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Bach: Cantatas Vol 51 / Masaaki Suzuki, Bach Collegium Japan

Bach / Bach Collegium Japan / Suzuki
Release Date: 09/25/2012 
Label:  Bis   Catalog #: 1961  
Composer:  Johann Sebastian Bach
Performer:  Hana BlazikovaDamien GuillonChristoph GenzPeter Kooy
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Number of Discs: 1 
Recorded in: Multi 
Length: 1 Hours 20 Mins. 

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Notes and Editorial Reviews

The four cantatas gathered here were all composed for specific events such as funerals and weddings. Like all the sacred cantatas, they contain biblical references and include chorales, but Bach’s sacred occasional pieces are independent works and did not form part of his cantata cycles for the Sundays and feast days of the church year. This makes it to some extent difficult to place the individual works in context: for instance two of cantatas included here were intended for wedding ceremonies, and one for a funeral, but we do not know the circumstances regarding the fourth piece, Nun danket alle Gott, BWV 192. Similarly, we do know the identity of the person whose death was mourned to the music of Ich lasse dich nicht… BWV 157, but the Read more names of the couples whose weddings were accompanied by BWV 195 and BWV 120a respectively are unknown. Nevertheless the music speaks for itself – BWV 195 suitably joyous with timpani and trumpets, and BWV 157 expressing a mellowness and quiet confidence in eternal life through its exquisite chamber-musical combination of solo instruments: transverse flute, oboe d’amore and viola d’amore. As elsewhere in his production, Bach would at times reuse material from other compositions, and a striking example is the Sinfonia in BWV 120a, a reworking for organ solo and orchestra of the famous prelude from the E major violin partita. With another four volumes yet to come, the cycle of cantatas initiated by Masaaki Suzuki and his Bach Collegium Japan in 1995 is nearing completion, without any signs of flagging, as witness the warm welcome extended to Volume 50 by reviewers remarking upon the consistently high quality of both interpretations and performances throughout the series. Read less

Works on This Recording

1.
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Hana Blazikova (Soprano), Damien Guillon (Countertenor), Christoph Genz (Tenor),
Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1730; Leipzig, Germany 
2.
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Period: Baroque 
Written: ?1728; Leipzig, Germany 
3.
Herr Gott, Beherrscher aller Dinge, BWV 120a by Johann Sebastian Bach
Period: Baroque 
Written: ?1729; Leipzig, Germany 
4.
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Period: Baroque 
Written: circa 1737; Leipzig, Germany 

Sound Samples

Dem Gerechten muss das Licht, BWV 195: Dem Gerechten muss das Licht immer wieder aufgehen (Chorus, Soprano, Alto, Tenor, Bass)
Dem Gerechten muss das Licht, BWV 195: Recitative: Dem Freudenlicht gerechter Frommen (Bass)
Dem Gerechten muss das Licht, BWV 195: Aria: Ruhmet Gottes Gut und Treu (Bass)
Dem Gerechten muss das Licht, BWV 195: Recitative: Wohlan, so knupfet denn ein Band (Soprano)
Dem Gerechten muss das Licht, BWV 195: Wir kommen, deine Heiligkeit (Chorus, Soprano, Alto, Tenor, Bass)
Dem Gerechten muss das Licht, BWV 195: Chorale: Nun danket all und bringet Ehr (Chorus)
Nun danket alle Gott, BWV 192: Nun danket alle Gott (Chorus)
Nun danket alle Gott, BWV 192: Duet: Der ewig reiche Gott (Soprano, Bass)
Nun danket alle Gott, BWV 192: Lob, Ehr und Preis sei Gott (Chorus)
Ich lasse dich nicht, du segnest mich denn, BWV 157: Duet: Ich lasse dich nicht, du segnest mich denn! (Tenor, Bass)
Ich lasse dich nicht, du segnest mich denn, BWV 157: Aria: Ich halte meinen Jesum feste (Tenor)
Ich lasse dich nicht, du segnest mich denn, BWV 157: Recitative: Mein lieber Jesu du (Tenor)
Ich lasse dich nicht, du segnest mich denn, BWV 157: Aria, Recitative and Arioso: Ja, ja, ich halte Jesum feste (Bass)
Ich lasse dich nicht, du segnest mich denn, BWV 157: Chorale: Meinen Jesum lass ich nicht (Chorus)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Herr Gott, Beherrscher aller Dinge (Chorus)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Recitative and Chorus: Wie wunderbar, o Gott, sind deine Werke (Bass, Tenor, Chorus)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Aria: Leit, o Gott, durch deine Liebe (Soprano)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Sinfonia
Herr Gott, Beherrscher aller Dinge, BWV 120a: Recitative: Herr Zebaoth (Tenor, Chorus)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Aria: Herr, fange an und sprich den Segen (Alto, Tenor)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Recitative: Der Herr, Herr unser Gott (Bass)
Herr Gott, Beherrscher aller Dinge, BWV 120a: Choral: Lobe den Herren (Chorus)

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