Notes and Editorial Reviews
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L'Oiseau-lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) – overwhelming in its impact and emotional content. Of course, Baroque music is also an ideal lifestyle choice – nothing quite like it to get you going in the morning or to accompany your final thoughts at the end of the day ... it's all here to sample and to revel in.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L'Oiseau-lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) – overwhelming in its impact and emotional content. Of course, Baroque music is also an ideal lifestyle choice – nothing quite like it to get you going in the morning or to accompany your final thoughts at the end of the day ... it's all here to sample and to revel in.
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Works on This Recording
1.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:
Peter Harvey (Bass)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir
Period: Baroque
Written: 1727; Cöthen, Germany
Date of Recording: 02/2000
Venue: Priory Church, Christchurch, Dorset
Length: 23 Minutes 39 Secs.
Language: German
2.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:
Stephen Varcoe (Bass Baritone),
Anthony Rolfe Johnson (Tenor),
Michael Chance (Countertenor),
Ruth Holton (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 03/1990
Length: 24 Minutes 35 Secs.
Language: German
3.
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:
Ruth Holton (Soprano),
Michael Chance (Countertenor),
Anthony Rolfe Johnson (Tenor),
Stephen Varcoe (Bass Baritone)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir
Written: 1723
Date of Recording: 03/1990
Length: 28 Minutes 5 Secs.
Language: German
4.
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:
Deborah York (Soprano),
Julia Gooding (Soprano),
Magdalena Kozená (Mezzo Soprano),
Susan Bickley (Mezzo Soprano),
Mark Padmore (Tenor),
Peter Harvey (Bass),
James Gilchrist (Tenor),
Stephan Loges (Bass)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: Circa 1727; Leipzig, Germany
Date of Recording: 04/2002
Length: 161 Minutes 32 Secs.
Language: German
5.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:
Lynne Dawson (Soprano),
Jane Fairfield (Soprano),
Jean Knibbs (Soprano),
Patrizia Kwella (Soprano),
Carol Hall (Soprano),
Mary Nichols (Mezzo Soprano),
Michael Chance (Countertenor),
Patrick Collin (Countertenor),
Ashley Stafford (Countertenor),
Wynford Evans (Tenor),
Howard Milner (Tenor),
Andrew Murgatroyd (Tenor),
Richard Lloyd Morgan (Bass),
Stephen Varcoe (Bass),
Elizabeth Wilcock (Violin),
Lisa Beznosiuk (Flute),
Sophia McKenna (Oboe),
Valerie Darke (Oboe),
Michael Thompson (French Horn),
Timothy Mason (Cello),
Nancy Argenta (Soprano),
Valerie Botwright (Double Bass),
Alastair Ross (Organ),
Paul Nicholson (Harpsichord)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 106 Minutes 22 Secs.
Language: Latin
6.
Giulio Cesare, HWV 17 by George Frideric Handel
Performer:
Pascal Bertin (Countertenor),
Bejun Mehta (Boy Soprano),
Magdalena Kozená (Mezzo Soprano),
Anne Sofie von Otter (Mezzo Soprano),
Marijana Mijanovic (Alto),
Alan Ewing (Bass),
Jean-Michel Ankaoua (Baritone),
Charlotte Hellekant (Mezzo Soprano)
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1724; London, England
Date of Recording: 11/2002
Venue: Grosser Saal, Konzerthaus, Vienna
Length: 219 Minutes 18 Secs.
Language: Italian
7.
Messiah, HWV 56 by George Frideric Handel
Performer:
Anne Sofie von Otter (Mezzo Soprano),
Arleen Augér (Soprano),
Michael Chance (Countertenor),
John Tomlinson (Bass Baritone),
Howard Crook (Tenor)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert,
English Concert Choir
Period: Baroque
Written: 1742; Dublin, Ireland
Language: English
8.
Water Music, HWV 348-350 by George Frideric Handel
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1715/1736; London, England
9.
Water Music Suite no 1 in F major, HWV 348 by George Frideric Handel
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: circa 1715-1717; London, England
10.
Water Music Suite no 2 in D major, HWV 349 by George Frideric Handel
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: circa 1715-1717; London, England
11.
Water Music Suite no 3 in G major, HWV 350 by George Frideric Handel
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: circa 1715-1717; London, England
12.
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1749; London, England
Length: 17 Minutes 44 Secs.
13.
Dixit Dominus, HWV 232 by George Frideric Handel
Performer:
Arleen Augér (Soprano),
Diana Montague (Soprano),
John Mark Ainsley (Tenor),
Lynne Dawson (Soprano),
Leigh Nixon (Tenor),
Simon Birchall (Bass)
Conductor:
Simon Preston
Orchestra/Ensemble:
Westminster Abbey Choir,
Westminster Abbey Orchestra
Period: Baroque
Written: 1707; Italy
Language: Latin
14.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Performer:
Simon Preston (Organ)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
Westminster Abbey Choir,
English Concert
Period: Baroque
Written: 1727; London, England
Language: English
15.
Coronation Anthems (4): no 3, HWV 260 "The king shall rejoice" by George Frideric Handel
Performer:
Simon Preston (Organ)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
Westminster Abbey Choir,
English Concert
Period: Baroque
Written: 1727; London, England
Language: English
16.
Coronation Anthems (4): no 4, HWV 261 "My heart is inditing" by George Frideric Handel
Performer:
Simon Preston (Organ)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
Westminster Abbey Choir,
English Concert
Period: Baroque
Written: 1727; London, England
Language: English
17.
Coronation Anthems (4): no 2, HWV 259 "Let thy hand be strengthened" by George Frideric Handel
Performer:
Simon Preston (Organ)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
Westminster Abbey Choir,
English Concert
Period: Baroque
Written: 1727; London, England
Language: English
18.
Sonata for Harpsichord in C major, K 502/L 3 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
19.
Sonata for Harpsichord in C major, K 460/L 324 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 6 Minutes 0 Secs.
20.
Sonata for Harpsichord in D minor, K 516/L S12 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
21.
Sonata for Harpsichord in D minor, K 517/L 266 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
22.
Sonata for Harpsichord in D major, K 478/L 12 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
23.
Sonata for Harpsichord in D major, K 479/L S16 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
24.
Sonata for Harpsichord in F major, K 518/L 116 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
25.
Sonata for Harpsichord in F minor, K 519/L 475 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
26.
Sonata for Harpsichord in G minor, K 546/L 312 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
27.
Sonata for Harpsichord in G major, K 547/L S28 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
28.
Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
29.
Sonata for Harpsichord in B flat major, K 544/L 497 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
30.
Sonata for Harpsichord in B flat major, K 545/L 500 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
31.
Sonata for Harpsichord in C major, K 461/L 8 by Domenico Scarlatti
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
32.
Stabat Mater by Giovanni Battista Pergolesi
Performer:
Emma Kirkby (Soprano),
James Bowman (Countertenor)
Conductor:
Christopher Hogwood
Orchestra/Ensemble:
Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Length: 37 Minutes 17 Secs.
Language: Latin
33.
Salve Regina in C minor by Giovanni Battista Pergolesi
Performer:
Emma Kirkby (Soprano)
Conductor:
Christopher Hogwood
Orchestra/Ensemble:
Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Language: Latin
34.
Miserere mei Deus by Gregorio Allegri
Conductor:
Simon Preston
Orchestra/Ensemble:
Westminster Abbey Choir
Period: Renaissance
Written: by 1603; Italy
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 12 Minutes 0 Secs.
Language: Latin
35.
L'Orfeo by Claudio Monteverdi
Performer:
Lynne Dawson (Soprano),
Anthony Rolfe Johnson (Tenor),
Anne Sofie von Otter (Mezzo Soprano),
John Tomlinson (Bass),
Nancy Argenta (Soprano),
Mary Nichols (Soprano),
Diana Montague (Soprano),
Willard White (Bass),
Mark Tucker (Tenor),
Nigel Robson (Tenor),
Simon Birchall (Bass),
Michael Chance (Countertenor),
Howard Milner (Tenor),
Nicholas Robertson (Tenor),
Julianne Baird (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1607; Mantua, Italy
Date of Recording: 12/1985
Venue: EMI Abbey Road Studios, London
Length: 105 Minutes 43 Secs.
Language: Italian
36.
Vespro della Beata Vergine by Claudio Monteverdi
Performer:
Marinella Pennicchi (Soprano),
Michael Chance (Countertenor),
Mark Tucker (Tenor),
Bryn Terfel (Bass),
Sandro Naglia (Tenor),
Nigel Robson (Tenor),
Alastair Miles (Bass),
Ann Monoyios (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
His Majesties Sagbutts and Cornetts
...
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 05/1989
Venue: Live St Mark's Basilica, Venice
Length: 89 Minutes 7 Secs.
Language: Latin
37.
Vespro della Beata Vergine: Magnificat a 7 by Claudio Monteverdi
Performer:
Marinella Pennicchi (Soprano),
Michael Chance (Countertenor),
Mark Tucker (Tenor),
Nigel Robson (Tenor),
Sandro Naglia (Tenor),
Ann Monoyios (Soprano),
Bryn Terfel (Bass),
Alastair Miles (Bass)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
London Oratory Junior Choir
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 07/1989
Venue: Live All Saints' Church, Tooting, London
Length: 18 Minutes 27 Secs.
Language: Latin
38.
Madrigals, Book 7 by Claudio Monteverdi
Performer:
Emma Kirkby (Soprano)
Conductor:
Anthony Rooley
Orchestra/Ensemble:
Consort of Musicke
Period: Baroque
Written: by 1619; Italy
Language: Italian
39.
Toccata a 4, C237 by Giovanni Gabrieli
Performer:
Timothy Roberts (Organ)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 1 Minutes 11 Secs.
40.
Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 10 Secs.
41.
Suscipe clementissime by Giovanni Gabrieli
Performer:
Robert Horn (Tenor),
Julian Podger (Tenor),
Charles Pott (Baritone),
Simon Grant (Bass),
Richard Savage (Bass),
Donald Greig (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 55 Secs.
Language: Latin
42.
Canzoni et sonate (21): Canzon XIV a 10 by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 52 Secs.
43.
Buccinate in neomenia tuba by Giovanni Gabrieli
Performer:
Robin Blaze (Countertenor),
Julian Clarkson (Bass),
Henry Wickham (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: 1615/1617; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 38 Secs.
Language: Latin
44.
Intonationi d'organo: Del nono tono by Giovanni Gabrieli
Performer:
Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 40 Secs.
45.
Domine, Deus meus by Giovanni Gabrieli
Performer:
Robert Harre-Jones (Countertenor),
Timothy Roberts (Organ),
Donald Greig (Baritone),
Simon Grant (Bass),
Charles Pott (Baritone),
Steven Harrold (Tenor),
Robert Horn (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 7 Minutes 19 Secs.
Language: Latin
46.
Audi, dulcis amica mea by Bartolomeo Barbarino
Performer:
Fred Jacobs (Chitarrone),
Paula Chateauneuf (Chitarrone),
David Hurley (Countertenor)
Period: Renaissance
Written: Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 40 Secs.
Language: Latin
47.
Ardens est cor meum by Bartolomeo Barbarino
Performer:
Paula Chateauneuf (Chitarrone),
David Hurley (Countertenor),
Fred Jacobs (Chitarrone)
Period: Renaissance
Written: circa 1608; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 44 Secs.
Language: Latin
48.
Timor et Tremor by Giovanni Gabrieli
Performer:
Timothy Roberts (Organ),
Simon Grant (Bass),
Charles Pott (Baritone),
Robert Harre-Jones (Countertenor),
Henry Wickham (Baritone),
Robert Horn (Tenor),
Donald Greig (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 45 Secs.
Language: Latin
49.
Intonationi d'organo: Del duodecimo tono by Giovanni Gabrieli
Performer:
Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 33 Secs.
50.
Jubilate Deo a 10 by Giovanni Gabrieli
Performer:
Timothy Wilson (Countertenor),
Donald Greig (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 40 Secs.
Language: Latin
51.
Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 14 Secs.
52.
Misericordia tua Domine by Giovanni Gabrieli
Performer:
Robert Harre-Jones (Countertenor),
Charles Pott (Baritone),
Robert Horn (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 15 Secs.
Language: Latin
53.
Canzoni et sonate (21): Sonata XX a 22 by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 52 Secs.
54.
Magnificat a 33 by Giovanni Gabrieli
Performer:
Julian Clarkson (Bass),
Henry Wickham (Baritone),
Robert Horn (Tenor),
David Hurley (Countertenor),
Steven Harrold (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 56 Secs.
Language: Latin
55.
Symphoniae sacrae, Book 2: In ecclesiis by Giovanni Gabrieli
Performer:
Donald Greig (Baritone),
Charles Pott (Baritone),
Timothy Wilson (Countertenor),
Julian Podger (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 59 Secs.
Language: Latin
56.
Canzoni et sonate (21): Sonata XXI con tre violoni by Giovanni Gabrieli
Performer:
Fred Jacobs (Chitarrone),
Florian Deuter (Violin),
Rachel Podger (Violin),
Anna McDonald (Violin),
Paula Chateauneuf (Chitarrone)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 52 Secs.
57.
Freue dich des Weibes deiner Jugend, SWV 453 by Heinrich Schütz
Performer:
Frieder Lang (Tenor)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
His Majesties Sagbutts and Cornetts
Period: Baroque
Written: Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 4 Minutes 0 Secs.
Language: German
58.
Psalms of David, Op. 2: Ist nicht Ephraim mein..., SWV 40 by Heinrich Schütz
Performer:
Ashley Stafford (Countertenor),
Ruth Holton (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1619; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German
59.
Symphoniae sacrae, Op. 12: Saul, Saul, was verfolgst, SWV 415 by Heinrich Schütz
Performer:
Carol Hall (Soprano),
Michael Chance (Countertenor),
Simon Birchall (Baritone),
Lawrence Wallington (Baritone),
Frieder Lang (Tenor),
Ruth Holton (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1650; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 3 Minutes 0 Secs.
Language: German
60.
Geistliche Chormusik, Op. 11/SWV 369-397: Auf dem Gebirge..., SWV 396 by Heinrich Schütz
Performer:
Michael Chance (Countertenor),
Ashley Stafford (Countertenor)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1648; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German
61.
Musicalische Exequien, Op. 7/SWV 279-81 by Heinrich Schütz
Performer:
Frieder Lang (Tenor)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists
Period: Baroque
Written: 1636; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 30 Minutes 0 Secs.
Language: German
62.
Intonationi d'organo: Excerpt by Giovanni Gabrieli
Performer:
Timothy Roberts (Organ)
Period: Renaissance
63.
Deus in adiutorium by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
64.
Sacrae symphoniae, Book 1: Angelus Domini descendit by Giovanni Gabrieli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1597; Venice, Italy
65.
Dixit Dominus by Giovanni Antonio Rigatti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
66.
Motetti (18): O intemerata by Alessandro Grandi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1621; Venice, Italy
67.
Motetti (16) con le Letanie della beata vergine: Beata es Maria by Alessandro Grandi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1614; Ferrara, Italy
68.
Laudate pueri by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1640; Italy
69.
Suonata prima by Adriano Banchieri
Performer:
Timothy Roberts (Organ)
Period: Baroque
Written: Italy
70.
Beatam me dicent by Adriano Banchieri
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
71.
Laetatus sum a 6 by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: Italy
72.
O Maria, quae rapis corda hominum by Giacomo Finetti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: Italy
73.
Haec est quae nescavit by Giacomo Finetti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
74.
Nisi Dominus by Giovanni Antonio Rigatti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: 17th Century; Italy
75.
Dialogo secondo by Adriano Banchieri
Performer:
Timothy Roberts (Organ)
Period: Renaissance
76.
Ante thronum by Adriano Banchieri
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
77.
Lauda Jerusalem by Pier Francesco Cavalli
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1656; Italy
78.
O quam tu pulchra es by Alessandro Grandi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1625; Venice, Italy
79.
Praeambulum for Organ by Anonymous
Performer:
Timothy Roberts (Organ)
80.
Chapter: Ecce virgo by Anonymous
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
81.
Deus qui mundum crimine iacentem by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: Italy
82.
Ave Maria, Dominus tecum by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
83.
Spiritus Sanctus by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
84.
Magnificat by Giovanni Antonio Rigatti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
85.
Sonata con tre violini in eco by Biagio Marini
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Baroque
86.
Collect: Dominus vobiscum - Deus, qui de beatae Mariae by Biagio Marini
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
87.
Dismissal: Dominus vobiscum - Benedicamus Domino by Biagio Marini
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
88.
Laudate Dominum by Claudio Monteverdi
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: Italy
89.
Intonazione for Organ by Giovanni Battista Fasolo
Performer:
Timothy Roberts (Organ)
Period: Baroque
Written: 17th Century; Italy
90.
Salve regina by Giovanni Antonio Rigatti
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: 1646; Italy
91.
Te Deum, LWV 55: Symphonie by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1677; France
92.
La Bocanne primitive by Jacques Cordier
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 17th Century
93.
La Bocanne compliquée by Jacques Cordier
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
94.
Phaëton, LWV 61: Troupe d'Astrée dansante by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1683; France
95.
Ballet de la nuit: Overture by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France
96.
Les plaisirs, LWV 2: Sarabande by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1655; France
97.
Ballet de la nuit: Le Roi représentant le soleil levant by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France
98.
Intermèdes de Xerxes, LWV 12: Air pour matelots jouant des trompettes marines by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
99.
Intermèdes de Xerxes, LWV 12: Air pour les esclaves et singes dansants by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
100.
Intermèdes de Xerxes, LWV 12: Air pour les postures de Scaramouche by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
101.
Intermèdes de Xerxes, LWV 12: Air pour les docteurs, Frivelins et Polichinelles by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
102.
Intermèdes de Xerxes, LWV 12: Air pour les esclaves dansants by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
103.
Idylle sur la paix: Air pour Madame la Dauphine by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1685; Paris, France
104.
Alcidiane, LWV 9: Ritournelle et air de Mademoiselle Hilaire by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France
105.
Alcidiane, LWV 9: Overture by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France
106.
Le triomphe de l'amour, LWV 59: Overture by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
107.
Persée, LWV 60: Entrée des divinités infernales by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1682; France
108.
Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des Turcs by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
109.
Le bourgeois gentilhomme, LWV 43: Giourdina by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
110.
Le bourgeois gentilhomme, LWV 43: Chaconne des Scaramouches by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
111.
Le triomphe de l'amour, LWV 59: Prélude de la nuit by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
112.
Pomone: Passons nos jours dans ces vergers by Robert Cambert
Performer:
Céline Scheen (Soprano),
Goedele Heidbüchel (Soprano)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Paris, France
113.
Pomone: Que voyez-vous, mes yeux? by Robert Cambert
Performer:
Goedele Heidbüchel (Soprano)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Paris, France
114.
Armide, LWV 71: Plus j'observe ces lieux by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
115.
Atys, LWV 53: Dormons, dormons tous by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1676; France
116.
Armide, LWV 71: Passacaglia by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
117.
Armide, LWV 71: Act II, Scene 5 - Prelude by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
118.
Les folies d'Espagne by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
119.
Les amants magnifiques, LWV 42: Entrée d'Apollon by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1670; France
120.
Le triomphe de l'amour, LWV 59: Entrée d'Apollon by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
121.
Le triomphe de l'amour, LWV 59: Act 4, Scene 2 - Deuxième air by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
122.
Isis, LWV 54: Scene 1 - Prologue by Jean-Baptiste Lully
Performer:
Céline Scheen (Soprano)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Ex Tempore,
Musica Antiqua Cologne
Period: Baroque
Written: by 1677; France
123.
Armide, LWV 71: Quel l'éclait de son nom by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
124.
Armide, LWV 71: Esprits empressés à nous plaire by Jean-Baptiste Lully
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
125.
Ombre de mon amant by Michel Lambert
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1689; France
126.
Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France
127.
Messe de minuit pour Noël, H 9 by Marc-Antoine Charpentier
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France
128.
In nativitatum Domini canticum, H 416 "Usquequo avertis" by Marc-Antoine Charpentier
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: circa ?1685
129.
Dido and Aeneas, Z 626 by Henry Purcell
Performer:
Kym Amps (Soprano),
Stephen Varcoe (Baritone),
Lynne Dawson (Soprano),
Anne Sofie von Otter (Mezzo Soprano),
Nigel Rogers (Tenor),
Sarah Leonard (Soprano),
Elisabeth Priday (Soprano),
Carol Hall (Soprano)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert,
English Concert Choir
Period: Baroque
Written: 1689; England
Date of Recording: 07/1988
Venue: Henry Wood Hall, London
Length: 53 Minutes 56 Secs.
Language: English
130.
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell
Performer:
Julian Podger (Tenor),
Susan Hemington Jones (Soprano),
Mark Le Brocq (Countertenor),
Charles Daniels (Tenor),
Charles Pott (Bass),
Peter Harvey (Bass),
Christopher Purves (Bass),
Tim Wilson (Countertenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: 1692; England
Venue: Brinkburn Priory, Northumberland
Length: 49 Minutes 16 Secs.
Language: English
131.
My beloved spake, Z 28 by Henry Purcell
Performer:
Peter Harvey (Bass),
Charles Pott (Bass),
Charles Daniels (Tenor),
Julian Podger (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: by 1678; England
Venue: Brinkburn Priory, Northumberland
Length: 9 Minutes 34 Secs.
Language: English
132.
O sing unto the Lord, Z 44 by Henry Purcell
Performer:
Peter Harvey (Bass),
Christopher Purves (Bass),
Julian Podger (Tenor),
Susan Hemington Jones (Soprano),
Charles Daniels (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Baroque
Written: 1688; England
Venue: Brinkburn Priory, Northumberland
Length: 11 Minutes 14 Secs.
Language: English
133.
Concerti grossi (12), Op. 6 by Arcangelo Corelli
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1708-1712; Rome, Italy
134.
Pièces de clavecin, Book 3: Ordre 15 in A minor/A major by François Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1722; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 10 Secs.
135.
L'art de toucher le clavecin by François Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1716; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 13 Minutes 21 Secs.
136.
Pièces de clavecin: Suite in D minor by Louis Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 21 Secs.
137.
Pièces de clavecin: L'intrépide by Armand-Louis Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 1 Minutes 56 Secs.
138.
Pièces de clavecin: Rondeau "L'Arlequine ou la Adam" by Armand-Louis Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 2 Minutes 49 Secs.
139.
Pièces de clavecin: L'arlequine ou la Adam by Armand-Louis Couperin
Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
140.
Destati Lidia mia by Francesco Gasparini
Performer:
Andreas Scholl (Countertenor),
Ottavio Dantone (Harpsichord)
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 10 Minutes 6 Secs.
Language: Italian
141.
Ecco, che al fin ritorno by Francesco Gasparini
Performer:
Ottavio Dantone (Harpsichord),
Andreas Scholl (Countertenor)
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 1 Secs.
Language: Italian
142.
Fermate omai fugace e bella by Alessandro Scarlatti
Performer:
Andreas Scholl (Countertenor),
Ottavio Dantone (Harpsichord)
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: 1724; Naples, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 49 Secs.
Language: Italian
143.
Quando penso agl'affani by Benedetto Marcello
Performer:
Andreas Scholl (Countertenor),
Ottavio Dantone (Harpsichord)
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: 1720s; Venice, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 19 Minutes 43 Secs.
Language: Italian
144.
Navicella, ove ten vai by Bernardo Pasquini
Performer:
Ottavio Dantone (Harpsichord),
Andreas Scholl (Countertenor)
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 27 Secs.
Language: Italian
145.
Sinfonia à 4 by Bernardo Pasquini
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 10 Secs.
146.
Concertino à 7 in G minor "del Signore Arcangelo Corelli" by Arcangelo Corelli
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: Rome, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 13 Secs.
147.
Introduzione à 4 by Pietro Paolo Bencini
Conductor:
Ottavio Dantone
Orchestra/Ensemble:
Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 6 Secs.
148.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 4 Minutes 42 Secs.
149.
Overture for Strings in G minor, BWV 1070 by Johann Sebastian Bach
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 17 Minutes 35 Secs.
150.
Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia" by Antonio Vivaldi
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1705; Venice, Italy
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 8 Minutes 45 Secs.
151.
Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399 by George Frideric Handel
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: circa 1737-1738; London, England
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 13 Minutes 1 Secs.
152.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1738-1739; Leipzig, Germany
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 22 Minutes 8 Secs.
153.
L'estro armonico, Op. 3 by Antonio Vivaldi
Performer:
Simon Standage (Violin),
Micaela Comberti (Violin),
Jaap ter Linden (Cello),
Miles Golding (Violin),
Elizabeth Wilcock (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1711; Venice, Italy
154.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: circa 1725; Venice, Italy
155.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:
Trevor Pinnock (Harpsichord),
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1725; Venice, Italy
156.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:
Trevor Pinnock (Harpsichord),
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1725; Venice, Italy
157.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:
Simon Standage (Violin),
Trevor Pinnock (Harpsichord)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1725; Venice, Italy
158.
Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi
Performer:
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1725; Venice, Italy
159.
Gloria in D major, RV 589 by Antonio Vivaldi
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert,
English Concert Choir
Period: Baroque
Written: Venice, Italy
Language: Latin
160.
Stabat Mater in F minor, RV 621 by Antonio Vivaldi
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert,
English Concert Choir
Period: Baroque
Written: Venice, Italy
Language: Latin
161.
Nisi Dominus in G minor, RV 608 by Antonio Vivaldi
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert,
English Concert Choir
Period: Baroque
Written: Venice, Italy
Language: Latin
162.
Concerto for Strings in D minor, RV 128 by Antonio Vivaldi
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: Venice, Italy
163.
Sinfonia for Strings in B minor, RV 169 "al Santo Sepolcro" by Antonio Vivaldi
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: Venice, Italy
164.
Concerto for Flute in D major by Georg Philipp Telemann
Performer:
Wilbert Hazelzet (Flute)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
165.
Concerto for 2 Chalumeaux in D minor, BA 7 by Georg Philipp Telemann
Performer:
Eric Hoeprich (Chalumeau),
Lisa Klevit-Ziegler (Chalumeau)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
166.
Septet for 3 Oboes, 3 Violins and Basso Continuo in B flat major, TV 44 no 43 by Georg Philipp Telemann
Performer:
Michael Niesemann (Oboe),
Hans-Peter Westermann (Oboe),
Piet Dhont (Oboe)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 18th Century; Germany
167.
Concerto for Trumpet in D major, TV 51 no D 7 by Georg Philipp Telemann
Performer:
Friedemann Immer (Trumpet)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: circa 1708-1714; Eisenach, Germany
168.
Concerto for Recorder and Flute in E minor, TV 52 no e 1 by Georg Philipp Telemann
Performer:
Wilbert Hazelzet (Flute),
Michael Schneider (Recorder)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
169.
Concerto for Violin, Cello, Trumpet and Strings in D major, TV 53 no D 5 by Georg Philipp Telemann
Performer:
Friedemann Immer (Trumpet),
Reinhard Goebel (Violin)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
170.
Dardanus by Jean-Philippe Rameau
Performer:
John Mark Ainsley (Tenor),
Véronique Gens (Soprano),
Mireille Delunsch (Soprano),
Russel Smythe (Baritone),
Laurent Naouri (Baritone),
Jean-Phillipe Courtis (Baritone),
Françoise Masset (Soprano),
Jean-François Lombard (Countertenor),
Jean-Louis Bindi (Bass),
Magdalena Kozená (Alto),
Marcos Pujol (Bass)
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre,
Choeur des Musiciens du Louvre
Period: Baroque
Written: 1739/1744; France
Length: 155 Minutes 43 Secs.
171.
Castor et Pollux: Scène funèbre by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1737; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 25 Secs.
172.
Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 25 Secs.
173.
La naissance d'Osiris: Air gracieux by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: by 1754; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 19 Secs.
174.
Platée: Orage by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 32 Secs.
175.
Les Boréades: Prélude by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 19 Secs.
176.
Les fêtes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 22 Secs.
177.
Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1733; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 9 Secs.
178.
Naïs: Rigaudons I and II by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: by 1749; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 22 Secs.
179.
Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 5 Secs.
180.
Zaïs: Overture by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 5 Minutes 47 Secs.
181.
Les fêtes d'Hébé: Air "Revenez tendre amant" by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 53 Secs.
182.
Dardanus: Tambourins I and II by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739/1744; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 51 Secs.
183.
Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 6 Secs.
184.
Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 44 Secs.
185.
Nouvelles suites de pièces de clavecin: no 11, La poule by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: circa 1729-1730; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 31 Secs.
186.
Les Indes galantes: Rondeau, Danse des sauvages by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
187.
Les Indes galantes: Chaconne by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 17 Secs.
188.
Concerto for 2 Horns, Violin, Oboe and Flute in F major, S 234 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 8 Minutes 31 Secs.
189.
Concerto for Violin, 2 Flutes and 2 Oboes in G major, S 213 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 15 Minutes 31 Secs.
190.
Concerto for Oboe, Violin, 2 Flutes and 2 Horns in F major, S 235 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 16 Minutes 38 Secs.
191.
Concerto for 2 Horns and 2 Flutes in F major, S 233 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 8 Minutes 36 Secs.
192.
Sonata for 2 Flutes, 3 Oboes, Strings and Basso Continuo in A major, S 208 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 3 Minutes 16 Secs.
193.
Konzertsatz for Oboe, Violin, Strings and Basso Continuo in C minor, S 240 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 2 Minutes 57 Secs.
194.
Concerto for 2 Horns and 2 Flutes in F major, S 231 by Johann David Heinichen
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1992
Venue: Sendesaal, Deutschlandfunk, Cologne
Length: 6 Minutes 56 Secs.
195.
Fantasie in G major, BWV 572 by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: by 1706; Arnstadt, Germany
Venue: Kreuzberg Church, Bonn
196.
Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: 1747; Leipzig, Germany
Venue: Kreuzberg Church, Bonn
197.
Pastorale in F major, BWV 590 by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: circa 1710; Weimar, Germany
Venue: Kreuzberg Church, Bonn
198.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: by 1708; Germany
Venue: Kreuzberg Church, Bonn
199.
Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: 1708-1717; Germany
Venue: Kreuzberg Church, Bonn
200.
Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer:
Simon Preston (Organ)
Period: Baroque
Written: by 1739; Leipzig, Germany
Venue: Kreuzberg Church, Bonn
201.
English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: circa 1715; Weimar, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 20 Minutes 54 Secs.
202.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C major, BWV 846 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1722; Cöthen, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 4 Minutes 36 Secs.
203.
Well-Tempered Clavier, Book 2: Prelude and Fugue no 7 in E flat major, BWV 876 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1738-1742; Leipzig, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 4 Minutes 47 Secs.
204.
Well-Tempered Clavier, Book 2: Prelude and Fugue no 12 in F minor, BWV 881 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1738-1742; Leipzig, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 6 Minutes 17 Secs.
205.
Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 11 Minutes 19 Secs.
206.
French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:
Trevor Pinnock (Harpsichord)
Period: Baroque
Written: circa 1724; Leipzig, Germany
Date of Recording: 08/1991
Venue: Wolterton Hall, Wolterton Park, Norfolk
Length: 20 Minutes 3 Secs.
207.
Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:
Christophe Rousset (Harpsichord)
Period: Baroque
Written: 1741-1742; Nuremberg, Germany
Date of Recording: 09/1994
Venue: St. Hippolyte Church, Castres, France
Length: 76 Minutes 44 Secs.
208.
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
209.
Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
210.
Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
211.
Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
212.
Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
213.
Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach
Performer:
Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England
214.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 25 Minutes 28 Secs.
215.
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 18 Minutes 45 Secs.
216.
Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 23 Minutes 4 Secs.
217.
Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 24 Minutes 51 Secs.
218.
Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 27 Minutes 3 Secs.
219.
Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer:
Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 19 Minutes 4 Secs.
220.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1717; ?Cöthen, Germany
221.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1717-1718; ?Cöthen, Germany
222.
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: circa 1720; ?Cöthen, Germany
223.
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1720-1721; ?Cöthen, Germany
224.
Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1708-1710; ?Weimar, Germany
225.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1711-1713; ?Weimar, Germany
226.
Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1717-1723; Cöthen, Germany
227.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1717-1723; Cöthen, Germany
228.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:
Elizabeth Wilcock (Violin),
Simon Standage (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: 1717-1723; Cöthen, Germany
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