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Beethoven: Piano Trios, Vol. 1 / Gould Piano Trio

Beethoven / Gould Piano Trio / Gould / Neary
Release Date: 07/10/2012 
Label:  Somm   Catalog #: 114   Spars Code: DDD 
Composer:  Ludwig van Beethoven
Orchestra/Ensemble:  Gould Piano Trio
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

A fine start to this new series.

This was a live recital given on 5 October 2011 at St George’s, Brandon Hill, Bristol. The audience is commendably quiet and the recording quality is fine throughout - comparable to the best BBC broadcasts from this venue. It inaugurates the first volume in a complete series of the piano trios to be performed by the Gould Piano Trio; Lucy Gould, the violinist, cellist Alice Neary and pianist Benjamin Frith. If the forthcoming volumes are as good as this one, we will be in for a fine series of discs.
The Trio No.1 possesses a youthful energy in which the Goulds prepare well for the vivace onrush after the Adagio introduction. Lucy Gould’s statements in the slow
Read more movement are touch by delicacy over the supportive thread of the cello and piano underpinning and as the adrenalin builds she lets loose some expressively pregnant portamenti which are part of some finely lyrical playing. After a zesty Scherzo (some sniffing audible) we have a finale strong on excitement, sharp accents and vital-sounding commitment, with Frith’s adept pianism anchoring the ensemble with great facility.
The Ghost trio offers rather more in the way of characterisation and ensemble challenges. . But, again, this is clever playing, strong on direction, rhythmic accuracy, string weight and good ensemble balance between strings and piano, always a vital issue of course. Direct and to a degree no-nonsense it may be in places in the opening movement, but it’s always musicianly playing. The remarkable slow movement is given great attention to detail, pregnant with unresolved tension, slowish but never slow, whilst the finale restores spirits with open-air freshness.
There are also two substantial additions to the programme. The Allegretto in B flat WoO 39 was written a few years after the Ghost Trio and is deftly pointed and well nuanced in this communicative performance, not least when Alice Neary sings out in her lyrical moments. The Theme and Variations on an Original Theme (not separately tracked - it’s not a big deal) gathers momentum and depth and the Adagio variation casts its spell by virtue of poignant phrasing and good architectural strengths.
A fine start to this new series.
-- Jonathan Woolf, MusicWeb International
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Works on This Recording

Trio for Piano and Strings no 5 in D major, Op. 70 no 1 "Ghost" by Ludwig van Beethoven
Orchestra/Ensemble:  Gould Piano Trio
Period: Classical 
Written: 1808; Vienna, Austria 
Trio for Piano and Strings no 2 in G major, Op. 1 no 2 by Ludwig van Beethoven
Orchestra/Ensemble:  Gould Piano Trio
Period: Classical 
Written: 1794-1795; Vienna, Austria 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Evolving musical tastes January 9, 2017 By M. Hutton (Woodbury, TN) See All My Reviews "My introduction to Beethoven was the symphonies, but about the time I was contemplating adding a third set to my small collection of CDs I realized I don't even like, for example, the first symphony. All that percussion gets on my nerves. Guess what? I don't hear as well as I used to, thus the percussive irritation. At the time I have come to love what I contemptuously thought of as "chamber music" several decades ago. Particularly the piano trios, and this is a lovely performance. My hearing is able to detect the graceful interplay of piano and strings and my life is enriched." Report Abuse
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