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| Transcriptions Vol 1 / Laurence Equilbey, Accentus | |||||
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Release Date: 08/17/2004 Label: Naive Catalog #: 4982 Spars Code: n/a Composer: Samuel Barber, Gerard Pesson, Gustav Mahler, Knut Nystedt, Franck Krawczyck, Alban Berg, Claude Debussy, Maurice Ravel, Hugo Wolf Performer: Jean-François Chiama, Jean-François Lombard, Hélène Moulin, Solange Añorga, Nicholas Kern, Catherine Ravenne, Pierre Jeannot, Pascale Costes Conductor: Laurence Equilbey Orchestra/Ensemble: Accentus Chamber Choir
Number of Discs: 1 |
SuperAudio CD
$16.99
In Stock |
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| Notes & Reviews | Back to Top | ||||
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Nominated for the 2004 Grammy Award for Best Choral Performance. All tracks have been digitally mastered using 24-bit technology.
Most alluring are the two Mahler pieces, the Adagietto from the Fifth Symphony and the song Ich bin der Welt abhanden gekommen. Both work extremely well through the medium of voices, but the latter's intensely beautiful harmonies make this setting especially poetic and a true rethinking of the piece. Accentus Chamber Choir's founder Laurence Equilibey conducts both with seamless elegance and a naturally flowing rubato that really makes the music come alive. Quite different if equally intoxicating is Ravel's Soupir. Taking his cue from Ligeti's Lux Aeterna, Clytus Gottwald creates a shimmering, sensual curtain of sound that's simply magical. Franck Krawczyk's two Chopin transcriptions, the Etude Op. 10 No. 6 and the Largo from the Third Piano Sonata, sound so inevitably right that you'd hardly guess that they originated in piano solos. I could go on, but as I noted at the beginning of this review, why talk when you could (and should) be listening? Suffice it to say that the singing is simply the last word in unobtrusive virtuosity and sumptuous blending of tones, and the sonics capture the chorus in a warm but not overly resonant space. The concept may look odd, but trust me: one listen and you'll be playing this disc often. Start with the Mahler. If that doesn't grab you, then you're either tone deaf or simply dead. --David Hurwitz, ClassicsToday.com |
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| Works on This Recording | Back to Top | ||||
| 1. |
Agnus Dei, Op. 11 by Samuel Barber | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century Written: 1967; USA |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 7 Minutes 11 Secs. Language: Latin |
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| Notes: This work is a vocal arrangement of the composer's 'Adagio for Strings.' | |||||
| 2. |
Kein deutscher Himmel by Gerard Pesson | ||||
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Performer:
Jean-François Chiama (Tenor),
Jean-François Lombard (Tenor),
Hélène Moulin (Alto),
Solange Añorga (Soprano) Conductor: Laurence Equilbey Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 9 Minutes 8 Secs. Language: German |
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| Notes: This selection is an arrangement of the Adagietto from Mahler's Symphony no. 5. | |||||
| 3. |
Rückert Lieder (5): no 3, Ich bin der Welt abhanden gekommen by Gustav Mahler | ||||
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Performer:
Solange Añorga (Soprano)
Conductor: Laurence Equilbey Orchestra/Ensemble: Accentus Chamber Choir Period: Romantic Written: 1901-1902; Vienna, Austria |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 6 Minutes 4 Secs. Language: German |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 4. |
Immortal Bach by Knut Nystedt | ||||
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Performer:
Nicholas Kern (Tenor),
Catherine Ravenne (Alto),
Pierre Jeannot (Bass),
Pascale Costes (Soprano) Conductor: Laurence Equilbey Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century Written: 1988; Norway |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 6 Minutes 30 Secs. Language: German |
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| Notes: This selection is an arrangement of J.S. Bach's "Komm, süsser Tod, komm, sel'ge Ruh'!, BWV 478." | |||||
| 5. |
Lulajze, Jesuniu by Franck Krawczyck | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 4 Minutes 39 Secs. Language: Polish |
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| Notes: This work is based on Largo from 3rd Sonata by Chopin. | |||||
| 6. |
Early Songs (7): no 3, Die Nachtigall by Alban Berg | ||||
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Performer:
Solange Añorga (Soprano)
Conductor: Laurence Equilbey Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century Written: 1905-1908; Austria |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 2 Minutes 23 Secs. Language: German |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 7. |
Les angélus by Claude Debussy | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century Written: 1891; France |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 2 Minutes 27 Secs. Language: French |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 8. |
Poèmes (3) de Stéphane Mallarmé: no 1, Soupir by Maurice Ravel | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century Written: 1913; France |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 3 Minutes 44 Secs. Language: French |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 9. |
Mörike Lieder: no 7, Das verlassene Mägdlein by Hugo Wolf | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: Romantic Written: 1888; Vienna, Austria |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 3 Minutes 45 Secs. Language: German |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 10. |
Mörike Lieder: no 23, Auf ein altes Bild by Hugo Wolf | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: Romantic Written: 1888; Vienna, Austria |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 2 Minutes 28 Secs. Language: German |
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| Notes: Arranger: Clytus Gottwald. | |||||
| 11. |
Lacrimosa by Franck Krawczyck | ||||
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Conductor:
Laurence Equilbey
Orchestra/Ensemble: Accentus Chamber Choir Period: 20th Century |
Date of Recording: 02/2001 Venue: Arsenal Concert Hall, Metz, France Length: 3 Minutes 56 Secs. Language: Latin |
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| Notes: This selection is a transcription of the Etude for Piano no. 6, Op. 10 by Chopin. | |||||
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