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The Baroque Collection

Baroque Collection / Various (Box)
Release Date: 10/22/2012 
Label:  Warner Classics   Catalog #: 73420   Spars Code: DDD 
Composer:  Tomaso AlbinoniJohann Sebastian BachGeorge Frideric HandelGiovanni Palestrina,   ... 
Performer:  Xavier DarasseMaurice AndréGuy TouvronPierre Pierlot,   ... 
Conductor:  Louis AuriacombeJörg FaerberJacques RousselRaymond Leppard,   ... 
Orchestra/Ensemble:  Toulouse Chamber OrchestraWürttemberg Chamber OrchestraAntiqua Musica,   ... 
Number of Discs: 10 
Recorded in: Stereo 
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Works on This Recording

1.
Adagio for Organ and Strings in G minor by Tomaso Albinoni
Performer:  Xavier Darasse (Organ)
Conductor:  Louis Auriacombe
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 01/1968 
Venue:  Chapelle des Italiens, Toulouse 
Length: 7 Minutes 38 Secs. 
2.
Concerto for Trumpet in B flat major "San Marco" by Tomaso Albinoni
Performer:  Maurice André (Trumpet)
Conductor:  Jörg Faerber
Orchestra/Ensemble:  Württemberg Chamber Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1978 
Venue:  Salle Wagram, Paris 
Length: 8 Minutes 52 Secs. 
3.
Concerti (12) à 5, Op. 9: no 9 for 2 Oboes in C major by Tomaso Albinoni
Performer:  Maurice André (Trumpet), Guy Touvron (Trumpet)
Conductor:  Jörg Faerber
Orchestra/Ensemble:  Württemberg Chamber Orchestra
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 05/1979 
Venue:  Englise Evangelique, Heilbron 
Length: 11 Minutes 43 Secs. 
4.
Concerti (12) à 5, Op. 7: no 3 for Oboe in B flat major by Tomaso Albinoni
Performer:  Pierre Pierlot (Oboe)
Conductor:  Jacques Roussel
Orchestra/Ensemble:  Antiqua Musica
Period: Baroque 
Written: by 1715; Venice, Italy 
Date of Recording: 03/1965 
Venue:  Salle Wagram, Paris 
Length: 8 Minutes 17 Secs. 
5.
Sinfonie (6) e Concerti (6) à 5 for Strings, Op. 2: Sonata no 3 in A major by Tomaso Albinoni
Performer:  Theo Altmeyer (Tenor)
Conductor:  Raymond Leppard
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: by 1700; Venice, Italy 
Date of Recording: 12/1969 
Venue:  Abbey Road Studios, London 
Length: 8 Minutes 26 Secs. 
6.
Sinfonie (6) e Concerti (6) à 5 for Strings, Op. 2: Sonata no 6 in G minor by Tomaso Albinoni
Performer:  Theo Altmeyer (Tenor)
Conductor:  Raymond Leppard
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: by 1700; Venice, Italy 
Date of Recording: 12/1969 
Venue:  Abbey Road Studios, London 
Length: 9 Minutes 5 Secs. 
7.
Concerti (12) à 5 for Strings, Op. 5: no 5 in A minor by Tomaso Albinoni
Performer:  Theo Altmeyer (Tenor)
Conductor:  Georges Armand
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: by 1707; Venice, Italy 
Date of Recording: 04/1976 
Venue:  Chapelle des Italiens, Toulouse 
Length: 9 Minutes 30 Secs. 
8.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Dame Janet Baker (Mezzo Soprano), Anne Pashley (Mezzo Soprano), Robert Tear (Tenor),
Lucia Popp (Soprano), Thomas Hemsley (Baritone)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  New Philharmonia Orchestra,  New Philharmonia Chorus
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Date of Recording: 05/1968 
Venue:  All Saint's Church, Tooting, London 
Length: 30 Minutes 47 Secs. 
Language: Latin 
9.
Saint Matthew Passion, BWV 244: no 26, Ich will bei meinem Jesu wachen by Johann Sebastian Bach
Performer:  Theo Altmeyer (Tenor)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  South German Madrigal Choir Stuttgart,  Consortium Musicum
Period: Baroque 
Written: ?1727; Leipzig, Germany 
10.
Saint John Passion, BWV 245: no 58, Es ist vollbracht by Johann Sebastian Bach
Performer:  Brigitte Fassbaender (Mezzo Soprano)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  South German Madrigal Choir Stuttgart,  Consortium Musicum
Period: Baroque 
Written: 1724; Leipzig, Germany 
11.
Saint Matthew Passion, BWV 244: no 1, Kommt, ihr Töchter by Johann Sebastian Bach
Performer:  Theo Altmeyer (Tenor)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  South German Madrigal Choir Stuttgart,  Consortium Musicum
Period: Baroque 
Written: ?1727; Leipzig, Germany 
12.
Saint John Passion, BWV 245: no 67, Ruhet wohl, ihr heilgen Gebeine by Johann Sebastian Bach
Performer:  Brigitte Fassbaender (Mezzo Soprano)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  South German Madrigal Choir Stuttgart,  Consortium Musicum
Period: Baroque 
Written: 1724; Leipzig, Germany 
13.
Mass in B minor, BWV 232: Kyrie eleison by Johann Sebastian Bach
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra,  Bavarian Radio Chorus
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
14.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
15.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Performer:  Dennis Clift (Trumpet), Janet Craxton (Oboe), Christopher Taylor (Recorder)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
Length: 5 Minutes 4 Secs. 
16.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Yehudi Menuhin (Violin), Christian Ferras (Violin)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Length: 4 Minutes 17 Secs. 
17.
Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 1960 
18.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
Date of Recording: 1960 
19.
Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach
Performer:  George Malcolm (Harpsichord)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Menuhin Festival Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
20.
Messiah, HWV 56: The trumpet shall sound by George Frideric Handel
Performer:  Raimund Herincx (Bass)
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: 1742; London, England 
21.
Messiah, HWV 56: Rejoice greatly, o daughter of Zion by George Frideric Handel
Performer:  Elizabeth Harwood (Soprano)
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: 1742; London, England 
22.
Messiah, HWV 56: He was despised and rejected by George Frideric Handel
Performer:  Dame Janet Baker (Mezzo Soprano)
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: 1742; London, England 
23.
Messiah, HWV 56: Hallelujah! by George Frideric Handel
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1742; London, England 
24.
Messiah, HWV 56: Amen by George Frideric Handel
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: 1742; London, England 
25.
Dixit Dominus, HWV 232: Dixit Dominus by George Frideric Handel
Performer:  Teresa Zylis-Gara (Soprano), Robert Tear (Tenor), Dame Janet Baker (Mezzo Soprano)
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: 1707; Italy 
Date of Recording: 08/1965 
Venue:  King's College, Cambridge 
Length: 7 Minutes 8 Secs. 
Language: Latin 
26.
Dixit Dominus, HWV 232: Gloria by George Frideric Handel
Performer:  Dame Janet Baker (Mezzo Soprano), Robert Tear (Tenor), Teresa Zylis-Gara (Soprano)
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: 1707; Italy 
Date of Recording: 08/1965 
Venue:  King's College, Cambridge 
Length: 7 Minutes 7 Secs. 
Language: Latin 
27.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Ambrosian Singers,  Menuhin Festival Orchestra
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 10/1969 
Venue:  St. Augustine's Church, London 
Length: 5 Minutes 42 Secs. 
Language: English 
28.
Coronation Anthems (4): no 3, HWV 260 "The king shall rejoice" by George Frideric Handel
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Ambrosian Singers,  Menuhin Festival Orchestra
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 10/1969 
Venue:  St. Augustine's Church, London 
Length: 11 Minutes 3 Secs. 
Language: English 
29.
Solomon, HWV 67: From the censer curling rise by George Frideric Handel
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Ambrosian Singers,  Menuhin Festival Orchestra
Period: Baroque 
Written: by 1749; London, England 
Date of Recording: 10/1969 
Venue:  St. Augustine's Church, London 
Length: 5 Minutes 42 Secs. 
Language: English 
30.
Concerti grossi (12), Op. 6: no 1 in G major, HWV 319 by George Frideric Handel
Performer:  Jean-Patrice Brosse (Harpsichord), Georges Armand (Violin)
Conductor:  Georges Armand
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 10/1978 
Venue:  Chapelle des Italiens, Toulouse, France 
Length: 13 Minutes 5 Secs. 
31.
Concerto for Harp in B flat major, Op. 4 no 6/HWV 294 by George Frideric Handel
Performer:  Lily Laskine (Harp)
Conductor:  Louis Auriacombe
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: 1736; London, England 
Date of Recording: 07/1963 
Venue:  Chapelle des Italiens, Toulouse, France 
Length: 13 Minutes 42 Secs. 
32.
Concerto for Oboe no 3 in G minor, HWV 287 by George Frideric Handel
Performer:  Pierre Pierlot (Oboe)
Conductor:  Louis Auriacombe
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: 1703-1705; Hamburg, Germany 
Date of Recording: 07/1963 
Venue:  Chapelle des Italiens, Toulouse, France 
Length: 10 Minutes 29 Secs. 
33.
Concertos (6) for Organ, Op. 7: no 5 in G minor, HWV 310 by George Frideric Handel
Performer:  Marinette Extermann (Harpsichord), Lionel Rogg (Organ)
Conductor:  Georges Armand
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: 1750; London, England 
Date of Recording: 05/1974 
Venue:  Saint Michel de Gaillac Church 
Length: 12 Minutes 16 Secs. 
34.
Concerti grossi (12), Op. 6: no 6 in G minor, HWV 324 by George Frideric Handel
Performer:  Marinette Extermann (Harpsichord), Georges Armand (Violin)
Conductor:  Georges Armand
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 10/1978 
Venue:  Chapelle des Italiens, Toulouse, France 
Length: 19 Minutes 53 Secs. 
35.
Missa "Papae Marcelli" by Giovanni Palestrina
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: by 1567; Italy 
36.
Vespro della Beata Vergine by Claudio Monteverdi
Performer:  Norma Burrowes (Soprano), Elly Ameling (Soprano), Charles Prett (Countertenor),
Anthony Rolfe Johnson (Tenor), Martyn Hill (Tenor)
Conductor:  Sir Philip Ledger
Orchestra/Ensemble:  Early Music Consort of London,  Cambridge King's College Choir
Period: Baroque 
Written: by 1610; Mantua, Italy 
37.
Fairy Queen, Z 629: Entry of Phoebus by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studio No. 1, London 
Length: 0 Minutes 40 Secs. 
Language: English 
38.
Fairy Queen, Z 629: Sinfonia to Act 4 by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 31 Secs. 
39.
Fairy Queen, Z 629: Hornpipe by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studio No. 1, London 
Length: 0 Minutes 53 Secs. 
Language: English 
40.
Fairy Queen, Z 629: Dance of the Haymakers by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 59 Secs. 
41.
Fairy Queen, Z 629: Dance of the Fairies by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 23 Secs. 
42.
Fairy Queen, Z 629: Sinfonia to Act 5 by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 21 Secs. 
43.
Fairy Queen, Z 629: See, even night herself is here by Henry Purcell
Performer:  Joan Carlyle (Soprano)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 5 Minutes 2 Secs. 
Language: English 
44.
Fairy Queen, Z 629: Act 2 Prelude by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 16 Secs. 
45.
Fairy Queen, Z 629: Rondeau by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 24 Secs. 
46.
Fairy Queen, Z 629: First Act Tune "Jig" by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1692; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 22 Secs. 
47.
Indian Queen, Z 630: Trumpet Tune and Air by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 36 Secs. 
48.
Indian Queen, Z 630: Act 4 Tune by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 15 Secs. 
49.
Indian Queen, Z 630: I attempt from Love's sickness to fly by Henry Purcell
Performer:  Joan Carlyle (Soprano)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 18 Secs. 
Language: English 
50.
Indian Queen, Z 630: First music by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 22 Secs. 
51.
Indian Queen, Z 630: Act 5 Sinfonia by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 23 Secs. 
52.
Indian Queen, Z 630: Act 5 Air by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 47 Secs. 
53.
King Arthur, or The British Worthy, Z 628: Trumpet Tune by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 56 Secs. 
54.
King Arthur, or The British Worthy, Z 628: Air by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 14 Secs. 
55.
King Arthur, or The British Worthy, Z 628: Overture by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 2 Secs. 
56.
King Arthur, or The British Worthy, Z 628: Passacaglia by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 5 Minutes 9 Secs. 
57.
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Performer:  Joan Carlyle (Soprano)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 2 Secs. 
Language: English 
58.
King Arthur, or The British Worthy, Z 628: Hornpipe by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1691; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 48 Secs. 
59.
Bonduca, Z 574: Overture by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 3 Minutes 52 Secs. 
60.
Old Bachelor, Z 607: Bouree by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1693; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 40 Secs. 
61.
Abdelazer, Z 570 "Moor's Revenge": Rondeau by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 12 Secs. 
62.
Bonduca, Z 574: Air(s) by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 56 Secs. 
63.
Sweeter than roses, Z 585 by Henry Purcell
Performer:  Joan Carlyle (Soprano)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: By 1696; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 3 Minutes 23 Secs. 
Language: English 
64.
Married Beau, Z 603 "Curious Impertinent": Gigue by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1694; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 21 Secs. 
65.
Distressed Innocence, Z 577: Air(s) by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1690; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 7 Secs. 
66.
Amphitryon, Z 572 "Two Sosias": Sarabande by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1690; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 1 Secs. 
67.
Double Dealer, Z 592: Air(s) by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1693; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 0 Minutes 51 Secs. 
68.
Dido and Aeneas, Z 626: Overture by Henry Purcell
Performer:  Colin Tilney (Harpsichord)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 43 Secs. 
69.
Dido and Aeneas, Z 626: Shake the cloud by Henry Purcell
Performer:  Colin Tilney (Harpsichord)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 21 Secs. 
Language: English 
70.
Dido and Aeneas, Z 626: Ah, Belinda, I am prest with torment by Henry Purcell
Performer:  Colin Tilney (Harpsichord), Victoria de los Angeles (Soprano)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 4 Minutes 46 Secs. 
Language: English 
71.
Dido and Aeneas, Z 626: When monarchs unite by Henry Purcell
Performer:  Heather Harper (Soprano), Colin Tilney (Harpsichord), Victoria de los Angeles (Soprano)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 2 Minutes 30 Secs. 
Language: English 
72.
Dido and Aeneas, Z 626: But ere we this perform by Henry Purcell
Performer:  Colin Tilney (Harpsichord)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 4 Minutes 12 Secs. 
Language: English 
73.
Dido and Aeneas, Z 626: Thy hand, Belinda...When I am laid in earth by Henry Purcell
Performer:  Victoria de los Angeles (Soprano), Colin Tilney (Harpsichord)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 6 Minutes 43 Secs. 
Language: English 
74.
Dido and Aeneas, Z 626: With drooping wings ye Cupids come by Henry Purcell
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  English Chamber Orchestra,  Ambrosian Singers
Period: Baroque 
Written: 1689; England 
Date of Recording: 08/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 3 Minutes 4 Secs. 
Language: English 
75.
Indian Queen, Z 630: Act 2 Sinfonia in C major by Henry Purcell
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Bath Festival Orchestra
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1965 
Venue:  Abbey Road Studios No 1, London 
Length: 1 Minutes 25 Secs. 
76.
Concerto for Trumpet in D major, TV 51 no D 7 by Georg Philipp Telemann
Performer:  Albert Calvayrac (Trumpet)
Conductor:  Louis Auriacombe
Orchestra/Ensemble:  Toulouse Chamber Orchestra
Period: Baroque 
Written: circa 1708-1714; Eisenach, Germany 
Date of Recording: 06/1965 
Venue:  Chapelle des Italiens, Toulouse 
Length: 13 Minutes 48 Secs. 
77.
Sonatas sans Basse (6) for 2 Flutes/Recorders, Op. 2: no 4 in G major, TV 40 no 104 by Georg Philipp Telemann
Performer:  James Galway (Flute), Michel Debost (Flute)
Period: Baroque 
Written: by 1727; France 
Date of Recording: 07/1974 
Venue:  Salle Wagram, Paris 
Length: 10 Minutes 35 Secs. 
78.
Septet for 3 Oboes, 3 Violins and Basso Continuo in B flat major, TV 44 no 43 by Georg Philipp Telemann
Performer:  Leonid Polees (Violin), Pierre Pierlot (Oboe), Evgeni Nepalov (Oboe),
Andrei Abramenkov (Violin), Rudolf Barshai (Violin), Piotr Dubrov (Oboe)
Conductor:  Rudolf Barshai
Orchestra/Ensemble:  Moscow Chamber Orchestra
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 06/1964 
Venue:  Salle Wagram, Paris 
Length: 12 Minutes 8 Secs. 
79.
Sonatas (6) for 2 Flutes/Violins, Op. 5 "Melodious Canons": no 1 in G major, TV 40 no 118 by Georg Philipp Telemann
Performer:  Elizaveta Gilels (Violin), Leonid Kogan (Violin)
Period: Baroque 
Written: by 1738; Germany 
Date of Recording: 05/1962 
Venue:  Salle Wagram, Paris 
Length: 4 Minutes 2 Secs. 
80.
Overture-Suite for Recorder, Strings and Basso Continuo in A minor, TV 55 no a 2 by Georg Philipp Telemann
Performer:  Elaine Shaffer (Flute)
Conductor:  Yehudi Menuhin
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Baroque 
Written: Darmstadt, Germany 
Date of Recording: 06/1963 
Venue:  Abbey Road Studios No 1, London 
Length: 27 Minutes 57 Secs. 
81.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:  Luigi Ferro (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: circa 1725; Venice, Italy 
Date of Recording: 1959 
Venue:  Abbey Road Studios, London 
Length: 10 Minutes 14 Secs. 
82.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:  Guido Mozzato (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1725; Venice, Italy 
Date of Recording: 1959 
Venue:  Abbey Road Studios, London 
Length: 11 Minutes 5 Secs. 
83.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:  Luigi Ferro (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1725; Venice, Italy 
Date of Recording: 1959 
Venue:  Abbey Road Studios, London 
Length: 10 Minutes 40 Secs. 
84.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:  Guido Mozzato (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1725; Venice, Italy 
Date of Recording: 1959 
Venue:  Abbey Road Studios, London 
Length: 9 Minutes 12 Secs. 
85.
Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi
Performer:  Luigi Ferro (Violin), Guido Mozzato (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1725; Venice, Italy 
Date of Recording: 1959 
Venue:  Abbey Road Studios, London 
86.
Concerto for 4 Violins and Cello in B minor, Op. 3 no 10/RV 580 by Antonio Vivaldi
Performer:  Angelo Stefanato (Violin), Franco Gulli (Violin), Edmondo Malanotte (Violin),
Luigi Ferro (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1711; Venice, Italy 
Venue:  Rome Opera House 
Length: 10 Minutes 22 Secs. 
87.
Concerto for Flute in D major, Op. 10 no 3/RV 428 "Il gardellino" by Antonio Vivaldi
Performer:  Pasquale Ripoli (Flute)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: circa 1728; Venice, Italy 
Date of Recording: 07/1962 
Venue:  Rome Opera House 
Length: 10 Minutes 52 Secs. 
88.
Concerto for Violin in E flat major, Op. 8 no 5/RV 253 "La tempesta di mare" by Antonio Vivaldi
Performer:  Edmondo Malanotte (Violin)
Conductor:  Renato Fasano
Orchestra/Ensemble:  I Virtuosi di Roma
Period: Baroque 
Written: 1725; Venice, Italy 
Date of Recording: 10/1959 
Venue:  Rome Opera House 
Length: 9 Minutes 57 Secs. 
89.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Lionel Rogg (Organ)
Period: Baroque 
Written: by 1708; Germany 
90.
Partita for Violin solo no 2 in D minor, BWV 1004: 5th movement, Chaconne by Johann Sebastian Bach
Performer:  Yehudi Menuhin (Violin)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
91.
Sonata for Flute and Harpsichord in E flat major, BWV 1031 by Johann Sebastian Bach
Performer:  Michel Debost (Flute), Lionel Rogg (Organ)
Period: Baroque 
Written: circa 1734; Leipzig, Germany 
92.
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:  Paul Tortelier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
93.
Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Alexis Weissenberg (Piano)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
94.
Nun komm, der Heiden Heiland, BWV 659 by Johann Sebastian Bach
Performer:  Lionel Rogg (Organ)
Period: Baroque 
Written: by 1723; ?Weimar, Germany 
95.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Performer:  Alexis Weissenberg (Piano)
Period: Baroque 
Written: 1723; Leipzig, Germany 

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