Notes and Editorial Reviews
Duos for viola and cello are not exactly a typical chamber music genre - at fi rst glance, the contrast between the two instruments, which play in a similar register, seems too small. But it is precisely this lack of a clearly dominant voice that opens up new interpretive possibilities; almost inevitably, the focus shifts away from virtuosic effects and changes to chamber music-like intimacy that compels both composer and listener to concentration. On their new CD, Katrin Melcher and Martin Ostertag explore this distinctive sound world with a series of original compositions.
Duos for viola and cello are not exactly a typical chamber music genre - at fi rst glance, the contrast between the two instruments, which play in a similar register, seems too small. But it is precisely this lack of a clearly dominant voice that opens up new interpretive possibilities; almost inevitably, the focus shifts away from virtuosic effects and changes to chamber music-like intimacy that compels both composer and listener to concentration. On their new CD, Katrin Melcher and Martin Ostertag explore this distinctive sound world with a series of original compositions. Read less
Works on This Recording
3.
Microludien (3), for viola & cello by Volker David Kirchner
Performer:
Katrin Melcher (Viola),
Martin Ostertag (Cello)
Venue: Hans-Rosbaud-Studio Baden-Baden
Length: 5 Minutes 8 Secs.
4.
Partita, for viola & cello by Julian Milone
Performer:
Katrin Melcher (Viola),
Martin Ostertag (Cello)
Venue: Hans-Rosbaud-Studio Baden-Baden
Length: 9 Minutes 9 Secs.
5.
Pieces (2) for viola & cello by Rebecca Clarke
Performer:
Katrin Melcher (Viola),
Martin Ostertag (Cello)
Period: Modern
Written: 1918
Venue: Hans-Rosbaud-Studio Baden-Baden
Length: 6 Minutes 11 Secs.
6.
Duet for Viola and Cello by Paul Hindemith
Performer:
Martin Ostertag (Cello),
Katrin Melcher (Viola)
Period: 20th Century
Written: 1934; Germany
Venue: Hans-Rosbaud-Studio Baden-Baden
Length: 4 Minutes 27 Secs.
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