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The Complete J.S. Bach Edition - 32gb Usb Stick

Bach,J.s.
Release Date: 04/30/2013 
Label:  Teldec   Catalog #: 4661127  
Composer:  Johann Sebastian Bach
Performer:  Max van EgmondKurt EquiluzPaul EsswoodWalter Gampert,   ... 
Conductor:  Nikolaus HarnoncourtGustav LeonhardtTon KoopmanJaap Schröder,   ... 
Orchestra/Ensemble:  Vienna Concentus MusicusChorus ViennensisVienna Boys' Choir,   ... 
Number of Discs: Fla 
Recorded in: Stereo 
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Works on This Recording

1.
Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 32 Secs. 
Language: German 
2.
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 55 Secs. 
Language: German 
3.
Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 44 Secs. 
Language: German 
4.
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1708; Weimar, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 9 Secs. 
Language: German 
5.
Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 46 Secs. 
Language: German 
6.
Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 52 Secs. 
Language: German 
7.
Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 58 Secs. 
Language: German 
8.
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 3 Secs. 
Language: German 
9.
Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: circa 1732-1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 45 Secs. 
Language: German 
10.
Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 53 Secs. 
Language: German 
11.
Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 28 Minutes 53 Secs. 
Language: German 
12.
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 41 Secs. 
Language: German 
13.
Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Walter Gampert (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 13 Secs. 
Language: German 
14.
Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 42 Secs. 
Language: German 
15.
Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 5 Secs. 
Language: German 
16.
Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 49 Secs. 
Language: German 
17.
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: ?1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 14 Minutes 21 Secs. 
Language: German 
18.
Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 39 Secs. 
Language: German 
19.
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 51 Secs. 
Language: German 
20.
Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer:  Walker Wyatt (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 36 Minutes 51 Secs. 
Language: German 
21.
Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 47 Secs. 
Language: German 
22.
Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Peter Hinterreiter (Boy Soprano), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 57 Secs. 
Language: German 
23.
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 8 Secs. 
Language: German 
24.
Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 18 Secs. 
Language: German 
25.
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 39 Secs. 
Language: German 
26.
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 30 Secs. 
Language: German 
27.
Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 56 Secs. 
Language: German 
28.
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 23 Secs. 
Language: German 
29.
Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1738; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 37 Minutes 31 Secs. 
Language: German 
30.
Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 59 Secs. 
Language: German 
31.
Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 43 Secs. 
Language: German 
32.
Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 17 Secs. 
Language: German 
33.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: after 1740; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 20 Secs. 
Language: German 
34.
Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 57 Secs. 
Language: German 
35.
Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 30 Minutes 2 Secs. 
Language: German 
36.
Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 24 Secs. 
Language: German 
37.
Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 36 Secs. 
Language: German 
38.
Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 46 Secs. 
Language: German 
39.
Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 8 Secs. 
Language: German 
40.
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 30 Secs. 
Language: German 
41.
Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 12 Secs. 
Language: German 
42.
Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 44 Secs. 
Language: German 
43.
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 21 Secs. 
Language: German 
44.
Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 12 Secs. 
Language: German 
45.
Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer:  Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 28 Secs. 
Language: German 
46.
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 19 Secs. 
Language: German 
47.
Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 3 Secs. 
Language: German 
48.
Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 25 Minutes 24 Secs. 
Language: German 
49.
Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
Date of Recording: 1967-78 
Length: 3 Minutes 38 Secs. 
Language: German 
50.
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Marianne Kweksilber (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Written: 1730 
Date of Recording: 1967-78 
Length: 17 Minutes 51 Secs. 
Language: German 
51.
Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 26 Secs. 
Language: German 
52.
Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 28 Secs. 
Language: German 
53.
Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 0 Secs. 
Language: German 
54.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Michael Schopper (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 57 Secs. 
Language: German 
55.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1725 
Date of Recording: 1967-78 
Length: 22 Minutes 24 Secs. 
Language: German 
56.
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Seppi Kronwitter (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
57.
Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 8 Secs. 
Language: German 
58.
O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 9 Secs. 
Language: German 
59.
Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 39 Secs. 
Language: German 
60.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 45 Secs. 
Language: German 
61.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 28 Minutes 54 Secs. 
Language: German 
62.
Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 12 Secs. 
Language: German 
63.
Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 45 Secs. 
Language: German 
64.
Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 31 Minutes 15 Secs. 
Language: German 
65.
Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 32 Secs. 
Language: German 
66.
Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 49 Secs. 
Language: German 
67.
Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1743; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 10 Minutes 50 Secs. 
Language: German 
68.
Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 26 Secs. 
Language: German 
69.
Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 8 Secs. 
Language: German 
70.
Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer:  Lieuwe Visser (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1708; Mühlhausen, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 7 Secs. 
Language: German 
71.
Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 29 Secs. 
Language: German 
72.
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 57 Secs. 
Language: German 
73.
Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jörg Erler (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 29 Secs. 
Language: German 
74.
Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Adalbert Kraus (Tenor),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 33 Minutes 9 Secs. 
Language: German 
75.
Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 30 Minutes 32 Secs. 
Language: German 
76.
Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer:  Adalbert Kraus (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 49 Secs. 
Language: German 
77.
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 12 Secs. 
Language: German 
78.
Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 36 Secs. 
Language: German 
79.
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 29 Minutes 16 Secs. 
Language: German 
80.
Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 58 Secs. 
Language: German 
81.
Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 58 Secs. 
Language: German 
82.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1727; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 39 Secs. 
Language: German 
83.
Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 22 Secs. 
Language: German 
84.
Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 22 Secs. 
Language: German 
85.
Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 12 Secs. 
Language: German 
86.
Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 2 Secs. 
Language: German 
87.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 37 Secs. 
Language: German 
88.
Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 34 Secs. 
Language: German 
89.
Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Markus Klein (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 26 Secs. 
Language: German 
90.
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
91.
Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 2 Secs. 
Language: German 
92.
Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 3 Secs. 
Language: German 
93.
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 24 Minutes 52 Secs. 
Language: German 
94.
Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 36 Secs. 
Language: German 
95.
Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
96.
In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 26 Minutes 38 Secs. 
Language: German 
97.
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 27 Secs. 
Language: German 
98.
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 18 Secs. 
Language: German 
99.
Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1735; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 47 Secs. 
Language: German 
100.
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 4 Secs. 
Language: German 
101.
Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 21 Secs. 
Language: German 
102.
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 17 Secs. 
Language: German 
103.
Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 18 Secs. 
Language: German 
104.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 0 Secs. 
Language: German 
105.
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Raphael Harten (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 11 Secs. 
Language: German 
106.
Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 31 Secs. 
Language: German 
107.
Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 1 Secs. 
Language: German 
108.
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 19 Secs. 
Language: German 
109.
Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Stefan Frangoulis (Boy Soprano),
Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 55 Secs. 
Language: German 
110.
Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer:  Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 8 Secs. 
Language: German 
111.
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Markus Huber (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 40 Secs. 
Language: German 
112.
Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Countertenor),
Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 37 Secs. 
Language: German 
113.
Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 1 Secs. 
Language: German 
114.
Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 55 Secs. 
Language: German 
115.
Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 34 Secs. 
Language: German 
116.
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 20 Secs. 
Language: German 
117.
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 18 Secs. 
Language: German 
118.
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 17 Secs. 
Language: German 
119.
Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 23 Secs. 
Language: German 
120.
Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Thomas Schilling (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 25 Secs. 
Language: German 
121.
Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 20 Secs. 
Language: German 
122.
Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor),
Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 24 Secs. 
Language: German 
123.
Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer:  Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 50 Secs. 
Language: German 
124.
Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 9 Secs. 
Language: German 
125.
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 1 Secs. 
Language: German 
126.
Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1978-84 
Length: 17 Minutes 43 Secs. 
Language: German 
127.
Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 4 Secs. 
Language: German 
128.
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Walter Heldwein (Bass), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 15 Minutes 49 Secs. 
Language: German 
129.
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 1 Secs. 
Language: German 
130.
Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Marius Van Altena (Tenor),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1715; Weimar, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 54 Secs. 
Language: German 
131.
Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Marius Van Altena (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 47 Secs. 
Language: German 
132.
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 26 Minutes 30 Secs. 
Language: German 
133.
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 13 Secs. 
Language: German 
134.
Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Walter Heldwein (Bass),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 51 Secs. 
Language: German 
135.
Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer:  Albert Hartinger (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 6 Secs. 
Language: German 
136.
Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 14 Secs. 
Language: German 
137.
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724-1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 47 Secs. 
Language: German 
138.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 28 Minutes 29 Secs. 
Language: German 
139.
Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Roger Cericius (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 9 Secs. 
Language: German 
140.
Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 11 Secs. 
Language: German 
141.
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 9 Minutes 38 Secs. 
Language: German 
142.
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Paul Esswood (Countertenor), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 38 Minutes 2 Secs. 
Language: German 
143.
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Thomas Hampson (Bass), Stefan Rampf (Boy Alto),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1723 
Date of Recording: 1978-84 
Length: 31 Minutes 36 Secs. 
Language: German 
144.
Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 35 Secs. 
Language: German 
145.
Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 19 Secs. 
Language: German 
146.
Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1708-1709; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 34 Secs. 
Language: German 
147.
Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1983-88 
Length: 16 Minutes 12 Secs. 
Language: German 
148.
Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 8 Secs. 
Language: German 
149.
Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 6 Secs. 
Language: German 
150.
Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 59 Secs. 
Language: German 
151.
Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1716; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 8 Secs. 
Language: German 
152.
Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 22 Secs. 
Language: German 
153.
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 35 Secs. 
Language: German 
154.
Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: after 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 11 Minutes 32 Secs. 
Language: German 
155.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 36 Secs. 
Language: German 
156.
Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 13 Secs. 
Language: German 
157.
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 37 Secs. 
Language: German 
158.
Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 14 Secs. 
Language: German 
159.
Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1883-88 
Length: 17 Minutes 26 Secs. 
Language: German 
160.
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 31 Secs. 
Language: German 
161.
Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 17 Minutes 53 Secs. 
Language: German 
162.
Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 42 Secs. 
Language: German 
163.
Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Christian Immler (Boy Alto), Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 27 Secs. 
Language: German 
164.
Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano),
Paul Esswood (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 39 Secs. 
Language: German 
165.
Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 42 Secs. 
Language: German 
166.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 1 Secs. 
Language: German 
167.
Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 47 Secs. 
Language: German 
168.
Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Stefan Gienger (Boy Soprano), Christian Immler (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 56 Secs. 
Language: German 
169.
Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer:  Christian Immler (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 37 Secs. 
Language: German 
170.
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 57 Secs. 
Language: German 
171.
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 21 Secs. 
Language: German 
172.
Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1732; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
173.
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 12 Secs. 
Language: German 
174.
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 54 Secs. 
Language: German 
175.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor),
Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
176.
Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 48 Secs. 
Language: German 
177.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 50 Secs. 
Language: German 
178.
Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 37 Secs. 
Language: German 
179.
Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer:  Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 26 Secs. 
Language: German 
180.
Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano), Thomas Hampson (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 15 Secs. 
Language: German 
181.
Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Robert Holl (Bass), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 27 Minutes 32 Secs. 
Language: German 
182.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:  Michael Emmermann (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 5 Secs. 
Language: German 
183.
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 50 Secs. 
Language: German 
184.
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1730; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 13 Secs. 
Language: German 
185.
Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:  Hans Stricker (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Stefan Gienger (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 39 Minutes 13 Secs. 
Language: German 
186.
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), John Elwes (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1737; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 57 Secs. 
Language: German 
187.
Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1708; Weimar, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 12 Secs. 
Language: German 
188.
Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), Kurt Equiluz (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 1 Secs. 
Language: German 
189.
Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 35 Minutes 14 Secs. 
Language: German 
190.
Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Barbara Bonney (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 42 Secs. 
Language: German 
191.
Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1719; Cöthen, Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 36 Minutes 1 Secs. 
Language: German 
192.
Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: circa ?1722; Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 18 Minutes 40 Secs. 
Language: German 
193.
Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Jeremy Ovenden (Tenor), Paul Agnew (Tenor),
Peter de Groot (Countertenor), Caroline Stam (Soprano), Donald Bentvelsen (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 47 Minutes 27 Secs. 
Language: German 
194.
Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 24 Minutes 51 Secs. 
Language: German 
195.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Agnes Giebel (Soprano)
Conductor:  Jaap Schröder
Orchestra/Ensemble:  Concerto Amsterdam
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
Length: 21 Minutes 31 Secs. 
Language: German 
196.
Amore traditore, BWV 203 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Jacques Villisech (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: Germany 
Length: 14 Minutes 26 Secs. 
Language: Italian 
197.
Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Agnes Giebel (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: ?1734; Leipzig, Germany 
Length: 23 Minutes 54 Secs. 
Language: Italian 
198.
Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer:  Dorothea Röschmann (Soprano), Axel Köhler (Countertenor), Hans-Georg Wimmer (Bass),
Christoph Genz (Tenor)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Ex Tempore,  Musica Antiqua Cologne
Period: Baroque 
Written: 1726; Germany 
Date of Recording: 1996 
Venue:  Broadcast Hall, German Radio, Cologne 
Length: 33 Minutes 1 Secs. 
Language: German 
199.
Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer:  Jacques Villisech (Bass), Tom Brand (Tenor), Wilhelmine Mattès (Alto),
Irmgard Jacobeit (Soprano)
Conductor:  André Rieu
Orchestra/Ensemble:  Amsterdam Chamber Orchestra,  Monteverdi Choir Hamburg
Period: Baroque 
Written: 10/07/1733; Leipzig, Germany 
Length: 42 Minutes 9 Secs. 
Language: German 
200.
Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Yvonne Kenny (Soprano), Marjana Lipovsek (Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Length: 40 Minutes 53 Secs. 
Language: German 
201.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:  Rotraud Hansmann (Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1734-1735; Leipzig, Germany 
Length: 27 Minutes 2 Secs. 
Language: German 
202.
Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer:  Sibylla Rubens (Soprano), Elisabeth von Magnus (Alto), Anne Grimm (Soprano),
Christoph Prégardien (Tenor), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 33 Minutes 43 Secs. 
Language: German 
203.
O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: ?1740; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 39 Secs. 
Language: German 
204.
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer:  Yvonne Kenny (Soprano), Robert Holl (Bass), Kurt Equiluz (Tenor),
Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1713; Cöthen, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 33 Minutes 31 Secs. 
Language: German 
205.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1742; Leipzig, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 30 Minutes 26 Secs. 
Language: German 
206.
Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer:  Anne Grimm (Soprano), Christoph Prégardien (Tenor), Elisabeth von Magnus (Alto),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 45 Minutes 38 Secs. 
Language: German 
207.
Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Paul Agnew (Tenor), Klaus Mertens (Bass),
Els Bongers (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 25 Minutes 25 Secs. 
Language: German 
208.
Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Els Bongers (Soprano), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 22 Secs. 
Language: German 
209.
Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Klaus Mertens (Bass), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1997 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 16 Minutes 16 Secs. 
Language: German 
210.
Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Caroline Stam (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Written: after 1740 
Length: 14 Minutes 44 Secs. 
Language: German 
211.
Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer:  Caroline Stam (Soprano), Michael Chance (Countertenor), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1727; Germany 
Length: 19 Minutes 50 Secs. 
Language: German 
212.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 6 Minutes 45 Secs. 
Language: German 
213.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 4 Minutes 37 Secs. 
Language: German 
214.
Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Siegfried Lorenz (Bass), Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Christ Church, Berlin, Germany 
Length: 26 Minutes 44 Secs. 
Language: German 
215.
Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer:  Barbara Scherler (Alto)
Conductor:  Fritz Werner
Orchestra/Ensemble:  Pforzheim Southwest German Chamber Orchestra
Period: Baroque 
Written: ?1742; Leipzig, Germany 
Length: 3 Minutes 54 Secs. 
Language: German 
216.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Angela Maria Blasi (Soprano),
Delores Ziegler (Soprano), Jadwiga Rappé (Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
Date of Recording: 1986 
Venue:  Vienna, Austria 
Length: 110 Minutes 2 Secs. 
Language: Latin 
217.
Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Performer:  Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Hannah Schaer (Alto),
Mauricette Capt (Soprano), Wally Staempfli (Soprano), Michel Brodard (Bass),
Philippe Huttenlocher (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 28 Minutes 51 Secs. 
Language: Latin 
218.
Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Hannah Schaer (Alto),
Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Wally Staempfli (Soprano),
Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 35 Minutes 38 Secs. 
Language: Latin 
219.
Sanctus in D minor, BWV 239 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 1 Minutes 44 Secs. 
Language: Latin 
220.
Sanctus in G major, BWV 240 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 2 Minutes 44 Secs. 
Language: Latin 
221.
Sanctus in D major, BWV 241 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: circa 1747; Leipzig, Germany 
Length: 2 Minutes 8 Secs. 
Language: Latin 
222.
Missa brevis in G major, BWV 236 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Olivier Dufour (Tenor),
John Elwes (Tenor), Hannah Schaer (Alto), Claudine Perret (Alto),
Nicole Rossier-Maradan (Mezzo Soprano), Mauricette Capt (Soprano), Wally Staempfli (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 29 Minutes 34 Secs. 
Language: Latin 
223.
Missa brevis in G minor, BWV 235 by Johann Sebastian Bach
Performer:  John Elwes (Tenor), Hannah Schaer (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Olivier Dufour (Tenor), Claudine Perret (Alto), Philippe Huttenlocher (Bass),
Michel Brodard (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 32 Minutes 22 Secs. 
Language: Latin 
224.
Sanctus in D major, BWV 238 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723-1724; Leipzig, Germany 
Length: 3 Minutes 22 Secs. 
Language: Latin 
225.
Christe eleison in g minor, BWV 242 by Johann Sebastian Bach
Performer:  Hannah Schaer (Alto), Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Wally Staempfli (Soprano), Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Chamber Orchestra
Period: Baroque 
Written: Germany 
Length: 2 Minutes 11 Secs. 
Language: Latin 
226.
Sanctus in C major, BWV 237 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 1 Minutes 43 Secs. 
Language: Latin 
227.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Heldrun Gardow (Soprano), Robert Holl (Bass),
Kurt Equiluz (Tenor), Hildegard Heichele (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 27 Minutes 26 Secs. 
Language: Latin 
228.
Magnificat in E flat major, BWV 243a by Johann Sebastian Bach
Performer:  Emma Kirkby (Soprano), Judith Nelson (Soprano), Paul Elliott (Tenor),
Carolyn Watkinson (Alto), David Thomas (Bass)
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978 
Venue:  St. Paul's, Arnos Grove, London 
Length: 35 Minutes 34 Secs. 
Language: Latin 
229.
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  Karl Ridderbusch (Bass), Paul Esswood (Countertenor), Tom Sutcliffe (Countertenor),
James Bowman (Countertenor), Kurt Equiluz (Tenor), Michael Schopper (Bass),
Nigel Rogers (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Regensburg Cathedral Choir,  Cambridge King's College Choir  ... 
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
Date of Recording: 1970 
Venue:  Vienna, Austria 
Length: 174 Minutes 28 Secs. 
Language: German 
230.
Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer:  Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 1972 
Venue:  Vienna, Austria 
Length: 154 Minutes 21 Secs. 
Language: German 
231.
Tilge, Höchster, meine Sünden, BWV 1083 by Johann Sebastian Bach
Conductor:  Gunar Letzbor
Orchestra/Ensemble:  Ars Antiqua Austria,  St. Florian Children's Choir
Period: Baroque 
Written: 1741-1746; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Florian Cathedral, Austria 
Length: 42 Minutes 52 Secs. 
Language: German 
232.
Easter Oratorio, BWV 249 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano), Klaus Mertens (Bass), Gerd Türk (Tenor),
Elisabeth von Magnus (Alto), Elisabeth von Magnus (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1998 
Venue:  Amsterdam, The Netherlands 
Length: 41 Minutes 3 Secs. 
Language: German 
233.
Saint John Passion, BWV 245: no 11a, Himmel, reisse, Welt erbebe by Johann Sebastian Bach
Performer:  Olaf Bär (Baritone)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 19 Secs. 
Language: German 
234.
Saint John Passion, BWV 245: no 13a, Zerschmettert mich, ihr Felsen und ihr Hugel by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 51 Secs. 
Language: German 
235.
Saint John Passion, BWV 245: no 19a, Ach windet euch so, geplagte Seelen by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 5 Minutes 56 Secs. 
Language: German 
236.
Saint John Passion, BWV 245 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Anton Scharinger (Bass), Marjana Lipovsek (Alto),
Franz Leitner (Tenor), Angela Maria Blasi (Soprano), Anthony Rolfe Johnson (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1993 
Venue:  Vienna, Austria 
Length: 110 Minutes 5 Secs. 
Language: German 
237.
Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Nikolaus Harnoncourt,  Robin Gritton
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir,  Berlin Radio Chorus
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 12 Minutes 44 Secs. 
Language: German 
238.
Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 40 Secs. 
Language: German 
239.
Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1725-1749; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 48 Secs. 
Language: German 
240.
Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 20 Minutes 1 Secs. 
Language: German 
241.
Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 8 Minutes 2 Secs. 
Language: German 
242.
Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1723-1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 5 Minutes 45 Secs. 
Language: German 
243.
Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 47 Secs. 
Language: German 
244.
Ach Gott, erhör' mein Seufen, BWV 254 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 59 Secs. 
Language: German 
245.
Ach Gott und Herr, BWV 255 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 44 Secs. 
Language: German 
246.
Ach lieben Christen, seid getrost, BWV 256 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
247.
Wär' Gott nicht mit uns diese Zeit, BWV 257 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
248.
Wo Gott der Herr nicht bei uns Hält, BWV 258 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
249.
Ach, was soll ich Sünder machen, BWV 259 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
250.
Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
251.
Allein zu dir, Herr Jesu Christ, BWV 261 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 38 Secs. 
Language: German 
252.
Alle Menschen müssen sterben, BWV 262 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
253.
Alles ist an Gottes Segen, BWV 263 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
254.
Als der gütige Gott, BWV 264 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 26 Secs. 
Language: German 
255.
Als Jesus Christus in der Nacht, BWV 265 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 40 Secs. 
Language: German 
256.
Als vierzig Tag' nach Ostern war, BWV 266 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
257.
An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 46 Secs. 
Language: German 
258.
Auf, auf, mein Herz, und du, mein ganzer Sinn, BWV 268 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
259.
Aus meines Herzens Grunde, BWV 269 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
260.
Befiehl du deine Wege, BWV 270 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 22 Secs. 
Language: German 
261.
Dem Herren musst du trauen, BWV 271 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
262.
Dein' ew'ge Treu' und Gnade, BWV 272 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
263.
Christ, der du bist der helle Tag, BWV 273 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 48 Secs. 
Language: German 
264.
Christe, der du bist Tag und Licht, BWV 274 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
265.
Christe, du Beistand deiner Kreuzgemeinde, BWV 275 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 15 Secs. 
Language: German 
266.
Christ ist erstanden, BWV 276 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 15 Secs. 
Language: German 
267.
Christ lag in Todes Banden, BWV 277 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
268.
Den Tod niemand bezwingen kunt, BWV 278 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
269.
Hier ist das rechte Osterlamm, BWV 279 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 8 Secs. 
Language: German 
270.
Christ, unser Herr, zum Jordan kam, BWV 280 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 29 Secs. 
Language: German 
271.
Mit Freud fahr ich von dannen, BWV 281 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
272.
Christus, der ist mein Leben, BWV 282 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 49 Secs. 
Language: German 
273.
Christus, der uns selig macht, BWV 283 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 19 Secs. 
Language: German 
274.
Christus ist erstanden, hat überwunden, BWV 284 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
275.
Da der Herr Christ zu Tische sass, BWV 285 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
276.
Danket dem Herren, denn er ist sehr freundlich, BWV 286 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
277.
Dank sei Gott in der Höhe, BWV 287 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Language: German 
278.
Das alte Jahr vergangen ist, BWV 288 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
279.
Wir bitten dich, du ewger Sohn, BWV 289 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
280.
Das walt' Gott Vater und Gott Sohn, BWV 290 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
281.
Das walt' mein Gott, Vater, Sohn und heil'ger Geist, BWV 291 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
282.
Den Vater dort oben, BWV 292 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
283.
Der du bist drei in Einigkeit, BWV 293 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
284.
Der Tag, der ist so freudenreich, BWV 294 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 24 Secs. 
Language: German 
285.
Des heil'gen Geistes reiche Gnad', BWV 295 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
286.
Die Nacht ist kommen, BWV 296 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 14 Secs. 
Language: German 
287.
Die Sonn' hat sich mit ihrem Glanz gewendet, BWV 297 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 3 Secs. 
Language: German 
288.
Dies sind die heil'gen zehn Gebot', BWV 298 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
289.
Dir, dir, Jehova, will ich singen, BWV 299 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
290.
Du grosser Schmerzensmann, von Vater so geschlagen, BWV 300 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
291.
Du, o schönes Weltgebäude, BWV 301 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 18 Secs. 
Language: German 
292.
Ein' feste Burg is unser Gott, BWV 302 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
293.
Mit unsrer Macht ist nichts gethan, BWV 303 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
294.
Eins ist Not! ach Herr, dies Eine, BWV 304 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
295.
Erbarm' dich mein, o Herre Gott, BWV 305 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 28 Secs. 
Language: German 
296.
Erstanden ist der heil'ge Christ, BWV 306 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
297.
Es ist gewisslich an der Zeit, BWV 307 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
298.
Es spricht der Unweisen Mund wohl, BWV 308 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 17 Secs. 
Language: German 
299.
Es steh'n vor Gottes Throne, BWV 309 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
300.
Es wird schier der letzte Tag herkommen, BWV 310 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
301.
Es woll' uns Gott genädig sein, BWV 311 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 27 Secs. 
Language: German 
302.
So danken Gott, und loben dich, BWV 312 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
303.
Für Freuden lasst uns springen, BWV 313 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
304.
Gelobet seist du, Jesu Christ, BWV 314 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
305.
Gib dich zufrieden und sei stille, BWV 315 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
306.
Gott, der du selber bist das Licht, BWV 316 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
307.
Gott, der Vater, wohn' uns bei, BWV 317 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
308.
Gottes Sohn ist kommen, BWV 318 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 54 Secs. 
Language: German 
309.
Gott hat das Evangelium, BWV 319 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
310.
Gott lebet noch, BWV 320 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 23 Secs. 
Language: German 
311.
Gottlob, es geht nunmehr zu Ende, BWV 321 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 56 Secs. 
Language: German 
312.
Gott sei gelobet und gebenedeiet, BWV 322 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 6 Secs. 
Language: German 
313.
Gott sei uns gnädig, BWV 323 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 37 Secs. 
Language: German 
314.
Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 29 Secs. 
Language: German 
315.
Heilig, heilig, BWV 325 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 47 Secs. 
Language: German 
316.
Herr Gott, dich loben alle wir, BWV 326 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
317.
Für deinen Thron tret' ich hiermit, BWV 327 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
318.
Herr Gott, dich loben wir, BWV 328 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 6 Minutes 59 Secs. 
Language: German 
319.
Herr, ich denk' an jene Zeit, BWV 329 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
320.
Herr, ich habe missgehandelt, BWV 330 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
321.
Doch, wie könnt ich dir entfliehen, BWV 331 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 11 Secs. 
Language: German 
322.
Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 39 Secs. 
Language: German 
323.
Herr Jesu Christ, du hast bereit't, BWV 333 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 9 Secs. 
Language: German 
324.
Herr Jesu Christ, du höchstes Gut, BWV 334 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
325.
Herr Jesu Christ, mein's Lebens Licht, BWV 335 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
326.
Herr Jesu Christ, wah'r Mensch und Gott, BWV 336 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
327.
Herr, nun lass in Friede, BWV 337 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
328.
Herr, straf mich nicht in deinem Zorn, BWV 338 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
329.
Herr, wie du willst, so schick's mit mir, BWV 339 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
330.
Herzlich lieb hab ich dich, o Herr, BWV 340 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
331.
Heut' ist, o Mensch, ein grosser Trauertag, BWV 341 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
332.
Heut' triumphieret Gottes Sohn, BWV 342 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
333.
Hilf, Gott, lass mir's gelinge, BWV 343 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 12 Secs. 
Language: German 
334.
Hilf, Herr Jesu, lass gelingen, BWV 344 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
335.
Fugue in G minor, BWV 578 "Little G minor" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 3 Minutes 41 Secs. 
336.
Canzona in d, BWV 588 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 8 Secs. 
337.
Prelude and Fugue in A minor, BWV 543 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 43 Secs. 
338.
Fantasie and Fugue in C minor, BWV 562 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 4 Minutes 21 Secs. 
339.
Prelude and Fugue in C major, BWV 531 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 59 Secs. 
340.
Fantasie in G major, BWV 572 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 10 Secs. 
341.
Fantasie in C major, BWV 570 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 2 Minutes 21 Secs. 
342.
Chorale Preludes (6) BWV 645-650 "Schübler" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Written: c1748-49 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 18 Minutes 18 Secs. 
343.
Wo soll ich fliehen hin?, BWV 5: Wo soll ich fliehen hin? by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
344.
Wo soll ich fliehen hin?, BWV 5: Führ auch mein Herz und Sinn by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 41 Secs. 
Language: German 
345.
Wer nur den lieben Gott lässt walten, BWV 93: Wer nur den lieben Gott lässt walten by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 53 Secs. 
Language: German 
346.
Wer nur den lieben Gott lässt walten, BWV 93: Sing, bet und geh auf Gottes Wegen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 54 Secs. 
Language: German 
347.
Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 28 Secs. 
Language: German 
348.
Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 41 Secs. 
Language: German 
349.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57: no 8, Richte dich, Liebste by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 0 Secs. 
Language: German 
350.
Chorales (18) for Organ, BWV 651-668 "Leipzig" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 93 Minutes 9 Secs. 
351.
Wenn wir in höchsten Nöten sein, BWV 431 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 56 Secs. 
Language: German 
352.
Wer mich liebet, der wird mein Wort halten, BWV 59: Komm, heiliger Geist, Herre Gott by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 39 Secs. 
Language: German 
353.
Der Geist hilft unser Schwachheit auf, BWV 226: Du heilige Brunst, süsser Trost by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 35 Secs. 
Language: German 
354.
An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 47 Secs. 
Language: German 
355.
Schmücke dich, o liebe Seele, BWV 180: Schmücke dich, o liebe Seele by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 10/22/1724 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
356.
Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
357.
O Lamm Gottes, unschuldig, BWV 401 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
358.
Nun danket alle Gott, BWV 386 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 10 Secs. 
Language: German 
359.
Von Gott will ich nicht lassen, BWV 418 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 57 Secs. 
Language: German 
360.
Schwingt freudig euch empor, BWV 36: Lob sei Gott dem Vater g'ton by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 11 Secs. 
Language: German 
361.
Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 2 Minutes 7 Secs. 
Language: German 
362.
Jesus Christus, unser Heiland, BWV 363 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 57 Secs. 
Language: German 
363.
Komm, Gott Schöpfer, heiliger Geist, BWV 370 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 2 Secs. 
Language: German 
364.
Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 22 Secs. 
365.
Trio Sonata for Organ no 3 in D minor, BWV 527 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 31 Secs. 
366.
Trio Sonata for Organ no 4 in E minor, BWV 528 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 9 Minutes 37 Secs. 
367.
Trio Sonata for Organ no 5 in C major, BWV 529 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 21 Secs. 
368.
Trio Sonata for Organ no 6 in G major, BWV 530 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 53 Secs. 
369.
Toccata, Adagio and Fugue in C major, BWV 564 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 1 Secs. 
370.
Toccata and Fugue in D minor, BWV 538 "Dorian" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 34 Secs. 
371.
Prelude and Fugue in E major, BWV 566 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 10 Secs. 
372.
Kyrie, Gott Vater in Ewigkeit, BWV 669 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 31 Secs. 
373.
Christe, aller Welt Trost, BWV 670 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 4 Secs. 
374.
Kyrie, Gott heiliger Geist, BWV 671 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 54 Secs. 
375.
Kyrie, Gott Vater in Ewigkeit, BWV 672 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 14 Secs. 
376.
Christe, aller Welt Trost, BWV 673 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 9 Secs. 
377.
Kyrie, Gott heiliger Geist, BWV 674 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 22 Secs. 
378.
Allein Gott in der Höh' sei Ehr', BWV 675 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 41 Secs. 
379.
Allein Gott in der Höh' sei Ehr', BWV 676 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 20 Secs. 
380.
Allein Gott in der Höh' sei Ehr', BWV 677 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 15 Secs. 
381.
Dies sind die heilgen zehen Gebot, BWV 678 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 17 Secs. 
382.
Dies sind die heiligen zehen Gebot, BWV 679 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 55 Secs. 
383.
Wir gläuben all'an einen Gott, BWV 680 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 13 Secs. 
384.
Wir gläuben all'an einen Gott, BWV 681 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
385.
Vater unser im Himmelreich, BWV 682 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 9 Minutes 24 Secs. 
386.
Vater unser im Himmelreich, BWV 683 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
387.
Christ, unser Herr, zum Jordan kam, BWV 684 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 35 Secs. 
388.
Christ, unser Herr, zum Jordan kam, BWV 685 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 29 Secs. 
389.
Aus tiefer Not schrei ich zu dir, BWV 686 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 40 Secs. 
390.
Aus tiefer Not schrei ich zu dir, BWV 687 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 28 Secs. 
391.
Jesus Christus, unser Heiland, BWV 688 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
392.
Jesus Christus, unser Heiland, BWV 689 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 48 Secs. 
393.
Duet for Organ in E minor, BWV 802 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 0 Secs. 
394.
Duet for Organ in F major, BWV 803 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
395.
Duet for Organ in G major, BWV 804 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 2 Minutes 41 Secs. 
396.
Duet for Organ in A minor, BWV 805 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 2 Secs. 
397.
Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 11 Secs. 
398.
Fugue in C minor, BWV 575 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 21 Secs. 
399.
Prelude and Fugue in C minor, BWV 549 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 38 Secs. 
400.
Prelude in G major, BWV 568 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 10 Secs. 
401.
Allabreve in D major, BWV 589 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 36 Secs. 
402.
Prelude and Fugue in G minor, BWV 535 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 36 Secs. 
403.
Prelude and Fugue in E minor, BWV 533 "Little Prelude and Fugue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 38 Secs. 
404.
Prelude in A minor, BWV 569 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 6 Secs. 
405.
Fugue in G major, BWV 577 "Gigue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 51 Secs. 
406.
Trio for Organ in D minor, BWV 583 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 42 Secs. 
407.
Pedal-Exercitium, BWV 598 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 2 Minutes 33 Secs. 
408.
Pastorale in F major, BWV 590 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 25 Secs. 
409.
Orgelbüchlein, BWV 599-644 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1714-1717; Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 69 Minutes 34 Secs. 
410.
Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1700; Lüneburg, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 19 Minutes 0 Secs. 
411.
Partite sopra "Ach, was soll ich Sünder machen?", BWV 770 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 9 Minutes 16 Secs. 
412.
In dulci jubilo, BWV 729 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 2 Minutes 11 Secs. 
413.
Ich hab'mein'Sach'Gott heimgestellt, BWV 707 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 3 Minutes 56 Secs. 
414.
Wachet auf, ruft uns die Stimme, BWV 140: no 7, Gloria sei dir gesungen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
415.
Prelude and Fugue in B minor, BWV 544 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 11 Minutes 14 Secs. 
416.
Trio Sonata for Organ no 2 in C minor, BWV 526 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 47 Secs. 
417.
Toccata and Fugue in F major, BWV 540 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 8 Secs. 
418.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 8 Minutes 14 Secs. 
419.
Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 11 Minutes 31 Secs. 
420.
Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 54 Secs. 
421.
Prelude and Fugue in C minor, BWV 546 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 55 Secs. 
422.
Prelude and Fugue in G major, BWV 550 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 14 Secs. 
423.
Prelude and Fugue in C major, BWV 545 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 10 Minutes 54 Secs. 
424.
Prelude and Fugue in D minor, BWV 539 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1720-1725 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 29 Secs. 
425.
Prelude and Fugue in F minor, BWV 534 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 58 Secs. 
426.
Passacaglia in C minor, BWV 582 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1712; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 12 Minutes 27 Secs. 
427.
Fantasie and Fugue in C minor, BWV 537 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708 - 1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 54 Secs. 
428.
Prelude and Fugue in G major, BWV 541 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 46 Secs. 
429.
Prelude and Fugue in C major, BWV 547 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: after 1723; ?Leipzig, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 8 Minutes 40 Secs. 
430.
Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
431.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 31 Secs. 
Language: German 
432.
Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 21 Minutes 52 Secs. 
433.
Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 33 Minutes 23 Secs. 
434.
English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 54 Secs. 
435.
French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 8 Minutes 3 Secs. 
436.
English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 40 Secs. 
437.
French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 6 Minutes 44 Secs. 
438.
English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 15 Minutes 38 Secs. 
439.
French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 9 Minutes 48 Secs. 
440.
English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 51 Secs. 
441.
French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 7 Minutes 29 Secs. 
442.
English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 20 Minutes 39 Secs. 
443.
French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 11 Minutes 45 Secs. 
444.
English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 25 Minutes 59 Secs. 
445.
French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 10 Minutes 8 Secs. 
446.
Suite in E flat major, BWV 819 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 13 Minutes 53 Secs. 
447.
Suite in E flat major, BWV 819a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?1730s; Cöthen, Germany 
Length: 3 Minutes 25 Secs. 
448.
Suite in B flat major, BWV 821 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 11 Minutes 32 Secs. 
449.
Minuet in G major, BWV 841 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 1 Minutes 25 Secs. 
450.
Minuet in G minor, BWV 842 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 0 Minutes 59 Secs. 
451.
Minuet in G major, BWV 843 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 2 Minutes 4 Secs. 
452.
Trio in B minor, BWV 814a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722-1725; Leipzig, Germany 
Length: 1 Minutes 24 Secs. 
453.
Scherzo in D minor, BWV 844 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Leipzig, Germany 
Length: 2 Minutes 20 Secs. 
454.
Suite in A minor, BWV 818a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 14 Minutes 34 Secs. 
455.
Suite in A minor, BWV 818 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 5 Minutes 48 Secs. 
456.
Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 20 Minutes 36 Secs. 
457.
Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 32 Minutes 26 Secs. 
458.
Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 117 Minutes 16 Secs. 
459.
Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1738-1742; Leipzig, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 148 Minutes 3 Secs. 
460.
Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 10 Secs. 
461.
Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 41 Secs. 
462.
Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 24 Secs. 
463.
Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 33 Minutes 18 Secs. 
464.
Prelude and Fugue in A minor, BWV 894 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 10 Minutes 53 Secs. 
465.
Prelude and Fughetta in E minor, BWV 900 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 9 Secs. 
466.
Prelude and Fughetta in G major, BWV 902a: Prelude by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 4 Secs. 
467.
Fantasia and Fugue in A minor, BWV 904 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1725; Leipzig, Germany 
Length: 10 Minutes 21 Secs. 
468.
Prelude in C major, BWV 924 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 54 Secs. 
469.
Prelude in D major, BWV 925 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 55 Secs. 
470.
Prelude in D minor, BWV 926 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 9 Secs. 
471.
Praeambulum in F major, BWV 927 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
472.
Prelude in F major, BWV 928 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 19 Secs. 
473.
Praeambulum in G minor, BWV 930 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 44 Secs. 
474.
Prelude in A minor, BWV 931 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 1 Secs. 
475.
Little Preludes (6): no 5 in E major, BWV 937 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 39 Secs. 
476.
Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 32 Secs. 
477.
Prelude in D minor, BWV 940 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 10 Secs. 
478.
Applicatio in C major, BWV 994 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 0 Minutes 52 Secs. 
479.
Little Preludes (6): no 1 in C major, BWV 933 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 38 Secs. 
480.
Little Preludes (6): no 2 in C minor, BWV 934 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 49 Secs. 
481.
Little Preludes (6): no 3 in D minor, BWV 935 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 43 Secs. 
482.
Little Preludes (6): no 4 in D major, BWV 936 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 3 Minutes 14 Secs. 
483.
Little Preludes (6): no 6 in E minor, BWV 938 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 51 Secs. 
484.
Prelude in E minor, BWV 941 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 34 Secs. 
485.
Prelude in C major, BWV 943 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 2 Minutes 6 Secs. 
486.
Fugue in A minor, BWV 944 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?Weimar, Germany 
Length: 8 Minutes 11 Secs. 
487.
Fugue in B flat major, BWV 955 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 5 Minutes 16 Secs. 
488.
Fugue in A minor, BWV 958 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 9 Secs. 
489.
Fugue in A minor, BWV 959 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 15 Secs. 
490.
Sonata in D major, BWV 963 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 10 Minutes 17 Secs. 
491.
Capriccio in E major, BWV 993 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 5 Minutes 59 Secs. 
492.
Toccata in D major, BWV 912 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 10 Minutes 35 Secs. 
493.
Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 5 Minutes 53 Secs. 
494.
Toccata in F sharp minor, BWV 910 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710 ; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 27 Secs. 
495.
Toccata in G major, BWV 916 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 7 Minutes 49 Secs. 
496.
Toccata in C minor, BWV 911 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1717; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 9 Minutes 53 Secs. 
497.
Toccata in D minor, BWV 913 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 12 Minutes 27 Secs. 
498.
Toccata in G minor, BWV 915 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 25 Secs. 
499.
Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 11/1970 
Venue:  Bennebroek, Holland 
Length: 11 Minutes 19 Secs. 
500.
Prelude and Fughetta in A minor, BWV 895 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1725 
Length: 2 Minutes 44 Secs. 
501.
Fugue in C major, BWV 952 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Date of Recording: 02/1964 
Venue:  Bennebroek, Holland 
Length: 2 Minutes 7 Secs. 
502.
Suite in F minor, BWV 823 [fragment] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 6 Minutes 33 Secs. 
503.
Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1704; Arnstadt, Germany 
Date of Recording: 02/1970 
Venue:  Bennebroek, Holland 
Length: 12 Minutes 54 Secs. 
504.
Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: by 1714; Weimar, Germany 
Length: 15 Minutes 36 Secs. 
505.
Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: ?1731; Leipzig, Germany 
Length: 9 Minutes 22 Secs. 
506.
Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 12 Minutes 25 Secs. 
507.
Overture in the French style in B minor, BWV 831 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 27 Minutes 26 Secs. 
508.
Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
Length: 47 Minutes 41 Secs. 
509.
Sonata in D minor, BWV 964 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 18 Minutes 14 Secs. 
510.
Sonata in A minor, BWV 965 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 33 Secs. 
511.
Sonata in C major, BWV 966 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 2 Secs. 
512.
Adagio in G major, BWV 968 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 19 Minutes 25 Secs. 
513.
Fugue in B flat major, BWV 954 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 3 Minutes 41 Secs. 
514.
Prelude and Partita for Keyboard in F major, BWV 833 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 9 Minutes 14 Secs. 
515.
Prelude and Fugue in A major, BWV 896 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: by 1710 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 41 Secs. 
516.
Prelude and Fughetta in D minor, BWV 899 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 30 Secs. 
517.
Fantasie in G minor, BWV 917 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 51 Secs. 
518.
Prelude in G minor, BWV 929 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 44 Secs. 
519.
Prelude and Fughetta in G major, BWV 902 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 49 Secs. 
520.
Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1738; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 30 Secs. 
521.
Prelude and Fughetta in F major, BWV 901 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 9 Secs. 
522.
Prelude in C minor, BWV 921 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 26 Secs. 
523.
Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 56 Secs. 
524.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
525.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 2 in C minor, BWV 847 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 2 Secs. 
526.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 6 in D minor, BWV 851 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 55 Secs. 
527.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 10 in E minor, BWV 855 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 20 Secs. 
528.
Fantasia on a Rondo in C minor, BWV 918 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
Length: 4 Minutes 20 Secs. 
529.
Suite in G minor, BWV 822 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 13 Minutes 9 Secs. 
530.
Fugue in A minor, BWV 947 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 26 Secs. 
531.
Fugue in A major, BWV 949 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 55 Secs. 
532.
Fugue on a theme by Albinoni in B minor, BWV 951 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 32 Secs. 
533.
Fugue in C major, BWV 946 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1708; ?Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 13 Secs. 
534.
Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 54 Secs. 
535.
Fugue on a theme by Albinoni in A major, BWV 950 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 16 Secs. 
536.
Fugue in C major, BWV 953 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1723 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 26 Secs. 
537.
Minuet in C minor, BWV 813a by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 56 Secs. 
538.
Allemande for Keyboard in G minor, BWV 836 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1720-1722; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 41 Secs. 
539.
Fughetta in C minor, BWV 961 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 33 Secs. 
540.
Concerto in D major after Vivaldi, BWV 972 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 44 Secs. 
541.
Concerto in G major after Vivaldi, BWV 973 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 6 Minutes 41 Secs. 
542.
Concerto in G minor after Vivaldi, BWV 975 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 28 Secs. 
543.
Concerto in C major after Vivaldi, BWV 976 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 27 Secs. 
544.
Concerto in F major after Vivaldi, BWV 978 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 10 Secs. 
545.
Concerto in G major after Vivaldi, BWV 980 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 23 Secs. 
546.
Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 9 Secs. 
547.
Concerto in C major after an unknown composer, BWV 977 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 59 Secs. 
548.
Concerto in B minor after an unknown composer, BWV 979 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 21 Secs. 
549.
Concerto in C minor after Benedetto Marcello, BWV 981 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 44 Secs. 
550.
Concerto in B flat major after Duke Johann Ernst of Saxe-Weimar, BWV 982 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 15 Secs. 
551.
Concerto in G minor after an unknown composer, BWV 983 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 42 Secs. 
552.
Concerto in C major after Duke Johann Ernst of Saxe-Weimar, BWV 984 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 21 Secs. 
553.
Concerto in G minor after Telemann, BWV 985 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 48 Secs. 
554.
Concerto in G major after an unknown composer, BWV 986 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 41 Secs. 
555.
Concerto in D minor after Duke Johann Ernst of Saxe-Weimar, BWV 987 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 19 Secs. 
556.
Prelude in A minor, BWV 942 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 47 Secs. 
557.
Partita in A major, BWV 832 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 38 Secs. 
558.
Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 24 Minutes 43 Secs. 
559.
Suite for Lute in E minor, BWV 996 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: circa 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 15 Minutes 9 Secs. 
560.
Partita for Lute in C minor, BWV 997 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: 1737-1741; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 17 Minutes 39 Secs. 
561.
Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 3 Secs. 
562.
Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 35 Secs. 
563.
Fugue for Lute in G minor, BWV 1000 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa ?1725; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 19 Secs. 
564.
Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: after 1720; Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 21 Minutes 38 Secs. 
565.
Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 24 Minutes 27 Secs. 
566.
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 13 Minutes 58 Secs. 
567.
Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 18 Minutes 32 Secs. 
568.
Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 20 Minutes 47 Secs. 
569.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 25 Minutes 13 Secs. 
570.
Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Bass Viola da gamba), Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 58 Secs. 
571.
Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 13 Minutes 33 Secs. 
572.
Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 45 Secs. 
573.
Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 7 Secs. 
574.
Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 59 Secs. 
575.
Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 16 Minutes 14 Secs. 
576.
Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Harpsichord), Susan Sheppard (Cello)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 16 Minutes 15 Secs. 
577.
Sonata for Violin and Basso Continuo in G major, BWV 1021 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Davitt Moroney (Chamber Organ)
Period: Baroque 
Written: by 1720; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 8 Minutes 40 Secs. 
578.
Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Chamber Organ), Susan Sheppard (Cello)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 11 Minutes 0 Secs. 
579.
Suite for Violin and Harpsichord in A major after S. L. Weiss, BWV 1025 by Johann Sebastian Bach
Performer:  Gerald Hambitzer (Harpsichord), Werner Ehrhardt (Violin)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 32 Minutes 26 Secs. 
580.
Fugue for Violin and Harpsichord in G minor, BWV 1026 by Johann Sebastian Bach
Performer:  Werner Ehrhardt (Violin), Gerald Hambitzer (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 4 Minutes 42 Secs. 
581.
Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 12 Minutes 4 Secs. 
582.
Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 13 Minutes 26 Secs. 
583.
Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 14 Minutes 6 Secs. 
584.
Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach
Performer:  Leopold Stastny (Flute), Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1738; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 54 Secs. 
585.
Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Leopold Stastny (Flute), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1724; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 12 Minutes 22 Secs. 
586.
Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: circa 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 25 Secs. 
587.
Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 47 Secs. 
588.
Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Cello),
Leopold Stastny (Flute)
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 7 Minutes 40 Secs. 
589.
Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Frans Brüggen (Flute), Nikolaus Harnoncourt (Cello),
Leopold Stastny (Flute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 12 Minutes 53 Secs. 
590.
The Art of Fugue, BWV 1080: Contrapunctus 19 by Johann Sebastian Bach
Performer:  Tini Mathot (Harpsichord), Ton Koopman (Harpsichord)
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Length: 6 Minutes 53 Secs.