Notes and Editorial Reviews
This programme of Neapolitan music, covering a vast historical span (from the Renaissance to the 20th century) is a 'manifesto' of the musical influences that have nurtured Marco Beasley. Guido Morini's arrangements, written especially for him, make the programme particularly appealing. In addition, it offers an original coherence by setting up 'bridges' between genres that are sometimes opposed from a musicological point of view but which have continued to provide food each other. For the first time, the musician explores the paths of crossover in the broadest sense and without complex: here, Marco Beasley confirms his nickname of 'the Baroque crooner' con brio. He also opens up new ways, proposing original orchestrations and making his a
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part of the colossal heritage that has influenced the modern cultures of the western world.
Tracklisting
1. Ballo de li Sante 2:40
2. Cara è la rosa 2:59
3. In galera li panettieri 1:42
4. Serenata 8:18
5. Cicerenella 3:52
6. Fenesta vascia 2:59
7. Tarantella Tapanella 3:32
8. Compianto di Masaniello 7:27
9. Vecchie letrose 1:58
10. T?aggio voluto bene 6:46
11. Canzona alla montemaranese 4:28
12. Tiempe bbelle 4:49
13. Caruso 5:20
14. Reginella 4:19
15. Mazza, pezza e pizzo 3:38
16. Napule è... 3:02
17. Stella Diana 3:06 Read less
Works on This Recording
1.
Cara é la Rosa by Andrea Falconieri
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: Renaissance
2.
In galera li panettieri by Traditional
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
3.
Serenata by Guido Morini
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
4.
Cicerenella by Traditional
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
5.
Fenesta vascia by Anonymous
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: Renaissance
Written: Italy
6.
Compianto di Masaniello by Anonymous
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
7.
Vecchie letrose by Adrian Willaert
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: Renaissance
Written: by 1545; Italy
8.
T'aggio voluto bene by Gaetano Latilla
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
9.
Caruso by Lucio Dalla
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: 20th Century
10.
Reginella by Gaetano Lama
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: 20th Century
Written: 1917; Italy
11.
Mazza, pezza e pizzo by Giuseppe Cioffi
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
12.
Napule è by Pino Daniele
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Period: 20th Century
13.
Work(s) by Various
Performer:
Marco Beasley (Tenor)
Conductor:
Guido Morini
Orchestra/Ensemble:
Accordone
Sound Samples
Ballo de li sante (The Saint's Ball) (arr. G. Morini)
Cara e la rosa (Dear Is the Rose) (arr. G. Morini)
In galera li panettieri (arr. G. Morini)
Cicerenella (arr. G. Morini)
Fenesta vascia (arr. G. Morini)
Solve et Coagula: Tarantella tapanella
Compianto di Masaniello (arr. G. Morini)
Vecchie letrose (arr. G. Morini)
T'aggio voluto bbene (arr. G. Morini): T'aggio voluto bbene (arr. G. Morini)
Canzona alla montemaranese (arr. B. Gambetta and G. Morini)
Tiempe bbelle (arr. G. Morini)
Reginella (arr. B. Gambetta and G. Morini)
Mazza, Pezza e Pizzo (arr. B. Gambetta and G. Morini)
Napule e ... (arr. G. Morini)
Stella Diana (arr. G. Morini)
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