MENDELSSOHN String Quartets: No. 2, Op. 13; No. 6, Op. 80. F. MENDELSSOHN-HENSEL String Quartet in E? • Ebène Qrt • VIRGIN 50999 464546 (76:50)
Felix Mendelssohn’s first published quartet, No. 2 in A Minor, from 1827, is perhaps the best known of his six. Opening this splendidly engineered disc, it serves to introduce the technically impeccable, passionate playingRead more of the Ebène Quartet. It’s followed by Fanny Mendelssohn’s E?-Quartet from 1834, a work that’s more a succession of separate, unrelated movements than a fully integrated whole, comparable to Felix’s Four Pieces for String Quartet, op. 81. Its first movement is quite touching, shares a melodic motive with the first movement of Felix’s F?-Minor Fantasy, op. 28, and has the feeling of a slow introduction. The second movement, Felix’s favorite of the four, is an accomplished scherzo in moderate tempo. The third and fourth movements, an intense Romanze and an Allegro moderato finale, are more extensively developed, and, according to Fanny, inspired by Beethoven’s late works. It’s a pleasure to make the acquaintance of Fanny Mendelssohn-Hensel’s beautiful work in such a vivid performance. Its turbulent last movement makes a fine segue into Felix’s far stormier op. 80 quartet from 1847, written in anguished reaction to Fanny’s death.
The Ebène Quartet’s Mendelssohn exemplifies what I think of as a “Marlboro” style, in which young, technically fearless musicians play every note as if their life depends on it, often with extraordinarily mature sounding results. (There may be a Marlboro connection in that the Ebène Quartet, who have been an ensemble for 13 years, are beneficiaries of the Borletti-Buitoni Trust, the sponsor of this recording, in which the great Mitsuko Uchida—co-director of the Marlboro school and festival—has played a part. She’s thanked in the “dedication” section of the CD booklet.)
In a review of their Mozart (Fanfare 35:4), Jerry Dubins criticized the Ebène for playing “with an agenda” in which gratuitous ritards and other affectations were imposed on the music. Happily, that isn’t the case here. If there’s any agenda to their Mendelssohn, it’s to put to rest the notion of Mendelssohn as a “classical” (i.e., restrained) romantic, by showing that his quartets can be as powerful in expression as Schumann’s or Brahms’s.
In all three quartets, the Ebène urgently brings the music to life, as much in gentler, lyrical sections as in brilliant ones, always with maximum color and contrast. The feeling of repose found in the Talich Quartet’s op. 13 is missing, and perhaps the Ebène drives and accentuates op. 80’s second movement too exaggeratedly, but I forgive them. I am particularly impressed by the security and confidence of the Ebène’s two first violinists; Pierre Colombet and Gabriel Le Magadure, who switch off. Le Magadure plays first violin in op. 13, providing maximum focus to the group’s strongly defined balance. By comparison, Broadus Earle, the first violinist of the The New Music Quartet, whose admirable op. 13 is beautifully restored on Pristine Audio, is a less intrepid guide, comparatively reticent. The Ebène’s performances are the equal of the Emerson, Pacifica, Leipzig, or Henschel Quartets in their excellent and relatively recent Mendelssohn recordings. We are in a period of revival of these great works on disc, and if there is to be a continuing cycle by the Ebène Quartet, it could turn out to be the most brilliant of all.
Energetic playing in three quartets by two MendelDecember 10, 2013By F. Bayerl (Ottawa, ON)See All My Reviews"The Quatuor Ebene plays with great energy and commitment in this recording of Felix Mendelssohn's Op. 13 and Op. 80. The first is partly based on material from one of his songs, Frage, written in response to the death of Beethoven, and its depth and seriousness echo that composer. The later quartet is influenced by the death of Mendelssohn's sister and is equally passionate. The additional string quartet in E-flat by that sister, Fanny Mendelssohn, is far more than a curiosity and contains music well worth hearing."Report Abuse