Notes and Editorial Reviews
Bach's last - and unfinished - great work takes us into a world of unsurpassed beauty and refinement. Although no specific instrumentation is indicated in the manuscript, 'The Art of the Fugue' was probably meant for the harpsichord, as is convincingly demonstrated by this splendid interpretation by Davitt Moroney, who, moreover, suggests solutions to some of the questions the work has always posed.
Bach's last - and unfinished - great work takes us into a world of unsurpassed beauty and refinement. Although no specific instrumentation is indicated in the manuscript, 'The Art of the Fugue' was probably meant for the harpsichord, as is convincingly demonstrated by this splendid interpretation by Davitt Moroney, who, moreover, suggests solutions to some of the questions the work has always posed. Read less
Works on This Recording
1.
The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer:
Davitt Moroney (Harpsichord)
Period: Baroque
Written: circa 1745-1750; Leipzig, Germany
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