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Shostakovich: Cello Concerto No 1, Cello Sonata / Emmanuelle Bertrand, Pascal Amoyel

Shostakovich / Amoyel / Rophe
Release Date: 04/09/2013 
Label:  Harmonia Mundi   Catalog #: 902142  
Composer:  Dmitri Shostakovich
Performer:  Emmanuelle BertrandPascal Amoyel
Conductor:  Pascal Rophé
Orchestra/Ensemble:  BBC National Orchestra of Wales
Number of Discs: 1 
Length: 1 Hours 3 Mins. 

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Notes and Editorial Reviews

This is one hell of a performance of Shostakovich’s First Cello Concerto. Emmanuelle Bertrand and conductor Pascal Raphé team up to produce one of the most intense and neurotic versions yet of this intense and neurotic piece. In the outer movements, they adopt fleet tempos that emphasize the music’s twitchy edge, and the engineers daringly balance Bertrand a touch less forward then usual, comfortably within the ensemble. This highlights every mocking grunt and snort of the wind section – listen to the contrabassoon in the first movement’s second subject. It’s unforgettably vivid and to the point.

The slow movement and ensuing cadenza, by contrast, are intense in a different
Read more way: slow, hushed, and grave (save at the anguished climax of the former). I was particularly pleased that Bertrand was able to keep her usually adenoidal breathing in check at the start of the cadenza. Indeed, although a certain amount of huffing and puffing seems to come with the territory in this concerto, Bertrand is no worse than many of her colleagues, and she at least has the excuse of being nakedly expressive to a degree that makes you fear for her mental health. The horn, clarinet, and timpani soloists also are all excellent.

The couplings are interesting and apt, and no less well done. Shostakovich’s Cello Sonata still isn’t all that well known. It dates from the time of the First Piano Concerto, before the Lady Macbeth of Mtsensk debacle, and so represents his mature early style. It’s a big, serious, very beautiful piece that both Bertrand and pianist Pascal Amoyel play with the attention to detail that it deserves. The Moderato for cello and piano is a recently discovered fragment that presumably dates from about the same time as the Sonata, and makes an apt encore. Still, it’s the concerto that most lingers in the mind here – it’s just sensational, and may well become your “go to” version of the piece.

– David Hurwitz, ClassicsToday.com
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Works on This Recording

Concerto for Cello no 1 in E flat major, Op. 107 by Dmitri Shostakovich
Performer:  Emmanuelle Bertrand (Cello)
Conductor:  Pascal Rophé
Orchestra/Ensemble:  BBC National Orchestra of Wales
Period: 20th Century 
Written: 1959; USSR 
Sonata for Cello and Piano in D minor, Op. 40 by Dmitri Shostakovich
Performer:  Emmanuelle Bertrand (Cello), Pascal Amoyel (Piano)
Period: 20th Century 
Written: 1934; USSR 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Exciting Shostakovich June 19, 2013 By Bevan Davies (Kennebunk, ME) See All My Reviews "This is an exciting, refreshing recording of a not very well-known piece. At least not to me. Just by virtue of this issue, I can imagine this work being performed much more often, provided there are some cellists as incredibly talented as Ms. Bertrand, able to do justice to the piece in a concert setting. Harmonia Mundi's engineers have done great work here, with just the right balance for the cello and orchestra. Bevan Davies Kennebunk, ME" Report Abuse
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