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Bach: Cantatas, Vol. 52 / Suzuki, Kooij, Turk, Blaze, Blažikova, Bach Collegium Japan

Bach,J.s. / Bach Collegium Japan / Blaze / Turk
Release Date: 12/18/2012 
Label:  Bis   Catalog #: 1981  
Composer:  Johann Sebastian Bach
Performer:  Hana BlazikovaRobin BlazeGerd TürkPeter Kooy
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Number of Discs: 1 
Recorded in: Multi 
Length: 1 Hours 9 Mins. 

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Notes and Editorial Reviews


Having very favorably reviewed several earlier installments of the Bach Collegium Japan’s now near-complete cycle of Bach cantatas, listening to this 52nd volume is a delight. Throughout this project’s 15-plus years, director Masaaki Suzuki has demonstrated an uncanny intuition and understanding of Bach’s genius, achieving a seamless interrelationship between instrumentalists and soloists that just seems so right, spot-on, perfect. The performances of these three mature Leipzig cantatas are likewise on the highest level, and regardless of how familiar you may be with the many other recordings of these works, any Bach or Baroque enthusiast would do well to add this outstanding BIS offering to their
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Wachet auf, Ruft uns die Stimme BWV 140 is Bach’s most famous and frequently recorded cantata. It’s an irrefutable masterpiece, and despite strong competition this performance clearly ranks among the best. Like Ristenpart (Accord) and Harnoncourt (Teldec, and recently Sony DHM), Suzuki’s rendering of the opening chorale is beautifully paced, allowing the ebb and flow of its fugal grandeur to effectively evolve. Suzuki’s handling of the wonderfully melodic inner choral/tenor movement, “Zion hört die Wächter singen”, is equally impressive in this regard; and with perhaps the exception of Peter Schreier in his prime for Richter (DG Archiv), Gerd Türk’s heartfelt delivery here is peerless. In the two soprano and bass duets, Suzuki’s tempos—slightly slower, if not broader than we usually hear—allow soloists Hana Blazikova and Peter Kooij expressive, emotional opportunities that they duly take advantage of.

Der Herr ist mein getreuer Hirt BWV 112 and Wir danken dir, Gott, wir danken dir BWV 29 receive exemplary performances as well. The opening chorale of BWV 112, where corno da caccia and chorus combine forces, is even more resplendent than in most renditions on disc. In the fourth-movement duet, “Du bereitest für mir einen Tisch”, soprano Blazikova (a voice new to me, and one that seems perfect for this repertoire) absolutely soars, even marginally bettering Sandrine Piau’s outstanding effort for Ton Koopman (Challenge Classics). Like the opening chorale of BWV 112, the rousing sinfonia that opens BWV 29 with prominent organ and brass makes a memorable impression. Countertenor Robin Blaze in his arioso “Halleluja, Stärk und Macht…” delivers a brief yet wonderful lyrical performance, again aided by Suzuki’s ideal tempos and phrasing.

The sound is spectacular. The balances between and among singers, choir, and orchestra are life-like and richly detailed, equal to the finest in this series. This is one of those rare programs that defines categories. If asked for a definitive Tosca for instance, the 1955 Callas performance comes instantly to mind. A recommendation for just one French Baroque program? Jordi Savall’s magnificent soundtrack to Tous les Matins du Monde. No LP or CD of Bach’s sacred cantatas has impressed me enough to distinguish it as such—until now. Highly recommended.

-- John Greene, ClassicsToday.com
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Works on This Recording

1.
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer:  Hana Blazikova (Soprano), Robin Blaze (Countertenor), Gerd Türk (Tenor),
Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1731; Leipzig, Germany 
2.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Hana Blazikova (Soprano), Robin Blaze (Countertenor), Gerd Türk (Tenor),
Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1731; Leipzig, Germany 
3.
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:  Hana Blazikova (Soprano), Robin Blaze (Countertenor), Gerd Türk (Tenor),
Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1731; Leipzig, Germany 

Sound Samples

Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Wachet auf, ruft uns die Stimme (Chorus)
Wachet auf, ruft uns die Stimme, BWV 140: Recitative: Er kommt, er kommt (Tenor)
Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet: Wenn kommst du, mein Heil (Soprano, Bass)
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus)
Wachet auf, ruft uns die Stimme, BWV 140: Recitative: So geh herein zu mir (Bass)
Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet: Mein Freund ist mein (Soprano, Bass)
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Gloria sei dir gesungen (Chorus)
Der Herr ist mein getreuer Hirt, BWV 112: Der Herr ist mein getreuer Hirt (Chorus)
Der Herr ist mein getreuer Hirt, BWV 112: Aria: Zum reinen Wasser er mich weist (Alto)
Der Herr ist mein getreuer Hirt, BWV 112: Recitative: Und ob ich wandert im finstern Tal (Bass)
Der Herr ist mein getreuer Hirt, BWV 112: Duet: Du bereitest fur mir einen Tisch (Soprano, Tenor)
Der Herr ist mein getreuer Hirt, BWV 112: Chorale: Gutes und die Barmherzigkeit (Chorus)
Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale: Wir danken dir, Gott (Chorus)
Wir danken dir, Gott, wir danken dir, BWV 29: Aria: Halleluja, Stark und Macht (Tenor)
Wir danken dir, Gott, wir danken dir, BWV 29: Recitative: Gottlob! es geht uns wohl! (Bass)
Wir danken dir, Gott, wir danken dir, BWV 29: Aria: Gedenk an uns mit deiner Liebe (Soprano)
Wir danken dir, Gott, wir danken dir, BWV 29: Recitative: Vergiss es ferner nicht, mit deiner Hand (Alto)
Wir danken dir, Gott, wir danken dir, BWV 29: Aria: Halleluja, Stark und Macht (Alto)
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale: Sei Lob und Preis mit Ehren (Chorus)

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