.
Abschied, D 475 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Length: 4 Minutes 23 Secs. 
199.
Der zürnenden Diana, D 707 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Length: 4 Minutes 55 Secs. 
200.
Nachtstück, D 672 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1819; Vienna, Austria 
Length: 4 Minutes 37 Secs. 
201.
Herrn Josef Spaun, Assessor in Linz, D 749 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Length: 4 Minutes 48 Secs. 
202.
Der Jüngling auf dem Hügel, D 702/Op. 8 no 1 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Length: 5 Minutes 5 Secs. 
203.
Der Zwerg, D 771/Op. 22 no 1 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822-1823; Vienna, Austria 
Length: 5 Minutes 11 Secs. 
204.
Abschied, D 578 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Length: 2 Minutes 31 Secs. 
205.
Liedesend, D 473 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Length: 0 Minutes 59 Secs. 
206.
Schwanengesang, D 744/Op. 23 no 3 by Franz Schubert
Performer:  Rainer Trost (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Length: 2 Minutes 48 Secs. 
207.
Ossians Lied nach dem Falle Nathos, D 278 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
208.
Shilric und Vinvela, D 293 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
209.
Cronnan, D 282 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Written: 1815 
Language: German 
210.
Lodas Gespenst, D 150 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Roman Trekel (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
211.
Kolmas Klage, D 217 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
212.
Das Mädchen von Inistore, D 281 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
213.
Ellens Gesang I, D 837/Op. 52 no 1 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
214.
Ellens Gesang II, D 838/Op. 52 no 2 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
215.
Normans Gesang, D 846/Op. 52 no 5 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
216.
Ellens Gesang III, D 839/Op. 52 no 6 "Ave Maria" by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
217.
Lied des gefangenen Jägers, D 843/Op. 52 no 7 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
218.
Lied der Anna Lyle, D 830/Op. 85 no 1 by Franz Schubert
Performer:  Ruth Ziesak (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
219.
Romanze des Richard Löwenherz, D 907 by Franz Schubert
Performer:  Roman Trekel (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1826; Vienna, Austria 
Language: German 
220.
Gesang der Norna, D 831/Op. 85 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ruth Ziesak (Soprano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
221.
Ein altschottische Ballade, D 923/Op. 165 no 5 by Franz Schubert
Performer:  Maya Boog (Soprano), Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
222.
Die Nacht, D 534 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
223.
Lorma, D 376 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
224.
Verklärung, D 59 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Language: German 
225.
Der blinde Knabe, D 833 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
226.
Der Weiberfreund, D 271 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
227.
An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
228.
Trinklied, D 888 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
229.
Ständchen, D 889 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
230.
Der Tod Oskars, D 375 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Wolf Matthias Friedrich (Bass Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
231.
Son fra l'onde, D 78 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: by 1814; Vienna, Austria 
Language: Italian 
232.
Pensa, che questo instante, D 76 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Language: German 
233.
Vedi, quanto adoro, D 510 "Didone abbandonata" by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: Italian 
234.
Abendständchen, D 265 "An Lina" by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
235.
Die Sternewelten, D 307 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
236.
Psalm 13, D 663 [fragment] by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Language: German 
237.
Gesänge (3), D 902/Op. 83: no 1, L'incanto degli occhi by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: Italian 
238.
Gesänge (3), D 902/Op. 83: no 2, Il traditor deluso by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: Italian 
239.
Gesänge (3), D 902/Op. 83: no 3, Il modo di prender moglie by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Wolf Matthias Friedrich (Bass Baritone)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: Italian 
240.
Canzonen (4), D 688: no 1, Non t'accostar all'urna by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: Italian 
241.
Canzonen (4), D 688: no 2, Guarda, che bianca luna by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: Italian 
242.
Canzonen (4), D 688: no 3, Da quel sembiante appresi by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Maya Boog (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: Italian 
243.
Canzonen (4), D 688: no 4, Mio ben ricordati by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Language: Italian 
244.
Leiden der Trennung, D 509 by Franz Schubert
Performer:  Wolf Matthias Friedrich (Bass Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
245.
La pastorella al prato no 2, D 528 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
246.
Misero pargoletto no 1, D 42 by Franz Schubert
Performer:  Maya Boog (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Language: Italian 
247.
Sonnet no 1, D 628 "Apollo, lebet noch" by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Wolf Matthias Friedrich (Bass Baritone)
Period: Romantic 
Written: 1818; Vienna, Austria 
Language: German 
248.
Sonnet no 2, D 629 "Allein, nachdenklich, wie gelähmt" by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Wolf Matthias Friedrich (Bass Baritone)
Period: Romantic 
Written: 1818; Vienna, Austria 
Language: German 
249.
Sonnet no 3, D 630 "Nunmehr, da Himmel, Erde" by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Wolf Matthias Friedrich (Bass Baritone)
Period: Romantic 
Written: Vienna, Austria 
Language: German 
250.
Dem Unendlichen, D 291 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
251.
Selma und Selmar, D 286b by Franz Schubert
Performer:  Simone Nold (Soprano), Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
252.
Furcht der Geliebten, D 285 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
253.
An Sie, D 288 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
254.
Edone, D 445 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
255.
Das Rosenband, D 280 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
256.
Vaterlandslied, D 287 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: Vienna, Austria 
257.
Hermann und Thusnelda, D 322 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
258.
Die frühen Gräber, D 290 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
259.
Die Sommernacht, D 289 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
260.
Die Gestirne, D 444 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
261.
An Laura, als sie Klopstocks Auferstehungslied sang, D 115 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
262.
Erinnerung, D 101 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
263.
Die Betende, D 102 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
264.
Trost; an Elisa, D 97 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
265.
Die Sterbende, D 186 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
266.
Vollendung, D 579a (989) by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
267.
Entzückung, D 413 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
268.
Stimme der Liebe, D 187 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
269.
Andenken I, D 99 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
270.
Erinnerungen, D 98 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
271.
Der Geistertanz, in C minor D 15 [fragment] by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1812; Vienna, Austria 
272.
Stimme der Liebe, D 418 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
273.
Lied aus der Ferne, D 107 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
274.
Geist der Liebe, D 414 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
275.
Der Geistertanz, in F minor D 15a [fragment] by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1812; Vienna, Austria 
276.
Lied der Liebe, D 109 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
277.
Geisternähe, D 100 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
278.
Der Abend, D 108 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
279.
Der Geistertanz, D 116 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
280.
Lebenslied, D 508 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
281.
Romanze, D 114 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
282.
Die Erde, D 579b (989a) by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
283.
Skolie, D 507 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
284.
Naturgenuss, D 188 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
285.
Die Schatten, D 50 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1813; Vienna, Austria 
286.
Totenkranz für ein Kind, D 275 by Franz Schubert
Performer:  Simone Nold (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
287.
Klage, D 415 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
288.
Julius an Theone, D 419 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
289.
Adelaide, D 95 by Franz Schubert
Performer:  Marcus Ullman (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
290.
Der Tod und das Mädchen, D 531/Op. 7 no 3 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 22 Secs. 
Language: German 
291.
Der Leidende, D 432b by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 48 Secs. 
Language: German 
292.
Totengräberlied, D 44 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1813; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 3 Secs. 
Language: German 
293.
Die Mutter Erde, D 788 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 50 Secs. 
Language: German 
294.
Der Leidende, D 432 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 44 Secs. 
Language: German 
295.
Die Nonne, D 208 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 8 Minutes 25 Secs. 
Language: German 
296.
Täglich zu singen, D 533 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 38 Secs. 
Language: German 
297.
Klage, D 371 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 49 Secs. 
Language: German 
298.
Stimme der Liebe, D 412 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 54 Secs. 
Language: German 
299.
Seufzer, D 198 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 9 Secs. 
Language: German 
300.
An eine Quelle, D 530/Op. 109 no 3 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 52 Secs. 
Language: German 
301.
An die Apfelbäume, D 197 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 38 Secs. 
Language: German 
302.
Die frühe Liebe, D 430 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 4 Secs. 
Language: German 
303.
An den Mond, D 193/Op 57 no 3 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 6 Secs. 
Language: German 
304.
Abendlied, D 499 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 53 Secs. 
Language: German 
305.
Klage, D 436 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 41 Secs. 
Language: German 
306.
Auf den Tod einer Nachtigall, D 201 [fragment] by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 8 Secs. 
Language: German 
307.
Auf den Tod einer Nachtigall, D 399 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 4 Minutes 28 Secs. 
Language: German 
308.
Auf dem Wasser zu singen, D 774/Op. 72 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 55 Secs. 
Language: German 
309.
Lied in der Abwesenheit, D 416 [fragment] by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 43 Secs. 
Language: German 
310.
Der Liebende, D 207 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 41 Secs. 
Language: German 
311.
Minnelied, D 429 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 54 Secs. 
Language: German 
312.
Der Traum, D 213/Op. 172 no 1 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 3 Secs. 
Language: German 
313.
Seligkeit, D 433 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 12 Secs. 
Language: German 
314.
Zufriedenheit, D 501b by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 32 Secs. 
Language: German 
315.
Das Lied vom Reifen, D 532 [fragment] by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 57 Secs. 
Language: German 
316.
An die Natur, D 372 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 3 Secs. 
Language: German 
317.
Morgenlied, D 266 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 3 Secs. 
Language: German 
318.
Blumenlied, D 431 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
319.
Pflicht und Liebe, D 467 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 59 Secs. 
Language: German 
320.
Erntelied, D 434 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 47 Secs. 
Language: German 
321.
Zufriedenheit, D 362 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: circa 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 9 Secs. 
Language: German 
322.
Mailied, D 503 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 7 Secs. 
Language: German 
323.
Die Mainacht, D 194 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 47 Secs. 
Language: German 
324.
Am ersten Maimorgen, D 344 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: circa 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 16 Secs. 
Language: German 
325.
An die Nachtigall, D 497/Op. 98 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
326.
Daphne am Bach, D 411 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 57 Secs. 
Language: German 
327.
Frühlingslied, D 398 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 1 Minutes 24 Secs. 
Language: German 
328.
Phidile, D 500 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 4 Minutes 39 Secs. 
Language: German 
329.
Die Knabenzeit, D 400 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 10 Secs. 
Language: German 
330.
An den Mond, D 468 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 54 Secs. 
Language: German 
331.
An die Nachtigall, D 196/Op. 172 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 10 Secs. 
Language: German 
332.
Klage um Ali Bey, D 496a by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 58 Secs. 
Language: German 
333.
Abendlied, D 276 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 4 Minutes 54 Secs. 
Language: German 
334.
Winterlied, D 401 by Franz Schubert
Performer:  Wolfgang Holzmair (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 12 Secs. 
Language: German 
335.
Am Grabe Anselmos, D 504/Op. 6 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Birgid Steinberger (Soprano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 28 Secs. 
Language: German 
336.
Die Laube, D 214/Op. 172 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Wolfgang Holzmair (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 2 Minutes 38 Secs. 
Language: German 
337.
Wiegenlied, D 498/Op. 98 no 2 by Franz Schubert
Performer:  Birgid Steinberger (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Bavarian Radio Studio 2, Munich, Germany 
Length: 3 Minutes 16 Secs. 
Language: German 
338.
Geist der Liebe, D 233/Op. 118 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 18 Secs. 
Language: German 
339.
Das Finden, D 219 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 54 Secs. 
Language: German 
340.
Alles um Liebe, D 241 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Lydia Teuscher (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 24 Secs. 
Language: German 
341.
Huldigung, D 240 by Franz Schubert
Performer:  Marcus Ullmann (Tenor), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 15 Secs. 
Language: German 
342.
Die Erscheinung, D 229/Op. 108 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 55 Secs. 
Language: German 
343.
Die Täuschung, D 230/Op. 165 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Lydia Teuscher (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 4 Secs. 
Language: German 
344.
Der Abend, D 221/Op. 118 no 2 by Franz Schubert
Performer:  Marcus Ullmann (Tenor), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 53 Secs. 
Language: German 
345.
Die Mondnacht, D 238 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Lydia Teuscher (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 41 Secs. 
Language: German 
346.
Nachtgesang, D 314 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Thomas E. Bauer (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 44 Secs. 
Language: German 
347.
Abends unter der Linde, D 235 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 7 Secs. 
Language: German 
348.
Das Sehnen, D 231/Op. 172 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Thomas E. Bauer (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 21 Secs. 
Language: German 
349.
Luisens Antwort, D 319 by Franz Schubert
Performer:  Lydia Teuscher (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 50 Secs. 
Language: German 
350.
Abends unter der Linde, D 237 by Franz Schubert
Performer:  Lydia Teuscher (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 23 Secs. 
Language: German 
351.
An die untergehende Sonne, D 457/Op. 44 by Franz Schubert
Performer:  Lydia Teuscher (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1816-1817; Vienna, Austria 
Length: 6 Minutes 23 Secs. 
Language: German 
352.
Die Sterne, D 313 by Franz Schubert
Performer:  Marcus Ullmann (Tenor), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 45 Secs. 
Language: German 
353.
Idens Nachtgesang, D 227 by Franz Schubert
Performer:  Lydia Teuscher (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 2 Minutes 14 Secs. 
Language: German 
354.
Von Ida, D 228 by Franz Schubert
Performer:  Lydia Teuscher (Soprano), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 1 Minutes 32 Secs. 
Language: German 
355.
Idens Schwanenlied, D 317 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Lydia Teuscher (Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 18 Secs. 
Language: German 
356.
Schwangesang, D 318 by Franz Schubert
Performer:  Thomas E. Bauer (Baritone), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 4 Minutes 14 Secs. 
Language: German 
357.
An Rosa no 1, D 315 by Franz Schubert
Performer:  Marcus Ullmann (Tenor), Ulrich Eisenlohr (Fortepiano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 0 Minutes 49 Secs. 
Language: German 
358.
An Rosa no 2, D 316 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 4 Minutes 1 Secs. 
Language: German 
359.
Der Jüngling an der Quelle, D 300 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: circa 1817; Vienna, Austria 
360.
Der Herbstabend, D 405 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
361.
Der Entfernten, D 350 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: ?1816; Vienna, Austria 
362.
Lied, D 403 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816/1823; Vienna, Austria 
363.
Lied, D 403 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816/1823; Vienna, Austria 
364.
Fischerlied, D 351 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: ?1816; Vienna, Austria 
365.
Pflügerlied, D 392 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
366.
Fischerlied, D 562 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
367.
Herbstlied, D 502 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
368.
An die Harmonie, D 394 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
369.
Die Einsiedelei, D 393 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
370.
Die Herbstnacht, D 404 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
371.
Abschied von der Harfe, D 406 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
372.
Die Einsiedelei, D 563 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
373.
Freude der Kinderjahre, D 455 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
374.
Das Bild, D 155/Op. 165 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
375.
Heimliches Lieben, D 922/Op. 106 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: circa 1827; Vienna, Austria 
376.
Gott im Frühlinge, D 448 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
377.
An den Schlaf, D 447 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
378.
Der gute Hirt, D 449 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
379.
Die Nacht, D 358 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
380.
An Chloen, D 363 [fragment] by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
381.
Die Liebesgötter, D 446 by Franz Schubert
Performer:  Ulrich Eisenlohr (Fortepiano), Jan Kobow (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
382.
Als ich sie erröten sah, D 153 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
383.
Minona, D 152 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
384.
Der Wachtelschlag, D 742/Op. 68 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
385.
Tischerlied, D 274 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
386.
Adelwold und Emma, D 211 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
387.
Morgenlied, D 381 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
388.
Abendlied, D 382 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
389.
Trost, D 523 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
390.
Der Vatermörder, D 10 by Franz Schubert
Performer:  Ferdinand von Bothmer (Tenor), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1811; Vienna, Austria 
391.
Auf der Bruck, D 853 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
392.
An mein Herz, D 860 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
393.
Im Jänner 1817, D 876 "Tiefes Leid" by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
394.
Im Walde, D 834 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1825; Vienna, Austria 
395.
Der liebliche Stern, D 861 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
396.
Um Mitternacht, D 862/Op. 88 no 3 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
397.
Lebensmut, D 883 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
398.
Im Frühling, D 882/Op. 101 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: 1826; Vienna, Austria 
399.
Über Wildemann, D 884/Op. 108 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: 1826; Vienna, Austria 
400.
Klaglied, D 23/Op. 131 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: 1812; Vienna, Austria 
401.
An die Laute, D 905/Op. 81 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: 1827; Vienna, Austria 
402.
Alinde, D 904/Op. 81 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: 1827; Vienna, Austria 
403.
Lied, D 373 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
404.
Der Schäfer und der Reiter, D 517 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
405.
Don Gayseros, D 93: no 1, Don Gayseros, Don Gayseros by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Hanno Müller-Brachmann (Baritone)
Period: Romantic 
Written: circa 1815; Vienna, Austria 
406.
Der Einsame, D 800 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
407.
Im Abendrot, D 799 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1824-1825; Vienna, Austria 
408.
Der Wanderer, D 493/Op. 4 no 1 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
409.
An die Sonne II, D 272 by Franz Schubert
Performer:  Hanno Müller-Brachmann (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815 
410.
Die junge Nonne, D 828/Op. 43 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 4 Minutes 45 Secs. 
Language: German 
411.
Die Liebe hat gelogen, D 751/Op. 23 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 2 Minutes 28 Secs. 
Language: German 
412.
Frühlingsglaube, D 686/Op. 20 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 35 Secs. 
Language: German 
413.
Morgenlied, D 685/Op. 4 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 41 Secs. 
Language: German 
414.
Abendröte, D 690 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 40 Secs. 
Language: German 
415.
Der Schmetterling, D 633/Op. 57 no 1 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1819; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 1 Minutes 25 Secs. 
Language: German 
416.
Das Mädchen, D 652 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 1 Minutes 57 Secs. 
Language: German 
417.
Der Knabe, D 692 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 2 Minutes 1 Secs. 
Language: German 
418.
Die Rose, D 745/Op. 73 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 5 Secs. 
Language: German 
419.
Der Wanderer, D 649/Op. 65 no 2 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 2 Minutes 25 Secs. 
Language: German 
420.
Die Berge, D 634/Op. 57 no 2 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: circa 1819; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 2 Minutes 4 Secs. 
Language: German 
421.
Der Fluss, D 693 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 4 Minutes 48 Secs. 
Language: German 
422.
Die Vögel, D 691/Op. 172 no 6 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 1 Minutes 4 Secs. 
Language: German 
423.
Die Sterne, D 684 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 54 Secs. 
Language: German 
424.
Die Gebüsche, D 646 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 8 Secs. 
Language: German 
425.
Du liebst mich nicht, D 756 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 22 Secs. 
Language: German 
426.
Dass sie hier gewesen, D 775/Op. 59 no 2 by Franz Schubert
Performer:  Julia Borchert (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1823; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 22 Secs. 
Language: German 
427.
Du bist die Ruh, D 776/Op. 59 no 3 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 58 Secs. 
Language: German 
428.
Lachen und Weinen, D 777/Op. 59 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: ?1823; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 1 Minutes 39 Secs. 
Language: German 
429.
Rosamunde, D 797/Op. 26: Ariette by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Julia Borchert (Soprano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Venue:  Studio DRS, Zürich, Switzerland 
Length: 3 Minutes 32 Secs. 
Language: German 
430.
Auf der Riesenkoppe, D 611 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1818; Vienna, Austria 
431.
Sehnsucht der Liebe, D 180 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
432.
Sängers Morgenlied, D 163 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
433.
Sängers Morgenlied, D 165 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
434.
Liebeständelei, D 206 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
435.
Wiegenlied, D 304 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
436.
Das war ich, D 174 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815/1816; Vienna, Austria 
437.
Liebesrausch, D 179 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
438.
Das gestörte Glück, D 309 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1815; Vienna, Austria 
439.
Scenes (2) from "Lacrimas", D 857/Op. 124: no 2, Lied des Florio by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
440.
Hänflings Liebeswerbung, D 552 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
441.
Hippolits Lied, D 890 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1826; Vienna, Austria 
442.
Sei mir gegrüsst, D 741/Op. 20 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1821-1822; Vienna, Austria 
443.
Das Heimweh, D 456 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1816; Vienna, Austria 
444.
Der blinde Knabe, D 833 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
445.
Das Lied im Grünen, D 917/Op. 115 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1827; Vienna, Austria 
446.
Die gefangenen Sänger, D 712 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1821; Vienna, Austria 
447.
Wiedersehen, D 855 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
448.
Abendlied für die Entfernte, D 856/Op. 88 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
449.
Der Hirt auf dem Felsen, D 965/Op. 129 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano), Nikolaus Friedrich (Clarinet)
Period: Romantic 
Written: 1828; Vienna, Austria 
Length: 11 Minutes 30 Secs. 
450.
Scenes (2) from "Lacrimas", D 857/Op. 124: no 1, Lied der Delphine by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Length: 4 Minutes 27 Secs. 
451.
Der Blumenbrief, D 622 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 2 Minutes 15 Secs. 
452.
An den Mond in einer Herbstnacht, D 614 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 7 Minutes 16 Secs. 
453.
Nachthymne, D 687 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
Length: 5 Minutes 52 Secs. 
454.
Blanka, D 631 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 2 Minutes 8 Secs. 
455.
Vom Mitleiden Mariä, D 632 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 4 Minutes 20 Secs. 
456.
Die verfehlte Stunde, D 409 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Length: 5 Minutes 4 Secs. 
457.
Lob der Tränen, D 711 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 4 Minutes 49 Secs. 
458.
Marie, D 658 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Length: 1 Minutes 19 Secs. 
459.
Hymne no 1, D 659 "Wenige wissen das Geheimnis" by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Length: 7 Minutes 59 Secs. 
460.
Hymne no 2, D 660 "Wenn ich ihn nur habe" by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Length: 4 Minutes 10 Secs. 
461.
Hymne no 3, D 661 "Wenn alle untreu werden" by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Length: 4 Minutes 31 Secs. 
462.
Hymne no 4, D 662 "Ich sag' es jedem" by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Length: 2 Minutes 12 Secs. 
463.
Amphiaraos, D 166 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 5 Minutes 51 Secs. 
464.
Gebet während der Schlacht, D 171 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 20 Secs. 
465.
Die Wallfahrt, D 778a by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: ?1823; Vienna, Austria 
Length: 1 Minutes 14 Secs. 
466.
Das Abendrot, D 627/Op. 173 no 6 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 4 Minutes 40 Secs. 
467.
Greisengesang, D 778 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1823; Vienna, Austria 
Length: 5 Minutes 1 Secs. 
468.
Ihr Grab, D 736 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: ?1822; Vienna, Austria 
Length: 3 Minutes 8 Secs. 
469.
Totengräbers Heimwehe, D 842 by Franz Schubert
Performer:  Florian Boesch (Baritone), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Length: 6 Minutes 14 Secs. 
470.
Im Walde, D 708 "Waldesnacht" by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1820; Vienna, Austria 
Length: 6 Minutes 15 Secs. 
471.
Der Schiffer, D 694 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1820; Vienna, Austria 
Length: 3 Minutes 28 Secs. 
472.
Fülle der Liebe, D 854 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1825; Vienna, Austria 
Length: 5 Minutes 3 Secs. 
473.
Lebensmelodien, D 395 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Length: 2 Minutes 53 Secs. 
474.
Das Marienbild, D 623 by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 3 Minutes 50 Secs. 
475.
Die drei Sänger, D 329 [fragment] by Franz Schubert
Performer:  Burkhard Kehring (Piano), Florian Boesch (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 5 Minutes 17 Secs. 
476.
Grablied für die Mutter, D 616 by Franz Schubert
Performer:  Florian Boesch (Baritone), Burkhard Kehring (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Length: 2 Minutes 23 Secs. 
477.
Drang in die Ferne, D 770/Op. 71 by Franz Schubert
Performer:  Christoph Genz (Tenor), Wolfram Rieger (Piano)
Period: Romantic 
Written: 1823; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 52 Secs. 
Language: German 
478.
Des Fischers Liebesglück, D 933 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 6 Minutes 36 Secs. 
Language: German 
479.
Die Sterne, D 939/Op. 96 no 1 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 54 Secs. 
Language: German 
480.
Der Kreuzzug, D 932 by Franz Schubert
Performer:  Christoph Genz (Tenor), Wolfram Rieger (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 3 Minutes 4 Secs. 
Language: German 
481.
Das Weinen, D 926/Op. 106 no 2 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1827-1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 4 Minutes 30 Secs. 
Language: German 
482.
Der Wallensteiner Lanzknecht beim Trunk, D 931 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 34 Secs. 
Language: German 
483.
Vor meiner Wiege, D 927/Op. 106 no 3 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1827-1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 4 Minutes 23 Secs. 
Language: German 
484.
Der Winterabend, D 938 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 6 Minutes 3 Secs. 
Language: German 
485.
Am Fenster, D 878/Op 105 no 3 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 4 Minutes 9 Secs. 
Language: German 
486.
Der Wanderer an den Mond, D 870/Op. 80 no 1 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 22 Secs. 
Language: German 
487.
Das Zügenglöcklein, D 871 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 3 Minutes 52 Secs. 
Language: German 
488.
Sehnsucht, D 879/Op. 105 no 4 by Franz Schubert
Performer:  Christoph Genz (Tenor), Wolfram Rieger (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 46 Secs. 
Language: German 
489.
Im Freien, D 880/Op. 80 no 3 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 4 Minutes 53 Secs. 
Language: German 
490.
Refrainlieder (4), D 866/Op. 95: no 2, Bei dir allein by Franz Schubert
Performer:  Christoph Genz (Tenor), Wolfram Rieger (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 2 Minutes 1 Secs. 
Language: German 
491.
Refrainlieder (4), D 866/Op. 95: no 4, Irdisches Glück by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 4 Minutes 31 Secs. 
Language: German 
492.
Wiegenlied, D 867/Op. 105 no 2 by Franz Schubert
Performer:  Wolfram Rieger (Piano), Christoph Genz (Tenor)
Period: Romantic 
Written: ?1826; Vienna, Austria 
Date of Recording: 04/2001 
Venue:  Clara Wieck Auditorium, Sandhausen 
Length: 5 Minutes 16 Secs. 
Language: German 
493.
Der Unglückliche, D 713 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Language: German 
494.
Widerspruch, D 865b/Op. 105 no 1 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1826; Vienna, Austria 
Language: German 
495.
Glaube, Hoffnung und Liebe, D 955/Op. 97 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Language: German 
496.
Frohsinn, D 520 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Language: German 
497.
Die abgeblühte Linde, D 514/Op. 7 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: ?1817; Vienna, Austria 
Language: German 
498.
Der Flug der Zeit, D 515/Op. 7 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: ?1817; Vienna, Austria 
Language: German 
499.
Das Heimweh, D 851 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
500.
Die Allmacht, D 852 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Language: German 
501.
Labetrank der Liebe, D 302 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
502.
An die Geliebte, D 303 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
503.
Vergebliche Liebe, D 177/Op. 173 no 3 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
504.
Die Sterne, D 176 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
505.
Die erste Liebe, D 182 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
506.
Lob des Tokayers, D 248/Op. 118 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
507.
Der Zufriedene, D 320 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
508.
Der Sänger am Felsen, D 482 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
509.
Lied, D 483 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Language: German 
510.
Skolie, D 306 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
511.
Die Befrier Europas in Paris, D 104 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: by 1814; Vienna, Austria 
Language: German 
512.
Abschied, D 829 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1826; Vienna, Austria 
Language: German 
513.
Die Fröhlichkeit, D 262 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Detlef Roth (Baritone)
Period: Romantic 
Written: 1815; Vienna, Austria 
Language: German 
514.
Himmelsfunken, D 651 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Daniela Sindram (Mezzo Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 3 Minutes 1 Secs. 
Language: German 
515.
Der Mondabend, D 141/Op. 131 no 1 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Daniela Sindram (Mezzo Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 46 Secs. 
Language: German 
516.
Bertas Lied in der Nacht, D 653 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Daniela Sindram (Mezzo Soprano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 4 Minutes 7 Secs. 
Language: German 
517.
Cora an die Sonne, D 263 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 9 Secs. 
Language: German 
518.
Mein Gruss an den Mai, D 305 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Daniela Sindram (Mezzo Soprano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 3 Minutes 19 Secs. 
Language: German 
519.
Die Blumensprache, D 519/Op. 173 no 5 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1817; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 15 Secs. 
Language: German 
520.
Der Blumen Schmerz, D 731/Op. 173 no 4 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1821; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 4 Minutes 58 Secs. 
Language: German 
521.
Das Lied im Grünen, D 917/Op. 115 no 1 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 4 Minutes 40 Secs. 
Language: German 
522.
Frühlingslied, D 919 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1827; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 5 Minutes 19 Secs. 
Language: German 
523.
An die Sonne, D 270/Op. 118 no 5 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 59 Secs. 
Language: German 
524.
Lambertine, D 301 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 3 Minutes 11 Secs. 
Language: German 
525.
Blondel zu Marien, D 626 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 3 Minutes 57 Secs. 
Language: German 
526.
Der Morgenküss, D 264 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 28 Secs. 
Language: German 
527.
Refrainlieder (4), D 866/Op. 95: no 1, Die Unterscheidung by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 5 Minutes 23 Secs. 
Language: German 
528.
Refrainlieder (4), D 866/Op. 95: no 3, Die Männer sind méchant by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 2 Minutes 45 Secs. 
Language: German 
529.
Das Echo, D 990c by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 4 Minutes 40 Secs. 
Language: German 
530.
Die Liebe, D 522 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 3 Minutes 38 Secs. 
Language: German 
531.
Ammenlied, D 122 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: by 1814; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 1 Minutes 44 Secs. 
Language: German 
532.
Die Macht der Liebe, D 308 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 1 Minutes 41 Secs. 
Language: German 
533.
Abendbilder, D 650 by Franz Schubert
Performer:  Daniela Sindram (Mezzo Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1819; Vienna, Austria 
Venue:  Bavarian Radio, Munich, Germany 
Length: 6 Minutes 28 Secs. 
Language: German 
534.
Das Mädchen aus der Fremde, D 117 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1814; Vienna, Austria 
535.
Laura am Klavier, D 388 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
536.
Entzückung an Laura, D 577 [fragment] by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
537.
Gesang, D 1a by Franz Schubert
Performer:  Daniel Grosgurin (Cello), Ulrich Eisenlohr (Piano)
Period: Romantic 
538.
Zur Namensfeier des Herrn Andreas Siller, D 83 by Franz Schubert
Performer:  Reto Kuppel (Violin), Detlef Roth (Baritone), Uta Jungwirth (Harp)
Period: Romantic 
539.
Auf den Sieg der Deutschen, D 81 by Franz Schubert
Performer:  Detlef Roth (Baritone), Reto Kuppel (Violin), Peter Riehm (Violin),
Daniel Grosgurin (Cello)
540.
Lebenstraum, D 39 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: by 1810; Vienna, Austria 
541.
Lied eines Kindes, D 596 [fragment] by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
542.
Bei dem Grabe meines Vaters, D 496 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
543.
Der Knabe in der Wiege, D 579 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
544.
Nur wer die Liebe kennt, D 513a [sketch] by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: ?1817; Vienna, Austria 
545.
Gruppe aus dem Tartarus, D 396 [fragment] by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
546.
Mignon no 2, D 469a "So lasst mich scheinen" [fragment] by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
547.
Liedentwurf in A minor, D 555 by Franz Schubert
Performer:  Daniel Grosgurin (Cello), Ulrich Eisenlohr (Piano)
Period: Romantic 
548.
Das grosse Halleluja, D 442 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
549.
Evangelium Johannes, D 607 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
550.
Schlachtlied, D 443 by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
551.
Gesang der Geister über dem Wassern, D 484 [fragment] by Franz Schubert
Performer:  Detlef Roth (Baritone), Ulrich Eisenlohr (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
552.
Die Geselligkeit, D 609 "Lebenslust" by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Regina Jakobi (Alto), Ulrich Eisenlohr (Piano),
Marcus Ullmann (Tenor), Marcus Schmidl (Bass)
Written: 1818 
Length: 3 Minutes 47 Secs. 
553.
Nun lasst uns den Leib begraben, D 168 "Begräbnislied" by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ingeborg Danz (Alto), Silke Schwarz (Soprano),
Marcus Ullmann (Tenor), Marcus Schmidl (Bass)
Written: 1815 
Length: 6 Minutes 15 Secs. 
554.
Osterlied, D 168a by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ingeborg Danz (Alto), Silke Schwarz (Soprano),
Marcus Ullmann (Tenor), Marcus Schmidl (Bass)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 1 Minutes 4 Secs. 
555.
Gott der Weltschöpfer, D 986/Op. 112 no 2 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano), Ingeborg Danz (Alto),
Marcus Ullmann (Tenor), Markus Flaig (Bass)
Written: ?1827 
Length: 1 Minutes 55 Secs. 
556.
Gott im Ungewitter, D 985/Op. 112 no 1 by Franz Schubert
Performer:  Markus Flaig (Bass), Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano),
Ingeborg Danz (Alto), Marcus Ullmann (Tenor)
Period: Romantic 
Written: ?1827; Vienna, Austria 
Length: 5 Minutes 3 Secs. 
557.
Hymne an den Unendlichen, D 232/Op. 112 no 3 by Franz Schubert
Performer:  Ingeborg Danz (Alto), Silke Schwarz (Soprano), Marcus Ullmann (Tenor),
Ulrich Eisenlohr (Piano), Markus Flaig (Bass)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 3 Minutes 49 Secs. 
558.
Das Abendroth, D 236 by Franz Schubert
Performer:  Regina Jakobi (Alto), Ulrich Eisenlohr (Piano), Silke Schwarz (Soprano),
Marcus Schmidl (Bass)
Period: Romantic 
Written: 1815; Vienna, Austria 
Length: 1 Minutes 51 Secs. 
559.
Viel tausend Sterne prangen, D 642 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Regina Jakobi (Alto), Ulrich Eisenlohr (Piano),
Marcus Ullmann (Tenor), Marcus Schmidl (Bass)
Period: Romantic 
Written: by 1814; Vienna, Austria 
Length: 2 Minutes 14 Secs. 
560.
An die Sonne, D 439 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Ingeborg Danz (Alto), Silke Schwarz (Soprano),
Markus Schäfer (Tenor)
Written: 1816 
Length: 5 Minutes 49 Secs. 
561.
Der Hochzeitsbraten, D 930/Op. 104 by Franz Schubert
Performer:  Markus Flaig (Bass), Markus Schäfer (Tenor), Sibylla Rubens (Soprano),
Ulrich Eisenlohr (Piano)
Written: 1827 
Length: 11 Minutes 4 Secs. 
562.
Des Tages Weihe, D 763/Op. post. 146 by Franz Schubert
Performer:  Regina Jakobi (Alto), Ulrich Eisenlohr (Piano), Thomas E. Bauer (Bass),
Marcus Ullmann (Tenor), Sibylla Rubens (Soprano)
Written: 1822 
Length: 4 Minutes 48 Secs. 
563.
Gebet, D 815 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Ulrich Eisenlohr (Piano), Marcus Ullmann (Tenor),
Markus Flaig (Bass)
Written: 1824 
Length: 10 Minutes 20 Secs. 
564.
Der Tanz, D 826 by Franz Schubert
Performer:  Marcus Schmidl (Bass), Marcus Ullmann (Tenor), Sibylla Rubens (Soprano),
Ulrich Eisenlohr (Piano), Ingeborg Danz (Alto), Markus Flaig (Bass)
Written: 1828 
Length: 2 Minutes 7 Secs. 
565.
Gott in der Natur, D 757 by Franz Schubert
Performer:  Ingeborg Danz (Alto), Ulrich Eisenlohr (Piano), Regina Jakobi (Alto),
Silke Schwarz (Soprano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Length: 5 Minutes 38 Secs. 
566.
Psalm 23, D 706/Op. 132 by Franz Schubert
Performer:  Ingeborg Danz (Alto), Ulrich Eisenlohr (Piano), Regina Jakobi (Alto),
Silke Schwarz (Soprano), Sibylla Rubens (Soprano)
Period: Romantic 
Written: 1820; Vienna, Austria 
567.
Das Leben ist ein Traum, D 269b by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Regina Jakobi (Alto), Ulrich Eisenlohr (Piano),
Ingeborg Danz (Alto)
Period: Romantic 
Written: 1815; Vienna, Austria 
568.
La pastorella al prato no 1, D 513 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Marcus Schmidl (Bass),
Thomas E. Bauer (Bass), Marcus Ullmann (Tenor)
Period: Romantic 
Written: ?1817; Vienna, Austria 
569.
Naturgenuss, D 422/Op. 16 no 2 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Marcus Schmidl (Bass),
Thomas E. Bauer (Bass), Marcus Ullmann (Tenor)
Period: Romantic 
Written: ?1822; Vienna, Austria 
570.
Beitrag zur fünfzig jährigen Jubelfeier, D 407 by Franz Schubert
Performer:  Marcus Ullmann (Tenor), Thomas E. Bauer (Bass), Ulrich Eisenlohr (Piano),
Markus Schäfer (Tenor)
Period: Romantic 
Written: by 1816; Vienna, Austria 
571.
Licht und Liebe, D 352 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Silke Schwarz (Soprano)
Period: Romantic 
Written: ?1816; Vienna, Austria 
572.
Antigone und Oedip, D 542/Op. 6 no 2 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Silke Schwarz (Soprano), Markus Flaig (Bass)
Written: 1817 
573.
Linde Lufte wehen, D 725 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Regina Jakobi (Alto)
Period: Romantic 
574.
Kantate zum Geburstag des Sängers Johann Michael Vogl, D 666 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Markus Schäfer (Tenor), Silke Schwarz (Soprano),
Thomas E. Bauer (Bass)
Period: Romantic 
Written: 10/1819; Vienna, Austria 
575.
Klage um Ali Bey no 1, D 140 by Franz Schubert
Performer:  Sibylla Rubens (Soprano), Regina Jakobi (Alto), Ulrich Eisenlohr (Piano),
Ingeborg Danz (Alto)
Period: Romantic 
Written: 1815; Vienna, Austria 
576.
Der Gondelfahrer, D 808 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Marcus Schmidl (Bass),
Thomas E. Bauer (Bass), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1824; Vienna, Austria 
577.
Coronach, D 836/Op. 52 no 4 by Franz Schubert
Performer:  Ulrich Eisenlohr (Piano), Silke Schwarz (Soprano), Regina Jakobi (Alto),
Ingeborg Danz (Alto)
Period: Romantic 
Written: 1825; Germany 
578.
Bootgesang, D 835/Op. 52 no 3 by Franz Schubert
Performer:  Markus Schäfer (Tenor), Ulrich Eisenlohr (Piano), Marcus Schmidl (Bass),
Thomas E. Bauer (Bass), Marcus Ullmann (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
579.
Ständchen, D 920a (921) by Franz Schubert
Performer:  Silke Schwarz (Soprano), Regina Jakobi (Alto), Ulrich Eisenlohr (Piano),
Ingeborg Danz (Alto), Sibylla Rubens (Soprano), Hildegard Wiedemann (Mezzo Soprano)
Period: Romantic 
Written: 1827; Vienna, Austria 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Schubert Whole and Wonderful! September 30, 2013 By Daniel B. (Lilydale, MN) See All My Reviews "You may well ask, Does anyone, even a devotee of German Lieder, need a boxed set of all of Schubert's songs? Before giving my response to that question, allow me to gush my praises for these 38 CDs. They are wonderfully organized according to the poets who inspired Schubert. The first two are poems of his close friend, Wilhelm Muller, in Schubert's sublime Die Schone Mullerin and Winterreise settings. The third CD is his publisher's compilation, Schwanengesang. Let me note in passing that the two baritones, Roman Trekel on the 2nd CD and Michael Volle on the 3rd, are both amazing in the beauty and power of their singing. CDs 4-6 are settings of poems by Goethe, CDs 7-10, by Schiller, CDs 11-12, by Mayrhofer, etc. You get the Big Picture: this collection not only displays the musical genius of Schubert, it also preserves the heritage of 19th century German poetry, otherwise almost inaccessible to us today. I have downloaded all of the lyrics from the Naxos site, and like Schubert, have been inspired by this wonderful, and sometimes great poetry. So for the twin arts of Music and Poetry, I say an enthusiastic YES to this boxed set!" Report Abuse
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