Notes and Editorial Reviews
This second volume of Dohnányi’s piano music focuses on early works from the period 1897 to 1907, when Dohnányi was still establishing himself within the great lineage of composer–pianists. Martin Roscoe is the ideal performer: the acknowledged master of this deeply appealing and unfairly neglected repertoire.
A highlight of the album is the Variations and Fugue on a theme of EG, Op 4—a monumental work that would soon be hailed by the Viennese press as ‘the most valuable enrichment of music literature since Brahms’.
This second volume of Dohnányi’s piano music focuses on early works from the period 1897 to 1907, when Dohnányi was still establishing himself within the great lineage of composer–pianists. Martin Roscoe is the ideal performer: the acknowledged master of this deeply appealing and unfairly neglected repertoire.
A highlight of the album is the Variations and Fugue on a theme of EG, Op 4—a monumental work that would soon be hailed by the Viennese press as ‘the most valuable enrichment of music literature since Brahms’.
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Works on This Recording
1.
Variations and Fugue on a Theme of Emma Gruber, Op. 4 by Ernö von Dohnányi
Performer:
Martin Roscoe (Piano)
Period: 20th Century
Written: 1897; Budapest, Hungary
2.
Valses nobles, concert arrangement for piano (after Schubert, D. 969) by Ernö von Dohnányi
Performer:
Martin Roscoe (Piano)
Period: Modern
Written: 1920
3.
Pieces (4) for Piano, Op. 2 by Ernö von Dohnányi
Performer:
Martin Roscoe (Piano)
Period: 20th Century
Written: 1896-1897; Budapest, Hungary
4.
Humoresken (5) in Form einer Suite, Op. 17 by Ernö von Dohnányi
Performer:
Martin Roscoe (Piano)
Period: 20th Century
Written: 1907; Berlin, Germany
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