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Symphonies Concertantes - Danzi, Ritter, Et Al / Klöcker

Release Date: 04/20/2004 
Label:  Cpo   Catalog #: 777009   Spars Code: n/a 
Composer:  August Gottfried RitterGeorg Abraham SchneiderPeter von WinterBernhard Henrik Crusell,   ... 
Conductor:  Iona BrownDieter Klöcker
Orchestra/Ensemble:  Academy of St. Martin in the FieldsConsortium Classicum
Number of Discs: 3 
Recorded in: Stereo 
Length: 3 Hours 36 Mins. 

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Notes and Editorial Reviews

The sinfonia concertante was a popular genre from the final quarter of the 18th century into the first half of the 19th century. It was an outgrowth of the Baroque concerto a molti stromenti that pitted a group of soloists—sometimes quite disparate—against an accompanying orchestral body. The focus was upon the soloists, the orchestra being relegated to an accompanying role. Musicologist Barry Brook notes that the genre was largely populated by works in major keys; works that were “ relaxed, gracious and happy, rarely dramatic, never sombre or intense.”

Other characteristics of the sinfonia concertante include an increasing use of winds as soloists (as seen in this set) and the use of what I termed “disparate” soloists above;
Read more the example by Koželuch that is included in this three-CD set calls for four soloists: piano, trumpet, mandolin, and double bass. The French are generally credited with the establishment of the genre, with examples appearing in the repertoire of both the Concerts Spirituel and Concerts d’Amateurs. As the heading indicates, the sinfonia concertante quickly found its way to the German-speaking countries and eventually to England by way of works from the pens of Haydn and Pleyel.

The 10 works recorded here represent CD reissues of material taken in toto from vintage vinyl originally recorded and released in the late 1970s by Electrola. Collected and edited by German clarinetist Dieter Klöcker, the artistic director of Consortium Classicum, these compositions represent what Klöcker regards as the crème de la crème of the genre. The two well-known examples by Mozart for violin and viola and flute/clarinet, oboe, horn, and bassoon are omitted here for obvious reasons. At the time of the original release, many of the composers represented here were relatively, if not completely unknown to all, save a few members of the international musicological community. However, that has changed in the intervening quarter-century with several recordings of music by Crusell, Danzi, Winter, Abel, and Koželuch.

The Academy of St. Martin in the Fields and Consortium Classicum were (and still are, for that matter) two of the finest ensembles active. Each is renowned for many traits, including razor-sharp ensemble, affluent tone and technique, and exceptional vitality—characteristics that abound in these sessions. This collaboration came about at a time when the period-instrument movement was beginning to test its legs, but the brightly paced and well-recorded compositions still abound in freshness and intelligence. They are further commended by astounding technical agility and there is abundant warmth when required. In sum, these exceptional interpretations of rare material are still unsurpassable and their position of undeniable prominence not likely to be challenged in my lifetime. Every aficionado of the Classical era should own this set, and at the special price offered by cpo, there’s no reason to avoid it.

Michael Carter, FANFARE
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Works on This Recording

Sinfonia concertante for Clarinet, Horn and Bassoon, Op. 3 by Bernhard Henrik Crusell
Conductor:  Iona Brown,  Dieter Klöcker
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Consortium Classicum
Period: Romantic 
Written: 1808; Sweden 
Sinfonia concertante for Violin and Viola, Op. 19 by Georg Abraham Schneider
Period: Classical 
Concertante for Flute, Clarinet and Orchestra in B flat major, Op. 41 by Franz Danzi
Period: Classical 
Written: ?1814; Germany 
Sinfonia concertante for 2 Bassoons by August Gottfried Ritter
Period: Classical 
Sinfonia concertante for Violin, Clarinet, Horn and Bassoon in B flat major by Peter von Winter
Period: Classical 
Written: Germany 
Sinfonia concertante for Violin, Oboe and Clarinet in B flat major by Karl Friedrich Abel
Period: Classical 
Sinfonia concertante for Violin and Keyboard, Op. 57 by Ignace Joseph Pleyel
Period: Classical 
Sinfonia concertante for Clarinet and Bassoon in B flat major by Franz Anton Hoffmeister
Period: Classical 
Sonata concertante in E flat major by Leopold Anton Kozeluch
Period: Classical 
Written: Vienna, Austria 

Customer Reviews

Average Customer Review:  2 Customer Reviews )
 A Revelation August 29, 2017 By Joseph Murray (Las Cruces, NM) See All My Reviews "If you love music of the classical era and are not familiar with its symphonies concertantes, this is a must. I cannot find the adjectives to adequately describe the musical revelations of the works in this set: gorgeous, touching, moving, simple in their complexity. My only exposure to a classical symphonia concertante had been Mozart's K364. What had I been missing? The set of 12 works from 9 composers does not begin to exhaust the genre, but director Dieter Kloecker has wisely chosen those works that highlight winds---a wonderful choice. His extensive liner notes are valuable not only in describing the individual pieces but in providing a history of and rationale for the genre. Performers Consortium Classicum with Kloecker and Academy of St. Martin-in-the-Fields with Iona Brown do the pieces more than justice." Report Abuse
 Every piece earns your attention.  June 18, 2012 By Joan W. (Vancouver, BC) See All My Reviews "The music of these 9 composers is very similar - flowing, happy, perfectly harmonious. However, the melodies are beautifully different and intriguing. Wonderful musicianship. A great listen." Report Abuse
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