A strong Nordic strain runs thoughout the symphonies, from the folkish No. 1 to the grandly epic No. 9 "Sinfonia Visionaria". Nos. 2 and 7 both offer captivating narrative drama, while the Fifth ("Sinfonia funebre") uses a cyclic concept in a manner similar to Mahler's Sixth. Probably the most immediately impressive is No. 3, whose second movement is so grippingly cinematic you easily could think the symphony's "West Coast Pictures" subtitle refers to a Hollywood studio. Nos. 4, 6, and 8 present Atterberg's lighter side, with bucolic pleasantries in the Fourth ("Sinfonia piccola") and Sixth, while the Eighth offers Sibelius Sixth-style modal harmonies in crystalline textures.

All nine symphonies (as well as the symphonic poem Alven) feature vivid orchestral writing (the Ninth showcases Atterberg's considerable skill in handling large choral forces), as well as Atterberg's penchant for building perfectly-timed, irresistibly exciting climaxes. Conductor Ari Rasilainen clearly has immersed himself in the composer's world, leading powerful and highly idiomatic performances with the Frankfurt, Stuttgart, and Hanover orchestras. CPO maintains consistently spacious, high-impact sound throughout the series. Lovers of the symphony rejoice: here's another mighty nine! [2/24/2005]