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Great Opera


Release Date: 04/24/2012 
Label:  Naxos   Catalog #: 8501054   Spars Code: n/a 
Composer:  Wolfgang Amadeus MozartGioachino RossiniGiuseppe VerdiGeorges Bizet,   ... 
Performer:  Adrianne PieczonkaBoje SkovhusRenato GirolamiJanusz Monarcha,   ... 
Conductor:  Michael HalászWill HumburgAlexander RahbariRico Saccani
Orchestra/Ensemble:  Nicolaus Esterházy SinfoniaHungarian Radio ChorusFailoni Orchestra Budapest,   ... 
Number of Discs: 10 
Recorded in: Stereo 
Length: 11 Hours 29 Mins. 

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Notes and Editorial Reviews

GREAT OPERA (10-CD Box set)

The very first operas were performed in Florence in the mid-1590s. Since then, musical styles have blossomed and evolved out of all recognition, yet opera continues to be heavily influenced by the political, social and cultural contexts surrounding its genesis. A collaborative enterprise, an opera brings together the works of composers, librettists, singers and designers alike, generating rich veins of public response and resulting in what is surely the most dramatic of all musical media. In this collection, we have brought together some of the most-loved operas, ranging from the elegance of Mozart’s Don Giovanni to the raw emotion of Mascagni’s Cavalleria Rusticana. The lighthearted japes of
Read more Rossini’s Barber of Seville contrast royally with the pomp and spectacle of Verdi’s Aida, whilst the sultry allure of Bizet’s Carmen is the perfect foil to the lachrymose tragedy of Puccini’s La Bohème. This box is sure to entice any listener further into the magical world of opera.

Reviews of some of the original recordings that make up this set:

Don Giovanni
"Stanley Sadie once remarked that all Don GiOV117111iS should have an Italian somewhere in the cast, and it certainly helps this one to get off to a good start when Renato Girolami voices his 'None e giorno faticar' with an authentic accent and good Italianate resonance. Skovhus's Giovanni has lost something in vocal quality since the Mackerras recording, but he lives the role with conviction. A firm and sonorous Commendatore and a Masetto due for promotion strengthen the cast, while the Ottavio adds to its interest: a capable singer, who in his determination to make something positive out of this generally ineffectual character produces a charmless, rather hectoring champion brought in from some other opera, and not one by Mozart. Of the women, Adrianne Pieczonka, the Anna, is best, with clear, bright tones that just occasionally want hoisting a fraction higher to take those high As right in the centre. The Elvira is sympathetic and meets many of the technical challenges. The Zerlina, no soubrette but more a lyrical mezzo, has the knack of singing 'visibly'."

-- Gramophone [12/2011]

II barbiere di Siviglia
"Naxos's spirited new recording of II barbiere di Siviglia seems for all the world to have the crackling spontaneity of a live performance, replete with clever sound effects: creaking doors, rattling keys, tuning of instruments. But this is, in fact, an expertly mastered studio recording without the drawbacks of a noisy live audience. In other words, the best of both worlds.

The cast is bursting with future stars. It would not surprise me if the Almaviva, Ramon Vargas, were eventually to emerge as the superstar lyric tenor to follow the fading Luciano Pavarotti. Vargas can already do many things that Pavarotti never fully mastered, such as singing a true mezza voce tone, executing a messa di voce, and spinning out a genuine pianissimo. In fact, I think Vargas is the most thrilling lyric tenor to appear since the recordings of one Nino Florio were issued in 1944. (The world discovered Florio as Giuseppe di Stefano just a few years later!)

Ramon Vargas's recorded recital debut was reviewed in Fanfare 16:1 by Ralph V. Lucano, who admired his “bright, steady, ringing voice, seamlessly produced from bottom to top“ but found him “a bit monotonous in timbre“ and “a rather dour fellow.“ That isn't the case in this Naxos II barbiere di Siviglia, and Vargas emerges as the most seductively charming Almaviva on records, as well as one of the most vocally accomplished, vividly articulate in Rossini's divisions...Roberto Servile displays a fine cantante baritone as Figaro, exploding with energy and vigor in “Largo al factotum“...His bright idiomatic Figaro recalls those of Tito Gobbi and Gino Bechi. Another star in the making.

Of the three lead singers, Sonia Ganassi, an authentic contralto Rosina, is a true rarity in II barbiere recordings. The original Rosina, Geltrude Righetti-Giorgi ( was a contralto, and now for the first time in a complete II barbiere recording, modern audiences can hear the duets and ensembles weighted as Rossini conceived them. Though several mezzo Rosinas have produced good low notes in these ensembles (the brilliant Jennifer Larmore being the most recent), it is a revelation to hear Ganassi's rich contralto. The excellence of the cast continues with the veteran Angelo Romero's delightful buffo Dr. Bartolo, and Franco de Grandis's booming Don Basilio. The conductor, Will Humburg, expertly and judiciously paces the fine Failoni Chamber Orchestra."

-- James Camner, Fanfare [7/1994]

La boheme
"Orgonasova's Mimi is impressive, indeed, her only real flaw is a slight reluctance to use her words expressively; perhaps (she has worked mainly in Czechoslovakia and at smaller houses in Germany) she has sung the role rather seldom in Italian? She sings expressively, with touching characterization and a real knowledge, which makes her death scene moving, of what can be achieved by quietness and purity of tone. In fact there is a good deal of intimacy to this reading, which helps the light-voiced, not really Rodolfo-size tenor to make his mark; a pity that he won't always allow himself to be helped, and that a touch of strain occasionally shows. The Iviarcello is light-voiced, too, but vividly alive, the Colline sounds a bit plummy but the small-scale Musetta is much more than serviceable. Humburg's direction is very alert, but he rarely seems as hasty and never plods. A decent recording, too, with a good sense of space. Well worth consideration by the hard-up collector, or by someone hoping to convert a young relative to opera, or simply by the collector of promising voices: we shall hear more of Orgonasova."

-- M.E.O., Gramophone [4/1991]
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Works on This Recording

1. Don Giovanni, K 527: Overture by Wolfgang Amadeus Mozart
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 5 Minutes 56 Secs. 
2. Don Giovanni, K 527: Notte e giorno faticar by Wolfgang Amadeus Mozart
Performer:  Adrianne Pieczonka (Soprano), Boje Skovhus (Baritone), Renato Girolami (Bass),
Janusz Monarcha (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 5 Minutes 31 Secs. 
Language: Italian 
3. Don Giovanni, K 527: Ma, qual soffre...Fuggi, crudele, fuggi by Wolfgang Amadeus Mozart
Performer:  Torsten Kerl (Tenor), Adrianne Pieczonka (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 58 Secs. 
Language: Italian 
4. Don Giovanni, K 527: Ah, chi mi dice mai by Wolfgang Amadeus Mozart
Performer:  Regina Schörg (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 38 Secs. 
Language: Italian 
5. Don Giovanni, K 527: Madamina, il catalogo č questo by Wolfgang Amadeus Mozart
Performer:  Renato Girolami (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 5 Minutes 41 Secs. 
Language: Italian 
6. Don Giovanni, K 527: Giovinette, che fate all' amore by Wolfgang Amadeus Mozart
Performer:  Ildikó Raimondi (Soprano), Boaz Daniel (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Hungarian Radio Chorus,  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 26 Secs. 
Language: Italian 
7. Don Giovanni, K 527: Ho capito, Signor, si by Wolfgang Amadeus Mozart
Performer:  Boaz Daniel (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 41 Secs. 
Language: Italian 
8. Don Giovanni, K 527: Lŕ ci darem la mano by Wolfgang Amadeus Mozart
Performer:  Boje Skovhus (Baritone), Ildikó Raimondi (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 15 Secs. 
Language: Italian 
9. Don Giovanni, K 527: Ah, fuggi il traditor by Wolfgang Amadeus Mozart
Performer:  Regina Schörg (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 17 Secs. 
Language: Italian 
10. Don Giovanni, K 527: Non ti fidar, o misera by Wolfgang Amadeus Mozart
Performer:  Torsten Kerl (Tenor), Boje Skovhus (Baritone), Regina Schörg (Soprano),
Adrianne Pieczonka (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 4 Minutes 15 Secs. 
Language: Italian 
11. Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart
Performer:  Adrianne Pieczonka (Soprano), Torsten Kerl (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 6 Minutes 8 Secs. 
Language: Italian 
12. Don Giovanni, K 527: Dalla sua pace by Wolfgang Amadeus Mozart
Performer:  Torsten Kerl (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 39 Secs. 
Language: Italian 
13. Don Giovanni, K 527: Finch' han dal vino [Brindisi] by Wolfgang Amadeus Mozart
Performer:  Boje Skovhus (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 28 Secs. 
Language: Italian 
14. Don Giovanni, K 527: Batti, batti o bel Masetto by Wolfgang Amadeus Mozart
Performer:  Ildikó Raimondi (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 33 Secs. 
Language: Italian 
15. Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:  Boje Skovhus (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 58 Secs. 
Language: Italian 
16. Don Giovanni, K 527: Vedrai, carino se sei buonino by Wolfgang Amadeus Mozart
Performer:  Ildikó Raimondi (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 3 Minutes 40 Secs. 
Language: Italian 
17. Don Giovanni, K 527: Il mio tesoro intanto by Wolfgang Amadeus Mozart
Performer:  Torsten Kerl (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 4 Minutes 3 Secs. 
Language: Italian 
18. Don Giovanni, K 527: In quali eccessi...Mi tradě quell' alma ingrata by Wolfgang Amadeus Mozart
Performer:  Regina Schörg (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 5 Minutes 35 Secs. 
Language: Italian 
19. Don Giovanni, K 527: Don Giovanni, a cenar t'eco m'invinasti by Wolfgang Amadeus Mozart
Performer:  Renato Girolami (Bass), Boje Skovhus (Baritone), Janusz Monarcha (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 6 Minutes 37 Secs. 
Language: Italian 
20. Don Giovanni, K 527: Dov' č il perfido...Questo č il fin' by Wolfgang Amadeus Mozart
Performer:  Renato Girolami (Bass), Ildikó Raimondi (Soprano), Boaz Daniel (Bass),
Torsten Kerl (Tenor), Adrianne Pieczonka (Soprano), Regina Schörg (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1787; Prague, Czech Republ 
Venue:  Phoenix Studio, Budapest, Hungary 
Length: 1 Minutes 53 Secs. 
Language: Italian 
21. Die Zauberflöte, K 620: Overture by Wolfgang Amadeus Mozart
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
22. Die Zauberflöte, K 620: Zu hilfe by Wolfgang Amadeus Mozart
Performer:  Herbert Lippert (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
23. Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart
Performer:  Georg Tichy (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
24. Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart
Performer:  Herbert Lippert (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
25. Die Zauberflöte, K 620: O zittre nicht...Zum Leiden bin ich by Wolfgang Amadeus Mozart
Performer:  Hellen Kwon (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
26. Die Zauberflöte, K 620: H'm, H'm, H'm by Wolfgang Amadeus Mozart
Performer:  Georg Tichy (Baritone), Herbert Lippert (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
27. Die Zauberflöte, K 620: Bei Männern, welche Liebe fühlen by Wolfgang Amadeus Mozart
Performer:  Elisabeth Norberg-Schulz (Soprano), Georg Tichy (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
28. Die Zauberflöte, K 620: Wie stark ist nicht dein Zauberton by Wolfgang Amadeus Mozart
Performer:  Herbert Lippert (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
29. Die Zauberflöte, K 620: Schnelle Füsse by Wolfgang Amadeus Mozart
Performer:  Elisabeth Norberg-Schulz (Soprano), Georg Tichy (Baritone), Wilfried Gahmlich (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
30. Die Zauberflöte, K 620: March of the priests by Wolfgang Amadeus Mozart
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
31. Die Zauberflöte, K 620: O Isis und Osiris (Chorus) by Wolfgang Amadeus Mozart
Performer:  Kurt Rydl (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Hungarian Festival Chorus,  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
32. Die Zauberflöte, K 620: Alles fühlt der Liebe Freuden by Wolfgang Amadeus Mozart
Performer:  Wilfried Gahmlich (Tenor)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Romantic 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
33. Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:  Hellen Kwon (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
34. Die Zauberflöte, K 620: In diesen heil'gen Hallen by Wolfgang Amadeus Mozart
Performer:  Kurt Rydl (Bass)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
35. Die Zauberflöte, K 620: Ach, ich fühl's, es ist verschwunden by Wolfgang Amadeus Mozart
Performer:  Elisabeth Norberg-Schulz (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
36. Die Zauberflöte, K 620: Ein Mädchen oder Weibchen by Wolfgang Amadeus Mozart
Performer:  Georg Tichy (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
37. Die Zauberflöte, K 620: Papagena! Papagena! by Wolfgang Amadeus Mozart
Performer:  Elisabeth Norberg-Schulz (Soprano), Georg Tichy (Baritone)
Conductor:  Michael Halász
Orchestra/Ensemble:  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
38. Die Zauberflöte, K 620: Nur stille...Die Strahlen der Sonne by Wolfgang Amadeus Mozart
Performer:  Wilfried Gahmlich (Tenor), Kurt Rydl (Bass), Hellen Kwon (Soprano)
Conductor:  Michael Halász
Orchestra/Ensemble:  Hungarian Festival Chorus,  Failoni Orchestra Budapest
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 06/1993 
Language: German 
39. Il barbiere di Siviglia: Overture by Gioachino Rossini
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
40. Il barbiere di Siviglia: Ecco ridente in cielo by Gioachino Rossini
Performer:  Ramón Vargas (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
41. Il barbiere di Siviglia: Largo al factotum by Gioachino Rossini
Performer:  Roberto Servile (Baritone)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
42. Il barbiere di Siviglia: All' idea di qual metallo by Gioachino Rossini
Performer:  Ramón Vargas (Tenor), Roberto Servile (Baritone)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
43. Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:  Sonia Ganassi (Mezzo Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Language: Italian 
44. Il barbiere di Siviglia: La calunnia č un venticello by Gioachino Rossini
Performer:  Franco De Grandis (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
45. Il barbiere di Siviglia: Dunque io son la fortunata by Gioachino Rossini
Performer:  Sonia Ganassi (Mezzo Soprano), Roberto Servile (Baritone)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
46. Il barbiere di Siviglia: A un dottor della mia sorte by Gioachino Rossini
Performer:  Angelo Romero (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
47. Il barbiere di Siviglia: Fredda ed immobile by Gioachino Rossini
Performer:  Roberto Servile (Baritone), Sonia Ganassi (Mezzo Soprano), Ramón Vargas (Tenor),
Ingrid Kertesi (Soprano), Franco De Grandis (Bass), Angelo Romero (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Hungarian Radio Chorus,  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
48. Il barbiere di Siviglia: Pace e gioia sia con voi by Gioachino Rossini
Performer:  Angelo Romero (Bass), Ramón Vargas (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
49. Il barbiere di Siviglia: Contro un cor by Gioachino Rossini
Performer:  Sonia Ganassi (Mezzo Soprano), Ramón Vargas (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
50. Il barbiere di Siviglia: Buona sera by Gioachino Rossini
Performer:  Ingrid Kertesi (Soprano), Ramón Vargas (Tenor), Sonia Ganassi (Mezzo Soprano),
Roberto Servile (Baritone), Angelo Romero (Bass), Franco De Grandis (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
51. Il barbiere di Siviglia: Il vecchiotto cerca moglie by Gioachino Rossini
Performer:  Ingrid Kertesi (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
52. Il barbiere di Siviglia: Ah! qual colpo inaspettato by Gioachino Rossini
Performer:  Sonia Ganassi (Mezzo Soprano), Roberto Servile (Baritone), Ramón Vargas (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
53. Il barbiere di Siviglia: Di sě felice innesto by Gioachino Rossini
Performer:  Angelo Romero (Bass), Franco De Grandis (Bass), Ramón Vargas (Tenor),
Sonia Ganassi (Mezzo Soprano), Roberto Servile (Baritone), Ingrid Kertesi (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Hungarian Radio Chorus,  Failoni Chamber Orchestra
Period: Romantic 
Written: 1816; Italy 
Language: Italian 
54. La traviata: Act 1 Prelude by Giuseppe Verdi
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 51 Secs. 
55. La traviata: Libiamo ne' lieti calici "Brindisi" by Giuseppe Verdi
Performer:  Monika Krause (Soprano), Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava,  Slovak Philharmonic Chorus Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 55 Secs. 
Language: Italian 
56. La traviata: Un dě, felice by Giuseppe Verdi
Performer:  Monika Krause (Soprano), Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 2 Secs. 
Language: Italian 
57. La traviata: Ah, fors' č lui by Giuseppe Verdi
Performer:  Monika Krause (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 27 Secs. 
Language: Italian 
58. La traviata: Sempre libera by Giuseppe Verdi
Performer:  Monika Krause (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 39 Secs. 
Language: Italian 
59. La traviata: De' miei bollenti spiriti by Giuseppe Verdi
Performer:  Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 41 Secs. 
Language: Italian 
60. La traviata: O mio rimorso! O infamia by Giuseppe Verdi
Performer:  Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 1 Minutes 33 Secs. 
Language: Italian 
61. La traviata: Dammi tu forza by Giuseppe Verdi
Performer:  Monika Krause (Soprano), Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 49 Secs. 
Language: Italian 
62. La traviata: Di Provenza il mar by Giuseppe Verdi
Performer:  Georg Tichy (Bass)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 58 Secs. 
Language: Italian 
63. La traviata: Noi siamo le zingarelle by Giuseppe Verdi
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava,  Slovak Philharmonic Chorus Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 44 Secs. 
Language: Italian 
64. La traviata: Act 3 Prelude by Giuseppe Verdi
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 0 Secs. 
65. La traviata: Addio del passato by Giuseppe Verdi
Performer:  Monika Krause (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 3 Secs. 
Language: Italian 
66. La traviata: Parigi, o cara by Giuseppe Verdi
Performer:  Yordi Ramiro (Tenor), Monika Krause (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 56 Secs. 
Language: Italian 
67. La traviata: Prendi, quest' č l'immagine by Giuseppe Verdi
Performer:  Monika Krause (Soprano), Jozef Spacek (Bass), Georg Tichy (Bass),
Yordi Ramiro (Tenor), Ivica Neshybová (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 33 Secs. 
Language: Italian 
68. La traviata: Pura siccome un' angelo by Giuseppe Verdi
Performer:  Monika Krause (Soprano), Georg Tichy (Baritone)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 12/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 10 Minutes 2 Secs. 
Language: Italian 
69. Aida: Act 1 Prelude by Giuseppe Verdi
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
70. Aida: Celeste Aida by Giuseppe Verdi
Performer:  Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass), Mark Rucker (Baritone),
Maria Dragoni (Soprano), Kristijan Johannsson (Tenor), Barbara Dever (Mezzo Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
71. Aida: Ritorna vincitor! by Giuseppe Verdi
Performer:  Mark Rucker (Baritone), Barbara Dever (Mezzo Soprano), Maria Dragoni (Soprano),
Francesco Ellero d'Artegna (Bass), Kristijan Johannsson (Tenor), Riccardo Ferrari (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
72. Aida: Dance of the Priestesses by Giuseppe Verdi
Performer:  Barbara Dever (Mezzo Soprano), Maria Dragoni (Soprano), Kristijan Johannsson (Tenor),
Francesco Ellero d'Artegna (Bass), Mark Rucker (Baritone), Riccardo Ferrari (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
73. Aida: Dance of the Moorish Slaves by Giuseppe Verdi
Performer:  Francesco Ellero d'Artegna (Bass), Mark Rucker (Baritone), Barbara Dever (Mezzo Soprano),
Kristijan Johannsson (Tenor), Maria Dragoni (Soprano), Riccardo Ferrari (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
74. Aida: Su! del Nilo al sacro lido by Giuseppe Verdi
Performer:  Kristijan Johannsson (Tenor), Maria Dragoni (Soprano), Mark Rucker (Baritone),
Barbara Dever (Mezzo Soprano), Riccardo Ferrari (Bass), Francesco Ellero d'Artegna (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
75. Aida: Gloria all' Egitto by Giuseppe Verdi
Performer:  Barbara Dever (Mezzo Soprano), Francesco Ellero d'Artegna (Bass), Kristijan Johannsson (Tenor),
Mark Rucker (Baritone), Riccardo Ferrari (Bass), Maria Dragoni (Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
76. Aida: Grand March by Giuseppe Verdi
Performer:  Barbara Dever (Mezzo Soprano), Kristijan Johannsson (Tenor), Maria Dragoni (Soprano),
Mark Rucker (Baritone), Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
77. Aida: Ballet Music by Giuseppe Verdi
Performer:  Francesco Ellero d'Artegna (Bass), Kristijan Johannsson (Tenor), Riccardo Ferrari (Bass),
Maria Dragoni (Soprano), Barbara Dever (Mezzo Soprano), Mark Rucker (Baritone)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
78. Aida: Vieni, o guerriero vindice by Giuseppe Verdi
Performer:  Kristijan Johannsson (Tenor), Barbara Dever (Mezzo Soprano), Mark Rucker (Baritone),
Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass), Maria Dragoni (Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
79. Aida: O patria mia by Giuseppe Verdi
Performer:  Riccardo Ferrari (Bass), Kristijan Johannsson (Tenor), Barbara Dever (Mezzo Soprano),
Maria Dragoni (Soprano), Mark Rucker (Baritone), Francesco Ellero d'Artegna (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
80. Aida: Ciel, mio padre!...Su dunque sorgete by Giuseppe Verdi
Performer:  Riccardo Ferrari (Bass), Mark Rucker (Baritone), Francesco Ellero d'Artegna (Bass),
Barbara Dever (Mezzo Soprano), Kristijan Johannsson (Tenor), Maria Dragoni (Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
81. Aida: L'abborita rivale a me sfuggia by Giuseppe Verdi
Performer:  Kristijan Johannsson (Tenor), Barbara Dever (Mezzo Soprano), Maria Dragoni (Soprano),
Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass), Mark Rucker (Baritone)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
82. Aida: Giŕ i sacerdoti adunansi...Ah! tu dei vivere! by Giuseppe Verdi
Performer:  Kristijan Johannsson (Tenor), Mark Rucker (Baritone), Barbara Dever (Mezzo Soprano),
Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass), Maria Dragoni (Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
83. Aida: La fatal pietra...O terra, addio by Giuseppe Verdi
Performer:  Mark Rucker (Baritone), Riccardo Ferrari (Bass), Francesco Ellero d'Artegna (Bass),
Kristijan Johannsson (Tenor), Maria Dragoni (Soprano), Barbara Dever (Mezzo Soprano)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
84. Aida: La fatal pietra...O terra, addio by Giuseppe Verdi
Performer:  Riccardo Ferrari (Bass), Maria Dragoni (Soprano), Kristijan Johannsson (Tenor),
Francesco Ellero d'Artegna (Bass), Barbara Dever (Mezzo Soprano), Mark Rucker (Baritone)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
85. Aida: Di mie discolpe by Giuseppe Verdi
Performer:  Mark Rucker (Baritone), Barbara Dever (Mezzo Soprano), Kristijan Johannsson (Tenor),
Maria Dragoni (Soprano), Francesco Ellero d'Artegna (Bass), Riccardo Ferrari (Bass)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
86. Aida: Chi ti salva, sciagurato by Giuseppe Verdi
Performer:  Barbara Dever (Mezzo Soprano), Mark Rucker (Baritone), Francesco Ellero d'Artegna (Bass),
Riccardo Ferrari (Bass), Maria Dragoni (Soprano), Kristijan Johannsson (Tenor)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
87. Aida: E la morte un ben supremo by Giuseppe Verdi
Performer:  Riccardo Ferrari (Bass), Francesco Ellero d'Artegna (Bass), Kristijan Johannsson (Tenor),
Barbara Dever (Mezzo Soprano), Maria Dragoni (Soprano), Mark Rucker (Baritone)
Conductor:  Rico Saccani
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1871; Italy 
88. Carmen: Act 1 Prelude "Les toréadors" by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 33 Secs. 
89. Carmen: La cloche a sonnée by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 58 Secs. 
Language: French 
90. Carmen: L'amour est un oiseau rebelle "Habańera" by Georges Bizet
Performer:  Graciela Alperyn (Mezzo Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Written: 1873-1874 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 50 Secs. 
Language: French 
91. Carmen: Prčs des ramparts de Seville "Seguidilla" by Georges Bizet
Performer:  Graciela Alperyn (Mezzo Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 20 Secs. 
Language: French 
92. Carmen: Act 2 Prelude "Les dragons d'Alcala" by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 1 Minutes 37 Secs. 
93. Carmen: Votre toast je peu vous le rendre "Toreador Song" by Georges Bizet
Performer:  Alan Titus (Baritone)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 6 Minutes 7 Secs. 
Language: French 
94. Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet
Performer:  Giorgio Lamberti (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 7 Minutes 41 Secs. 
Language: French 
95. Carmen: Act 3 Prelude "Intermezzo" by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1872; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 9 Secs. 
96. Carmen: Écoute, écoute, compagnon by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 45 Secs. 
Language: French 
97. Carmen: Quant au douanier, c'est notre affaire by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 11 Secs. 
Language: French 
98. Carmen: Je dis que rien ne m'épouvante "Micaëla's Aria" by Georges Bizet
Performer:  Doina Palade (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 19 Secs. 
Language: French 
99. Carmen: Act 4 Prelude "Aragonaise" by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1873-1874; France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 22 Secs. 
100. Carmen: Les voici! Les voici! by Georges Bizet
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: France 
Date of Recording: 7/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 15 Minutes 52 Secs. 
Language: French 
101. I Pagliacci: Excerpt(s) by Ruggero Leoncavallo
Performer:  Miriam Gauci (Soprano), Nicola Martinucci (Tenor), Eduard Tumagian (Baritone),
Boje Skovhus (Baritone), Miroslav Dvorsky (Tenor), Marian Smolarik (Baritone),
Ladislav Hallon (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1892; Italy 
102. Cavalleria Rusticana: Excerpt(s) by Pietro Mascagni
Performer:  Giacomo Aragall (Tenor), Stefka Evstatieva (Soprano), Eduard Tumagian (Baritone),
Anna Di Mauro (Mezzo Soprano), Alzbeta Michalková (Mezzo Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1890; Italy 
103. Tosca: Recondita armonia by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 25 Secs. 
Language: Italian 
104. Tosca: Mario! Mario! Mario!...Son qui. by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor), Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 44 Secs. 
Language: Italian 
105. Tosca: Quagl' occhio al mondo by Giacomo Puccini
Performer:  Nelly Miricioiu (Soprano), Giorgio Lamberti (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 27 Secs. 
Language: Italian 
106. Tosca: Tre sbirri, una carrozza...Te Deum by Giacomo Puccini
Performer:  Nelly Miricioiu (Soprano), Miroslav Dvorsky (Tenor), Silvano Carroli (Baritone)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra,  Bratislava Philharmonic Chorus
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 33 Secs. 
Language: Italian 
107. Tosca: Tosca č un buon falco...Ella verrŕ by Giacomo Puccini
Performer:  Miroslav Dvorsky (Tenor), Ján Durco (Bass), Silvano Carroli (Baritone),
Giorgio Lamberti (Tenor), Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 8 Minutes 49 Secs. 
Language: Italian 
108. Tosca: Floria...Amore...Vittoria! Vittoria! by Giacomo Puccini
Performer:  Ján Durco (Bass), Silvano Carroli (Baritone), Giorgio Lamberti (Tenor),
Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 8 Minutes 56 Secs. 
Language: Italian 
109. Tosca: Vissi d'arte, vissi d'amore by Giacomo Puccini
Performer:  Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 56 Secs. 
Language: Italian 
110. Tosca: Act 2 Finale by Giacomo Puccini
Performer:  Miroslav Dvorsky (Tenor), Nelly Miricioiu (Soprano), Silvano Carroli (Baritone)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 7 Minutes 27 Secs. 
Language: Italian 
111. Tosca: Act 3 Prelude by Giacomo Puccini
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 1 Minutes 30 Secs. 
112. Tosca: Io de sospiri by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor), Jozef Spacek (Baritone), Stanislav Benacka (Bass)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 8 Minutes 15 Secs. 
Language: Italian 
113. Tosca: E lucevan le stelle by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 1 Secs. 
Language: Italian 
114. Tosca: Ah! Franchigia a Floria Tosca by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor), Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 43 Secs. 
Language: Italian 
115. Tosca: O dolci mani by Giacomo Puccini
Performer:  Giorgio Lamberti (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 8 Minutes 0 Secs. 
Language: Italian 
116. Tosca: Come č lunga l'attesa! by Giacomo Puccini
Performer:  Miroslav Dvorsky (Tenor), Giorgio Lamberti (Tenor), Nelly Miricioiu (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 29 Secs. 
Language: Italian 
117. Tosca: Mario, su, presto! by Giacomo Puccini
Performer:  Nelly Miricioiu (Soprano), Ján Durco (Bass), Miroslav Dvorsky (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 04/1990 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 1 Minutes 23 Secs. 
Language: Italian 
118. Madama Butterfly: Dovunque al mondo by Giacomo Puccini
Performer:  Yordi Ramiro (Tenor), Miriam Gauci (Soprano), Georg Tichy (Baritone),
Joseph Abel (Tenor), Anna Tomkovicová (Mezzo Soprano), Mária Stahelová (Soprano),
Elena Hanzelová (Soprano), Nelly Boschkowa (Mezzo Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 3 Minutes 5 Secs. 
Language: Italian 
119. Madama Butterfly: Amore, o grillo by Giacomo Puccini
Performer:  Miriam Gauci (Soprano), Mária Stahelová (Soprano), Alzbeta Michalková (Soprano),
Georg Tichy (Baritone), Anna Tomkovicová (Mezzo Soprano), Joseph Abel (Tenor),
Yordi Ramiro (Tenor), Elena Hanzelová (Soprano), Nelly Boschkowa (Mezzo Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 3 Minutes 59 Secs. 
Language: Italian 
120. Madama Butterfly: Ecco! Son giunte al sommo del pendio by Giacomo Puccini
Performer:  Nelly Boschkowa (Mezzo Soprano), Miriam Gauci (Soprano), Alzbeta Michalková (Soprano),
Yordi Ramiro (Tenor), Mária Stahelová (Soprano), Anna Tomkovicová (Mezzo Soprano),
Elena Hanzelová (Soprano), Joseph Abel (Tenor), Georg Tichy (Baritone)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 3 Minutes 26 Secs. 
Language: Italian 
121. Madama Butterfly: Viene la sera...Bimba dagli occhi pieni by Giacomo Puccini
Performer:  Mária Stahelová (Soprano), Elena Hanzelová (Soprano), Joseph Abel (Tenor),
Anna Tomkovicová (Mezzo Soprano), Georg Tichy (Baritone), Yordi Ramiro (Tenor),
Alzbeta Michalková (Soprano), Nelly Boschkowa (Mezzo Soprano), Miriam Gauci (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 17 Minutes 5 Secs. 
Language: Italian 
122. Madama Butterfly: Un bel dě vedremo by Giacomo Puccini
Performer:  Mária Stahelová (Soprano), Anna Tomkovicová (Mezzo Soprano), Elena Hanzelová (Soprano),
Joseph Abel (Tenor), Georg Tichy (Baritone), Yordi Ramiro (Tenor),
Alzbeta Michalková (Soprano), Nelly Boschkowa (Mezzo Soprano), Miriam Gauci (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 4 Minutes 34 Secs. 
Language: Italian 
123. Madama Butterfly: Vedrai, piccolo amor by Giacomo Puccini
Performer:  Mária Stahelová (Soprano), Anna Tomkovicová (Mezzo Soprano), Elena Hanzelová (Soprano),
Joseph Abel (Tenor), Georg Tichy (Baritone), Yordi Ramiro (Tenor),
Alzbeta Michalková (Soprano), Nelly Boschkowa (Mezzo Soprano), Miriam Gauci (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 4 Minutes 6 Secs. 
Language: Italian 
124. Madama Butterfly: Scuoti quella fronda "Flower Duet" by Giacomo Puccini
Performer:  Mária Stahelová (Soprano), Georg Tichy (Baritone), Anna Tomkovicová (Mezzo Soprano),
Joseph Abel (Tenor), Yordi Ramiro (Tenor), Alzbeta Michalková (Soprano),
Nelly Boschkowa (Mezzo Soprano), Elena Hanzelová (Soprano), Miriam Gauci (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 10 Minutes 20 Secs. 
Language: Italian 
125. Madama Butterfly: Humming Chorus by Giacomo Puccini
Performer:  Elena Hanzelová (Soprano), Mária Stahelová (Soprano), Anna Tomkovicová (Mezzo Soprano),
Miriam Gauci (Soprano), Joseph Abel (Tenor), Georg Tichy (Baritone),
Nelly Boschkowa (Mezzo Soprano), Alzbeta Michalková (Soprano), Yordi Ramiro (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 2 Minutes 45 Secs. 
Language: Italian 
126. Madama Butterfly: Act 3 Prelude by Giacomo Puccini
Performer:  Anna Tomkovicová (Mezzo Soprano), Joseph Abel (Tenor), Georg Tichy (Baritone),
Yordi Ramiro (Tenor), Alzbeta Michalková (Soprano), Nelly Boschkowa (Mezzo Soprano),
Miriam Gauci (Soprano), Elena Hanzelová (Soprano), Mária Stahelová (Soprano)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 8 Minutes 14 Secs. 
Language: Italian 
127. Madama Butterfly: Tu, tu, piccolo iddio [Death of Butterfly] by Giacomo Puccini
Performer:  Anna Tomkovicová (Mezzo Soprano), Elena Hanzelová (Soprano), Mária Stahelová (Soprano),
Miriam Gauci (Soprano), Nelly Boschkowa (Mezzo Soprano), Alzbeta Michalková (Soprano),
Yordi Ramiro (Tenor), Georg Tichy (Baritone), Joseph Abel (Tenor)
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 05/1991 
Venue:  Czecho-Slovak Radio Concert Hall 
Length: 5 Minutes 12 Secs. 
Language: Italian 
128. La Bohčme: Questo Mar Rosso...Nei cieli bigi (Opening Scene) by Giacomo Puccini
Performer:  Fabio Previati (Baritone), Ivan Urbas (Bass), Boaz Senator (Baritone),
Jonathan Welch (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 9 Secs. 
Language: Italian 
129. La Bohčme: Che gelida manina by Giacomo Puccini
Performer:  Luba Orgonasova (Soprano), Jonathan Welch (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 52 Secs. 
Language: Italian 
130. La Bohčme: Si, mi chiamano Mimě by Giacomo Puccini
Performer:  Luba Orgonasova (Soprano), Jonathan Welch (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 31 Secs. 
Language: Italian 
131. La Bohčme: O soave fanciulla by Giacomo Puccini
Performer:  Jonathan Welch (Tenor), Fabio Previati (Baritone), Luba Orgonasova (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 3 Minutes 37 Secs. 
Language: Italian 
132. La Bohčme: Viva Parpignol by Giacomo Puccini
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 9 Secs. 
Language: Italian 
133. La Bohčme: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer:  Fabio Previati (Baritone), Carmen Gonzales (Mezzo Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Length: 4 Minutes 44 Secs. 
Language: Italian 
134. La Bohčme: Speravo di trovarvi by Giacomo Puccini
Performer:  Luba Orgonasova (Soprano), Fabio Previati (Baritone), Carmen Gonzales (Mezzo Soprano),
Stanislav Benacka (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 8 Minutes 7 Secs. 
Language: Italian 
135. La Bohčme: Mimě č una civetta by Giacomo Puccini
Performer:  Fabio Previati (Baritone), Jonathan Welch (Tenor), Luba Orgonasova (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 58 Secs. 
Language: Italian 
136. La Bohčme: Donde lieta uscě by Giacomo Puccini
Performer:  Luba Orgonasova (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 43 Secs. 
Language: Italian 
137. La Bohčme: Addio, dolce svegliare (Quartet) by Giacomo Puccini
Performer:  Fabio Previati (Baritone), Jonathan Welch (Tenor), Carmen Gonzales (Mezzo Soprano),
Luba Orgonasova (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 5 Minutes 1 Secs. 
Language: Italian 
138. La Bohčme: O Mimě, tu piů non torni by Giacomo Puccini
Performer:  Fabio Previati (Baritone), Jonathan Welch (Tenor)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 4 Minutes 9 Secs. 
Language: Italian 
139. La Bohčme: Vecchia zimarra by Giacomo Puccini
Performer:  Ivan Urbas (Bass)
Conductor:  Will Humburg
Orchestra/Ensemble:  Slovak State Philharmonic Chorus,  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Venue:  Slovak Radio Concert Hall, Bratislava 
Length: 2 Minutes 18 Secs. 
Language: Italian 
140. La Bohčme: Sono andati? Fingevo di dormire by Giacomo Puccini
Performer:  Luba Orgonasova (Soprano)
Conductor:  Will Humburg
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony Orchestra Bratislava
Period: Romantic 
Written: 1896; Italy 
Length: 5 Minutes 8 Secs. 
Language: Italian 

Sound Samples

Don Giovanni, K. 527: Overture
Don Giovanni, K. 527: Act I Scene 1: Introduzione: Notte e giorno faticar (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Don Giovanni, K. 527: Act I Scene 3: Duetto: Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I Scene 5: Aria: Ah chi mi dice mai (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I Scene 5: Aria: Madamina, il catalogo e questo (Leporello)
Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)
Don Giovanni, K. 527: Act I Scene 8: Aria: Ho capito, signor si (Masetto)
Don Giovanni, K. 527: Act I Scene 9: Duettino: La ci darem la mano (Zerlina, Don Giovanni)
Don Giovanni, K. 527: Act I Scene 10: Aria: Ah fuggi il traditor (Donna Elvira)
Don Giovanni, K. 527: Act I Scene 12: Quartetto: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
Don Giovanni, K. 527: Act I Scene 13: Recitativo accompagnato ed Aria: Don Ottavio, son morta! - Aria: Or sai chi l'onore (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I Scene 13 Appendix: Aria: Dalla sua pace (Don Ottavio)
Don Giovanni, K. 527: Act I Scene 15: Aria: Fin ch'han dal vino (Don Giovanni)
Don Giovanni, K. 527: Act I Scene 16: Aria: Batti, batti, o bel Masetto (Zerlina)
Don Giovanni, K. 527: Act II Scene 3: Canzonetta: Deh, vieni alla finestra (Don Giovanni)
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina)
Don Giovanni, K. 527: Act II Scene 10: Aria: Il mio tesoro intanto (Don Ottavio)
Don Giovanni, K. 527: Act II Scene 10 Appendix 2: Recitativo accompagnato ed Aria: In quali eccessi (Donna Elvira)
Don Giovanni, K. 527: Act II Scene 15: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus)
Don Giovanni, K. 527: Act II Scene 16: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Die Zauberflote (The Magic Flute), K. 620: Act I: Overture
Die Zauberflote (The Magic Flute), K. 620: Act I: Zu hilfe! Zu hilfe! (Tamino, the Three Ladies)
Die Zauberflote (The Magic Flute), K. 620: Act I: Der Vogelfanger bin ich ja (Papageno)
Die Zauberflote (The Magic Flute), K. 620: Act I: Dies Bildnis ist bezaubernd schon (Tamino)
Die Zauberflote (The Magic Flute), K. 620: Act I: O zitt're nicht, mein lieber Sohn! (Queen of the Night)
Die Zauberflote (The Magic Flute), K. 620: Act I: Hm! Hm! Hm! Hm! (Papageno, Tamino, the Three Ladies)
Die Zauberflote (The Magic Flute), K. 620: Act I: Bei Mannern, welche Liebe fuhlen (Pamina, Papageno)
Die Zauberflote (The Magic Flute), K. 620: Act I: Wie stark ist nicht dein Zauberton! (Tamino)
Die Zauberflote (The Magic Flute), K. 620: Act I: Schnelle Fusse, rascher Mut (Pamina, Papageno, Monostatos, Slaves)
Die Zauberflote (The Magic Flute), K. 620: Act II: March of the Priests
Die Zauberflote (The Magic Flute), K. 620: Act II: O Isis und Osiris (Sarastro, Chorus)
Die Zauberflote (The Magic Flute), K. 620: Act II: Alles fuhlt der liebe Freuden (Monostatos)
Die Zauberflote (The Magic Flute), K. 620: Act II: Der Holle Rache kocht in meinen Herzen (Queen of the Night)
Die Zauberflote (The Magic Flute), K. 620: Act II: In diesen heil'gen Hallen (Sarastro)
Die Zauberflote (The Magic Flute), K. 620: Act II: Ach, ich fuhl's (Pamina)
Die Zauberflote (The Magic Flute), K. 620: Act II: Ein Madchen oder Weibchen (Papageno)
Die Zauberflote (The Magic Flute), K. 620: Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papageno (Papageno, Papagena)
Die Zauberflote (The Magic Flute), K. 620: Act II: Nur stille, stille, stille, stille (Monostatos, Queen of the Night, the Three Ladies)
Die Zauberflote (The Magic Flute), K. 620: Act II: Die Strahlen der Sonne vertreiben die Nacht (Sarastro, Chorus)

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