Notes and Editorial Reviews
AMERICAN PIANO MUSIC
•
Christopher Harding (pn)
•
EQUILIBRIUM 116 (56:41)
COPLAND
El Salón México
(arr. Bernstein).
BARBER
Excursions.
Piano Sonata in eb.
GERSHWIN
Preludes for Piano.
BOLCOM
12 New Etudes for Piano:
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class="ARIAL12i">Hi-jinks; Hymne à l’amour
This delightful but somewhat quirky recital combines the music of four American composers in a musical mural as presented by pianist Harding. I had my suspicions about a piano arrangement of
El Salón México,
but darned if Harding’s wonderfully brisk style and élan didn’t elevate it to an enjoyable level. I was also quite captivated by Samuel Barber’s
Excursions,
written in 1942 at the urging of pianist Jeanne Behrend. This is Barber in a lighter, more whimsical mood than one would expect from him; perhaps the Gershwin Preludes had some ripple effect on these pieces. Essentially, they follow the pattern of the Gershwin in three of the four pieces: a fast, jazz-like opening (in this case a light boogie-woogie rather than Gershwin’s quirky beat), a blues-colored second piece, and a rapid-fire finale. The third movement, also rather jazzy, is an
Allegretto.
These are followed by the famed Gershwin pieces, played with wonderful zest by Harding, before returning to Barber in the form of his 1949 Piano Sonata. In his liner notes, Harding extols the virtues of this sonata, particularly the last movement, which he describes as having “the biggest, toughest, coolest fugue of my experience,” but to my ears it all sounded rather formulaic, written to spec in an accepted style but not terribly creative or memorable. Very original and memorable, however, are two of William Bolcom’s 12 New Etudes for Piano, particularly the first of them, “Hi-jinks,” which scatters notes across the upper reaches of the keyboard with “a strange and ghostly humor.” Overall, then, a fine and spirited excursion into American piano music, concentrating on the 1930s and ’40s. If only Harding had included Morton Gould’s
Boogie Woogie Etude,
I’d have been in heaven!
FANFARE: Lynn René Bayley
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Works on This Recording
1.
El salón México by Aaron Copland
Performer:
Christopher Harding (Piano)
Period: 20th Century
Written: 1932-1936; USA
3.
Preludes (3) for Piano by George Gershwin
Performer:
Christopher Harding (Piano)
Period: 20th Century
Written: 1926; USA
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