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 Thomas Luis De Victoria: Requiem And Improperia
Release Date: 10/26/2004 
Label:  Arsis   Catalog #: 149   Spars Code: ADD 
Composer:  Tomás Luis de Victoria
Conductor:  Edith Ho
Orchestra/Ensemble:  Church of the Advent Choir

Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 10 Mins. 

CD  $17.99
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Notes & Reviews   Works on This Recording  
 Notes & Reviews Back to Top 
Full review from FANFARE Magazine:
The major work on this disc was recorded in 1985, and the original issue (Fanfare 9:5) gave me my first appreciation of the superb quality of this choir. There were enough good versions of Victoria’s late Requiem, his last masterpiece, to demonstrate that this was truly competitive. Since the verse from the offertory had to be supplied in chant for completeness, Ho also added the chant Dies irae, which Victoria also omitted. This is a lovely rendition, all the more valuable because it has been omitted from most recent recordings of the chant Requiem (it was banished from the liturgical books in 1970).

Now the logical way to reissue it was to provide a filler, and Edith Ho found a suitable work in the Improperia from Victoria’s Holy Week music, recorded last year. This music to accompany the veneration of the Cross is the most solemn part of the Good Friday service, and the Church of the Advent has sung Victoria’s music “for decades.” The Improperia begin with an extremely ancient chant (here called the “greater reproaches”) that includes a refrain in Greek and Latin, followed by nine additional verses (“lesser reproaches”) of later but still medieval origin. At the Church of the Advent, the Greek phrases are retained, but all of the Latin parts are sung in English. For this recording, the greater reproaches are first sung in Latin and Greek, followed by the complete greater and lesser reproaches in English and Greek. Victoria’s Holy Week music is much recorded, but this piece is usually limited to the polyphonic refrains that Victoria set. Only Jean-Paul Gipon’s complete set on Champeaux (once available on Jade), which adds all the chant verses, is as complete as this. (Even in chant, the complete Improperia have only been recorded a couple of times, notably on mono Archive ARC 3050.) This is an extremely moving rendition, the most original part coming in the repetition of the refrain, where the Greek phrases are echoed from a distance in Latin or English each time. The common notion that the brief passages set by Victoria can stand alone rather than being heard as a refrain to the repeated chant verses is effectively overturned with a performance as good as this. This is how he expected his music to be heard. This is a worthy filler to a superb reissue.

J. F. Weber, FANFARE

 Works on This Recording Back to Top 
1.  Missa "Pro defunctis" by Tomás Luis de Victoria
Conductor:  Edith Ho
Orchestra/Ensemble:  Church of the Advent Choir
Period: Renaissance 
Written: by 1583; Spain 
Date of Recording: 04/28/2003 
Venue:  Church of the Advent, Boston, MA 
Length: 45 Minutes 11 Secs. 
Language: Latin 
2.  Officium Hebdomadae Sanctae: Tenebrae Responsories - Popule meus by Tomás Luis de Victoria
Conductor:  Edith Ho
Orchestra/Ensemble:  Church of the Advent Choir
Period: Renaissance 
Written: by 1585; Spain 
Date of Recording: 04/28/2003 
Venue:  Church of the Advent, Boston, MA 
Length: 17 Minutes 0 Secs. 
Notes: This selection is sung in Greek and Latin. 
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