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Vagn Holmboe: Solo & Chamber Works For Guitar

Holmboe / Sivebaek / Roed / Hansen
Release Date: 11/13/2012 
Label:  Dacapo   Catalog #: 8226143   Spars Code: DDD 
Composer:  Vagn Holmboe
Performer:  Jesper SivebækJohannes Soe HansenBolette Roed
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 11 Mins. 

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Notes and Editorial Reviews



HOLMBOE Sonatas for Guitar: No. 1; No. 2. Five Intermezzi for Guitar. Duo Concertato for Violin and Guitar. Parlare del più e del meno. Canto e Danza for Recorder and Guitar. Seven Folk Ballads for Recorder and Guitar Jesper Sivebæk (gtr); Johannes Søe Hansen (vn); Bolette Roed (rcr) Read more class="ARIAL12"> DACAPO 8.226143 (71:20)


Danish composer Vagn Holmboe began writing for the guitar late in his career, at the age of 70, and then continued to create works for the instrument for another 13 years. It’s not clear what drew him to the instrument. He said little about it other than to comment that he wanted to write for it, and so he did. He first composed more formal works—two sonatas—to avoid folk associations. Each is a suite of thematically related pieces, worked out in the organic way that he typically developed his material, and very concise, especially the second of these. Folk qualities were impossible to avoid, however, as a quick listen to almost any of the works here will demonstrate. Still, this is hardly Holmboe taking up “light music” at the end of his life, for there is much complexity and sophistication of invention, as well. The Five Intermezzi , which followed two years later in 1981, are of a similar character, but the composer is starting to actually embrace the folk connections, using a folk-like melody of obvious Spanish flavor as a unifying theme, and adding characteristic rhythmic percussive effects and shifting meters as well.


In 1983, he went further with Seven Folk Ballads , employing actual folk tunes from England, Israel, France, Ukraine, and his native Denmark. The original intent was to create duos for balalaika and guitar, but eventually the composer opted for the more complementary sound of the recorder. The setting of each tune, beginning with the familiar The Three Ravens from England, captures the character of the folk melody with simplicity and grace. In the Duo Concertato for Violin and Guitar (1986) the violin adds an Eastern European quality as the two instruments engage in a witty and sometimes dramatic conversation. In the last solo work, the introspective Parlare del più e del meno (1988), the conversation becomes a monolog, internalized in five very short movements of great density, rhythmic freedom, and centered calm, while the last chamber work for guitar, Canto e Danza , written in 1992 when Holmboe was 83, is a set of variations on a Spanish harvest song, in three contrasting movements, followed by a lively baroque dance movement which sounds like the work of a much younger man. His exploration of the instrument was thorough, to say the least.


The stylistic rather than strictly chronological structuring of the CD program, working from the more serious sonatas to the encore-like folk ballads, works beautifully. The performers, all outstanding Danish musicians, capture the delicate personality of each work perfectly, most especially guitarist Jesper Sivebæk. The engineering is first-rate, with a palpable sense of those performers in a real space. There are fine notes on the music. The music has charm and substance. I really can’t think of a better way to invest 70 minutes, whether for heart or head.


FANFARE: Ronald E. Grames
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Works on This Recording

1.
Sonata for guitar No. 1, Op. 141 by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar)
Period: Modern 
Written: 1979 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 14 Minutes 57 Secs. 
2.
Sonata for guitar No. 2, Op. 142 by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar)
Period: Modern 
Written: 1979 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 10 Minutes 10 Secs. 
3.
Intermezzi (5) for Guitar, Op. 149 by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar)
Period: 20th Century 
Written: Denmark 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 9 Minutes 18 Secs. 
4.
Duo Concertato, Op. 167 by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar), Johannes Soe Hansen (Violin)
Period: Modern 
Written: 1987 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 8 Minutes 23 Secs. 
5.
Parlare del più e del meno, pieces (5) for guitar, Op. 176 by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar)
Period: Contemporary 
Written: 1988 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 10 Minutes 15 Secs. 
6.
Canto e Danza, for recorder & guitar, Op. 191 by Vagn Holmboe
Performer:  Bolette Roed (Recorder), Jesper Sivebæk (Guitar)
Period: Contemporary 
Written: 1992 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 8 Minutes 28 Secs. 
7.
Folk Ballads (7) for recorder & guitar by Vagn Holmboe
Performer:  Jesper Sivebæk (Guitar), Bolette Roed (Recorder)
Written: 1983 
Venue:  Concert Hall of the Royal Danish Academy 
Length: 4 Minutes 13 Secs. 

Sound Samples

Guitar Sonata No. 1, Op. 141: I. Preludio: Allegro rubato
Guitar Sonata No. 1, Op. 141: II. Adagio
Guitar Sonata No. 1, Op. 141: III. Fugato: Allegro giocoso
Guitar Sonata No. 1, Op. 141: IV. Intermezzo: Tempo giusto
Guitar Sonata No. 1, Op. 141: V. Rondo: Allegro moderato
Guitar Sonata No. 2, Op. 142: I. Moderato
Guitar Sonata No. 2, Op. 142: II. Allegro giocoso
Guitar Sonata No. 2, Op. 142: III. Andante
Guitar Sonata No. 2, Op. 142: IV. Allegro rubato
Guitar Sonata No. 2, Op. 142: V. Poco adagio
Guitar Sonata No. 2, Op. 142: VI. Allegro
5 Intermezzi, Op. 149: I. Rubato
5 Intermezzi, Op. 149: II. Allegro
5 Intermezzi, Op. 149: III. Andante
5 Intermezzi, Op. 149: IV. Allegro piacevole
5 Intermezzi, Op. 149: V. Andante - Allegro - Andante
Duo Concertato, Op. 167: I. Liberamente: Animato
Duo Concertato, Op. 167: II. Liberamente: Andante con moto
Duo Concertato, Op. 167: III. Liberamente: Allegro con brio
Parlare del piu e del meno (To Talk About This and That), Op. 176: I. Andantino
Parlare del piu e del meno (To Talk About This and That), Op. 176: II. Moderato
Parlare del piu e del meno (To Talk About This and That), Op. 176: III. Brioso
Parlare del piu e del meno (To Talk About This and That), Op. 176: IV. Poco adagio
Parlare del piu e del meno (To Talk About This and That), Op. 176: V. Lento - Allegro - Lento - Allegro
Cancion y danza, Op. 191a: Cancion de siega: Tranquillo - con moto -
Cancion y danza, Op. 191a: Cancion de siega: Allegro leggiero -
Cancion y danza, Op. 191a: Cancion de siega: Adagio - tempo primo
Cancion y danza, Op. 191a: Danza: Allegro piacevole - meno mosso - tempo primo
7 Folk Ballads: No. 1. The Three Ravens (England)
7 Folk Ballads: No. 2. Allegro (Israel)
7 Folk Ballads: No. 3. L'etait une goelette (It was a schooner) (France)
7 Folk Ballads: No. 4. Dans les prisons de Nantes (In the prisons of Nantes) (France)
7 Folk Ballads: No. 5. Andante (Ukraine)
7 Folk Ballads: No. 6. J'ai descendu dans mon jardin (I went down into my Garden) (France)
7 Folk Ballads: No. 7. Mi fa'r han ga mae femten far (My father, he gave me fifteen sheep) (Denmark)
7 Folk Ballads: Encore: Moi j'ai cinq sous (I got me five sous) (France)

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