These are deeply felt performances which time and again reveal great artistry...this is one of the few tenor recitals of these last years that should be in everyone’s collection.
"Due to his warm, full timbre, which reminds one somewhat of Sandor Konya, his secure, flexible top notes, as well as his linguistic ability, Beczala is convincing..." - Gerhard Persché,
Opernwelt
"These are deeply felt performances which time and again reveal great artistry...take the first track on this CD: the well-known aria from Vladimir in Borodin’s Igor. This is already a classic performance ending on a hauntingly beautiful pianissimo; worthy of the Björling recording...this is one ofRead more the few tenor recitals of these last years that should be in everyone’s collection." - Jan Neckers,
www.operanostalgia.be
In both the Italian and the French repertoires, Piotr Beczala has already enjoyed success among public and press alike at all the great opera houses of the world. This Polish tenor also excels in the Slavic repertoire, though international trends in programming have meant that this phenomenon has received far less recognition than he deserves. Exceptions that prove the rule have been Beczalals successes as the Prince in Dvorák’s Rusalka at the Salzburg Festival and as Lenski in Tchaikovsky’s Eugene Onegin at the Met in New York, the Royal Opera House Covent Garden and elsewhere. Beczala’s recital here naturally includes highlights from the aforementioned works, but he also offers proof of the rich possibilities – hitherto largely ignored – that this repertoire offers for a tenor to display both vocal grace and melancholy. He is accompanied by the Polish Radio Symphony Orchestra from Warsaw under the direction of its chief conductor, Lukasz Borowicz. Read less
Works on This Recording
1.
Prince Igor: Medlenno den' ugasal...Akh! Gde ty, gde?by Alexander Borodin Performer:
Piotr Beczala (),
Piotr Beczala (Tenor)
Conductor:
Lukasz Borowicz
Period: Romantic Written: 1869-1887; Russia Venue: Polish Radio Witold Lutoslawski Concert Length: 6 Minutes 7 Secs.
Sadko: no 4, Song of the Indian Guestby Nikolai Rimsky-Korsakov Performer:
Piotr Beczala ()
Conductor:
Lukasz Borowicz
Period: Romantic Written: 1894-1896; Russia Venue: Polish Radio Witold Lutoslawski Concert Length: 3 Minutes 44 Secs.
5.
Flis (The Raftsman): Plynq Tratwy po Wisleby Stanislaw Moniuszko Performer:
Piotr Beczala ()
Conductor:
Lukasz Borowicz
Period: Romantic Written: 1858 Venue: Polish Radio Witold Lutoslawski Concert Length: 4 Minutes 31 Secs.
6.
Straszny Dwór (The Haunted Manor): Act 3. Cisza dokolaby Stanislaw Moniuszko Performer:
Piotr Beczala ()
Conductor:
Lukasz Borowicz
Period: Romantic Written: 1861-1864 Venue: Polish Radio Witold Lutoslawski Concert Length: 7 Minutes 58 Secs.
Sadko: no 4, Song of the Indian Guestby Nikolai Rimsky-Korsakov Conductor:
Lukasz Borowicz
Period: Romantic Written: 1894-1896; Russia Venue: Polish Radio Witold Lutoslawski Concert Length: 3 Minutes 59 Secs.
Rafael, Op. 37: Strast'yu i negoyu serdtse trepeshchetby Anton Arensky Performer:
Piotr Beczala ()
Conductor:
Lukasz Borowicz
Period: Post-Romantic Written: 1894; Russia Venue: Polish Radio Witold Lutoslawski Concert Length: 2 Minutes 40 Secs.
17.
Aleko: Vzglyani: pod otdalyonnim svodomby Sergey Rachmaninov Performer:
Piotr Beczala ()
Conductor:
Lukasz Borowicz
Period: Post-Romantic Written: 1892; Russia Venue: Polish Radio Witold Lutoslawski Concert Length: 1 Minutes 50 Secs.
Customer Reviews
Average Customer Review: ( 1 Customer Review )
Too bad for the hopefulApril 23, 2013By roger horn (Clarion, PA)See All My Reviews"I bought this because I had not heard the tenor and the pieces he sang were not the same old same old arias. I hoped he might sing arias from Erkel's Bank Ban since that would provide something I have heard, but only by one tenor, Robert Illosfalvy. What I did hear were two things Jussi Bjoerling recorded and Bjoerling sang them very much better. Indeed, Beczala seems to be a belter with strong high notes and little more. There ought to be SOME stylistic differences between SOME of the arias, but it seems they are all the same thing to him. Too bad."Report Abuse