Notes and Editorial Reviews
This set contains 1 blu-ray audio disc playable only on blu-ray players and 1 Hybrid SACD playable on all CD players.
DIABOLO presents music at its finest, as one has come to expect from MDG, with a unique cast featuring the crème de la crème of the classical world: Elisabeth Leonskaja, Christian Zacharias, Hariolf Schlichtig, the Beethoven Orchestra of Bonn, the Mozart Piano Quartet, Jin Ju, Frank Bungarten, the Norddeutscher Figuralchor, and many others promise you a top—class musical fireworks. Seventy-eight minutes of performance joy from Bruckner to Beethoven, from Chopin to Shostakovich, and from Scheidemann to Schönberg recreate MDG’s legendary recording venues in all their facets right in your own
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living room and with a breathtaking you - are - there feeling never experienced before.
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Works on This Recording
1.
Symphony in D minor "Nullte", WAB 100: Scherzo. Presto by Anton Bruckner
Conductor:
Stefan Blunier
Period: Romantic
Written: circa 1863
Length: 2 Minutes 38 Secs.
2.
Nocturnes (3) for Piano, Op. 15: no 2 in F sharp major by Frédéric Chopin
Performer:
Elisabeth Leonskaja (Piano)
Period: Romantic
Written: 1830-1831; Poland
Length: 3 Minutes 41 Secs.
3.
Brass Sextet, Op. 30: Scherzo. Allegro vivace by Oskar Böhme
Orchestra/Ensemble:
Ensemble Wolfgang Bauer
Written: 1906
Length: 2 Minutes 25 Secs.
4.
Marie, for chorus (7 chansons), FP 81/6 by Francis Poulenc
Conductor:
Jörg Straube
Period: Modern
Written: 1936
Length: 2 Minutes 1 Secs.
5.
Serenata, Op. 127: Rondo - Allegro by Mauro Giuliani
Period: Classical
Length: 3 Minutes 47 Secs.
6.
Divertimento for Oboe Solo and Orchestra: Bergamasca. Presto by Antal Doráti
Performer:
Yeon-Hee Kwak (Oboe)
Conductor:
Johannes Goritzki
Period: Contemporary
Length: 2 Minutes 11 Secs.
7.
Orgelbüchlein: Ich ruf'zu dir, Herr Jesu Christ, BWV 639 by Johann Sebastian Bach
Performer:
Yumi Sekiya (Piano),
Hariolf Schlichtig (Viola)
Period: Baroque
Written: circa 1713-1717; Weimar, Germany
Length: 2 Minutes 30 Secs.
8.
Symphony No. 4, Op. 120: Scherzo - Trio - Scherzo by Robert Schumann
Conductor:
Christian Zacharias
Period: Romantic
Written: 1841; Germany
Length: 3 Minutes 15 Secs.
9.
Sonata Op. 1 No. 2, HWV 369: Allegro by George Frideric Handel
Performer:
Zvi Meniker (Harpsichord),
Heiko Ter Schegget (Recorder)
Period: Baroque
Written: 1725-1726
Length: 1 Minutes 54 Secs.
10.
Totentanz, S 126 by Franz Liszt
Performer:
Claudius Tanski (Piano)
Conductor:
Stefan Blunier
Period: Romantic
Written: 1849/1859; Weimar, Germany
Length: 4 Minutes 6 Secs.
11.
Missa "Mon coeur se recommende à vous": Sanctus, Hosanna by Johannes Eccard
Conductor:
Maria Jurgensen
Length: 2 Minutes 6 Secs.
12.
El Diablo Suelto by Heráclio Fernandez
Performer:
Nirse González (Guitar),
Anette Maiburg (Flute),
Jesús González Brito (Cuatro)
Written: Venezuela
Length: 2 Minutes 14 Secs.
13.
Notturno (Adagio) for violin, harp & strings in A flat major by Arnold Schoenberg
Conductor:
Stefan Blunier
Period: Modern
Written: 1896
Length: 3 Minutes 20 Secs.
14.
Etudes (12) for Piano, Op. 10: no 4 in C sharp minor, B 74 by Frédéric Chopin
Performer:
Hardy Rittner (Piano)
Period: Romantic
Written: 1832; Poland
Length: 1 Minutes 34 Secs.
15.
O Jesulein süß, folk song for chorus (7 Sacred Folk Songs, No. 6) by Max Reger
Conductor:
Jörg Straube
Period: Post-Romantic
Written: 1899
Length: 2 Minutes 47 Secs.
16.
Jesu, du wollst uns weisen, for organ, WV 78 by Heinrich Scheidemann
Performer:
Leo van Doeselaar (Organ)
Venue: Pieterskerk Leiden, The Netherlands
Length: 1 Minutes 37 Secs.
17.
Quartet, Op. 47: Scherzo. Molto vivace by Robert Schumann
Orchestra/Ensemble:
Mozart Piano Quartet
Period: Romantic
Written: 1842; Germany
Length: 3 Minutes 43 Secs.
18.
Concerto for Flugelhorn in E flat major, Op. 155: Excerpt(s) by Amilcare Ponchielli
Performer:
Roland Fröscher (Euphonium)
Conductor:
Matthias Foremny
Length: 2 Minutes 24 Secs.
19.
Sonata No. 104 en modo dorico: Allegro by Antonio Soler
Performer:
Godelieve Schrama (Harp)
Period: Classical
Length: 1 Minutes 4 Secs.
20.
Rosamunde: Jägerchor. Wie lebt sich's so fröhlich by Franz Schubert
Conductor:
Douglas Boyd
Period: Romantic
Written: 1823; Germany
Length: 1 Minutes 59 Secs.
21.
Distribuiçao de flores, W 381 by Heitor Villa-Lobos
Performer:
Andrea Lieberknecht (),
Frank Bungarten (Guitar)
Period: 20th Century
Written: 1937; Brazil
Length: 3 Minutes 35 Secs.
22.
Sonata in F minor, Op. 57: Allegro ma non troppo by Ludwig van Beethoven
Performer:
Jin Ju (Piano)
Period: Classical
Written: 1804-1805
Length: 5 Minutes 8 Secs.
23.
Jazz-Suite No. 2: Marcia by Dmitri Shostakovich
Conductor:
Milan Turkovic
Period: Modern
Written: 1938
Length: 2 Minutes 53 Secs.
24.
Sonata No. 1, Op. 11: Aria in F sharp minor by Robert Schumann
Performer:
Jin Ju (Piano)
Period: Romantic
Written: 1833-1835
Length: 3 Minutes 28 Secs.
25.
Douze Etudes: No. 1. Prélude. Animé by Heitor Villa-Lobos
Performer:
Frank Bungarten (Guitar)
Period: Modern
Written: 1929; Brazil
Length: 1 Minutes 23 Secs.
26.
Concerto No. 16, KV 451: Rondeau. Allegro di molto by Wolfgang Amadeus Mozart
Performer:
Christian Zacharias (Piano)
Conductor:
Christian Zacharias
Period: Classical
Written: 1784
Length: 6 Minutes 49 Secs.
27.
Three Organ Transcriptions, P. 167: Meine Seele erhebt den Herren by Ottorino Respighi
Conductor:
Stefan Blunier
Period: Post-Romantic
Written: 1930
Length: 1 Minutes 16 Secs.
28.
Suite Yiddish: Jossele un Jankele af der Britshke by Norbert Glanzberg
Conductor:
Daniel Klajner
Period: Contemporary
Length: 2 Minutes 8 Secs.
29.
Test Signals: Digital 0 by Recorded Sound
30.
Test Signals: Channel Identification by Recorded Sound
31.
Test Signals: Level Adjustment. Pink Noise -10 dB = L by Recorded Sound
32.
Test Signals: Level Adjustment. Pink Noise -10 dB = R by Recorded Sound
33.
Test Signals: Level Adjustment. Pink Noise -10 dB = SL by Recorded Sound
34.
Test Signals: Level Adjustment. Pink Noise -10 dB = SR by Recorded Sound
35.
Test Signals: Level Adjustment. Pink Noise -10 dB = TL by Recorded Sound
36.
Test Signals: Level Adjustment. Pink Noise -10 dB = TR by Recorded Sound
37.
Test Signals: Level Adjustment. Pink Noise -10 dB = STL/SBL by Recorded Sound
38.
Test Signals: Level Adjustment. Pink Noise -10 dB = STR/SBR by Recorded Sound
39.
Test Signals: All Channels Pink Noise -10 dB by Recorded Sound
40.
Test Signals: Phase Test (Pink Noise). Phase Test L/R (Front) by Recorded Sound
41.
Test Signals: Phase Test (Pink Noise). Phase Test R/SR (Side Right) by Recorded Sound
42.
Test Signals: Phase Test (Pink Noise). Phase Test SL/SR (Rear) by Recorded Sound
43.
Test Signals: Phase Test (Pink Noise). Phase Test L/SL (Side Left) by Recorded Sound
44.
Test Signals: Phase Test (Pink Noise). Phase Test L/C or L/TL by Recorded Sound
45.
Test Signals: Phase Test (Pink Noise). Phase Test TL/TR (Top Front) by Recorded Sound
46.
Test Signals: Phase Test (Pink Noise). Phase Test TR/STR (Top Side Right) by Recorded Sound
47.
Test Signals: Phase Test (Pink Noise). Phase Test STL/STR (Top Rear) by Recorded Sound
48.
Test Signals: Phase Test (Pink Noise). Phase Test STL/TL (Top Side Left) by Recorded Sound
49.
Test Signals: Phase Test (Music). Mono L/R by Recorded Sound
50.
Test Signals: Phase Test (Music). Mono R/SR by Recorded Sound
51.
Test Signals: Phase Test (Music). Mono SL/SR by Recorded Sound
52.
Test Signals: Phase Test (Music). Mono L/SL by Recorded Sound
53.
Test Signals: Phase Test (Music). Mono TL/TR by Recorded Sound
54.
Test Signals: Phase Test (Music). Mono TR/STR by Recorded Sound
55.
Test Signals: Phase Test (Music). Mono STL/STR by Recorded Sound
56.
Test Signals: Phase Test (Music). Mono STL/TL by Recorded Sound
57.
Test Signals: Phase Test (Music). Mono L/R/TL/TR by Recorded Sound
58.
Test Signals: Phase Test (Music). Mono L/R/SL/SR = Quadro by Recorded Sound
59.
Test Signals: Phase Test (Music). Mono TL/TR/STL/STR = Quadro oben by Recorded Sound
60.
Test Signals: Phase Test (Music). Mono All Channels by Recorded Sound
61.
Test Signals: Setting the subwoofer. SW 1/3 Octave Band 50 Hz by Recorded Sound
62.
Test Signals: Setting the subwoofer. SW 1/3 Octave Band 63 Hz by Recorded Sound
63.
Test Signals: Setting the subwoofer. SW 1/3 Octave Band 80 Hz by Recorded Sound
64.
Test Signals: Setting the subwoofer. SW 1/3 Octave Band 100 Hz by Recorded Sound
65.
Test Signals: Setting the subwoofer. L 1/3 Octave Band 80 Hz by Recorded Sound
66.
Test Signals: Setting the subwoofer. L 1/3 Octave Band 100 Hz by Recorded Sound
67.
Test Signals: Setting the subwoofer. L 1/3 Octave Band 125 Hz by Recorded Sound
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