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Bruckner: Symphony No 1 In C Minor / Janowski, Suisse Romande Orchestra

Bruckner / Orchestre De La Suisse Romande
Release Date: 03/27/2012 
Label:  Pentatone   Catalog #: 5186447   Spars Code: DDD 
Composer:  Anton Bruckner
Conductor:  Marek Janowski
Orchestra/Ensemble:  Suisse Romande Orchestra
Number of Discs: 1 
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Notes and Editorial Reviews

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. 3641220.az_BRUCKNER_Symphony_1.html

BRUCKNER Symphony No. 1 (1866 version, ed. Nowak) Marek Janowski, cond; O de la Suisse Romande PENTATONE 5186447 (SACD: 47:08)

Of all Bruckner’s numbered symphonies, the First needs the greatest help from the podium. The music’s drama regularly exceeds its scale, so the Read more conductor must impose a clearly defined sense of structure and proportion. Marek Janowski is just the man for the task. His interpretations always work within strict, self-imposed limits of expression, and a level-headed approach to musical structure informs all his tempo choices. The results here can be occasionally frustrating, but for the most part, Janowski aids rather than hinders Bruckner’s expressive aims by setting his often wayward romanticism within a rigorous classical frame.


I’m sure that I’m not alone in feeling that most of Janowski’s recent recordings for PentaTone have been a waste of talent and resources. In both his Wagner cycle from Berlin and his Bruckner cycle from Geneva, the orchestral standards are exceptionally high (something Janowski himself should take some credit for), the casting in the Wagner is almost flawless, and the SACD audio is as fine as any you’ll hear. Yet the personality of the conductor is imposed on every bar, and in such a way that, if you don’t like his readings, you’re not going to get much musical satisfaction. Janowski’s approach is fashionably strict, with generally fast tempos and, more frustratingly, an apparent allergy to almost any form of rubato.


All those musical attributes are in evidence here, but for once their benefits outweigh their disadvantages. Janowski uses the Linz version of course—everything he is trying to do with this symphony is in direct opposition to the changes made in the Vienna revision—and while this is the most familiar version, the music is transformed into something sleeker and more efficient than we usually hear. Brisk, rigorous tempos in the first movement highlight the affinities to Schubert and even to Mozart. The various woodwind solos and string interludes in the inner movements can cause the work to lose its way in more relaxed interpretations, but Janowski is able to keep the focus throughout. And the tempos selected for the finale, many but not all of which are extremely fast, ensure an ideal balance between the monumental scale of the tuttis in the often-ignored requirements for direction and momentum.


The high standard of the orchestral playing ensures that less expression is lost than might otherwise be the case at this speed. The outer movement tuttis, rigorously paced as they are, all benefit from excellent orchestral tone, with the weighty sound of the horn section a particular asset. Similarly, the many phrases that Janowski stubbornly refuses to shape with rubato, particularly in the first movement transitions, retain their lyricism through the intensely musical playing of the strings.


Like everything that Janowski has recorded recently, this interpretation of Bruckner’s First is certainly distinctive. For once, that is not a wholly bad thing. If, like me, you’ve struggled to find much musical pleasure from his Bruckner or Wagner recordings, this might be the disc to help you to at least start changing your mind. It won’t be going anywhere near the top of my favorites list, and comparison with the greatest recordings results only in a list of idiosyncrasies and missed opportunities on Janowski’s part. But if you listen to this recording on its own terms, it makes a lot of musical sense. Janowski hasn’t quite squared the circle in terms of balancing this work’s modest scale against its huge expressive aims, but by toning down the latter he has come closer than most.

FANFARE: Gavin Dixon
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Works on This Recording

1.
Symphony no 1 in C minor, WAB 101 by Anton Bruckner
Conductor:  Marek Janowski
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: Romantic 
Written: 1865/1891; Linz, Austria 

Sound Samples

Symphony No. 1 in C minor, WAB 101 (1877 Linz version, ed. L. Nowak): I. Allegro
Symphony No. 1 in C minor, WAB 101 (1877 Linz version, ed. L. Nowak): II. Adagio
Symphony No. 1 in C minor, WAB 101 (1877 Linz version, ed. L. Nowak): III. Scherzo: Schnell
Symphony No. 1 in C minor, WAB 101 (1877 Linz version, ed. L. Nowak): IV. Finale: Bewegt, feurig

Customer Reviews

Average Customer Review:  1 Customer Review )
 Enjoyable Bruckner #1 April 18, 2013 By Gail M. (Goleta, CA) See All My Reviews "This is my first encounter with Janowski's Bruckner series with the Suisse Romande Orchestra. This performance is lively, accurate, and well balanced so that the inner voices are heard. The sound is very transparent, giving this Bruckner 1st one of the best available recordings. It is detailed without pulling up unpleasant noises from the players or the conductor, a sign that care was taken by all concerned. This is the early Linz score, not the Vienna revision. I'm surprised that this interesting symphony is not performed more often." Report Abuse
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