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From Afar / Nicholas Goluses

Defalla / Britten / Ponce / Goluses
Release Date: 10/09/2012 
Label:  Albany Records   Catalog #: 1379   Spars Code: DDD 
Composer:  Manuel de FallaJoseph SchwantnerManuel PonceBenjamin Britten,   ... 
Performer:  Nicholas Goluses
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews



FROM AFAR Nicholas Goluses (gtr) ALBANY 1379 (62:11)


FALLA Homenaje pour le Tombeau de Claude Debussy. SCHWANTNER From Afar. PONCE Variations and Fugue on la Folia d’Espagña. BRITTEN Nocturnal after John Dowland. THEODORAKIS Read more class="ARIAL12bi">Three Epitafios


Nicholas Goluses, who studied with Andrés Segovia and has won the Pablo Casals Award, is professor of guitar at the Eastman School of Music in Rochester, New York. He begins his program with Manuel de Falla’s Homage to Claude Debussy, written in 1920. Although it is clear in its dedication, the music is quintessential Falla and it exudes the sunshine and bright colors of Spain. Goluses gives an energetic, persuasive, and elegant rendition of the short piece. There are comparable recordings, however. The 2004 performance on Deutsche Grammophon by Narciso Yepes is excellent, but it is part of a boxed set of Spanish music called Guitarra España and would be an expensive outlay for this one track. From Afar, the title of this CD, comes from a piece that Joseph Schwantner wrote, originally for guitar and orchestra, but which is played here in an arrangement that the composer made for guitar alone. Since this is the premiere recording of this version of the piece, Goluses has the field to himself for now. He plays it with such intelligence and sensitivity that he may not have any challengers for a while. Sharon Isbin recorded the original version with the St. Paul Chamber Orchestra for Virgin Classics. The longest piece on this disc is Manuel Ponce’s 1929 Variations and Fugue on La Folia d’España . Known as La Follia in Italy and La Folle in France, this simple folk tune has been recurrent in European music ever since the 15th century. Ponce’s 23 short variations show how his fertile mind could present it in numerous guises and with all sorts of interesting embellishments. He varies the tempos and the rhythms and decorates the original in many ways. Sometimes he gives us modern styles but he brings us back to the original theme often enough to make sure we don’t forget it. The finale is a tightly executed fugue that ties up all the loose ends. Goluses has excellent command of his instrument and he renders each variation, as well as the fugue, with sensitivity, virtuosity, and verve.


In 1963, Benjamin Britten wrote his Nocturnal after John Dowland for Julian Bream, who recorded it twice, the first time in the ’60s and the second in 2000. The latter recording, available from EMI Classics Imports, is a bit faster than the earlier one, but both renditions are intense and dramatic. Goluses’s reading is flowing, lyrical, and sensitive. Britten had great admiration for Dowland and used his Come Heavy Sleep as the basis for this Nocturnal , but you don’t get to hear all of it until the end of the eighth variation. Before this, we are led through a dream world that is sometimes calm, sometimes agitated, but our journey moves on relentlessly to its appointment with the original theme. For Mikis Theodorakis, the Epitafios represented a transformation in his life. Having been a promising classical composer in Western Europe, he returned to Greece and his roots. Epitafios was originally a song cycle to poems by Yiannis Ritsos, but even without the text, it tells the story of the Greek people and their long and illustrious artistic history. The sound on this recording is clear and the diverse repertoire makes this interesting disc a good choice for the home library.


FANFARE: Maria Nockin
Read less

Works on This Recording

1.
Homenaje "Le tombeau de Claude Debussy" by Manuel de Falla
Performer:  Nicholas Goluses (Guitar)
Period: 20th Century 
Written: 1920; Spain 
2.
From Afar by Joseph Schwantner
Performer:  Nicholas Goluses (Guitar)
Period: 20th Century 
Written: 1987; USA 
3.
Theme, Variations and Fugue on Folias de España for Guitar by Manuel Ponce
Performer:  Nicholas Goluses (Guitar)
Period: 20th Century 
Written: Mexico 
4.
Nocturnal after John Dowland, Op. 70 by Benjamin Britten
Performer:  Nicholas Goluses (Guitar)
Period: 20th Century 
Written: 1963; England 
5.
Epitaphios (8): Excerpt(s) by Mikis Theodorakis
Performer:  Nicholas Goluses (Guitar)

Sound Samples

Homenaje, "Le Tombeau de Claude Debussy" (version for guitar)
From Afar ... (version for guitar solo)
Diferencias sobre la folia de Espana y fuga: Theme: Lento
Diferencias sobre la folia de Espana y fuga: Variation 1: Poco vivo
Diferencias sobre la folia de Espana y fuga: Variation 2: Allegretto mosso
Diferencias sobre la folia de Espana y fuga: Variation 3: Lento
Diferencias sobre la folia de Espana y fuga: Variation 4: Un po' agitato
Diferencias sobre la folia de Espana y fuga: Variation 5: Andantino
Diferencias sobre la folia de Espana y fuga: Variation 6: Allegretto espressivo
Diferencias sobre la folia de Espana y fuga: Variation 7: Andante
Diferencias sobre la folia de Espana y fuga: Variation 8: Moderato
Diferencias sobre la folia de Espana y fuga: Variation 9: Andantino affettuoso
Diferencias sobre la folia de Espana y fuga: Variation 10: Pretissimo
Diferencias sobre la folia de Espana y fuga: Variation 11: Andantino
Diferencias sobre la folia de Espana y fuga: Variation 12: Animato
Diferencias sobre la folia de Espana y fuga: Variation 13: Sostenuto
Diferencias sobre la folia de Espana y fuga: Variation 14: Allegro non troppo
Diferencias sobre la folia de Espana y fuga: Variation 15: Allegro moderato energico
Diferencias sobre la folia de Espana y fuga: Variation 16: Moderato
Diferencias sobre la folia de Espana y fuga: Variation 17: Allegro ma non troppo
Diferencias sobre la folia de Espana y fuga: Variation 18: Allegro scherzando
Diferencias sobre la folia de Espana y fuga: Variation 19: Vivo e marcato
Diferencias sobre la folia de Espana y fuga: Variation 20: Andante
Diferencias sobre la folia de Espana y fuga: Fuga: Moderato
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: I. Musingly
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: II. Very agitated
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: III. Restless
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IV. Uneasy
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: V. March-like
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VI. Dreaming
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VII. Gently rocking
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VIII. Passacaglia
Epitaphios (version for guitar solo): Epitafio No. 3 in D minor
Epitaphios (version for guitar solo): Epitafio No. 4 in D minor
Epitaphios (version for guitar solo): Epitafio No. 5 in E major

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