It is quite remarkable that Camille Saint-Saëns' prolific composing career spanned some 70 years. When he began composing Mendelssohn, Meyerbeer, Schumann and Chopin were all writing music. At the other end of his lifespan Saint-Saëns was still creatively active when Stravinsky was shocking the music world with his The Rite of Spring, and Schoenberg and Webern were writing their radical 12-tone music.
German label Musikproduktion Dabringhaus und Grimm (MDG) has served the cause of Saint-Saëns well by producing four beautifully recorded discs of chamber and solo piano music. Another welcome addition to the Saint-Saëns discography on MDG is this splendid 3-disc set for unaccompanied organ.
Read more Renowned organ builder Aristide Cavaillé-Coll completed the construction of the organ used here with its four manual console and 48 stops in 1846. It is this same Cavaillé-Coll instrument that Saint-Saëns would have played during his period as organist at La Madeleine during the years 1857-77. A splendid array of colorful sonorities and a myriad wondrous sounds are on display here.
With a compositional span of over 60 years Saint-Saëns’ organ music is revealed as consistently varied and inventive, often atmospheric, frequently spiritual, colorful, and frequently memorably melodic.
Opening Ben van Oosten’s program is the splendid Marche réligieuse, Op. 107 from 1897 bearing a dedication to Queen Marie-Christine of Spain. This is a weighty, imperial march, splendidly demonstrating the awesome power of this magnificent instrument. Thoroughly enjoyable is the Trois Rhapsodies sur des Cantiques bretons, Op. 7, a relatively early work from 1866. Bearing a dedication to Gabriel Fauré the three Rhapsodies were written after Saint-Saëns had made a pilgrimage with Fauré to the Chapelle Sainte-Anne-la-Palud in the Bretagne region of France. The Rhapsody No. 2 in D major stands out with its weighty and stirring fanfare. Remarkable writing is found in the Trois Préludes et Fugues, Op. 99 from 1894. Especially appealing is the Prélude No. 1 in E major with its graceful meandering theme creating a pool of calm. I was struck by the meditative quality of the Élévation ou Communion, Op. 13 written around 1856 but published some 24 years later. The score is a contemplative Andantino designed to accompany the communion section of the mass. The always authoritative van Oosten is very much at home with the Cavaillé-Coll organ. His undoubted prowess makes him an impressive advocate for this rewarding repertoire.
Recorded at the church of La Madeleine, Paris the MDG engineers have produced first class sound quality. I must mention the excellent booklet notes that are both interesting and highly detailed. They are a perfect example of the standard of documentation that can be achieved. Admirers of Saint-Saëns’ music will surely relish this excellent release. It will also draw in lovers of late-Romantic organ music looking for something a little different.
– MusicWeb International (Michael Cookson) Read less
Organ works to be studiedMay 4, 2018By Kathy R. (Zachary, LA)See All My Reviews"Saint-Saens organ works are inspiring and beautiful. I have special preference for his wonderful chorale preludes and plan to begin studying them."Report Abuse
Outstanding performance & recording, organ not soApril 17, 2018By Gustave W. (Knoxville, TN)See All My Reviews"Many people are unaware that Saint-Saens wrote a significant amount of music for the organ beyond his 3rd symphony. This performance is outstanding as is the recording. The organ is a "modernized" early Cavaille-Coll with electric stop and key action. It does not compare to the sound of Cavaille-Coll instruments restored and maintained in their traditional form without modernization e.g. Saint-Sulpice, Paris or Saint-Ouen, Rouen. That said, well worth the purchase for organ buffs."Report Abuse
ExceptionalMay 4, 2017By Peter M. (New Canaan, CT)See All My Reviews"A "must" for lovers of organ music. Very well recorded. A reproduction challenge to even higher-end audio systems."Report Abuse