WGBH Radio WGBH Radio theclassicalstation.org

Massenet: Thaïs / Viotti, Mei, Pertusi, Joyner

Massenet / Mei / Pertusi / Joyner / Fel / Viotti
Release Date: 06/29/2004 
Label:  Dynamic   Catalog #: 33427  
Composer:  Jules Massenet
Performer:  Eva MeiChristophe FelMichele PertusiWilliam Joyner
Conductor:  Marcello Viotti
Orchestra/Ensemble:  Venice Teatro la Fenice OrchestraVenice Teatro la Fenice Chorus
Number of Discs: 1 
In Stock: Usually ships in 24 hours.  



Notes and Editorial Reviews

THAIS - Eva Mei, soprano; Michele Pertusi, bass-baritone; William Joyner, tenor; Christophe Fel, bass; Orchestra e Coro del Teatro La Fenice di Venezia/Marcello Viotti; Pier Luigi Pizzi, director, set and costume designer; Live recording

After the CD recording of Thaïs, which marked the beginning of Dynamic’s collaboration with Venice’s prestigious Teatro La Fenice, here is now the DVD version of this enthralling opera, by the captivating music and dramatic development. The title role, in this excellent production, is sung by an Eva Mei in great vocal form, who gives an interpretation of extraordinary depth. Beside her, the famous bass-baritone Michele Pertusi, as Athanaël, shows once again his unquestionable style.
Read more On the podium is Marcello Viotti, music director of the Venetian theatre. The story of the conversion of the beautiful courtesan, and the clash between spirituality and sensuality have been portrayed brilliantly by Pier Luigi Pizzi, one of today’s most talented opera directors. The visual quality of this production is indeed one of its strong points, and the DVD recording will not fail to fascinate the viewer. - French, English, Italian, German and Spanish subtitles. NTSC

R E V I E W:

A colourful, dramatic and satisfying production.

That ‘Meditation’ ensured the fame of Thaïs. This is a rather stark production from La Fenice. The minimalist sets are confined to staircases, assorted cubes and pillars; and, in the third act, a stage littered with crosses. At centre-stage, in the earlier scenes, there is something resembling a chaise-longue made up of thorns or razor wire and studded with roses.

This ‘Meditation’ is something quite startling. In the middle of Act II, as the notorious Alexandrian courtesan and prostitute, Thaïs, reclines on her thorny chaise-longue, we see her dreaming in a fitful sleep. She has been preached at by the priest Athanaël and has rejected his God. After realizing that her beauty and attraction could soon fade she begins to reject her world of luxury too. We see her dream. Above and at the rear of the stage, a ‘T’ shaped-cross, is surmounted by a scantily-clad female, who writhes over it seductively. Her attitude slowly changes and we perceive her forming a crucified figure. This change symbolizes the start of Thaïs’s conversion.

Dreams figure elsewhere. In Act I Athanaël sees a vision of Thaïs being acclaimed for her portrayal of Aphrodite in an Alexandrian theatre. She is surrounded by erotic dancing, most sensuously staged in this production. Massenet’s ‘ballet’ music and the quasi-erotic ‘sea’ music for the port of Alexandria prove, once again, that the best music is so often reserved for the devil. Well, almost, for one of the most moving moments comes with the final duet for Nathanaël and the dying Thaïs. Nathanaël is now sunk in degradation as he lusts after the sinking Thaïs. She reaches out in her last moments to her perceived vision of heaven. Wonderful theatre this, and Massenet responds with the most beautiful music for Thaïs; Eva Mei seizes attention here. Her singing throughout is colourfully expressive, first seductive and mocking and ultimately saintly and supplicatory. Her delivery is nicely controlled, her top notes secure, her sleek legato line easily accommodating Massenet’s trills and coloratura contours.

Michele Pertusi is an agreeable match especially in their Act III duets. His opposite transition from heavenly devotion to satanic lust is well expressed. William Joyner makes a lusty Nicias, Athanaël’s former school friend now given over to hedonism and the fickle charms of Thaïs. Christophe Fel’s rich bass voice distinguishes the old monk Palémon. The supporting cast, chorus and dancers all contribute to an eye-popping dramatic staging.

The recommended alternative CD set is Decca 466 7662 with Renée Fleming, an outstanding Thaïs.

A colourful, dramatic and satisfying production.

-- Ian Lace, MusicWeb International
Read less

Works on This Recording

1. Thaïs by Jules Massenet
Performer:  Eva Mei (Soprano), Christophe Fel (Bass), Michele Pertusi (Bass Baritone),
William Joyner (Tenor)
Conductor:  Marcello Viotti
Orchestra/Ensemble:  Venice Teatro la Fenice Orchestra,  Venice Teatro la Fenice Chorus
Period: Romantic 
Written: 1894; France 
Venue:  Teatro La Fenice, Venice 
Language: French 

Customer Reviews

Be the first to review this title
Review This Title
Review This Title Share on Facebook