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The Sound Of Weimar Vols. 1-5 - Franz Liszt / Haselbock

Liszt / Haselboeck
Release Date: 01/29/2013 
Label:  Nca   Catalog #: 60260   Spars Code: DDD 
Composer:  Franz Liszt
Performer:  Ilja Karol
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy OrchestraChorus Sine Nomine
Number of Discs: 5 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Works on This Recording

1. Dante Symphony, S 109 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra,  Chorus Sine Nomine
Period: Romantic 
Written: 1855-1856; Weimar, Germany 
Venue:  Liszt Hall, Raiding, Austria 
Length: 43 Minutes 32 Secs. 
2. Evocation à la Chapelle Sixtine, S 658 by Franz Liszt
Performer:  Ilja Karol (Violin)
Conductor:  Martin Haselböck
Period: Romantic 
Written: circa 1862; Rome, Italy 
Venue:  Liszt Hall, Raiding, Austria 
Length: 15 Minutes 8 Secs. 
3. Orpheus, S 98 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1853-1854; Weimar, Germany 
4. Les préludes, S 97 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1848/1854; Weimar, Germany 
5. Ce qu'on entend sur la montagne, S 95 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1849/1854; Weimar, Germany 
6. Mazeppa, S 100 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1851/1854; Weimar, Germany 
7. Hungaria, S 103 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1854; Weimar, Germany 
8. Die Hunnenschlacht, S 105 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1857; Weimar, Germany 
9. Tasso - Lamento e trionfo, S 96 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1849/1854; Weimar, Germany 
10. Héroïde funébre, S 102 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1850/1854; Weimar, Germany 
11. Die Ideale, S 106 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1857; Weimar, Germany 
12. Odes funèbres (3), S 112: no 3, Le triomphe funèbre du Tasse by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1863-1864; Weimar, Germany 
13. Von der Wiege bis zum Grabe, S 107 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1881-1882; Rome, Italy 
14. Prometheus, S 99 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1850/1855; Weimar, Germany 
15. Hamlet, S 104 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1858; Weimar, Germany 
16. Festklänge, S 101 by Franz Liszt
Conductor:  Martin Haselböck
Orchestra/Ensemble:  Vienna Academy Orchestra
Period: Romantic 
Written: 1853; Weimar, Germany 

Sound Samples

Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": II. Purgatorio -
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": II. Magnificat
A la Chapelle Sixtine (Miserere d'Allegri et Ave verum corpus de Mozart), S360/R445
Les Preludes, S97/R414
Orpheus, S98/R415
Ce qu'on entend sur la montagne (What is Heard on the Mountain), S95/R412

Customer Reviews

Average Customer Review:  1 Customer Review )
 A revelation! April 13, 2013 By Glenn Holmer See All My Reviews "It seems strange to think of Romantic music being played on period instruments with a smaller ensemble, but the result is very convincing. The sound is light and clear, but still retains a luxurious texture. The interpretations are also unusual in that surprisingly few liberties are taken with the tempo. All in all, a fresh new way to experience this music, and definitely a must-hear." Report Abuse
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