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Beethoven: Piano Sonatas, Vol. 11 / Michael Korstick

Beethoven / Korstick
Release Date: 07/31/2012 
Label:  Oehms   Catalog #: 664   Spars Code: DDD 
Composer:  Ludwig van Beethoven
Performer:  Michael Korstick
Number of Discs: 1 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews



BEETHOVEN Piano Sonatas: Nos. 30–32 Michael Korstick (pn) OEHMS 664 (SACD: 67:47)
In Fanfare 33:5, I found Volume 7 of Michael Korstick’s ongoing Beethoven cycle a nonstarter, but a little over a year later, in 34: 6, I was so dazzled by the pianist’s Liszt recital on CPO that I gave it an urgent recommendation. So, at least no one will accuse me of closing my mind to an artist who has once disappointed me. The path to rehabilitation is open for at least three Read more strikes.

Designated Volume 11 in Korstick’s Beethoven sonata survey, this is the final installment in what has been a sea voyage marked by both swells and doldrums. Here, finally, Korstick reaches the end of the journey with the last three sonatas, and it’s a homecoming to be savored. Whatever I found wanting in the earlier volume is here compensated with some of the most sensitive and communicative playing I’ve heard in these works.


The Gesangvoll movement of the E-Major Sonata (No. 30), by which I judge all contenders, is delivered with a rarified concentration, a purity of soul, and a radiance of tone that held me spellbound in a state of spiritual rapture. These are Beethoven’s final essays in a form he has taken to the summit, from where he gazes down upon his self-transformed and refashioned landscape. It’s obvious that they speak to Korstick in a very deep and personal way. He plays them as if he too envisions a reimagined world from on high.

The clarity of Korstick’s voicing in the Ab-Major Sonata’s last movement fugal sections is revelatory, and the disciplined velocity of his fingerwork in the C-Minor Sonata’s first movement Allegro is breathtaking. With technique to burn, Korstick stirs up a storm of passions that range from blistering rage to urgent entreaty.

Korstick’s playing has rendered me speechless. I don’t know what else to say about these magnificent performances and phenomenal recording, other than to exhort you to acquire it without delay.

FANFARE: Jerry Dubins
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Works on This Recording

1. Sonata for Piano no 32 in C minor, Op. 111 by Ludwig van Beethoven
Performer:  Michael Korstick (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
2. Sonata for Piano no 31 in A flat major, Op. 110 by Ludwig van Beethoven
Performer:  Michael Korstick (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
3. Sonata for Piano no 30 in E major, Op. 109 by Ludwig van Beethoven
Performer:  Michael Korstick (Piano)
Period: Classical 
Written: 1820; Vienna, Austria 

Sound Samples

Piano Sonata No. 30 in E major, Op. 109: I. Vivace, ma non troppo - II. Adagio espressivo prestissimo
Piano Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung: Andante molto cantabile ed espressivo
Piano Sonata No. 31 in A flat major, Op. 110: I. Moderato cantabile molto espressivo
Piano Sonata No. 31 in A flat major, Op. 110: II. Allegro molto
Piano Sonata No. 31 in A flat major, Op. 110: III. Adagio ma non troppo - Fuga - Tempo de l'arioso - Tempo della fuga - Coda
Piano Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
Piano Sonata No. 32 in C minor, Op. 111: II. Arietta: Adagio molto semplice e cantabile

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