Notes and Editorial Reviews
New London Pictures. Ladies in Lavender:
The Lochnagar Suite. Monck’s March. Shakespeare Pictures
Nigel Hess, cond; Central Band of The Royal Air Force
CHANDOS 10767 (63: 30)
There is no doubting the impressive recording here, nor the enthusiastic and expert playing of the Central Band of the Royal Air Force, in this second volume of music for symphonic wind orchestra by Nigel Hess. The first volume was reviewed by Paul A. Snook in
23:5. Hess (b. 1953) is best known for his music for film and television. All the pieces here bar one (
) are either premiere recordings or premiere recordings in the particular arrangement heard here.
It would not be surprising if this disc found its way into demonstration showrooms. The sound is fabulous, so hats off to Gareth Williams (co-producer with the composer, and also, critically, the sound engineer). The venue is (unsurprisingly, perhaps) new to me: the RAF Music Studios in Northolt, Middlesex.
First up is the
New London Pictures
of 2003. The glitzy scoring of “Millennium Bridge” leads to the expansive melody for the central slow movement, “London Eye”. We Britishers will recognize the aura of the music from many of Hess’s TV scores. Luxuriant, mightily easy on the ear, and beautifully scored, it leads to the bright and brash “Congestion Charge.” Here, a depiction in sound of traffic (remember Gershwin’s
American in Paris
?) vies with music that seems to depict some sort of zany slapstick. It is all great fun. But do I need to hear it more than once?
The brief (under four minutes) theme from the film
Ladies in Lavender
features a lovely flute melody, ably delivered here. I suppose I should describe it as highly scented. It is, but it hurts me to do so, probably as much as it hurts you to read it. The truth is that this is so entirely background music, it is difficult to believe that people actually sit and give their full attention to it.
The Lochnagar Suite
(2007), from the ballet
The Old Man of Lochnagar
(based on a children’s’ book), shows how Hess can be wonderfully specific geographically, while adding yet more hints of Gershwinesque jazz (try the melodic twists of the first movement, “Scottish Dances”). All credit to the control of the players involved for the central “Dark Lochnagar” (a depiction of the old man of the title’s search for love based on a Scottish ballad). There is some magical scoring here.
The 10-minute concert overture
(2002) is nicely evocative of the adventures of General Monck, and in the spirit of the disc as a whole it is blissfully undemanding of its listeners. The suite
(2008) holds three events/movements: “Much Ado About Nothing” (light and frothy, and played as such); the gentle “The Winter’s Tale: The Statue”; and “Julius Caesar: The Entry to the Senate,” which contains music of much nobility. The music here originated in music composed for productions at Stratford-upon-Avon. Finally, there comes
A Christmas Overture
(2007). It feels a bit wrong to be reviewing this in late July in the midst of a (very, very, very) rare heat wave in England, but there is no doubting the ingenuity of Hess’s warmly scored piece of fun. That’s warm in the sense of an oven-warmed mince pie. And it’ll be Christmas soon enough, anyway.
Great fun all round, with all the music performed with real affection, plus a sonic spectacular. What more could you ask?
FANFARE: Colin Clarke
New London Pictures: I. Millennium Bridge
New London Pictures: II. London Eye
New London Pictures: III. Congestion Charge
Ladies in Lavender (arr. for flute and wind band)
The Lochnagar Suite: I. Scottish Dances
The Lochnagar Suite: II. Dark Lochnagar
The Lochnagar Suite: III. Dance of the Eagle
Shakespeare Pictures: I. Much Ado about Nothing
Shakespeare Pictures: II. The Winter's Tale: The Statue
Shakespeare Pictures: III. Julius Caesar: The Entry to the Senate
A Christmas Overture (version for wind band)
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