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As At First

Sherkin
Release Date: 11/13/2012 
Label:  Centrediscs   Catalog #: 18212   Spars Code: n/a 
Composer:  Adam Sherkin
Performer:  Adam Sherkin
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 7 Mins. 

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Works on This Recording

1.
German Promises, for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2011 
Venue:  Glenn Gould Studio, Toronto 
Length: 16 Minutes 18 Secs. 
2.
Amadeus A.D., for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2006 
Venue:  Glenn Gould Studio, Toronto 
Length: 2 Minutes 24 Secs. 
3.
Daycurrents, for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2009 
Venue:  Glenn Gould Studio, Toronto 
Length: 5 Minutes 2 Secs. 
4.
As At First, for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2011 
Venue:  Glenn Gould Studio, Toronto 
Length: 13 Minutes 21 Secs. 
5.
Preludes (3), for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2003 
Venue:  Glenn Gould Studio, Toronto 
Length: 9 Minutes 58 Secs. 
6.
Meditations, for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2006 
Venue:  Glenn Gould Studio, Toronto 
Length: 4 Minutes 30 Secs. 
7.
Sunderance, for piano by Adam Sherkin
Performer:  Adam Sherkin (Piano)
Period: Contemporary 
Written: 2008 
Venue:  Glenn Gould Studio, Toronto 
Length: 5 Minutes 13 Secs. 

Sound Samples

German Promises: I. Expectation (Erwartung
German Promises: II. Gathering (Mundung)
German Promises: III. Fluency (Gewandtheit)
German Promises: IV. Heyday (Glanzzeit)
German Promises: V. Misstep (Unfall)
Amadeus A.D.
Daycurrents
As At First: I. Speed Trace
As At First: II. Echoes and Acorns
As At First: III. The Denim Ghost
3 Preludes: No. 1. Breach
3 Preludes: No. 2. Impasse
3 Preludes: No. 3. Eclipse
3 Meditations: No. 1. Splendours and Dripsies
3 Meditations: No. 2. River Run
3 Meditations: No. 3. Autumn Tango
Sunderance: Part I
Sunderance: Part II
Sunderance: Part III

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