Notes and Editorial Reviews
In Franz Liszt's sacred choral works the composer's ambition for an own simple vocal style in church music meets the modern musical language of the 'Neudeutsche Schule". Via Crucis, an insistent musical version of the fourteen stations of the Way of the Cross, belongs to the Liszt's ultimate large-sized compositions and is the central work on the present recording.
In Franz Liszt's sacred choral works the composer's ambition for an own simple vocal style in church music meets the modern musical language of the 'Neudeutsche Schule". Via Crucis, an insistent musical version of the fourteen stations of the Way of the Cross, belongs to the Liszt's ultimate large-sized compositions and is the central work on the present recording. Read less
Works on This Recording
1.
Via crucis, S 53 by Franz Liszt
Performer:
Roland Conil (Piano)
Conductor:
Roland Hayrabedian
Orchestra/Ensemble:
Musicatreize Vocal Ensemble
Period: Romantic
Written: 1878-1879; Budapest, Hungary
Date of Recording: 02/1993
Venue: Chapelle Saint-Martin, Méjean
Length: 47 Minutes 31 Secs.
Language: Latin
2.
Salve Regina, S 66 by Franz Liszt
Performer:
Roland Conil (Piano)
Conductor:
Roland Hayrabedian
Orchestra/Ensemble:
Musicatreize Vocal Ensemble
Period: Romantic
Written: 1885; Rome, Italy
Date of Recording: 02/1993
Venue: Chapelle Saint-Martin, Méjean
Length: 3 Minutes 48 Secs.
Language: Latin
3.
Ave verum corpus, S 44 by Franz Liszt
Performer:
Roland Conil (Piano)
Conductor:
Roland Hayrabedian
Orchestra/Ensemble:
Musicatreize Vocal Ensemble
Period: Romantic
Written: 1871
Date of Recording: 02/1993
Venue: Chapelle Saint-Martin, Méjean
Length: 2 Minutes 42 Secs.
Language: Latin
4.
O salutaris hostia II, S 43 by Franz Liszt
Performer:
Roland Conil (Piano)
Conductor:
Roland Hayrabedian
Orchestra/Ensemble:
Musicatreize Vocal Ensemble
Period: Romantic
Written: circa ?1870
Date of Recording: 02/1993
Venue: Chapelle Saint-Martin, Méjean
Length: 1 Minutes 46 Secs.
Language: Latin
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