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Cortot: Piano Arrangements / He Yue

Cortot / He
Release Date: 06/25/2013 
Label:  Grand Piano   Catalog #: 641   Spars Code: DDD 
Composer:  Gabriel FauréJohann Sebastian BachJohannes BrahmsFrédéric Chopin,   ... 
Performer:  He Yue
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews



CORTOT PIANO ARRANGEMENTS He Yue (pn) GRAND PIANO 641 (57: 46)


FAURÉ Dolly Suite. BACH Toccata and Fugue in d, BWV 565. Keyboard Concerto in f, BWV 1056: Arioso. BRAHMS Wiegenlied. CHOPIN Cello Sonata: Read more Largo. SCHUBERT Heidenröslein. FRANCK Violin Sonata


Alfred Cortot is remembered primarily for his pianism and secondarily for his pedagogy. His work as an arranger comes in a distant third, I’d say, as it never even occurred to me that one day someone would release an entire CD devoted to his work in that area. Here it is, though, and it turns out to have been rather a good idea. Cortot’s arrangements, like his pianism, are eloquent and serious, and never showy for the sake of showiness. Rather than trumpeting their difficulty, they mask it behind a modest yet intense devotion to the music itself. This disc’s highlight is the Franck Violin Sonata, here minus the violin, of course. In a work as beautifully composed as this one, it is difficult not to miss the violin’s presence, yet Cortot’s arrangement almost makes one forget about that for long moments at a time. Only in the last movement, in which the timbral differences between the violin and the piano set off Franck’s contrapuntal writing, does one feel the presence of an absence, as it were. Even so, Cortot pulls it off, and while this arrangement has no chance of pushing the original version out of recital halls, it is more than just a forgettable curiosity. His sweetly decorated arrangement of Brahms’s evergreen Wiegenlied is also memorable, as is the slow movement from Bach’s F-Minor Keyboard Concerto. In the Fauré, he condenses four hands into two, and in Bach’s D-minor Toccata and Fugue (the one everybody knows), he adds the work of two feet to that of two hands already busily working away at Bach’s complex counterpoint. Cortot’s arrangement of the latter is less dramatic than the more famous one by Busoni. The Brahms, Chopin, Schubert, and Bach Arioso pieces comprise a collection that Cortot referred as Adaptations pianistiques , although Keith Anderson’s excellent booklet note stops short of explaining the precise significance of that fact.


He Yue is a young Chinese pianist who graduated from the Shanghai Conservatory of Music in 2012. In other words, he appears to have received an excellent musical education without having attended any of the usual American or European conservatories. (However, among his teachers one finds names such as Peter Frankl, Boris Berman, and Anton Kuerti.) I mention this because a Chinese pianist I recently interviewed commented that the Chinese are very good at teaching technique, but not necessarily good at conveying musicality; yet He Yue’s playing, if sometimes a little bland, is sensitive and appealing. True, his Dolly Suite and Heidenröslein don’t have quite enough charm, but his playing is never heavy, and he conjures some luminous colors out of his instrument, particularly in the Fauré and the Brahms. The Franck is a finger-buster, but He Yue doesn’t make a big deal out of it, and his reading of the Violin Sonata sans violin is very effective, and even exciting. Given the unusual nature of this program, whose contents are much more than adequately presented by the pianist, I’d rate this CD as of more than average interest.


FANFARE: Raymond Tuttle
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Works on This Recording

1. Dolly, Op. 56 by Gabriel Fauré
Performer:  He Yue (Piano)
Period: Romantic 
Written: 1894-1897; France 
2. Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  He Yue (Piano)
Period: Baroque 
Written: by 1708; Germany 
3. Songs (5), Op. 49: no 4, Wiegenlied by Johannes Brahms
Performer:  He Yue (Piano)
Period: Romantic 
Written: 1868; Austria 
4. Concerto for Harpsichord in F minor, BWV 1056: 2nd movement, Largo-Arioso by Johann Sebastian Bach
Performer:  He Yue (Piano)
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
5. Sonata for Cello and Piano in G minor, B 160/Op. 65: 3rd movement, Largo by Frédéric Chopin
Performer:  He Yue (Piano)
Period: Romantic 
Written: 1845-1846; Paris, France 
6. Heidenröslein, D 257/Op. 3 no 3 by Franz Schubert
Performer:  He Yue (Piano)
Period: Romantic 
Written: 1815; Vienna, Austria 
7. Sonata for Violin and Piano in A major, M 8 by César Franck
Performer:  He Yue (Piano)
Period: Romantic 
Written: 1886; France 

Sound Samples

Dolly Suite, Op. 56 (arr. A Cortot for piano): I. Berceuse
Dolly Suite, Op. 56 (arr. A Cortot for piano): II. Mi-a-ou: Allegro vivo
Dolly Suite, Op. 56 (arr. A Cortot for piano): III. Le jardin de Dolly: Andantino
Dolly Suite, Op. 56 (arr. A Cortot for piano): IV. Kitty-valse: Tempo di valse
Dolly Suite, Op. 56 (arr. A Cortot for piano): V. Tendresse: Andante
Dolly Suite, Op. 56 (arr. A Cortot for piano): VI. Le pas espagnol: Allegro
Toccata and Fugue in D minor, BWV 565 (arr. A. Cortot for piano)
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. A. Cortot for piano)
Keyboard Concerto in F minor, BWV 1056: II. Largo (arr. A. Cortot for piano)
Cello Sonata in G minor, Op. 65 (arr. A. Cortot for piano): Cello Sonata in G minor, Op. 65: III. Largo (arr. A. Cortot for piano)
Heidenroslein, Op. 3, No. 3, D. 257 (arr. A. Cortot for piano)
Violin Sonata in A major, M. 8 (arr. A. Cortot for piano): I. Allegretto ben moderato
Violin Sonata in A major, M. 8 (arr. A. Cortot for piano): II. Allegro
Violin Sonata in A major, M. 8 (arr. A. Cortot for piano): III. Recitativo - Fantasia: Ben moderato - molto lento
Violin Sonata in A major, M. 8 (arr. A. Cortot for piano): IV. Allegretto poco mosso

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