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Sorabji: Transcriptions For Piano / Michael Habermann


Release Date: 05/27/2003 
Label:  Bis   Catalog #: 1306   Spars Code: DDD 
Composer:  Maurice RavelKaikhosru SorabjiJohann Sebastian BachFrédéric Chopin,   ... 
Performer:  Michael Habermann
Number of Discs: 1 
Recorded in: Stereo 
Length:  1 Hours  8 Mins. 

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Notes and Editorial Reviews

Michael Habermann made the first, and in many respects the best commercial recordings devoted to Kaikhosru Sorabji's ridiculously difficult and overwrought piano works. As with Habermann's previous three Sorabji discs, the present recital offers several sides of the composer: variation writer, miniaturist, paraphraser, and transcriber. Sorabji's 1945 transcription of Ravel's Rapsodie espagnol largely stays faithful to the original, save for decorative showers of bitonal arpeggios and runs that are distinctly Sorabjian in style and effect. Sorabji thickens the darting single lines in Bach's Chromatic Fantasy with mealy chords, and provides his own Bach-inspired fugue. The Passeggiata Veneziana redecorates Offenbach's renowned Barcarolle by Read more replacing a leisurely gondola with the Yellow Submarine, dumping vats of LSD into the Venetian canals. Variation 56 uses the enigmatic Finale from Chopin's Funeral March sonata as a jumping-off point for two-and-a-half minutes of remarkable piano writing, as single unison lines gradually shift out of phase while the ensuing textures grow progressively dense, anticipating similar effects in Ligeti's piano etudes.


For sheer polytextural loopiness, look no further than the Minute Waltz paraphrase. It's interesting to compare Fredrik Ullén's earlier BIS recording to Habermann's reading. Ullén's slightly quicker tempos and pastel-tinted shadings create a suaver surface impression. Yet Habermann's gaunter sonority and more sophisticated sense of polyphonic voicing allow Sorabji's labyrinthine counterpoint to emerge with greater distinction and rhythmic clarity. My only issue lies with the closely miked and overly dry sonics: Sorabji's necromantic idiom demands more resonance and atmosphere surrounding the gazillions of notes. Still, Habermann not only plays this music with intelligent, transcendent virtuosity, but also has internalized Sorabji's aesthetic to a far greater degree than most pianists, living or dead.
--Jed Distler, ClassicsToday.com Read less

Works on This Recording

1.
Rapsodie espagnole by Maurice Ravel
Performer:  Michael Habermann (Piano)
Period: 20th Century 
Written: 1907-1908; France 
2.
Passeggiata veneziana by Kaikhosru Sorabji
Performer:  Michael Habermann (Piano)
Period: 20th Century 
Written: 1955-1956; England 
3.
Symphonic Variations for Piano and Orchestra: Variation 56 by Kaikhosru Sorabji
Performer:  Michael Habermann (Piano)
Period: 20th Century 
Written: 1935/1937 
4.
Quasi habanera by Kaikhosru Sorabji
Performer:  Michael Habermann (Piano)
Period: 20th Century 
Written: 1917 
5.
Chromatic Fantasia and Fugue in D minor, BWV 903a by Johann Sebastian Bach
Performer:  Michael Habermann (Piano)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
6.
Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer:  Michael Habermann (Piano)
Period: Baroque 
7.
Waltzes (3) for Piano, B 164/Op. 64: no 1 in D flat major "Minute Waltz" by Frédéric Chopin
Performer:  Michael Habermann (Piano)
Period: Romantic 
Written: 1846-1847; Paris, France 

Sound Samples

Rapsodie espagnole (arr. from Ravel): I. Prelude a la nuit
Rapsodie espagnole (arr. from Ravel): II. Malaguena
Rapsodie espagnole (arr. from Ravel): III. Habanera
Rapsodie espagnole (arr. from Ravel): IV. Feria
Passeggiata veneziana: I. [Introduction]
Passeggiata veneziana: II. Bacarola. Dolcemente languido
Passeggiata veneziana: III. Tarantella. Vivo
Passeggiata veneziana: IV. Notturnino. Sonnolento, languidamente voluttuoso. Sonorita sempre piena e calorosa
Passeggiata veneziana: V. Cadenzetta. Briosissimo
Passeggiata veneziana: VI. Ripresa. Con disinvoltura graziosa ed elegante
Symphonic Variations, based on Chopin's Sonata No. 2, Op. 35: Variation 56. Sotto voce, inquieto e presto sempre. Minacciosamente mormorando.
Quasi habanera, Op. 8
Transcription in the Light of Harpsichord Technique ... of the Chromatic Fantasy of J.S. Bach ...: I. Chromatic Fantasia (BWV 903; 1720)
Transcription in the Light of Harpsichord Technique ... of the Chromatic Fantasy of J.S. Bach ...: II. Fugue (BWV 948; 1720)
Pasticcio capriccioso: based on Chopin's Valse, Op. 64, No. 1, "Minute Waltz"

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