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The Complete J.S. Bach Edition - 32gb Usb Stick

Bach,J.s.
Release Date: 04/30/2013 
Label:  Teldec   Catalog #: 4661127  
Composer:  Johann Sebastian Bach
Performer:  Max van EgmondKurt EquiluzPaul EsswoodWalter Gampert,   ... 
Conductor:  Nikolaus HarnoncourtGustav LeonhardtTon KoopmanJaap Schröder,   ... 
Orchestra/Ensemble:  Vienna Concentus MusicusChorus ViennensisVienna Boys' Choir,   ... 
Number of Discs: Fla 
Recorded in: Stereo 
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Works on This Recording

1. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 32 Secs. 
Language: German 
2. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 55 Secs. 
Language: German 
3. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 44 Secs. 
Language: German 
4. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1708; Weimar, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 9 Secs. 
Language: German 
5. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 46 Secs. 
Language: German 
6. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 52 Secs. 
Language: German 
7. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 58 Secs. 
Language: German 
8. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 3 Secs. 
Language: German 
9. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: circa 1732-1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 45 Secs. 
Language: German 
10. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 53 Secs. 
Language: German 
11. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 28 Minutes 53 Secs. 
Language: German 
12. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 41 Secs. 
Language: German 
13. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Walter Gampert (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 13 Secs. 
Language: German 
14. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 42 Secs. 
Language: German 
15. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 5 Secs. 
Language: German 
16. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 49 Secs. 
Language: German 
17. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: ?1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 14 Minutes 21 Secs. 
Language: German 
18. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 39 Secs. 
Language: German 
19. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 51 Secs. 
Language: German 
20. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer:  Walker Wyatt (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 36 Minutes 51 Secs. 
Language: German 
21. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 47 Secs. 
Language: German 
22. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Peter Hinterreiter (Boy Soprano), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 57 Secs. 
Language: German 
23. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 8 Secs. 
Language: German 
24. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 18 Secs. 
Language: German 
25. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 39 Secs. 
Language: German 
26. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 30 Secs. 
Language: German 
27. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 56 Secs. 
Language: German 
28. Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 23 Secs. 
Language: German 
29. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1738; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 37 Minutes 31 Secs. 
Language: German 
30. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 59 Secs. 
Language: German 
31. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 43 Secs. 
Language: German 
32. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 17 Secs. 
Language: German 
33. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: after 1740; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 20 Secs. 
Language: German 
34. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 57 Secs. 
Language: German 
35. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 30 Minutes 2 Secs. 
Language: German 
36. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 24 Secs. 
Language: German 
37. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 36 Secs. 
Language: German 
38. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 46 Secs. 
Language: German 
39. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 8 Secs. 
Language: German 
40. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 30 Secs. 
Language: German 
41. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 12 Secs. 
Language: German 
42. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 44 Secs. 
Language: German 
43. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 21 Secs. 
Language: German 
44. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 12 Secs. 
Language: German 
45. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer:  Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 28 Secs. 
Language: German 
46. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 19 Secs. 
Language: German 
47. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 3 Secs. 
Language: German 
48. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 25 Minutes 24 Secs. 
Language: German 
49. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
Date of Recording: 1967-78 
Length: 3 Minutes 38 Secs. 
Language: German 
50. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Marianne Kweksilber (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Written: 1730 
Date of Recording: 1967-78 
Length: 17 Minutes 51 Secs. 
Language: German 
51. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 26 Secs. 
Language: German 
52. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 28 Secs. 
Language: German 
53. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 0 Secs. 
Language: German 
54. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Michael Schopper (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 57 Secs. 
Language: German 
55. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1725 
Date of Recording: 1967-78 
Length: 22 Minutes 24 Secs. 
Language: German 
56. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Seppi Kronwitter (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
57. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 8 Secs. 
Language: German 
58. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 9 Secs. 
Language: German 
59. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 39 Secs. 
Language: German 
60. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 45 Secs. 
Language: German 
61. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 28 Minutes 54 Secs. 
Language: German 
62. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 12 Secs. 
Language: German 
63. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 45 Secs. 
Language: German 
64. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 31 Minutes 15 Secs. 
Language: German 
65. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 32 Secs. 
Language: German 
66. Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 49 Secs. 
Language: German 
67. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1743; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 10 Minutes 50 Secs. 
Language: German 
68. Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 26 Secs. 
Language: German 
69. Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 8 Secs. 
Language: German 
70. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer:  Lieuwe Visser (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1708; Mühlhausen, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 7 Secs. 
Language: German 
71. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 29 Secs. 
Language: German 
72. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 57 Secs. 
Language: German 
73. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jörg Erler (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 29 Secs. 
Language: German 
74. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Adalbert Kraus (Tenor),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 33 Minutes 9 Secs. 
Language: German 
75. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 30 Minutes 32 Secs. 
Language: German 
76. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer:  Adalbert Kraus (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 49 Secs. 
Language: German 
77. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 12 Secs. 
Language: German 
78. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 36 Secs. 
Language: German 
79. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 29 Minutes 16 Secs. 
Language: German 
80. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 58 Secs. 
Language: German 
81. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 58 Secs. 
Language: German 
82. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1727; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 39 Secs. 
Language: German 
83. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 22 Secs. 
Language: German 
84. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 22 Secs. 
Language: German 
85. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 12 Secs. 
Language: German 
86. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 2 Secs. 
Language: German 
87. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 37 Secs. 
Language: German 
88. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 34 Secs. 
Language: German 
89. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Markus Klein (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 26 Secs. 
Language: German 
90. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
91. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 2 Secs. 
Language: German 
92. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 3 Secs. 
Language: German 
93. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 24 Minutes 52 Secs. 
Language: German 
94. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 36 Secs. 
Language: German 
95. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
96. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 26 Minutes 38 Secs. 
Language: German 
97. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 27 Secs. 
Language: German 
98. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 18 Secs. 
Language: German 
99. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1735; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 47 Secs. 
Language: German 
100. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 4 Secs. 
Language: German 
101. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 21 Secs. 
Language: German 
102. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 17 Secs. 
Language: German 
103. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 18 Secs. 
Language: German 
104. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 0 Secs. 
Language: German 
105. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Raphael Harten (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 11 Secs. 
Language: German 
106. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 31 Secs. 
Language: German 
107. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 1 Secs. 
Language: German 
108. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 19 Secs. 
Language: German 
109. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Stefan Frangoulis (Boy Soprano),
Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 55 Secs. 
Language: German 
110. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer:  Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 8 Secs. 
Language: German 
111. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Markus Huber (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 40 Secs. 
Language: German 
112. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Countertenor),
Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 37 Secs. 
Language: German 
113. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 1 Secs. 
Language: German 
114. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 55 Secs. 
Language: German 
115. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 34 Secs. 
Language: German 
116. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 20 Secs. 
Language: German 
117. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 18 Secs. 
Language: German 
118. Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 17 Secs. 
Language: German 
119. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 23 Secs. 
Language: German 
120. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Thomas Schilling (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 25 Secs. 
Language: German 
121. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 20 Secs. 
Language: German 
122. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor),
Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 24 Secs. 
Language: German 
123. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer:  Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 50 Secs. 
Language: German 
124. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 9 Secs. 
Language: German 
125. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 1 Secs. 
Language: German 
126. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1978-84 
Length: 17 Minutes 43 Secs. 
Language: German 
127. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 4 Secs. 
Language: German 
128. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Walter Heldwein (Bass), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 15 Minutes 49 Secs. 
Language: German 
129. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 1 Secs. 
Language: German 
130. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Marius Van Altena (Tenor),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1715; Weimar, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 54 Secs. 
Language: German 
131. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Marius Van Altena (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 47 Secs. 
Language: German 
132. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 26 Minutes 30 Secs. 
Language: German 
133. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 13 Secs. 
Language: German 
134. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Walter Heldwein (Bass),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 51 Secs. 
Language: German 
135. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer:  Albert Hartinger (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 6 Secs. 
Language: German 
136. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 14 Secs. 
Language: German 
137. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724-1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 47 Secs. 
Language: German 
138. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 28 Minutes 29 Secs. 
Language: German 
139. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Roger Cericius (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 9 Secs. 
Language: German 
140. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 11 Secs. 
Language: German 
141. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 9 Minutes 38 Secs. 
Language: German 
142. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Paul Esswood (Countertenor), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 38 Minutes 2 Secs. 
Language: German 
143. Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Thomas Hampson (Bass), Stefan Rampf (Boy Alto),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1723 
Date of Recording: 1978-84 
Length: 31 Minutes 36 Secs. 
Language: German 
144. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 35 Secs. 
Language: German 
145. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 19 Secs. 
Language: German 
146. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1708-1709; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 34 Secs. 
Language: German 
147. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1983-88 
Length: 16 Minutes 12 Secs. 
Language: German 
148. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 8 Secs. 
Language: German 
149. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 6 Secs. 
Language: German 
150. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 59 Secs. 
Language: German 
151. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1716; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 8 Secs. 
Language: German 
152. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 22 Secs. 
Language: German 
153. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 35 Secs. 
Language: German 
154. Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: after 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 11 Minutes 32 Secs. 
Language: German 
155. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 36 Secs. 
Language: German 
156. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 13 Secs. 
Language: German 
157. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 37 Secs. 
Language: German 
158. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 14 Secs. 
Language: German 
159. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1883-88 
Length: 17 Minutes 26 Secs. 
Language: German 
160. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 31 Secs. 
Language: German 
161. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 17 Minutes 53 Secs. 
Language: German 
162. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 42 Secs. 
Language: German 
163. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Christian Immler (Boy Alto), Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 27 Secs. 
Language: German 
164. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano),
Paul Esswood (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 39 Secs. 
Language: German 
165. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 42 Secs. 
Language: German 
166. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 1 Secs. 
Language: German 
167. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 47 Secs. 
Language: German 
168. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Stefan Gienger (Boy Soprano), Christian Immler (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 56 Secs. 
Language: German 
169. Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer:  Christian Immler (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 37 Secs. 
Language: German 
170. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 57 Secs. 
Language: German 
171. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 21 Secs. 
Language: German 
172. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1732; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
173. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 12 Secs. 
Language: German 
174. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 54 Secs. 
Language: German 
175. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor),
Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
176. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 48 Secs. 
Language: German 
177. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 50 Secs. 
Language: German 
178. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 37 Secs. 
Language: German 
179. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer:  Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 26 Secs. 
Language: German 
180. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano), Thomas Hampson (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 15 Secs. 
Language: German 
181. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Robert Holl (Bass), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 27 Minutes 32 Secs. 
Language: German 
182. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:  Michael Emmermann (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 5 Secs. 
Language: German 
183. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 50 Secs. 
Language: German 
184. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1730; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 13 Secs. 
Language: German 
185. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:  Hans Stricker (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Stefan Gienger (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 39 Minutes 13 Secs. 
Language: German 
186. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), John Elwes (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1737; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 57 Secs. 
Language: German 
187. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1708; Weimar, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 12 Secs. 
Language: German 
188. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), Kurt Equiluz (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 1 Secs. 
Language: German 
189. Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 35 Minutes 14 Secs. 
Language: German 
190. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Barbara Bonney (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 42 Secs. 
Language: German 
191. Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1719; Cöthen, Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 36 Minutes 1 Secs. 
Language: German 
192. Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: circa ?1722; Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 18 Minutes 40 Secs. 
Language: German 
193. Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Jeremy Ovenden (Tenor), Paul Agnew (Tenor),
Peter de Groot (Countertenor), Caroline Stam (Soprano), Donald Bentvelsen (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 47 Minutes 27 Secs. 
Language: German 
194. Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 24 Minutes 51 Secs. 
Language: German 
195. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Agnes Giebel (Soprano)
Conductor:  Jaap Schröder
Orchestra/Ensemble:  Concerto Amsterdam
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
Length: 21 Minutes 31 Secs. 
Language: German 
196. Amore traditore, BWV 203 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Jacques Villisech (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: Germany 
Length: 14 Minutes 26 Secs. 
Language: Italian 
197. Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Agnes Giebel (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: ?1734; Leipzig, Germany 
Length: 23 Minutes 54 Secs. 
Language: Italian 
198. Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer:  Dorothea Röschmann (Soprano), Axel Köhler (Countertenor), Hans-Georg Wimmer (Bass),
Christoph Genz (Tenor)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Ex Tempore,  Musica Antiqua Cologne
Period: Baroque 
Written: 1726; Germany 
Date of Recording: 1996 
Venue:  Broadcast Hall, German Radio, Cologne 
Length: 33 Minutes 1 Secs. 
Language: German 
199. Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer:  Jacques Villisech (Bass), Tom Brand (Tenor), Wilhelmine Mattès (Alto),
Irmgard Jacobeit (Soprano)
Conductor:  André Rieu
Orchestra/Ensemble:  Amsterdam Chamber Orchestra,  Monteverdi Choir Hamburg
Period: Baroque 
Written: 10/07/1733; Leipzig, Germany 
Length: 42 Minutes 9 Secs. 
Language: German 
200. Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Yvonne Kenny (Soprano), Marjana Lipovsek (Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Length: 40 Minutes 53 Secs. 
Language: German 
201. Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:  Rotraud Hansmann (Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1734-1735; Leipzig, Germany 
Length: 27 Minutes 2 Secs. 
Language: German 
202. Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer:  Sibylla Rubens (Soprano), Elisabeth von Magnus (Alto), Anne Grimm (Soprano),
Christoph Prégardien (Tenor), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 33 Minutes 43 Secs. 
Language: German 
203. O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: ?1740; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 39 Secs. 
Language: German 
204. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer:  Yvonne Kenny (Soprano), Robert Holl (Bass), Kurt Equiluz (Tenor),
Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1713; Cöthen, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 33 Minutes 31 Secs. 
Language: German 
205. Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1742; Leipzig, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 30 Minutes 26 Secs. 
Language: German 
206. Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer:  Anne Grimm (Soprano), Christoph Prégardien (Tenor), Elisabeth von Magnus (Alto),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 45 Minutes 38 Secs. 
Language: German 
207. Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Paul Agnew (Tenor), Klaus Mertens (Bass),
Els Bongers (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 25 Minutes 25 Secs. 
Language: German 
208. Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Els Bongers (Soprano), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 22 Secs. 
Language: German 
209. Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Klaus Mertens (Bass), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1997 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 16 Minutes 16 Secs. 
Language: German 
210. Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Caroline Stam (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Written: after 1740 
Length: 14 Minutes 44 Secs. 
Language: German 
211. Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer:  Caroline Stam (Soprano), Michael Chance (Countertenor), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1727; Germany 
Length: 19 Minutes 50 Secs. 
Language: German 
212. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 6 Minutes 45 Secs. 
Language: German 
213. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 4 Minutes 37 Secs. 
Language: German 
214. Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Siegfried Lorenz (Bass), Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Christ Church, Berlin, Germany 
Length: 26 Minutes 44 Secs. 
Language: German 
215. Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer:  Barbara Scherler (Alto)
Conductor:  Fritz Werner
Orchestra/Ensemble:  Pforzheim Southwest German Chamber Orchestra
Period: Baroque 
Written: ?1742; Leipzig, Germany 
Length: 3 Minutes 54 Secs. 
Language: German 
216. Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Angela Maria Blasi (Soprano),
Delores Ziegler (Soprano), Jadwiga Rappé (Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
Date of Recording: 1986 
Venue:  Vienna, Austria 
Length: 110 Minutes 2 Secs. 
Language: Latin 
217. Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Performer:  Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Hannah Schaer (Alto),
Mauricette Capt (Soprano), Wally Staempfli (Soprano), Michel Brodard (Bass),
Philippe Huttenlocher (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 28 Minutes 51 Secs. 
Language: Latin 
218. Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Hannah Schaer (Alto),
Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Wally Staempfli (Soprano),
Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 35 Minutes 38 Secs. 
Language: Latin 
219. Sanctus in D minor, BWV 239 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 1 Minutes 44 Secs. 
Language: Latin 
220. Sanctus in G major, BWV 240 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 2 Minutes 44 Secs. 
Language: Latin 
221. Sanctus in D major, BWV 241 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: circa 1747; Leipzig, Germany 
Length: 2 Minutes 8 Secs. 
Language: Latin 
222. Missa brevis in G major, BWV 236 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Olivier Dufour (Tenor),
John Elwes (Tenor), Hannah Schaer (Alto), Claudine Perret (Alto),
Nicole Rossier-Maradan (Mezzo Soprano), Mauricette Capt (Soprano), Wally Staempfli (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 29 Minutes 34 Secs. 
Language: Latin 
223. Missa brevis in G minor, BWV 235 by Johann Sebastian Bach
Performer:  John Elwes (Tenor), Hannah Schaer (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Olivier Dufour (Tenor), Claudine Perret (Alto), Philippe Huttenlocher (Bass),
Michel Brodard (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 32 Minutes 22 Secs. 
Language: Latin 
224. Sanctus in D major, BWV 238 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723-1724; Leipzig, Germany 
Length: 3 Minutes 22 Secs. 
Language: Latin 
225. Christe eleison in g minor, BWV 242 by Johann Sebastian Bach
Performer:  Hannah Schaer (Alto), Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Wally Staempfli (Soprano), Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Chamber Orchestra
Period: Baroque 
Written: Germany 
Length: 2 Minutes 11 Secs. 
Language: Latin 
226. Sanctus in C major, BWV 237 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 1 Minutes 43 Secs. 
Language: Latin 
227. Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Heldrun Gardow (Soprano), Robert Holl (Bass),
Kurt Equiluz (Tenor), Hildegard Heichele (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 27 Minutes 26 Secs. 
Language: Latin 
228. Magnificat in E flat major, BWV 243a by Johann Sebastian Bach
Performer:  Emma Kirkby (Soprano), Judith Nelson (Soprano), Paul Elliott (Tenor),
Carolyn Watkinson (Alto), David Thomas (Bass)
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978 
Venue:  St. Paul's, Arnos Grove, London 
Length: 35 Minutes 34 Secs. 
Language: Latin 
229. Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  Karl Ridderbusch (Bass), Paul Esswood (Countertenor), Tom Sutcliffe (Countertenor),
James Bowman (Countertenor), Kurt Equiluz (Tenor), Michael Schopper (Bass),
Nigel Rogers (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Regensburg Cathedral Choir,  Cambridge King's College Choir  ... 
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
Date of Recording: 1970 
Venue:  Vienna, Austria 
Length: 174 Minutes 28 Secs. 
Language: German 
230. Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer:  Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 1972 
Venue:  Vienna, Austria 
Length: 154 Minutes 21 Secs. 
Language: German 
231. Tilge, Höchster, meine Sünden, BWV 1083 by Johann Sebastian Bach
Conductor:  Gunar Letzbor
Orchestra/Ensemble:  Ars Antiqua Austria,  St. Florian Children's Choir
Period: Baroque 
Written: 1741-1746; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Florian Cathedral, Austria 
Length: 42 Minutes 52 Secs. 
Language: German 
232. Easter Oratorio, BWV 249 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano), Klaus Mertens (Bass), Gerd Türk (Tenor),
Elisabeth von Magnus (Alto), Elisabeth von Magnus (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1998 
Venue:  Amsterdam, The Netherlands 
Length: 41 Minutes 3 Secs. 
Language: German 
233. Saint John Passion, BWV 245: no 11a, Himmel, reisse, Welt erbebe by Johann Sebastian Bach
Performer:  Olaf Bär (Baritone)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 19 Secs. 
Language: German 
234. Saint John Passion, BWV 245: no 13a, Zerschmettert mich, ihr Felsen und ihr Hugel by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 51 Secs. 
Language: German 
235. Saint John Passion, BWV 245: no 19a, Ach windet euch so, geplagte Seelen by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 5 Minutes 56 Secs. 
Language: German 
236. Saint John Passion, BWV 245 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Anton Scharinger (Bass), Marjana Lipovsek (Alto),
Franz Leitner (Tenor), Angela Maria Blasi (Soprano), Anthony Rolfe Johnson (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1993 
Venue:  Vienna, Austria 
Length: 110 Minutes 5 Secs. 
Language: German 
237. Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Nikolaus Harnoncourt,  Robin Gritton
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir,  Berlin Radio Chorus
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 12 Minutes 44 Secs. 
Language: German 
238. Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 40 Secs. 
Language: German 
239. Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1725-1749; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 48 Secs. 
Language: German 
240. Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 20 Minutes 1 Secs. 
Language: German 
241. Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 8 Minutes 2 Secs. 
Language: German 
242. Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1723-1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 5 Minutes 45 Secs. 
Language: German 
243. Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 47 Secs. 
Language: German 
244. Ach Gott, erhör' mein Seufen, BWV 254 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 59 Secs. 
Language: German 
245. Ach Gott und Herr, BWV 255 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 44 Secs. 
Language: German 
246. Ach lieben Christen, seid getrost, BWV 256 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
247. Wär' Gott nicht mit uns diese Zeit, BWV 257 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
248. Wo Gott der Herr nicht bei uns Hält, BWV 258 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
249. Ach, was soll ich Sünder machen, BWV 259 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
250. Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
251. Allein zu dir, Herr Jesu Christ, BWV 261 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 38 Secs. 
Language: German 
252. Alle Menschen müssen sterben, BWV 262 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
253. Alles ist an Gottes Segen, BWV 263 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
254. Als der gütige Gott, BWV 264 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 26 Secs. 
Language: German 
255. Als Jesus Christus in der Nacht, BWV 265 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 40 Secs. 
Language: German 
256. Als vierzig Tag' nach Ostern war, BWV 266 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
257. An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 46 Secs. 
Language: German 
258. Auf, auf, mein Herz, und du, mein ganzer Sinn, BWV 268 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
259. Aus meines Herzens Grunde, BWV 269 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
260. Befiehl du deine Wege, BWV 270 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 22 Secs. 
Language: German 
261. Dem Herren musst du trauen, BWV 271 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
262. Dein' ew'ge Treu' und Gnade, BWV 272 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
263. Christ, der du bist der helle Tag, BWV 273 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 48 Secs. 
Language: German 
264. Christe, der du bist Tag und Licht, BWV 274 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
265. Christe, du Beistand deiner Kreuzgemeinde, BWV 275 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 15 Secs. 
Language: German 
266. Christ ist erstanden, BWV 276 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 15 Secs. 
Language: German 
267. Christ lag in Todes Banden, BWV 277 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
268. Den Tod niemand bezwingen kunt, BWV 278 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
269. Hier ist das rechte Osterlamm, BWV 279 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 8 Secs. 
Language: German 
270. Christ, unser Herr, zum Jordan kam, BWV 280 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 29 Secs. 
Language: German 
271. Mit Freud fahr ich von dannen, BWV 281 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
272. Christus, der ist mein Leben, BWV 282 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 49 Secs. 
Language: German 
273. Christus, der uns selig macht, BWV 283 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 19 Secs. 
Language: German 
274. Christus ist erstanden, hat überwunden, BWV 284 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
275. Da der Herr Christ zu Tische sass, BWV 285 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
276. Danket dem Herren, denn er ist sehr freundlich, BWV 286 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
277. Dank sei Gott in der Höhe, BWV 287 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Language: German 
278. Das alte Jahr vergangen ist, BWV 288 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
279. Wir bitten dich, du ewger Sohn, BWV 289 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
280. Das walt' Gott Vater und Gott Sohn, BWV 290 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
281. Das walt' mein Gott, Vater, Sohn und heil'ger Geist, BWV 291 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
282. Den Vater dort oben, BWV 292 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
283. Der du bist drei in Einigkeit, BWV 293 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
284. Der Tag, der ist so freudenreich, BWV 294 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 24 Secs. 
Language: German 
285. Des heil'gen Geistes reiche Gnad', BWV 295 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
286. Die Nacht ist kommen, BWV 296 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 14 Secs. 
Language: German 
287. Die Sonn' hat sich mit ihrem Glanz gewendet, BWV 297 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 3 Secs. 
Language: German 
288. Dies sind die heil'gen zehn Gebot', BWV 298 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
289. Dir, dir, Jehova, will ich singen, BWV 299 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
290. Du grosser Schmerzensmann, von Vater so geschlagen, BWV 300 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
291. Du, o schönes Weltgebäude, BWV 301 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 18 Secs. 
Language: German 
292. Ein' feste Burg is unser Gott, BWV 302 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
293. Mit unsrer Macht ist nichts gethan, BWV 303 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
294. Eins ist Not! ach Herr, dies Eine, BWV 304 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
295. Erbarm' dich mein, o Herre Gott, BWV 305 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 28 Secs. 
Language: German 
296. Erstanden ist der heil'ge Christ, BWV 306 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
297. Es ist gewisslich an der Zeit, BWV 307 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
298. Es spricht der Unweisen Mund wohl, BWV 308 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 17 Secs. 
Language: German 
299. Es steh'n vor Gottes Throne, BWV 309 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
300. Es wird schier der letzte Tag herkommen, BWV 310 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
301. Es woll' uns Gott genädig sein, BWV 311 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 27 Secs. 
Language: German 
302. So danken Gott, und loben dich, BWV 312 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
303. Für Freuden lasst uns springen, BWV 313 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
304. Gelobet seist du, Jesu Christ, BWV 314 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
305. Gib dich zufrieden und sei stille, BWV 315 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
306. Gott, der du selber bist das Licht, BWV 316 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
307. Gott, der Vater, wohn' uns bei, BWV 317 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
308. Gottes Sohn ist kommen, BWV 318 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 54 Secs. 
Language: German 
309. Gott hat das Evangelium, BWV 319 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
310. Gott lebet noch, BWV 320 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 23 Secs. 
Language: German 
311. Gottlob, es geht nunmehr zu Ende, BWV 321 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 56 Secs. 
Language: German 
312. Gott sei gelobet und gebenedeiet, BWV 322 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 6 Secs. 
Language: German 
313. Gott sei uns gnädig, BWV 323 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 37 Secs. 
Language: German 
314. Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 29 Secs. 
Language: German 
315. Heilig, heilig, BWV 325 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 47 Secs. 
Language: German 
316. Herr Gott, dich loben alle wir, BWV 326 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
317. Für deinen Thron tret' ich hiermit, BWV 327 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
318. Herr Gott, dich loben wir, BWV 328 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 6 Minutes 59 Secs. 
Language: German 
319. Herr, ich denk' an jene Zeit, BWV 329 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
320. Herr, ich habe missgehandelt, BWV 330 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
321. Doch, wie könnt ich dir entfliehen, BWV 331 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 11 Secs. 
Language: German 
322. Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 39 Secs. 
Language: German 
323. Herr Jesu Christ, du hast bereit't, BWV 333 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 9 Secs. 
Language: German 
324. Herr Jesu Christ, du höchstes Gut, BWV 334 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
325. Herr Jesu Christ, mein's Lebens Licht, BWV 335 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
326. Herr Jesu Christ, wah'r Mensch und Gott, BWV 336 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
327. Herr, nun lass in Friede, BWV 337 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
328. Herr, straf mich nicht in deinem Zorn, BWV 338 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
329. Herr, wie du willst, so schick's mit mir, BWV 339 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
330. Herzlich lieb hab ich dich, o Herr, BWV 340 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
331. Heut' ist, o Mensch, ein grosser Trauertag, BWV 341 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
332. Heut' triumphieret Gottes Sohn, BWV 342 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
333. Hilf, Gott, lass mir's gelinge, BWV 343 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 12 Secs. 
Language: German 
334. Hilf, Herr Jesu, lass gelingen, BWV 344 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
335. Fugue in G minor, BWV 578 "Little G minor" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 3 Minutes 41 Secs. 
336. Canzona in d, BWV 588 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 8 Secs. 
337. Prelude and Fugue in A minor, BWV 543 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 43 Secs. 
338. Fantasie and Fugue in C minor, BWV 562 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 4 Minutes 21 Secs. 
339. Prelude and Fugue in C major, BWV 531 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 59 Secs. 
340. Fantasie in G major, BWV 572 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 10 Secs. 
341. Fantasie in C major, BWV 570 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 2 Minutes 21 Secs. 
342. Chorale Preludes (6) BWV 645-650 "Schübler" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Written: c1748-49 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 18 Minutes 18 Secs. 
343. Wo soll ich fliehen hin?, BWV 5: Wo soll ich fliehen hin? by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
344. Wo soll ich fliehen hin?, BWV 5: Führ auch mein Herz und Sinn by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 41 Secs. 
Language: German 
345. Wer nur den lieben Gott lässt walten, BWV 93: Wer nur den lieben Gott lässt walten by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 53 Secs. 
Language: German 
346. Wer nur den lieben Gott lässt walten, BWV 93: Sing, bet und geh auf Gottes Wegen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 54 Secs. 
Language: German 
347. Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 28 Secs. 
Language: German 
348. Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 41 Secs. 
Language: German 
349. Selig ist der Mann, der die Anfechtung erdulet, BWV 57: no 8, Richte dich, Liebste by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 0 Secs. 
Language: German 
350. Chorales (18) for Organ, BWV 651-668 "Leipzig" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 93 Minutes 9 Secs. 
351. Wenn wir in höchsten Nöten sein, BWV 431 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 56 Secs. 
Language: German 
352. Wer mich liebet, der wird mein Wort halten, BWV 59: Komm, heiliger Geist, Herre Gott by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 39 Secs. 
Language: German 
353. Der Geist hilft unser Schwachheit auf, BWV 226: Du heilige Brunst, süsser Trost by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 35 Secs. 
Language: German 
354. An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 47 Secs. 
Language: German 
355. Schmücke dich, o liebe Seele, BWV 180: Schmücke dich, o liebe Seele by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 10/22/1724 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
356. Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
357. O Lamm Gottes, unschuldig, BWV 401 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
358. Nun danket alle Gott, BWV 386 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 10 Secs. 
Language: German 
359. Von Gott will ich nicht lassen, BWV 418 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 57 Secs. 
Language: German 
360. Schwingt freudig euch empor, BWV 36: Lob sei Gott dem Vater g'ton by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 11 Secs. 
Language: German 
361. Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 2 Minutes 7 Secs. 
Language: German 
362. Jesus Christus, unser Heiland, BWV 363 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 57 Secs. 
Language: German 
363. Komm, Gott Schöpfer, heiliger Geist, BWV 370 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 2 Secs. 
Language: German 
364. Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 22 Secs. 
365. Trio Sonata for Organ no 3 in D minor, BWV 527 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 31 Secs. 
366. Trio Sonata for Organ no 4 in E minor, BWV 528 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 9 Minutes 37 Secs. 
367. Trio Sonata for Organ no 5 in C major, BWV 529 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 21 Secs. 
368. Trio Sonata for Organ no 6 in G major, BWV 530 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 53 Secs. 
369. Toccata, Adagio and Fugue in C major, BWV 564 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 1 Secs. 
370. Toccata and Fugue in D minor, BWV 538 "Dorian" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 34 Secs. 
371. Prelude and Fugue in E major, BWV 566 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 10 Secs. 
372. Kyrie, Gott Vater in Ewigkeit, BWV 669 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 31 Secs. 
373. Christe, aller Welt Trost, BWV 670 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 4 Secs. 
374. Kyrie, Gott heiliger Geist, BWV 671 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 54 Secs. 
375. Kyrie, Gott Vater in Ewigkeit, BWV 672 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 14 Secs. 
376. Christe, aller Welt Trost, BWV 673 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 9 Secs. 
377. Kyrie, Gott heiliger Geist, BWV 674 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 22 Secs. 
378. Allein Gott in der Höh' sei Ehr', BWV 675 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 41 Secs. 
379. Allein Gott in der Höh' sei Ehr', BWV 676 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 20 Secs. 
380. Allein Gott in der Höh' sei Ehr', BWV 677 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 15 Secs. 
381. Dies sind die heilgen zehen Gebot, BWV 678 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 17 Secs. 
382. Dies sind die heiligen zehen Gebot, BWV 679 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 55 Secs. 
383. Wir gläuben all'an einen Gott, BWV 680 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 13 Secs. 
384. Wir gläuben all'an einen Gott, BWV 681 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
385. Vater unser im Himmelreich, BWV 682 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 9 Minutes 24 Secs. 
386. Vater unser im Himmelreich, BWV 683 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
387. Christ, unser Herr, zum Jordan kam, BWV 684 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 35 Secs. 
388. Christ, unser Herr, zum Jordan kam, BWV 685 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 29 Secs. 
389. Aus tiefer Not schrei ich zu dir, BWV 686 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 40 Secs. 
390. Aus tiefer Not schrei ich zu dir, BWV 687 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 28 Secs. 
391. Jesus Christus, unser Heiland, BWV 688 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
392. Jesus Christus, unser Heiland, BWV 689 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 48 Secs. 
393. Duet for Organ in E minor, BWV 802 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 0 Secs. 
394. Duet for Organ in F major, BWV 803 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
395. Duet for Organ in G major, BWV 804 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 2 Minutes 41 Secs. 
396. Duet for Organ in A minor, BWV 805 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 2 Secs. 
397. Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 11 Secs. 
398. Fugue in C minor, BWV 575 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 21 Secs. 
399. Prelude and Fugue in C minor, BWV 549 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 38 Secs. 
400. Prelude in G major, BWV 568 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 10 Secs. 
401. Allabreve in D major, BWV 589 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 36 Secs. 
402. Prelude and Fugue in G minor, BWV 535 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 36 Secs. 
403. Prelude and Fugue in E minor, BWV 533 "Little Prelude and Fugue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 38 Secs. 
404. Prelude in A minor, BWV 569 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 6 Secs. 
405. Fugue in G major, BWV 577 "Gigue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 51 Secs. 
406. Trio for Organ in D minor, BWV 583 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 42 Secs. 
407. Pedal-Exercitium, BWV 598 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 2 Minutes 33 Secs. 
408. Pastorale in F major, BWV 590 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 25 Secs. 
409. Orgelbüchlein, BWV 599-644 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1714-1717; Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 69 Minutes 34 Secs. 
410. Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1700; Lüneburg, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 19 Minutes 0 Secs. 
411. Partite sopra "Ach, was soll ich Sünder machen?", BWV 770 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 9 Minutes 16 Secs. 
412. In dulci jubilo, BWV 729 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 2 Minutes 11 Secs. 
413. Ich hab'mein'Sach'Gott heimgestellt, BWV 707 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 3 Minutes 56 Secs. 
414. Wachet auf, ruft uns die Stimme, BWV 140: no 7, Gloria sei dir gesungen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
415. Prelude and Fugue in B minor, BWV 544 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 11 Minutes 14 Secs. 
416. Trio Sonata for Organ no 2 in C minor, BWV 526 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 47 Secs. 
417. Toccata and Fugue in F major, BWV 540 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 8 Secs. 
418. Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 8 Minutes 14 Secs. 
419. Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 11 Minutes 31 Secs. 
420. Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 54 Secs. 
421. Prelude and Fugue in C minor, BWV 546 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 55 Secs. 
422. Prelude and Fugue in G major, BWV 550 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 14 Secs. 
423. Prelude and Fugue in C major, BWV 545 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 10 Minutes 54 Secs. 
424. Prelude and Fugue in D minor, BWV 539 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1720-1725 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 29 Secs. 
425. Prelude and Fugue in F minor, BWV 534 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 58 Secs. 
426. Passacaglia in C minor, BWV 582 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1712; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 12 Minutes 27 Secs. 
427. Fantasie and Fugue in C minor, BWV 537 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708 - 1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 54 Secs. 
428. Prelude and Fugue in G major, BWV 541 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 46 Secs. 
429. Prelude and Fugue in C major, BWV 547 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: after 1723; ?Leipzig, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 8 Minutes 40 Secs. 
430. Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
431. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 31 Secs. 
Language: German 
432. Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 21 Minutes 52 Secs. 
433. Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 33 Minutes 23 Secs. 
434. English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 54 Secs. 
435. French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 8 Minutes 3 Secs. 
436. English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 40 Secs. 
437. French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 6 Minutes 44 Secs. 
438. English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 15 Minutes 38 Secs. 
439. French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 9 Minutes 48 Secs. 
440. English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 51 Secs. 
441. French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 7 Minutes 29 Secs. 
442. English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 20 Minutes 39 Secs. 
443. French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 11 Minutes 45 Secs. 
444. English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 25 Minutes 59 Secs. 
445. French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 10 Minutes 8 Secs. 
446. Suite in E flat major, BWV 819 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 13 Minutes 53 Secs. 
447. Suite in E flat major, BWV 819a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?1730s; Cöthen, Germany 
Length: 3 Minutes 25 Secs. 
448. Suite in B flat major, BWV 821 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 11 Minutes 32 Secs. 
449. Minuet in G major, BWV 841 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 1 Minutes 25 Secs. 
450. Minuet in G minor, BWV 842 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 0 Minutes 59 Secs. 
451. Minuet in G major, BWV 843 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 2 Minutes 4 Secs. 
452. Trio in B minor, BWV 814a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722-1725; Leipzig, Germany 
Length: 1 Minutes 24 Secs. 
453. Scherzo in D minor, BWV 844 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Leipzig, Germany 
Length: 2 Minutes 20 Secs. 
454. Suite in A minor, BWV 818a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 14 Minutes 34 Secs. 
455. Suite in A minor, BWV 818 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 5 Minutes 48 Secs. 
456. Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 20 Minutes 36 Secs. 
457. Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 32 Minutes 26 Secs. 
458. Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 117 Minutes 16 Secs. 
459. Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1738-1742; Leipzig, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 148 Minutes 3 Secs. 
460. Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 10 Secs. 
461. Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 41 Secs. 
462. Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 24 Secs. 
463. Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 33 Minutes 18 Secs. 
464. Prelude and Fugue in A minor, BWV 894 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 10 Minutes 53 Secs. 
465. Prelude and Fughetta in E minor, BWV 900 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 9 Secs. 
466. Prelude and Fughetta in G major, BWV 902a: Prelude by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 4 Secs. 
467. Fantasia and Fugue in A minor, BWV 904 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1725; Leipzig, Germany 
Length: 10 Minutes 21 Secs. 
468. Prelude in C major, BWV 924 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 54 Secs. 
469. Prelude in D major, BWV 925 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 55 Secs. 
470. Prelude in D minor, BWV 926 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 9 Secs. 
471. Praeambulum in F major, BWV 927 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
472. Prelude in F major, BWV 928 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 19 Secs. 
473. Praeambulum in G minor, BWV 930 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 44 Secs. 
474. Prelude in A minor, BWV 931 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 1 Secs. 
475. Little Preludes (6): no 5 in E major, BWV 937 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 39 Secs. 
476. Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 32 Secs. 
477. Prelude in D minor, BWV 940 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 10 Secs. 
478. Applicatio in C major, BWV 994 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 0 Minutes 52 Secs. 
479. Little Preludes (6): no 1 in C major, BWV 933 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 38 Secs. 
480. Little Preludes (6): no 2 in C minor, BWV 934 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 49 Secs. 
481. Little Preludes (6): no 3 in D minor, BWV 935 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 43 Secs. 
482. Little Preludes (6): no 4 in D major, BWV 936 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 3 Minutes 14 Secs. 
483. Little Preludes (6): no 6 in E minor, BWV 938 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 51 Secs. 
484. Prelude in E minor, BWV 941 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 34 Secs. 
485. Prelude in C major, BWV 943 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 2 Minutes 6 Secs. 
486. Fugue in A minor, BWV 944 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?Weimar, Germany 
Length: 8 Minutes 11 Secs. 
487. Fugue in B flat major, BWV 955 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 5 Minutes 16 Secs. 
488. Fugue in A minor, BWV 958 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 9 Secs. 
489. Fugue in A minor, BWV 959 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 15 Secs. 
490. Sonata in D major, BWV 963 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 10 Minutes 17 Secs. 
491. Capriccio in E major, BWV 993 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 5 Minutes 59 Secs. 
492. Toccata in D major, BWV 912 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 10 Minutes 35 Secs. 
493. Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 5 Minutes 53 Secs. 
494. Toccata in F sharp minor, BWV 910 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710 ; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 27 Secs. 
495. Toccata in G major, BWV 916 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 7 Minutes 49 Secs. 
496. Toccata in C minor, BWV 911 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1717; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 9 Minutes 53 Secs. 
497. Toccata in D minor, BWV 913 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 12 Minutes 27 Secs. 
498. Toccata in G minor, BWV 915 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 25 Secs. 
499. Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 11/1970 
Venue:  Bennebroek, Holland 
Length: 11 Minutes 19 Secs. 
500. Prelude and Fughetta in A minor, BWV 895 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1725 
Length: 2 Minutes 44 Secs. 
501. Fugue in C major, BWV 952 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Date of Recording: 02/1964 
Venue:  Bennebroek, Holland 
Length: 2 Minutes 7 Secs. 
502. Suite in F minor, BWV 823 [fragment] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 6 Minutes 33 Secs. 
503. Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1704; Arnstadt, Germany 
Date of Recording: 02/1970 
Venue:  Bennebroek, Holland 
Length: 12 Minutes 54 Secs. 
504. Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: by 1714; Weimar, Germany 
Length: 15 Minutes 36 Secs. 
505. Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: ?1731; Leipzig, Germany 
Length: 9 Minutes 22 Secs. 
506. Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 12 Minutes 25 Secs. 
507. Overture in the French style in B minor, BWV 831 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 27 Minutes 26 Secs. 
508. Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
Length: 47 Minutes 41 Secs. 
509. Sonata in D minor, BWV 964 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 18 Minutes 14 Secs. 
510. Sonata in A minor, BWV 965 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 33 Secs. 
511. Sonata in C major, BWV 966 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 2 Secs. 
512. Adagio in G major, BWV 968 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 19 Minutes 25 Secs. 
513. Fugue in B flat major, BWV 954 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 3 Minutes 41 Secs. 
514. Prelude and Partita for Keyboard in F major, BWV 833 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 9 Minutes 14 Secs. 
515. Prelude and Fugue in A major, BWV 896 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: by 1710 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 41 Secs. 
516. Prelude and Fughetta in D minor, BWV 899 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 30 Secs. 
517. Fantasie in G minor, BWV 917 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 51 Secs. 
518. Prelude in G minor, BWV 929 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 44 Secs. 
519. Prelude and Fughetta in G major, BWV 902 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 49 Secs. 
520. Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1738; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 30 Secs. 
521. Prelude and Fughetta in F major, BWV 901 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 9 Secs. 
522. Prelude in C minor, BWV 921 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 26 Secs. 
523. Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 56 Secs. 
524. Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
525. Well-Tempered Clavier, Book 1: Prelude and Fugue no 2 in C minor, BWV 847 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 2 Secs. 
526. Well-Tempered Clavier, Book 1: Prelude and Fugue no 6 in D minor, BWV 851 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 55 Secs. 
527. Well-Tempered Clavier, Book 1: Prelude and Fugue no 10 in E minor, BWV 855 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 20 Secs. 
528. Fantasia on a Rondo in C minor, BWV 918 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
Length: 4 Minutes 20 Secs. 
529. Suite in G minor, BWV 822 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 13 Minutes 9 Secs. 
530. Fugue in A minor, BWV 947 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 26 Secs. 
531. Fugue in A major, BWV 949 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 55 Secs. 
532. Fugue on a theme by Albinoni in B minor, BWV 951 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 32 Secs. 
533. Fugue in C major, BWV 946 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1708; ?Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 13 Secs. 
534. Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 54 Secs. 
535. Fugue on a theme by Albinoni in A major, BWV 950 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 16 Secs. 
536. Fugue in C major, BWV 953 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1723 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 26 Secs. 
537. Minuet in C minor, BWV 813a by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 56 Secs. 
538. Allemande for Keyboard in G minor, BWV 836 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1720-1722; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 41 Secs. 
539. Fughetta in C minor, BWV 961 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 33 Secs. 
540. Concerto in D major after Vivaldi, BWV 972 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 44 Secs. 
541. Concerto in G major after Vivaldi, BWV 973 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 6 Minutes 41 Secs. 
542. Concerto in G minor after Vivaldi, BWV 975 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 28 Secs. 
543. Concerto in C major after Vivaldi, BWV 976 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 27 Secs. 
544. Concerto in F major after Vivaldi, BWV 978 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 10 Secs. 
545. Concerto in G major after Vivaldi, BWV 980 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 23 Secs. 
546. Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 9 Secs. 
547. Concerto in C major after an unknown composer, BWV 977 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 59 Secs. 
548. Concerto in B minor after an unknown composer, BWV 979 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 21 Secs. 
549. Concerto in C minor after Benedetto Marcello, BWV 981 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 44 Secs. 
550. Concerto in B flat major after Duke Johann Ernst of Saxe-Weimar, BWV 982 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 15 Secs. 
551. Concerto in G minor after an unknown composer, BWV 983 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 42 Secs. 
552. Concerto in C major after Duke Johann Ernst of Saxe-Weimar, BWV 984 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 21 Secs. 
553. Concerto in G minor after Telemann, BWV 985 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 48 Secs. 
554. Concerto in G major after an unknown composer, BWV 986 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 41 Secs. 
555. Concerto in D minor after Duke Johann Ernst of Saxe-Weimar, BWV 987 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 19 Secs. 
556. Prelude in A minor, BWV 942 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 47 Secs. 
557. Partita in A major, BWV 832 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 38 Secs. 
558. Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 24 Minutes 43 Secs. 
559. Suite for Lute in E minor, BWV 996 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: circa 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 15 Minutes 9 Secs. 
560. Partita for Lute in C minor, BWV 997 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: 1737-1741; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 17 Minutes 39 Secs. 
561. Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 3 Secs. 
562. Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 35 Secs. 
563. Fugue for Lute in G minor, BWV 1000 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa ?1725; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 19 Secs. 
564. Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: after 1720; Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 21 Minutes 38 Secs. 
565. Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 24 Minutes 27 Secs. 
566. Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 13 Minutes 58 Secs. 
567. Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 18 Minutes 32 Secs. 
568. Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 20 Minutes 47 Secs. 
569. Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 25 Minutes 13 Secs. 
570. Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Bass Viola da gamba), Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 58 Secs. 
571. Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 13 Minutes 33 Secs. 
572. Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 45 Secs. 
573. Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 7 Secs. 
574. Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 59 Secs. 
575. Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 16 Minutes 14 Secs. 
576. Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Harpsichord), Susan Sheppard (Cello)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 16 Minutes 15 Secs. 
577. Sonata for Violin and Basso Continuo in G major, BWV 1021 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Davitt Moroney (Chamber Organ)
Period: Baroque 
Written: by 1720; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 8 Minutes 40 Secs. 
578. Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Chamber Organ), Susan Sheppard (Cello)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 11 Minutes 0 Secs. 
579. Suite for Violin and Harpsichord in A major after S. L. Weiss, BWV 1025 by Johann Sebastian Bach
Performer:  Gerald Hambitzer (Harpsichord), Werner Ehrhardt (Violin)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 32 Minutes 26 Secs. 
580. Fugue for Violin and Harpsichord in G minor, BWV 1026 by Johann Sebastian Bach
Performer:  Werner Ehrhardt (Violin), Gerald Hambitzer (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 4 Minutes 42 Secs. 
581. Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 12 Minutes 4 Secs. 
582. Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 13 Minutes 26 Secs. 
583. Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 14 Minutes 6 Secs. 
584. Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach
Performer:  Leopold Stastny (Flute), Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1738; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 54 Secs. 
585. Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Leopold Stastny (Flute), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1724; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 12 Minutes 22 Secs. 
586. Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: circa 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 25 Secs. 
587. Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 47 Secs. 
588. Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Cello),
Leopold Stastny (Flute)
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 7 Minutes 40 Secs. 
589. Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Frans Brüggen (Flute), Nikolaus Harnoncourt (Cello),
Leopold Stastny (Flute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 12 Minutes 53 Secs. 
590. The Art of Fugue, BWV 1080: Contrapunctus 19 by Johann Sebastian Bach
Performer:  Tini Mathot (Harpsichord), Ton Koopman (Harpsichord)
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Length: 6 Minutes 53 Secs. 
591. Canon trias harmonica, BWV 1072 by Johann Sebastian Bach
Performer:  Reinhard Goebel (Violin), Hajo Bäss (Violin), Mary Utiger (Violin),
Jan Reichow (Violin)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 0 Minutes 46 Secs. 
592. Canon a 4 perpetuus, BWV 1073 by Johann Sebastian Bach
Performer:  Reinhard Goebel (Violin), Mary Utiger (Violin), Hajo Bäss (Viola),
Phoebe Carrai (Cello)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1713; Weimar, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 1 Minutes 41 Secs. 
593. Canon a 4, BWV 1074 by Johann Sebastian Bach
Performer:  Phoebe Carrai (Cello), Reinhard Goebel (Violin), Mary Utiger (Violin),
Hajo Bäss (Viola)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 1 Minutes 53 Secs. 
594. Canon a 2 perpetuus, BWV 1075 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 0 Minutes 37 Secs. 
595. Canon triplex a 6, BWV 1076 by Johann Sebastian Bach
Performer:  Karl Steeb (Viola), Hajo Bäss (Viola), Mary Utiger (Violin),
Andreas Staier (Harpsichord), Reinhard Goebel (Violin), Phoebe Carrai (Cello)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 0 Minutes 33 Secs. 
596. Canon doppio sopr'il soggetto, BWV 1077 by Johann Sebastian Bach
Performer:  Hajo Bäss (Viola), Karl Steeb (Viola), Andreas Staier (Harpsichord),
Mary Utiger (Violin), Reinhard Goebel (Violin)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 0 Minutes 53 Secs. 
597. Canon super fa mi a 7 post tempus musicum, BWV 1078 by Johann Sebastian Bach
Performer:  Mary Utiger (Violin), Reinhard Goebel (Violin), Jan Reichow (Viola),
Hajo Bäss (Violin)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1749; Leipzig, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 1 Minutes 38 Secs. 
598. Canon concordis discors, BWV 1086 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: ?1731; Leipzig, Germany 
Date of Recording: 1984 
Venue:  Friedrich Ebert Hall, Hamburg, Germany 
Length: 1 Minutes 23 Secs. 
599. Partita for Flute solo in A minor, BWV 1013 by Johann Sebastian Bach
Performer:  Jean-Pierre Rampal (Flute)
Period: Baroque 
Written: ?1720s; ?Cöthen, Germany 
Length: 10 Minutes 49 Secs. 
600. Sonata for Flute and Harpsichord in E flat major, BWV 1031 by Johann Sebastian Bach
Performer:  Jean-Pierre Rampal (Flute), Robert Veyron-Lacroix (Harpsichord), Jordi Savall (Bass Viola da gamba)
Period: Baroque 
Written: circa 1734; Leipzig, Germany 
Length: 10 Minutes 22 Secs. 
601. Sonata for Flute and Harpsichord in C major, BWV 1033 by Johann Sebastian Bach
Performer:  Jordi Savall (Bass Viola da gamba), Robert Veyron-Lacroix (Harpsichord), Jean-Pierre Rampal (Flute)
Period: Baroque 
Written: Germany 
Length: 8 Minutes 8 Secs. 
602. Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Performer:  Kurt Theiner (Viola), Walter Pfeiffer (Violin), Alice Harnoncourt (Violin),
Nikolaus Harnoncourt (Tenor Viola), Leopold Stastny (Flute), Herbert Tachezi (Harpsichord),
Nikolaus Harnoncourt (Cello)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 1970 
Venue:  Teldec Studis, Berlin, Germany 
Length: 46 Minutes 38 Secs. 
603. The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Organ)
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Length: 72 Minutes 36 Secs. 
604. Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 25 Minutes 26 Secs. 
605. Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 15 Minutes 21 Secs. 
606. Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 17 Minutes 23 Secs. 
607. Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 23 Minutes 12 Secs. 
608. Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 25 Minutes 6 Secs. 
609. Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello Piccolo)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 27 Minutes 57 Secs. 
610. Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 20 Minutes 18 Secs. 
611. Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Walter Pfeiffer (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Venue:  Vienna, Austria 
Length: 16 Minutes 33 Secs. 
612. Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Venue:  Vienna, Austria 
Length: 17 Minutes 50 Secs. 
613. Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Venue:  Vienna, Austria 
Length: 14 Minutes 51 Secs. 
614. Concerto for Violin in G minor, BWV 1056 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Venue:  Vienna, Austria 
Length: 9 Minutes 48 Secs. 
615. Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
Performer:  Jürg Schaeftlein (Oboe), Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Venue:  Vienna, Austria 
Length: 13 Minutes 31 Secs. 
616. Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
Date of Recording: 1997 
Venue:  Lugano, Switzerland 
Length: 18 Minutes 16 Secs. 
617. Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Performer:  Paolo Grazzi (Oboe), Giovanni Antonini (Recorder), Gabriele Cassone (Trumpet),
Enrico Onofri (Violin)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
Date of Recording: 1997 
Venue:  Lugano, Switzerland 
Length: 10 Minutes 58 Secs. 
618. Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Performer:  Petr Zeijfart (Recorder), Enrico Onofri (Violin), Giovanni Antonini (Recorder)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
Date of Recording: 1997 
Venue:  Lugano, Switzerland 
Length: 15 Minutes 8 Secs. 
619. Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Performer:  Giovanni Antonini (Flute), Enrico Onofri (Violin), Michele Barchi (Harpsichord)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
Date of Recording: 1997 
Venue:  Lugano, Switzerland 
Length: 20 Minutes 44 Secs. 
620. Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1708-1710; ?Weimar, Germany 
Date of Recording: 1997 
Venue:  Lugano, Switzerland 
Length: 16 Minutes 30 Secs. 
621. Concerto for Harpsichord in A major, BWV 1055 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 13 Minutes 30 Secs. 
622. Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 9 Minutes 25 Secs. 
623. Concerto for Harpsichord in D major, BWV 1054 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 15 Minutes 55 Secs. 
624. Concerto for Harpsichord in E major, BWV 1053 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 21 Minutes 3 Secs. 
625. Concerto for Harpsichord and 2 Recorders in F major, BWV 1057 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Jeannette Van Wingerden (Recorder), Frans Brüggen (Recorder)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 16 Minutes 5 Secs. 
626. Concerto for Harpsichord in G minor, BWV 1058 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 13 Minutes 20 Secs. 
627. Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 22 Minutes 8 Secs. 
628. Concerto for 3 Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Anneke Uittenbosch (Harpsichord), Alan Curtis (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 13 Minutes 34 Secs. 
629. Concerto for 2 Harpsichords in C major, BWV 1061 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Anneke Uittenbosch (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 18 Minutes 34 Secs. 
630. Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Anneke Uittenbosch (Harpsichord), Alan Curtis (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 16 Minutes 42 Secs. 
631. Concerto for 4 Harpsichords in A minor, BWV 1065 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Anneke Uittenbosch (Harpsichord), Eduard Müller (Harpsichord),
Janny van Wering (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 10 Minutes 16 Secs. 
632. Concerto for 2 Harpsichords in C minor, BWV 1062 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Eduard Müller (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 14 Minutes 41 Secs. 
633. Concerto for 2 Harpsichords in C minor, BWV 1060 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Eduard Müller (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 14 Minutes 2 Secs. 
634. Concerto for Harpsichord in D minor, BWV 1059 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 10 Minutes 52 Secs. 
635. Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
Length: 24 Minutes 3 Secs. 
636. Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto" by Johann Sebastian Bach
Performer:  Frans Brüggen (Flute), Gustav Leonhardt (Harpsichord), Marie Leonhardt (Violin)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: circa 1730; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 21 Minutes 57 Secs. 
637. Concerto for Oboe d'Amore in A major, BWV 1055 by Johann Sebastian Bach
Performer:  Jürg Schaeftlein (Oboe d'amore)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Venue:  Vienna, Austria 
Length: 14 Minutes 4 Secs. 
638. Concerto for Violin in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 21 Minutes 13 Secs. 
639. Concerto movement in D major, BWV 1045 "Sinfonia" [fragment] by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1743-1746; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 7 Minutes 2 Secs. 
640. Sinfonia in F major, BWV 1046a by Johann Sebastian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1713; ?Weimar, Germany 
Date of Recording: 1990 
Venue:  Walthamstow Hall, London, England 
Length: 13 Minutes 38 Secs. 
641. Brandenburg Concerto no 5a in D major, BWV 1050a by Johann Sebastian Bach
Performer:  Christopher Hogwood (Harpsichord), Stephen Preston (Flute), Catherine Mackintosh (Violin)