Notes and Editorial Reviews
With its new La Bohème Decca has pretty much sewn up the market on three generations of outstanding recordings of this work. Tebaldi and Bergonzi (still my personal favorite) represent the 1950s, Freni and Pavarotti represent the 70s, and now Gheorghiu and Alagna take us into the new millennium with a recording that ranks among the very best. This may be Chailly's finest work on disc. Although his tempos are often faster than usual, his sensitive phrasing and alert rhythms win me over. Gheorghiu and Alagna, a real-life couple, pour their hearts into the lead roles. Neither is the most distinctive singer or blessed with the voice of the century, but they participate in a curious synergy that makes this recording much more than the sum
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of its parts. Alagna is blustery at times, and sometimes too loud, but the climax of "Che gelida manina" is gorgeous, and his boyish interpretation is very winning. Gheorghiu's voice is thick and dark, and she uses it with skill. Her assertive characterization works well, and does nothing to diminish the character's pathos. Together, they are incredibly stirring. The other Bohemians are well sung and vividly portrayed. Veteran Alfredo Mariotti has a grand time as both Benoit and Alcindoro. Chailly has used Francesco Degrada's 1988 critical edition of the score to prepare this recording. Most of Degrada's changes (based on Puccini's original materials) are subtle, but dozens of subtle changes add up to a reading that sounds scrubbed clean, but that is still filthy with passion!
– Raymond Tuttle, Fanfare [Want List, 2000]
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Works on This Recording
1.
La Bohème by Giacomo Puccini
Performer:
Silvio Scarpolini (Tenor),
Ildebrando D'Arcangelo (Bass),
Riccardo Brando Spedicato (Boy Soprano),
Angela Gheorghiu (Soprano),
Roberto Alagna (Tenor),
Simon Keenlyside (Baritone),
Elisabetta Scano (Soprano),
Alberto Ragona (Tenor),
Gianfranco Valentini (Bass),
Alfredo Mariotti (Tenor),
Franco Podda (Baritone),
Roberto De Candia (Baritone)
Conductor:
Riccardo Chailly
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus,
La Scala Chorus of White Voices
Period: Romantic
Written: 1896; Italy
Date of Recording: 10/1998
Venue: Teatro Studio, Piccolo Teatro, Milan
Length: 99 Minutes 30 Secs.
Language: Italian
Sound Samples
La Bohème / Act 1: "Questo mar rosso"
La Bohème / Act 1: "Pensier profundo!"
La Bohème / Act 1: "Legna!"
La Bohème / Act 1: "Si può?"
La Bohème / Act 1: "Io resto"
La Bohème / Act 1: "Chi è là?"
La Bohème / Act 1: "Si sente meglio?"
La Bohème / Act 1: "Che gelida manina"
La Bohème / Act 1: "Sì. Mi chiamano Mimì"
La Bohème / Act 1: "O soave fanciulla"
La Bohème / Act 4: "O Mimì, tu più non torni"
La Bohème / Act 4: "Gavotta!"
La Bohème / Act 2: "Aranci, ninnoli! Caldi i marroni e caramelle"
La Bohème / Act 4: "C'è Mimì"
La Bohème / Act 2: "Chi guardi?"
La Bohème / Act 4: "Vecchia zimarra, senti"
La Bohème / Act 2: "Viva Parpignol!"
La Bohème / Act 4: "Sono andati? Fingevo di dormire"
La Bohème / Act 2: "Oh!...Essa!...Musetta!"
La Bohème / Act 2: "Quando men vo"
La Bohème / Act 4: "Che avvien?"
La Bohème / Act 2: "Chi l'ha richiesto?"
La Bohème / Act 3: "Ohè là, le guardie! Aprite!"
La Bohème / Act 3: "Sa dirmi, scusi, qual'è l'osteria"
La Bohème / Act 3: "Mimì!"
La Bohème / Act 3: "Marcello. Finalmente!"
La Bohème / Act 3: "Mimì è una civetta"
La Bohème / Act 3: "Mimì è tanto malata!"
La Bohème / Act 3: "Donde lieta uscì al tuo grido"
La Bohème / Act 3: "Dunque è propio finita!"
La Bohème / Act 4: "In un coupé?"
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