Poetry and precision triumphantly fuse in the Grieg Concerto, where Perahia's fabulous technique and ravishing tone make this overplayed work sound quite invigorating. I particularly admire the effortlessly effected tempo relationships between sections, plus the welcome melodic emphasis with which he shapes the Finale's flashy runs and the first-movement cadenza's bass rumbles. An excellently played Finale to Mendelssohn's D minor concerto is tacked on as a bonus track.