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Celebration Music For The Marriage Of Prince Elector Frederick V To Elizabeth Stuart

Ciarlatani
Release Date: 03/26/2013 
Label:  Christophorus   Catalog #: 77371   Spars Code: DDD 
Composer:  John CoprarioAnonymousRobert JohnsonWilliam Byrd,   ... 
Orchestra/Ensemble:  I Ciarlatani
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 14 Mins. 

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Notes and Editorial Reviews

When the Palatinate Prince-Elector Friedrich V married the English Princess Elizabeth Stuart on Valentine's Day 1613, the whole world spoke of the "marriage between the Rhine and the Thames". The Calvinist Electoral Palatinate led the union of the Protestant German princes at this time, and the Palatinate politicians saw in Anglican England a powerful ally against the Catholic Habsburgs. Thus this marriage was, of course, – as was usual at that time – politically motivated; but there is considerable evidence that the two young people were actually fond of each other. In London, the wedding – the Electoral Palatinate had already arrived – had to at first be postponed due to the state mourning of the sudden death of the brother of Read more the bride and of the English heir to the throne, but it could then take place on 14 February 1613 following hasty preparations. After the arrival of the newlyweds in the Electoral Palatinate, the festivities were resumed at Heidelberg Castle. The Ensemble I Ciarlatani has reconstructed the many musical highlights with the help of an historical report, and presents the "marriage between the Rhine and the Thames" in the form of an exciting musical story enabling us to witness the events of those times. Read less

Works on This Recording

1.
The Second of the Lords by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 41 Secs. 
2.
Wer Glück und Unglück wissen will (nach einem Flugbatt von 1621) by Anonymous
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 22 Secs. 
3.
Gray's Inn the 1st, for ensemble by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Written: England 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 31 Secs. 
4.
The First of the Princes by Robert Johnson
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 54 Secs. 
5.
So parted you, for voice, lute & bass viol (Songs of Mourning) by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 57 Secs. 
6.
How like a golden dream, for voice, lute & bass viol (Songs of Mourning) by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 3 Minutes 12 Secs. 
7.
Work(s): Pavana. The Earle of Salisbury / Galiardo. Galliardo Secundo. Mrs. Marye Brownlo (Parthenia by William Byrd
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 5 Minutes 11 Secs. 
8.
Psalm 104: My soul praise the Lord, for 4 voices by John Dowland
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: 1592 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 25 Secs. 
9.
The Third of the Temple (Orpheus und Entheus treffen sich in Arkadien) (Masque of the Middle Temple by Robert Johnson
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 47 Secs. 
10.
The Nymphs' Dance (for Beaumont's "Masque of the Inner Temple and Gray's Inn") by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 35 Secs. 
11.
Firste Booke of Songes or Ayres: no 17, Come againe, sweet love doth now envite by John Dowland
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: 1597; England 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 11 Secs. 
12.
Come away, arm'd with loves delights, for voice, lute & bass viol (or 3 voices) (Second Booke of Ayr by Thomas Campion
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: 1613 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 50 Secs. 
13.
Advance your choral motions now, song (for "The Lord's Masque") by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 3 Minutes 1 Secs. 
14.
The First of the Temple (Tanz der Fackelträger-die Lord-Masquers steigen zur Erde herab), (Masque of by Robert Johnson
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 56 Secs. 
15.
Wooe her, and win her, he that can by Thomas Campion
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: by 1614; England 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 17 Secs. 
16.
While dancing rests, for voice & continuo by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Written: 1614 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 55 Secs. 
17.
Work(s): Galliarda 1 / Courant Lavallet / Brantle 1 & 2 / Volt ("Revels" mit Masquers, Zuschauern un by Anonymous
Orchestra/Ensemble:  I Ciarlatani
Venue:  Klosterkirche, Lobenfeld 
Length: 4 Minutes 32 Secs. 
18.
No longer wrong the night (Aufforderung, die Masque zu beenden) (Lords' Masque) by Anonymous
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 32 Secs. 
19.
The Third of the Lords, dance (for "The Lords' Masque") by John Coprario
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 58 Secs. 
20.
Mellancholy Galliard, P 25 by John Dowland
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: England 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 27 Secs. 
21.
Ballet by Christian Englemann
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 42 Secs. 
22.
Nun singt ein neues Lied dem Herren (Ps. 98) (Psalmen Davids) (Ambrosius Lobwasser) (Lich 1609) / Da by Anonymous
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 0 Secs. 
23.
The Satyrs' Masque by Robert Johnson
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 43 Secs. 
24.
Hertzlich thut mich erfrewen by Konrad Hagius
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 3 Minutes 19 Secs. 
25.
Nur ein Figur (hat die Natur so adelig gezieret) (Tabulatur Zwiebrücken) by Johannes Jeep
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 52 Secs. 
26.
Weil jetzt zu mal die Götter all (Lied der Musen) (Tabulatur Zwiebrücken, Musik: Ach Gott mein Leide by Anonymous
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 55 Secs. 
27.
Ballet de pages Heid.(elberg) (Tabulatur Zweibrücken) by Jacques Cordier ("Bocan")
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 52 Secs. 
28.
Opus newer Paduanen, Galliarden, Intraden, Canzonen, Ricercaren a 5...: Ballet by Thomas Simpson
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: by 1611 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 49 Secs. 
29.
Terpsichore: no 48, Courrant de bataglia by Michael Praetorius
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Written: by 1612; Germany 
Venue:  Klosterkirche, Lobenfeld 
Length: 1 Minutes 2 Secs. 
30.
The Sixt Set of Bookes: You meaner beauties by Michael East
Orchestra/Ensemble:  I Ciarlatani
Period: Baroque 
Written: by 1624; England 
Venue:  Klosterkirche, Lobenfeld 
Length: 3 Minutes 44 Secs. 
31.
A Wedding Maske: Now hath Flora rob'd her bowers by Thomas Campion
Orchestra/Ensemble:  I Ciarlatani
Period: Renaissance 
Written: 1607; England 
Venue:  Klosterkirche, Lobenfeld 
Length: 2 Minutes 31 Secs. 

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