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Berlioz: La Damnation De Faust / Davis, Gedda, Bastin, Et Al


Release Date: 09/11/2001 
Label:  Philips   Catalog #: 416395   Spars Code: ADD 
Composer:  Hector Berlioz
Performer:  Jules BastinJosephine VeaseyRichard Van AllanGillian Knight,   ... 
Conductor:  Sir Colin Davis
Orchestra/Ensemble:  London Symphony OrchestraAmbrosian SingersLondon Symphony Chorus,   ... 
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 11 Mins. 

CD not available: This title is currently only available as an MP3 download.  

Notes and Editorial Reviews

Contains booklet with synopsis and libretto in English.

This magnificent performance has well stood the test of time

Though now over a dozen years old, this magnificent performance has well stood the test of time. That need not be a surprise; it is also welcome to be able to confirm that the actual recording still seems vivid, fresh and true to Berlioz's superb orchestral imaginings even when techniques of recording have taken such strides forward. There is here a sensitive and well-ordered balance, attention to the details that mean so much in the orchestral conception, a quick ear for the often surprising and original effects (such as Berlioz's love of viola tone), and a decent, careful balance between
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Sir Colin Davis's performance has the grandeur and excitement of Berlioz's vision of romantic man compassing his own damnation by being led to test and reject one of life's consolations after another. No other conductor has made so much of the Hungarian March, for instance. It is easily heard as an intruder into even this disparate design, making its disproportionate appearance simply because Berlioz couldn't resist it. Not so with Davis, who takes it at face value and, seeing it as the temptation to military glory now luring Faust, plays it with an increasingly furious tension until all the brave panoply suddenly turns frantic and self-destructive. This hope of redemption is exposed. So, one by one, are the others. The sweet allurings of the Elbe scene are as delicate as anything in Berlioz's music, and Davis does not miss them, but he also underlines the Mephistophelian deception which is so treacherous in the accompaniment to ''Voici des roses''. Even the somewhat shoddy vision of Pandemonium makes a fierce show, though no one can really do much for the final transfiguration.

The singers are very much within this fine and faithful concept of the work. Gedda was still in his prime when he made this recording; he is still an incomparably elegant, noble Faust, whose very gentleness is turned by the cold, sneering, ironic Mephistopheles of Jules Bastin to his own destruction. Josephine Veasey is a touching Marguerite, with a simplicity that is essential in her two most important numbers, the King of Thule ballad and ''D'amour l'ardente flamme''; and Richard Van Allan knocks off a jovial version of Brander's song. Chorus and orchestra clearly enjoyed the whole enterprise, and rose to the occasion. It is splendid to have it back in the new medium.

-- John Warrack, Gramophone [1/1987]
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Works on This Recording

1.
La damnation de Faust, Op. 24 by Hector Berlioz
Performer:  Jules Bastin (Bass), Josephine Veasey (Mezzo Soprano), Richard Van Allan (Bass),
Gillian Knight (Mezzo Soprano), Nicolai Gedda (Tenor)
Conductor:  Sir Colin Davis
Orchestra/Ensemble:  London Symphony Orchestra,  Ambrosian Singers,  London Symphony Chorus  ... 
Period: Romantic 
Written: 1845-1846; France 
Date of Recording: 07/1973 
Venue:  London, England 
Length: 130 Minutes 35 Secs. 
Language: French 

Sound Samples

La Damnation de Faust, Op.24 / Part 1: Scène 1. "Le vieil hiver a fait place au printemps"
La Damnation de Faust, Op.24 / Part 1: Ronde des Paysans. "Les bergers quittent" - Scène 2. "Mais d'un éclat guerrier"
La Damnation de Faust, Op.24 / Part 1: Marche hongroise
La Damnation de Faust, Op.24 / Part 2: Scène 3. "Sans regrets j'ai quitté les riantes campagnes"
La Damnation de Faust, Op.24 / Part 2: Chant de la fête de Pâques. "Christ vient de ressusciter!"
La Damnation de Faust, Op.24 / Part 2: "Hélas! doux chant du ciel"
La Damnation de Faust, Op.24 / Part 2: Scène 4. "O pure émotion!"
La Damnation de Faust, Op.24 / Part 2: Scène 5. Choeur de buveurs. "A boire encor!"
La Damnation de Faust, Op.24 / Part 2: Chanson de Brander. "Certain rat" - Fugue sur le thème de la chanson. "Amen"
La Damnation de Faust, Op.24 / Part 2: "Vrai Dieu, messieurs"
La Damnation de Faust, Op.24 / Part 2: Chanson de Méphistophélès. "Une puce gentille"
La Damnation de Faust, Op.24 / Part 2: "Assez! fuyons ces lieux"
La Damnation de Faust, Op.24 / Part 2: Scène 6. Air de Méphistophélès. "Voici des roses"
La Damnation de Faust, Op.24 / Part 2: Songe de Faust. "Dors! heureux Faust"
La Damnation de Faust, Op.24 / Part 2: Ballet des Sylphes
La Damnation de Faust, Op.24 / Part 2: Scène 7. "Margarita!"
La Damnation de Faust, Op.24 / Part 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées" - "Jam nox stellata velamina pandit"
La Damnation de Faust, Op.24 / Part 3: (Prélude: La retraite)
La Damnation de Faust, Op.24 / Part 3: Scène 8. Air de Faust. "Merci, doux crépuscule!"
La Damnation de Faust, Op.24 / Part 3: Scène 9. "Je l'entends"
La Damnation de Faust, Op.24 / Part 3: Scène 10. "Que l'air est étouffant"
La Damnation de Faust, Op.24 / Part 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé"
La Damnation de Faust, Op.24 / Part 3: Scène 11. Evocation. "Esprits des flammes inconstantes"
La Damnation de Faust, Op.24 / Part 3: Menuet des Follets - Scène 12. "Maintenant chantons à cette belle"
La Damnation de Faust, Op.24 / Part 3: Sérénade de Méphistophélès. "Devant la maison"
La Damnation de Faust, Op.24 / Part 3: Scène 13. "Grands dieux!" - Trio et choeur. (Duo:) "Ange adoré"
La Damnation de Faust, Op.24 / Part 3: Scène 14. "Allons, il est trop tard!" - "Je connais donc enfin"
La Damnation de Faust, Op.24 / Part 4: Scène 15. Romance. "D'amour l'ardente flamme"
La Damnation de Faust, Op.24 / Part 4: "Au son des trompettes"
La Damnation de Faust, Op.24 / Part 4: Scène 16. Invocation à la Nature. "Nature immense"
La Damnation de Faust, Op.24 / Part 4: Scène 17. Récitatif et Chasse. "A la voûte azurée"
La Damnation de Faust, Op.24 / Part 4: Scène 18. La course à l'abîme. "Dans mon choeur retentit sa voix"
La Damnation de Faust, Op.24 / Part 4: Scène 19. Pandaemonium. "Has! Irimiru Karabrao!" - "Tradioun marexil"
La Damnation de Faust, Op.24 / Part 4: Scène 20. Epilogue sur la terre. "Alors, l'enfer se tut"
La Damnation de Faust, Op.24 / Part 4: Scène 21. Le Ciel. "Laus! Laus!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve"

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